Gallery 25
BIEAF2025 - The Lost Center
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2025 participants. 641 artists were selected from 80 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 01 Artists and Works Slide * You can mark hearts on your favorite artists and works.
BIEAF2025 Invited Artist
Vlasta Mijac
Croatia
She graduated from the School of Fine Arts in the tradition of stone sculpture from Split in Croatia,where she was born.She has developed works of art into space for digital art paint.For the last decade she has exhibited her works of art as a member of International Art societies and groups.
After the Rain
Painting, Photography
Digital art painting,approx 60x60 cm;2024.2025.
The walking through the life,we are certainly not often in the position to seeing the magical moments of the our environments and the natural world. They are tiny and the special ones,sometimes visible and sometimes invisible.
When we have could to see all those wonders around ourselves,maybe those things have could be change our perspective and perception of our way of living.
BIEAF2025 Invited Artist
VU BACH LIEN
Việt Nam
-Artist Vu Bach Lien (born 1976, Hanoi), graduated from the University of Industrial Fine Arts, is a member of the Vietnam Fine Arts Association. - Author of 2 solo exhibitions (2008, 2018). - Works are present in the Vietnam Fine Arts Museum and many collections in Korea, the US, Norway, Thailand...
I came to the theme of “The Lost Center” with a painful feeling – about a world that is gradually losing its core: the human in its own humanity. My work is an open question about existence, originating from the anxiety in an era where technology and convenience have exceeded the threshold of service to become shackles for emotions. Even Love – the most private and sacred thing of mankind – is gradually digitized, turning into something that can be measured instead of felt.
I chose handmade paper, watercolors and monoprints – raw materials bearing the traces of hands – as a way to hold on to “humanity” amidst the industrial flow.
In the painting are two individuals: one headless – symbolizing the empty
body; the other with a robot motif – the embodiment of artificial intelligence. They are entwined between circles containing a tangled monochrome network – symbolizing the virtual space, where connections are dense but lack real emotions.
I'm not looking for answers, just sharing empathy – with myself, with you, and with those who are struggling to hold on to their lost center.
Do We Still Have Origins?
collage Hanji paper & Dó paper, collagraph printmaking, watercolor. 57x77cm, 2025
The work reflects a deep unease in the digital age, where humans increasingly depend on technology and lose themselves. A headless body and a robotpatterned figure entwine within tangled networks — symbols of distorted love and fading humanity. Through raw, handmade materials, I ask: how much longer can we hold on to our original human essence?
BIEAF2025 Invited Artist
Vu thi Bach Hoa
Việt Nam
Sculptor Vu Thi Bach Hoa was born in 1958, graduated from the sculpture department of the Hanoi University of Industrial Fine Arts, class of 1976-1981. Member of the Hanoi Fine Arts Association, member of the Vietnam Fine Arts Association I work with materials such as wood, stone, metal, ceramics... My artistic perspective is to return to, preserve, inherit and develop the cultural values of my nation. From stories such as Tien Dung and Chu Dong Tu, Quan Am Thi Kinh, Vu Dai Village in the past... I find inspiration in images closely associated with the Vietnamese people's consciousness, especially the images of women and children who appear frequently in my sculptures. No matter what material I use, I always aim for softness, femininity and flexibility to touch the depth of emotions, expressing the inner beauty of the characters in my works.
LOVE
Sculpture, 120x98cm Metal carving 2014
Tác phẩm "Miền ký ức" là tình yêu sâu lắng của tôi cảm nhận về sự duyên dáng tinh tế và nghĩa tình trong tâm hồn người Việt về một di sản văn hóa phi vật thể đại diện của nhân loại: dân ca quan họ Bắc Ninh ( đã được Unessco công nhận ) Với hình ảnh 3 liền chị quan họ trong trang phục áo tứ thân nón quai thao nghiêng nghiêng như đang bay trên nền mây bồng bềnh và cổng làng cổ kính. Khung cảnh nên thơ như cánh cửa mở ký ức về miền quê Kinh Bắc với những làn điệu quan họ trữ tình . Những đám mây không đơn giản là yếu tố tạo hình mà mang ý nghĩa dẫn dắt đưa người xem về nơi vẻ đẹp của chiều sâu tâm hồn văn hóa Việt . Tôi mong muốn tác phẩm sẽ lan tỏa vẻ đẹp độc đáo sâu lắng của của miền văn hóa quan họ trong đời sống văn hó đương đại đến với bạn bè quốc tế
BIEAF2025 Invited Artist
Vu Thu Phong
Vietnam
Artist Vũ Thu Phong is a visual storyteller whose work exudes both lyrical beauty and deep introspection. In her artistic journey, she doesn't merely depict nature; rather, she invites viewers into a space of emotion—where external landscapes echo the inner world of the soul.
The storm
oil on canvas/180x180cm/2023
The painting titled "The Storm" (“Cơn dông”) is a striking example of her sensitive approach. With a soft yet weighty color palette, the artwork captures the moment just before a storm sweeps across a quiet lake. The clouds twist like silk ribbons in shades of grey and blue, hinting at turbulence, while the water remains calm and reflective. A solitary boat rests at the shore, still and waiting—like a silent witness to nature’s quiet upheaval. Vũ Thu Phong’s paintings are never loud or dramatic, yet they resonate with subtle emotional depth. They speak of solitude, of our silent connection to the world around us, and of fleeting moments of stillness that each of us has known.
BIEAF2025 Invited Artist
VU THUY MAI
VIET NAM
991 The state university of New York The college at New Paltz : basic stone lithography. 1993 BFA Hong Ik University, majored in printing making. 1996 M.Ed Ewha Women’s University Graduate School of Education 2024 Busan Women Artists 50th Commemorate exhibition. 24-23 Solo exhibition print. 2022 korea Contemoprary Fine Art Exhibition/ A Promised land. 2022 4th Ulsan Asian Prints Exhibition. 2021 BAMA(Busan Annual Market of Art) Gallery UD
peaceful morning
watercolor on silk\70 x 50 cm\ 2025
I draw what is most familiar and closest to me !!!
Works “Peaceful Morning”, “Pink Room”, “And Sweet Memories” Part of the “Peaceful Memories” series of paintings inspired by the author’s own feelings about the familiar things around him in his daily life.
Early mornings, quiet moments of looking at the surrounding living space, nature, grass, trees, flowers, listening to the sound of roosters crowing, the sound of cuckoos, the sound of white-rumped shama calling each other, the chirping of sparrows nesting right in front of the house… things that seem very simple but we often forget due to the busy, urgent life or are overwhelmed by the sound of vehicles, the noise of construction sites, houses under construction. Things that today we think we only see in the memories of our childhood, in our hometown. Nature still exists around us, always very close, if we listen calmly, live a little slower, we can feel it.
BIEAF2025 Invited Artist
VU TUYET MAI
Viet Nam
I am an artist VU TUYET MAI. I had a love of drawing from young age. I choose to study and was graduated at Hanoi industrial fine arts university. After that, I worked and teached at the university of Hanoi industrial fine arts and often create paintings. Besides, I participated and was a member of the Vietnam fine arts association, Hanoi fine arts association. My works were displayed at the annual exhibition of Hanoi industrial fine arts university, Vietnam fine arts association, Hanoi fine arts association and national fine arts exhibitions. I participated in international exhibitions in Japan, UK and Hanoi art connecting-Asia art Link.
Spring in the highlands
Lacquer/ 50x71 cm/ 2025
On the winding trail around the mountainside, the footsteps of the spring are imprinted in the sound of birds singing. The mountain scenery is new, green and smooth in the sunshine. The flowers along the road also bloom, adorn the picture of nature. High mountain, wide sky, the village appears as a peaceful dots. Here, Spring is not only a scene but also a breath of life.
BIEAF2025 Invited Artist
Vuong Linh
Vietnam
Vuong Linh is an experienced artist based in Vietnam whose paintings have been exhibited nationally and in France. Inspired by impressionism that relates to nature and cubism that explores the theme of humans, her diverse compositions are created with the intention of conveying positivity. In addition, Linh advocates for the preservation of the environment and the earth's beauty through her works. She exclusively employs oils on canvas.
Harvest day
Oil on canvas/80x80cm/2023
“Harvest Day” In today’s chaotic world, the “center” feels increasingly lost—not just socially or environmentally, but within ourselves. This painting reflects a return to something essential: the golden rice fields of Vietnam, where time slows down and the soul remembers. The small white house—silent, solitary—anchors the composition as a quiet symbol of home, belonging, and the human need for grounding. Through warm, earthy textures and abstract simplicity, I invite viewers to reflect: what is the center we’ve lost, and where might we find it again?
As an artist, I see “The Lost Center” as a call to return to what truly matters—within ourselves, within nature, and within our shared humanity.
In times of crisis, art becomes a compass. It doesn’t solve the chaos, but it reminds us of presence, of beauty, and of resilience.
My work reflects this belief: that even in silence or solitude, we can find a sense of grounding. Through texture, color, and memory, I search for that lost center—and invite others to do the same.
BIEAF2025 Invited Artist
Wangyan
China
Wang Yan,born in 1982,is a teacher at the College of Arts,Harbin Normal University,and an appointed painter at the Youth Academy of Beijing Li Keran Academy of Painting,China.She specializes in exploring painting forms that adapt to the development of contemporary art and aesthetics from the perspective of a female painter.
Sweetie
Chinese painting materials 30x40cm 2024
I express objects from a fresh perspective, exploring painting forms that adapt to contemporary aesthetics. I sincerely convey the soul's perception of natural objects, pursuing natural expressions beyond traditional techniques. With "Sweetheart" as the theme, I present nature through the lens of subjective consciousness.
BIEAF2025 Invited Artist
Waqas khan
Pakistan
My name Waqas khan . From Sindh Hyderabad. I completed my bachelor in fine art . Miniature painting. Also participated in multi group show. I do photo graphy as a hobby .
The work. Of the photography is that to told the human being that wasting the money and also decreased the health of the gift given from the GOD.
Untiled
Photo graphy/ /2025
BIEAF2025 Invited Artist
Kin Whajoo
Korea
서간문(書簡文)
hanji & watercolor 100x73 cm
서간문(書簡文)
hanji & watercolor 83x43cm
독 ㅡ그리고 書簡文
hanji & watercolor 61x91cm
BIEAF2025 Invited Artist
Yaima Rodríguez
España
Artista plástica franco-cubana. Se destaca por resaltar en colores su mundo onírico con matices del alma. Sentimientos que se perciben a través de sus obras. Va contando historias en cada pincelada. Aunque ha estado alejada del mundo artístico sin exponer por mucho tiempo. Ahora regresa con mucha energía y con colores más vivos que nunca.
Letras al tiempo
Acrílica sobre lienzo
Letras al tiempo” es una pintura acrílica sobre lienzo que transmite una calma profunda, con una carga emocional que invita a la introspección. Es un intento sincero de capturar en la tela la evasión del alma: ese impulso de buscar refugio en la lectura y el mar, símbolos de libertad y serenidad. La composición es equilibrada y fluida. Los colores vivos y cálidos evocan un cielo tranquilo, como el de un atardecer que suaviza el caos interior. El personaje central parece suspendido entre la tormenta emocional y la paz buscada, reforzando la dualidad que atraviesa toda la obra. La técnica acrílica aporta textura y fuerza expresiva, dando vida a cada trazo y sumando profundidad al mensaje. La pintura tiene un trasfondo íntimo. Nace de una necesidad personal: la de escapar del ruido del mundo para reencontrarse en lo esencial. En ese gesto, se vuelve universal. Invita a desconectar, a parar, a leer, a respirar. “Letras al tiempo” no es solo una imagen, es un recordatorio: la tranquilidad sigue existiendo, aunque tengamos que buscarla a contracorriente.
BIEAF2025 Invited Artist
Yana Nersesova
Georgia
All of my artworks are an ideas, but everyone is out of frame, because idea in frame is not an idea anymore. So no frame, no borders, no hints - only me, me artwork and your fantasy.
Mors et Reincarnatio
Canvas, Mixed tsch, 89,5x113,6 cm
The painting depicts the process of reincarnation, unstoppable process of life and death, galaxy, energy, people, life and death – death and life again then transforming. This is all food for thought.
BIEAF2025 Invited Artist
YANGJIAWEI
China
杨嘉伟，哈尔滨师范大学传媒学院动画创作专业硕士，深耕艺术教育领域八年，专注商业插画设计研究。深谙多元绘画技法创新，以黑龙江浓郁的地域传统文化为创作根基，作品常蕴含冰雪文化、民俗风情等独特元素。近年，积极探索传统绘画与AI人工智能的融合路径，致力于通过技术赋能拓宽艺术表达边界。多次指导学生斩获各类绘画赛事奖项，注重理论与实践结合，深耕绘画行业市场应用研究，在科研领域持续探索插画的产业化路径，力求让艺术创作在时代语境下焕发新的生命力。
雾
桦树皮中国画 44x59cm 2024
《雾》以黑龙江省广袤的林海雪原为创作原型，将山林、树木与流动的雾气作为核心表现元素，巧妙融合中国传统绘画的笔墨意趣与当代视觉语言。画面以初雪景象铺陈开来，细碎的白雪如薄纱般覆盖在起伏的山峦与疏密交错的林间，既保留了北方雪景的凛冽清寂，又通过水墨晕染的技法赋予雪粒柔和的层次感。 雾气是整幅作品的灵魂所在，它并非静止的留白，而是以淡墨与水色的渐变，在山林间构建出流动的韵律。远处雾气与灰蓝相融，让连绵的山脊隐现于朦胧之中，墨色的浓淡变化勾勒出树木的参差形态，近处则被薄雪覆盖，笔触的细腻与留白的巧妙形成鲜明对比。色彩变化强化了画面的空间纵深感，更让初雪覆盖的林海雪原呈现出层次丰富的视觉韵律，仿佛能让人感受到雾气从远山蔓延至近林的流动感。 作品准捕捉了白山黑水的自然灵韵，以树皮为材料，融合传统非遗，又暗合了黑龙江林海雪原所承载的红色文化意涵，雾霭中屹立的山林，如同黑土地上坚韧不拔的精神象征，覆盖大地的白雪，恰似涤荡心灵的纯净力量
BIEAF2025 Invited Artist
Yea Ja Seo
Korea
세종대 회화과를 졸업하고 무슨 이야기를 표현하며 살것인가를 고민한 한 사람으로써 거대한 시간 속에서 질서를 유지하며 각각의 속성에 맞게 존재 해가는 자연 속에 서 기대어 살아가는 사람들 그리고 생명체들의 아름다움이 제 그림의 화두 가운데 하나입니다
이방인
종이 색연필/20x22/2025
발전과 발달 그리고 삶의 속도전 이런 크로노스를 내려놓게 하는 환경이 있다. 그들 의 독특한 문화 '천장' 오히려 경이롭기까지 하다. 발전과 발달 그리고 삶의 속도전 이런 크로노스를 내려놓게 하는 자연의 순응하는 삶을 사는 사람들, 진정한 삶의 시 간 카이로스를 옅보게 된다
BIEAF2025 Invited Artist
Yeasin Bhuiyan
Bangladesh
I am Yeasin Bhuiyan, from Noakhali, Bangladesh. Now i am living in Dhaka Bangladesh. I completed my MFA (Drawing & Painting) from Shanto-Marium University of Creative Technology. Currently, I serves as Senior Art Director at Mercari Asia, leading visual strategy and design for large-scale campaigns and productions.
Shape of Life-1
Materials: Mix Media on Canvas, Size: 36" x 36", Year: 2024
Shape of Life-1: The long, different shapes in this painting represent different tools of the Stone Age. At that time, people had to hunt for food. To protect themselves from hunting and predators, people used different types of tools, which were made of animal bones or stones, etc. This is reflected in this painting. There are some textures and abstract shapes in the background of the painting that open the door to the viewer's imagination. It is a kind of abstract expression of experience and feeling rather than reality. By looking at this painting, the viewer will encounter a kind of feeling. Through the shapes, they will understand about the different tools and human life of the Stone Age.
BIEAF2025 Invited Artist
Yang Yeoung jik
Korea
처음 광고를 시작했던 초심으로 그림을 그리며 힐링과 영감, 긍정적인 에너지를 전달하고자 모나미 볼펜으로 그림을 그리고 있습니다. 제가 여러 상황에서 느꼈던 경험과 추가로 전하고 싶은 메세지를 펜화 그림을 통해 담아내고 있습니다.
그림 속 곳곳에는 숨겨진 그림과 내용이 숨겨져 있습니다. 그림의 제목과 해설(도슨트) 내용으로 인해 틀에 갇힌 생각보다는, 관객분들의 시각으로 새로운 스토리를 만들어 보면서 나만의 시간과 공간을 사유하며 쉬어 보셨으면 좋겠습니다.
Festival
pen / 500x600(mm) / 2020
처음 광고를 시작했던 초심으로 그림을 그리며 힐링과 영감, 긍정적인 에너지를 전달하고자 모나미 볼펜으로 그림을 그리고 있습니다. 제가 여러 상황에서 느꼈던 경험과 추가로 전하고 싶은 메세지를 펜화 그림을 통해 담아내고 있습니다.
그림 속 곳곳에는 숨겨진 그림과 내용이 숨겨져 있습니다. 그림의 제목과 해설(도슨트) 내용으로 인해 틀에 갇힌 생각보다는, 관객분들의 시각으로 새로운 스토리를 만들어 보면서 나만의 시간과 공간을 사유하며 쉬어 보셨으면 좋겠습니다.
BIEAF2025 Invited Artist
Yohadong
Korea
Yohadong advocates non-action nature. It explores natural changes without artificial intervention and creates using various media such as analog and digital. It sets humans as a small element in the vast nature and expresses itself as an object of observation. It presents unique digital techniques to realize the natural cycle and intangible senses created by light through color. It has held four solo exhibitions including the 2016 Media Art Invitational and has participated in over 100 group exhibitions and invitations.
Lavender Forest
Digital Art/3840×2160/2023
At dawn, when darkness gradually clears, a mysterious purple forest unfolds.
The seasons pass over the scenery flowing in the fog. However, nothing leaves
the forest. This is because the forest holds the secret of healing. Nature is a
place where humans who are alienated by technological advancement can
find comfort. This work is characterized by a pictorial quality that resembles
an oriental painting, but the artist's unique digital drawing technique richly
expresses the mysterious changes in light.
BIEAF2025 Invited Artist
Yong joo Park
Korea
마음에서만 사회, 환경 경제 등 문제를 생각며 손에서는 생활주변 풍경을 담아내는 작가. 이제부터는 본격적으로 사회문제를 공부하고 표현해 보려고 함. 삶이 다할 때 까지 공부하려는 작가. 아직도 예술이 뭔지 모르는 작가. 그러나 꾸준히 찾아내려는 작가,
중심 찾아보기 searching for the center
watercolor on paper, 10호. 2022
BIEAF2025 Invited Artist
Cho Yong moon
Korea
재활용 골판지와 금속 분말을 활용해 환경과 인간의 흔적을 시각 화 하는 작업을 이어가고 있습니다. 무심히 버려진 재료에 시간과 손길을 더해 생명력을 불어넣고, 질서와 혼돈, 기억과 소멸의 경계를 탐색하는 조 형 언어를 구축하고자 합니다.
mapping of unconsciousness
골판지. 금속분말. 112x162cm,2025
버려진 골판지 위에 시간의 흔적을 입혔습니다. 철과 구리는 녹슬며 스스로의 빛을 지우고, 그 자리에 새로운 생명의 얼룩을 남깁니다. 본래의 쓰임을 잃은 재료는 자연의 손길을 빌려 또 다른 얼굴로 태어납니다. 해체와 생성이 교차하는 이 과정은 우리 삶과 닮아 있습니다. 작품은 폐기된 것들의 침묵 속에서 되살아나는 존엄을 말하며, 인간과 자연, 소멸과 재생이 하나의 숨결로 이어지는 생태 적 순환을 상징합니다
BIEAF2025 Invited Artist
Yong Sig Jang
Korea
산악사진가로 , 한국의 산을 주제로 개인전 3회 진행함. 단체전 18회 진행함.
조계산
Pigmet print/ 60x40 / 2024
조계산에서 바라본 백운산 방향의 이른아침 시간의 여명과 산 그리메을 나타냄.
BIEAF2025 Invited Artist
Yoon Dera
Korea
○ 홍익대학교 미술대학 동양화과 졸업 ○ 개인전 : 2000 – 2025 15회 (서울, 과천, 안양, 전주, 완주, 남원) ○ 기획 및 초대전 200여회 이 땅에 새 숨 展(한국소리문화의전당), 인천 아시아 아트쇼(송도컨벤션센타), 세계혁명예술제(전북대학교 삼성아트홀), G20 書畵刻 展(일백헌), 필묵지간展(홍콩한국문화원), 한일미술교류전(센다이대학미술관), 탄생誕生展(양평군립미술관), 전주세계서예비엔날레(한국소리문화의전당), Hongkong Art Work(홍콩), 서울국제아트페어(KOEX), 아트아시아(KOEX), 전통과 새 감성展(울산현대예술관), 畵歌-그리기의 즐거움展(한원미술관), 소재와 기법-전통을 보는 눈展(선바위미술관), 정글project, 아시아-쌀展, 아시아현대미술교류전(고양 어울림누리미술관), project이름( 미국, 홍콩, 태국 등), 근현대미술로 보는 풍자와 해학(알바로시자홀) 등
비키니소다-최종병기 그녀
가변설치_주철, 한지, 자개, 크리스탈레진
가로 105cm 2005년
BIEAF2025 Invited Artist
HwangYoonjin
Korea
스스로를 혐오합니다. 때문에 돌아보기 힘든 스스로의 내면을 타인에게 투영하여 바라봅니다. 타인의 아름다움에 매료되어 그들의 성공,실패,행복,절망을 표현하며 저의 내면을 담습니다. 인물을 주로 작업하며 재료의 한계를 뛰어넘고자 노력하고 있습니다.
물숨, 불안
물숨 - 장지에 채색 / 90.9x72.7 / 2024
불안 - 장지에 유화/ 130.3x*97.0 / 2025
불안 : 마음속에는 누구나 불안을 가지고 있습니다. 저는 특히나 미래에 대한 불안, 스스로에 대한 불신이 크기 때문에 매일 잘못될지도 모른다는 두려움을 가지고 살 고 있습니다. 그러나, 제가 약한 순간이든 강한 순간이든 저의 곁을 지켜주는 사람들 과 이야기하며 저의 불안은 사실 제가 생각해낸 ‘과한 불안’에 불과하다는 것을 깨달 았습니다. 불안을 유발하는 요소는, 때로는 너무나 크고 무서운 괴물 같아 보이기도 하고 심리적으로 나를 공격하는 끔찍한 사람 같아 보이기도 합니다. 하지만 밝은 빛 을 비추어보면 결국 그것은 스스로에 불과합니다. 세상의 현상을 받아들이는 것은 나 자신이므로, 불안은 내가 직접 만들고 내가 직접 나에게 꽂는 ‘칼’인 것입니다. 이 러한 의미를 담기 위해 우글거리는 그림자들이 사실은 빛을 비추면 저의 형상을 띄 고 있는 것처럼 연출하였습니다.
BIEAF2025 Invited Artist
Yoshibi Seri
Japan
Trees, birds, microorganisms, starry skies. I express something that cannot be expressed in words while feeling the miracle of being alive in this universe. Every year, I exhibit my works at the Hayakawa Gallery in Shimabara, Nagasaki Prefecture. At the 11th Takeo Takeo Memorial Japanese Children's Art Award, I received the Special Jury Award.
Dialogue
oil/F15/2023
When I talk to myself, I know that there is another me there. Even though I can only see what I am conscious of, I feel that the ocean of consciousness flowing at my feet is connected to the greater all.
BIEAF2025 Invited Artist
JUNG YOUNG HYUK
Korea
홍익대학교 일반대학원 동양화과 졸업 및 동대학원 졸업 현재 홍익대학교 게임그래픽디자인학과 겸임교수 개인전 4회 -LOTTE AVENUEL 본점 , 도쿄, 요코하마 등 ART COLOGNE(독일), KIAF 등 단체전 40여회 제18회, 19회, 20회, 22회 KIEAF 부산국제환경예술제 2020~2024 아트포럼인터내셔널
Combination
mixed on canvas/53.0×45.5
I wanted to draw something noble and something useless. I want to show you an unfamiliar harmony between the Korean-style and the game characters.
Gallery 26
BIEAF2025 - The Lost Center
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2025 participants. 641 artists were selected from 80 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 01 Artists and Works Slide * You can mark hearts on your favorite artists and works.
BIEAF2025 Invited Artist
Shin Young Jin
Korea
한남대학교 회화과에서 교수로서 20여년 후학을 지도하고 있다. 다양한 작품을 구 상하고 있지만 특히‘낮달-두고 온 산하- 시리즈’작품들은 일반적인 풍경화의 범주를 현대적으로 재해석한 ‘헤토로토피아’의 세계이며, 작가가 갈망하는 무릉화원(武陵畵源)‘의 서정적 공간을 만들고 있다. 전쟁으로 이분화된 이데올로기와 평화를 동시에 공존 시키며, 인류의 역사와 미래를 설계하고 물아일체(物我一體)의 삶을 제시하고 있다. 30년 전 압록강 2000리를 스케치하고 촬영한 이미지를 통해 고유의 예술 문화를 찾고 발굴하려는 의지도 엿 볼 수 있다.
낮달-두고 온 산하-압록강을 거슬러...
oil on canvas, 130cm x 130cm, 2025
신영진의 낮달-두고 온 산하- 시리즈 회화는 현실을 바라보는 작가의 역사인식이 탄탄한 내공으로 표상된 인문과 예술의 결합체라고 할 수 있겠다. 진지하고 겸손한 접근법으로 자연과 역사를 탐구하며, 특히 이 낮달 시리즈는 작가의 시선이 서정적 풍경으로 자연에 있으나, 그 외형보다는 이면에 내재된 역사를 추적하거나 현상에서 드러나는 진실 을 말하고 있다. 이러한 풍경은 땅의 역사를 환기하고, 현실을 응시하며, 다시 자연으로 환원시키며 만들어내는 헤테로토피아의 세계이다. 자연에서 대상을 선별하고 사실적으로, 때로는 비사실적으로 포착하여 화면에 제시함에도 재현 적 완결성은 물론 형태와 질료의 실험을 통해서 기존에서 보여지는 풍경화에서 더멀어지는 시뮬라크르의 풍경으로 제시하고 접근하고자 한다. 그럼으로 자연과 물아일체되는 삶, 전쟁이 없는 세상, 환경파괴가 없는 세상을 꿈꾸고 있다.
BIEAF2025 Invited Artist
Bang Young Me
Korea
I am a painter and the founder of a small creative studio called *Rosa & Garden*, located in Seogyo-dong, Seoul. My artwork is inspired by everyday life—nature, flowers, and animals—expressing the belief that the Earth belongs not only to humans, but also to all living beings. This time, I am presenting a new piece at the Busan International Environmental Arts Festival, continuing my effort to tell visual stories that honor the harmony between people, animals, and the natural world.
I deeply appreciate and support the Busan International Environmental Arts Festival for creating a platform where art meets ecological awareness. In a time of climate disruption and digital acceleration, such initiatives are more vital than ever. Thank you for giving artists the opportunity to contribute to a global conversation about sustainability and the future of our planet.
Morning in the Amazon
Oil on canvas / 90.9x72.7cm / 2025
This painting was created out of a deep concern for the global environmental crisis and a desire to speak through nature’s quiet beauty. By portraying a thriving rainforest filled with birds of all kinds, I wanted to remind viewers of the rich biodiversity that is rapidly disappearing due to deforestation and climate change. Each bird, each leaf, is a symbol of life we often take for granted. Through this work, I hope to evoke a sense of urgency—but also reverence. The rainforest is not just a distant landscape—it is part of our shared home. This painting is a visual call to protect what still remains, to live with more awareness, and to recognize that nature is not separate from us, but a vital part of who we are.
BIEAF2025 Invited Artist
Choi young soon
Korea
Daegu Catholic University of Korea Majoring in Western Painting 15 first solo exhibitions and booth solo exhibitions, 6 art fairs. Dozens of other invitational and team exhibitions. 2nd Daegu Artists' Day Young Artist Award Daegu Watercolor National Competition Art Exhibition, Seongsan Art Exhibition, judges, He served as a judge and steering committee member of the Gwangju Mudeung Art Exhibition. He served as the chairman of the steering committee of the 10th Palgong Culture and Arts Festival.
Mylife
Watercolor on paper/ 21cm×15cm/2024
Drawing works on the subject of everything in my life. By expressing everything I see and feel in my life in my work, I painted a watercolor painting of a pet that shares my life in this work.
BIEAF2025 Invited Artist
Young-Yi Hong
Korea
For me as an artist, nature is a source of inspiration. I enjoy walking, seeing, and feeling, and through my communication with nature, I work on the content of 'rest' by capturing the images and stories of life that have accumulated in my mind.
In the garden of God
Acrylic on canvas 2024
The theme is 'In Your Garden'. Your garden is also my ideal garden. I hope that this beautiful garden, where we live beautifully and nurture it, share beautiful thoughts and words, and pass on its beauty to the next generation, will become a peaceful and happy world.
BIEAF2025 Invited Artist
CHOI YOUNGHEE
Korea
A hydrangea painting. The painting that unfolds my isolated reality is the result of my experience. 고립된 나의 현실을 펼쳐낸 그림은 나의 경험에서 비롯된 소산이다.
A representation of the essence / 본질의 표상
Acrylic on canvas /90.9x72.7cm
중심을 버리는 것은 인간의 실행적 가치를 버리는 것이라고 생각한다. 중심은 인간의 무한한 가치가 완성되기 위한 촉매제 역할을 한다. 우연이 필연이 되어 하나의 요소로 작용하는 가치 속에 숨은 의미는 무엇이며, 인간의 가치는 보다 포괄적이고 방대하다. 그렇게 우리는 인류에 뒤섞여 살아가고 있다.
BIEAF2025 Invited Artist
Kim Youngman
Korea
I am a spatial installation artist who works with traditional Korean lanterns known as “love lanterns” (Ae-deung). Through collaborative exhibitions with artists from various disciplines, I engage in creative and innovative artistic practices that blend tradition with contemporary expression.
love for humanity
Craft, paper/30cm×30cm×30cm
"The 'Lantern of Humanity' is a work that embodies the spirit of love — a single light that connects all people around the world. Love is the universal language that transcends borders and cultures."
BIEAF2025 Invited Artist
Yuliia Stulnikova
Ukraine
Artist, designer and teacher. I work at the Khortytsia National Academy as a lecturer. At the same time, I am engaged in art and design practice. I am fond of vytynanka (paper cutting), graphics and printing, and I explore these arts comprehensively. Accordingly, I work on various projects related to these techniques.
Art is in crisis, so the center of balance has been lost. The balance between the creative impulse that is aimed at making money, and the one that is aimed at expressing oneself through one's own art.
"Inside the shell. AirCastle No. 3"
Canvas, acrylic paint, acrylic marker. 70/50 cm. 2025.
It is human nature to dream and build sandcastles or palaces in the clouds in our imagination. They are like mirages from the future, giving us the strength to overcome difficulties. This is where I get my inspiration. That is why the popular expression "castle in the air" is used in several of my graphic works.
BIEAF2025 Invited Artist
Yull Sun Lee
Korea
'끝이 없는 무의식의 알아차림'의 심리.철학을 기반으로 한 작품으로 지금, 현재를 알아차림으로 주관적인 시각이 아닌 객관적인 시각을 제시하는 작품을 하고 있다.
2025알아차림3-모란이 필 무렵
자연,인물,등/50cm원/2025
특히 정치적으로 힘들었던 시기였다. 2025 초 혹독한 추위를 뚫고 핀 벗꽃, 목련, 초 봄 모란을 통해 계절의 알아차림을 작품에 담고, 힘든 시기를 작품으로 표현하였다. 1. 벗 꽃 앤 딩 2.목련이 필무렵, 3.모란이 필 무렵으로 치열한 삶에서도 꽃들은 아름다웠다.
BIEAF2025 Invited Artist
Yun Bang
Korea
-First prize in Mixed Media part in American Artists Professional League 91st Grand National Exhibition (Salmagundi Art Club, New York, USA) -First prize in Western painting part in the 15th Nak-Dong Art Contest (Deagu, Korea) -Participated in invitation exhibits
Taurus22
Mixed media
My work expresses the spirit of the common people who silently move like a bull for the survival and well-being of the country in the form of a bull.
BIEAF2025 Invited Artist
Yuri Pismak
Ukraine
Yuri Pismak – graphic artist, painter, architect, art historian. Graduated from Odessa State Academy of Civil Engineering and Architecture with distinction (Majoring in Architecture). Participant of 210 art exhibitions (1984-2025); Author of 222 scientific papers (1996-2025); Honorary Worker of Culture of Ukraine (2021). Member of the National Union of Artists of Ukraine (2015).
Man and the Sea
Watercolor/ 23 x 35 cm/ 1998
My works are created with love for nature. Their author is a partisipant in the liquidation of the consequences of the Chernobyl disaster.
This is my first time participating in BIEAF. I want to worthily represent my country (Ukraine), which is now engulfed in war.
BIEAF2025 Invited Artist
ZAKIR ALI
Pakistan
Zakir ali, Fine artist Visiting lecturer in shaheed Benazir Bhutto Women University Peshawar, BFA in university of peshawar Born on peshawar In 1990
The lost center
Acrylic on canvas ,size 48 by 36 inches
In this painting, I have show a girl who looks like a queen. She is wearing a crown on her head and holding a lotus flower in her hands. The lotus flower stands for hope. This flower is linked to the ancient Gandhara civilization of Khyber Pakhtunkhwa and is very important in Buddhism. It is often seen with Buddha and is a part of meditation. That’s why I used the lotus to show hope in this artwork. Behind the queen, there is a golden circle (halo) shining around her head. It shows her purity and peaceful nature.
BIEAF2025 Invited Artist
ZAMAKOY
Reunion Island
Zamakoy is an artist from Réunion Island in the Indian Ocean. An adept of improvisation, which plays an important role in his artistic process, he focuses on themes such as cultural transmission, music, and the tropical island universe, with a particular attraction to portraits that embody life and humanity. While his island, Réunion, is a major influence, his artistic universe is not confined to its borders. He explores other shores according to his inspiration, travels, and imagination.
In a world in upheaval, we can find the basis of existence in Mother Nature.
She has survived many a cataclysm, she brings us serenity and beauty, and even if we mistreat her, she knows how to show us the best our Earth has to offer: life and harmony. By reconnecting with her, protecting her and celebrating her through art, we can see what's essential about our planet and where we need to go to reconnect with her.
Orange dream
acrylic on canvas, 81 X 100 cm
Koko Rouz
acrylic on canvas, 81 X 100 cm
It's Réunion Island that guides my brush, even when I'm not painting purely Réunionese themes.
It's the energy of Reunion that I try to store in my paintings, with its strong colors, which push me to use paints that are highly charged with quality pigments, the purest possible to make this energy burst onto the walls where they are hung.
BIEAF2025 Invited Artist
Zdenka Starcevic
Croatia
I have been actively painting since 2016, continuously improving my skills in art workshops or at the Academy of Fine Arts. I am an active participant in art colonies. I have exhibited in two solo exhibitions and in about fifty group exhibitions in Croatia and abroad. I am active in international virtual exhibitions and have received numerous recognitions and awards for my works.
"The Lost Center - Art in Crisis" - Art is not just a marketable product, it still has the ability to offer harmony and spirituality
Autumn rays of the sun
acril on canvas/50x40cm/2023
"Autumn and the sun's rays bring us hope for a new beginning."
BIEAF2025 Invited Artist
Zhang Junling
China
Born in Tangshan, Hebei province, 1972. Graduated from Zhengzhou Institute of Light Industry in 1995, majoring in art modeling. In 2006, co-found the 10 Room Art Space in Luoyang. Solo Exhibition 2023 Rhythm, curated by Zhang Tao, Art Granary Gallery, Beijing 2015 Infinite Entropy, curated by Xing Wei, Jiali Gallery, Beijing 2014 Divergences Partagees, curated by Huang Li, Vanke Cloud Art Center, Beijing
Draw
Oil pastels on paper works 900x1200mm 2015
On - site sketching of the repeated rehearsal trajectories of a single dance movement of the contemporary dance Tu Tu performed six times by the dancers. The process took thirty minutes.
BIEAF2025 Invited Artist
Zhang Minghong
China
Zhang Minghong, born in Jinan in 1971, is an artist and Great Wall scholar. He is a member of the China Artists Association, a researcher at the Li Keran Academy of Painting, a professor at the International College of the University of Science and Technology Beijing, a researcher at the Modern Ink Painting Institute of Capital Normal University, an expert at the China Great Wall Society Expert Database, a researcher at the Beijing Great Wall Culture Research Association, a distinguished professor at the College of Art of Bohai University, the Dean of Zhangqiu Traditional Chinese Painting Academy, the initiator of the Root-seeking the Great Wall project, the founder and project leader of the Root-seeking the Great Wall project of the China Overseas Talent Development Foundation, and a director of the Great Wall Branch of the China Tourism Association.
The East is Red
Ink on paper 200cm×200cm 2019
《The East is Red》Work Introduction : I am Zhang Minghong, the initiator of the Root-seeking the Great Wall project. My team and I have been exploring the Great Wall for over eleven years, depicting stories of border vicissitudes and descendants of garrison soldiers through my paintings. The Hexi region in northern Gansu features a majestic landscape—sparse populations, interwoven mountains, gobi deserts, and grasslands. Though the Silk Road camels and Great Wall beacons have faded into history, descendants of border guards still till the land in loess gullies. A rattling farm tricycle, loaded with wheat, a farmer's wife, and hopes for the market, bumps along mountain roads. 《The East is Red》 captures dawn when golden light bursts behind a beacon tower, illuminating a speeding tricycle. The vehicle seems to leap as farmers in the cart laugh and exclaim, with a goose formation flying past.The painting’s red sun symbolizes the light of life emerging from farmers’ chapped fingers and weathered wrinkles— a vital force breaking through hardship.
BIEAF2025 Invited Artist
Zobia kulsoom
Pakistan
I am Zobia Kulsoom, a visual artist from Pakistan with a passion for vibrant colors and expressive forms. I graduated with a degree in Fine Arts from Mehran University of Engineering and Technology, Jamshoro, in 2015. Since then, I have exhibited my work in galleries across Pakistan, showcasing my distinctive abstract style. My art reflects everyday life and its challenges, especially those faced by people in my country. Through bold colors and dynamic shapes, I strive to capture the essence of my subjects while leaving room for interpretation. My pieces are known for their energy and movement, often addressing themes of identity, culture, and social justice. In 2017, I won first prize in photography, followed by the Best Painting Award in 2018 at an event organized by Best Cement Factory. In 2023, I served as a judge at a prestigious painting competition at a federal government college in Rawalpindi, reflecting recognition of my expertise. Beyond art, I’m committed to social impact. I am a certified trainer with the International Labor Organization (ILO), working on the elimination of child labor in Pakistan. This dedication to social causes deeply influences my artistic vision. I am also a skilled graphic designer and illustrator, continuously exploring new techniques and creative tools. I see art as a powerful medium not just for expression, but for transformation of thought, of emotion, and of society.
BIEAF 2025 ‘The Lost Center: Art in Crisis’ reflects the deep disorientation of our current era. In a world where social, political, and environmental structures are collapsing or shifting, the 'center' once considered stable has been lost. This theme is an invitation to artists to explore chaos, fragmentation, and uncertainty. My interpretation embraces this moment not as a void, but as a space for reimagining truth, balance, and connection through art. In crisis, art becomes both mirror and guide a force that helps us rediscover meaning in a decentralised, complex world.
Untitle
Mix media, 16”x20”inches, 2024
As an abstract painter from Pakistan, my work is inspired by personal struggles, childhood trauma, and the everyday challenges of life. I use bold colors, textures, and shapes to express emotions that words often cannot. My art transforms pain into beauty, inviting viewers to connect, reflect, and find their own meaning. Each piece is not just my story, but a mirror of the shared human experience. Through this visual language, I aim to create space for healing, growth, and emotional dialogue—turning chaos into color, and silence into powerful expression.