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Gallery 19

BIEAF2025 - The Lost Center 

World Artist Invitation Exhibition

BIEAF Steering Committee announces BIEAF2025 participants. 641 artists were selected from 80 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.

Gallery 01 Artists and Works Slide * You can mark hearts on your favorite artists and works.

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 BIEAF2025 Invited Artist
Nupur Das
India

I am Nupur Das, a self-taught artist from Kolkata, West Bengal, India. I have been in this field for over 30 years. Working with nature has always been my forte, however, presently I have stepped into the world of abstract with a slight whiff of realism.

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Stagnation

Acrylic / 40x40 / 2025

The name of my work is “Stagnation”, which signifies the essence of today’s
society which is being destroyed by Man and vice versa. Naturally, the artistic
segment is also getting affected. Hence, the theme of the exhibition “The Lost
Center - Art in Crisis” can be aligned with this work effortlessly. Art and nature
are simultaneously connected to each other which offers inspiration to artists.
Both are interrelated in a web of exchanging care for each other that has
become stagnant currently.

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 BIEAF2025 Invited Artist
O Yemi Tubi (MOYAT)
United Kingdom

I am a Nigerian-born, American-trained Artist residing in the United Kingdom. I am an artist with personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art”, so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the Americanled war on terror. The exchange of missiles of words between President Donald Trump of America and Kim Jong Hu of North Korea provoked him to do the painting “The Chickens’ Fight.” “THE BLEEDING ROSE” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY”, and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. My works progress from political paintings to paintings of the facts of the lives of people. The theme of my works is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness, and sometimes it pricks and causes pain. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then, I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE” and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign”, to name a few. Roses are for achievements and other positive parts of life, and Thorns are for painful challenges and negative parts of life.

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Nurturing Our Planet

Oil on canvas / 40" X 32" / 2025

As a matter of urgency, we have to change the habit that causes climate change. The hourglass and the melting clock depict that time is slipping from our hands to save our planet for its future sustainability. This painting is done to advocate caring for the planet and the future generation. One of the causes of climate change is deforestation. This painting advocates planting new trees to replace trees lost to deforestation. The pregnant woman in the painting was done in my usual style of roses and thorns; it is painted green to call for a green planet. The breast milk spilling on the ground is to nurture the withered plants back to life. I painted a dove (the symbol of peace) on the left side of the painting. Wars are another cause of climate change. Fire and hazardous chemicals of war often destroy the ground and pollute rivers, seas and air. The negative effects of climate change are often felt in most African and Asia nations. Some of the industrial nations often ship their hazardous industrial waste to African nations. This is why I painted an African map as a crying face because climate change causes drought and famine, which consequently made many Africans die of hunger. This painting is done to advocate for caring for the planet and for the future generation. One of the causes of climate change is deforestation. This painting advocates planting new trees to replace trees lost to deforestation.

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 BIEAF2025 Invited Artist
OKUDA SHOGO
JAPAN

나는 시라하마의 테이블에 와인 글라스를 두었다
일면에 펼쳐지는 창해는
아득히 저 쪽의 하늘로 이어지고 있다
갯바람이 잘 통과해 유유히 흘러 가는 구름
찬란히 내리쏟아지는 태양 씨 안녕하세요
전망의 좋은 가이간도리가 있는 흰 모래사장
테트라 포드와 꽃과 상쾌한 블레이드의 풍력 발전
고래 등의 해변의 생물과 색 색인 해양의 건축과
해월과 같은 것도
나는 이 훌륭한 바다의 광경에
해안선에서 주워 모은 조개 껍데기를 뿌렸다
그러자 어디에선가 바다의 노래가 들려 온다
생생한 마음의 모듬곡이다
영원히 밀어닥쳐지는 기분 좋은 파도소리의 선율과 함께
나는 심상의 시(풍경)에 귀를 기울이고 있다

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Suite of the image scenery

Shell,Sand,Marker,Wooden board/W750×H500/2021

ATELIER建築家 奥田祥吾 Shogo Okuda 環境芸術学会 正会員 建築家フォーラム 正会員 1983年 東京都 出身 2004年 日本大学理工学部海洋建築工学科 卒業 2008年 武蔵野美術大学大学院造形研究科デザイン専攻建築コース 修了 2012年 建築設計事務所 設立 2022年4月~ 青山製図専門学校 非常勤講師 2022年7月 大正大学 ゲスト講師 2025年4月~ 大正大学 非常勤講師

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 BIEAF2025 Invited Artist
Olga Slobodkina-Tyszkiewicz von Brömssen
Russia

Olga Slobodkina-von Brömssen is an International award-winning art photographer, poet and writer. She began photographing in the 1990s. Since then she has created thousands of images. She did many solo shows in her home city Moscow, Russia, and participated in International group exhibitions at home and abroad. Only in 2023, she took part in 42 International Festivals and exhibitions (and got many awards at Viewbug.com and from International Art Groups as well as valuable certificates from museums), including her solo shows and did two video clips for the films of Paulo Duarto Filipe as well as her own films “My creative life” at you-tube. She got pages in the Russian press, Nigde newspaper and the New York Magazine “Waves and Runways”. Her style evolved from phantasmal landscapes to abstraction – single, multi-pieces compositions and series. She also pioneered a new direction in visual arts – The Art of Random Images. The best Russian art critics Natella Voiskunskaya and William Meiland wrote articles about Olga’s photo art.

Today not only Art is in crises, but life itself. What can we do? Give way to despair or go on creating and participating in International Art Events.The fture is closed for us. It may turn for better or worse. But whatever happens I'd like to be an artist and a poet until the very end...

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REFLECTED

Art photo/Any size/2024

These art photo are reflections of contemporary buildings in the wind-screen of a bus or a car.

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 BIEAF2025 Invited Artist
Omar Rodríguez da Silva
Spain

He devoted himself to painting, as his artistic career dedicated to painting in 2000 in the capital of Colombia, Bogota. It is through his artistic work that he becomes an eco-activist, Planting Environmental Awareness Ecological Amazon, in favor of the ecosystem, the ancient native peoples, which are in danger of extinction. Life and his works are an echo of the territory that saw him born and to which he conceives his work. Thus his works sensitize the people of the world awakening awareness, showing that we are in time to save, protect, preserve and care for the lung of the world, heritage of Humanity. Becoming the Artistic Ambassador of the Amazon. Our task is to maintain, preserve and recover this complex universe, which is the Amazon rain forest so that nature continues to provide food, oxygen, medicines and innumerable resources indispensable for humanity.

The work shows a small part of the reality in which the planet is in. Caused by the lack of consciousness of much of humanity.
With circles with a logo I call dreams, justice, education, union, recycling, wellbeing, our commitment to all. The two hands, man and woman on equal footing, with an open book are to invite you to learn from nature. But we are tiny beings almost insignificant, but with a great importance for the destructive cycle of greed, that for lack of knowledge and consciousness is ploughing for economic gain out of a World of minorities .

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World reality (2030 agenda dreams)

0il on linen/200x130cm/2023

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 BIEAF2025 Invited Artist
ÖZNUR ÖZTEMİR
Türkiye

I am an expressionist painter living in Turkey.In my works I listen to my ınstinctive ınner calls and express my intutive feelings through an expressionist style,usually working on canvas.

We are separating ourselves from the whole...
Everything exists intertwined...
We are destroying ourselves.

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Mu happy tulip

Painting  100x130  2007

My happy tulip İn a world
Where feelings no longer exist
To come alive To exist İn the color of a flower
To be the same
To meet as one

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 BIEAF2025 Invited Artist
Pablo Benjamin Nieto Mercado
Mexico

Pablo B. Nieto is a Mexican engineer and audiovisual producer whose work blends sound art, documentary, and experimental media. With 20 years of experience, he explores the relationship between technology, territory, and collective memory. His projects have been exhibited in over 20 countries and awarded by institutions such as FINI, Doc Society, and Bolivia Lab.

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Four Shadows Over Narvarte

Experimental documentary / 2025

An experimental video capturing three years of a plot’s transformation in Narvarte, Mexico City, from the artist’s window. With fractal editing and the sound piece Bloody Piglets, created by him, it evokes gentrification burying palms and hiding southern mountains. Inspired by Kossakovsky, it reflects on exile to Tultitlán and real estate speculation.

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 BIEAF2025 Invited Artist
Parimah  Heidari
Iran

Parimah Haidari, born in 1982 in Shiraz, Iran, with a background in Computer Software Engineering, explores a vibrant world of color and form through her art. Actively engaged in visual arts and painting, she employs a contemporary lens to capture profound human concepts and the inherent beauty of nature.Parimah Haidari masterfully uses diverse colors and techniques, creating works that are not only visually captivating but also invite viewers to delve into the hidden layers of life and emotion. Her art elegantly reflects the interplay between logic and creativity, serving as a bridge between the realms of technology and the boundless world of imagination and feeling. Her dedication to advancing art and culture shines through in every piece.

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Flow of Existence

Acrolic  30x30cm  2025

This painting is a meaningful piece that portrays a young woman beside a bountiful pomegranate tree within a natural landscape. In the center of the image, a woman in traditional attire is depicted; a loose white blouse with puffed sleeves and a long skirt in a combination of dark red and dark green, adorned with colorful floral patterns. She stands with dark hair and a thoughtful, perhaps slightly concerned, expression. Beside the woman, a sturdy pomegranate tree, laden with ripe, red fruits, stands majestically, casting a calming shadow over her. The pomegranate tree in Iranian culture symbolizes fertility, blessings, love, and life. The presence of the tree next to the woman could suggest a connection to nature, roots, or even protective qualities. A fallen pomegranate at her feet is also visible, which could symbolize nature's bounty or the cycle of life. The background of the painting features a desert or mountainous landscape, where an old, weathered structure, resembling a fortress or ancient tower, can be seen. This structure adds a sense of history and antiquity to the painting, creating a contrast between the greenery and vitality of the pomegranate tree and the timelessness of the ancient building. A blue sky with scattered clouds provides an open and expansive feel to the image. The painting style is a blend of realism and symbolism, harmoniously combining warm and cool colors to create an attractive contrast. This artwork invites the viewer to reflect on the human connection to nature, cultural roots, and the passage of time.

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 BIEAF2025 Invited Artist
Parisa Mobki
Iran

I work in the coffee style I have participated in many exhibitions and galleries, both dometic and international and donated one of my works to a South Korean museum

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Centrifugal

coffee  40x60cm  2024

Do you see inside him ? He loves you so much that he wants you to know his secrets . This work was created with coffee in 2023

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 BIEAF2025 Invited Artist
Parul Bhagat
India

Parul Bhagat – An Accomplished Artist and Mentor Parul Bhagat is a highly qualified professional artist with an extensive experience of over 30 years in the field of fine arts. A recipient of the prestigious Senior Fellowship Award from the Ministry of Culture, she has significantly contributed to the enrichment and promotion of Indian art and culture through her creative journey. She also serves as a visiting faculty at the Footwear Design and Development Institute (FDDI), which functions under the Ministry of Commerce and Industry, Government of India — a role that highlights her dedication to nurturing new talent and sharing her expertise with aspiring designers. Her artistic strengths lie in her mastery of watercolors, a medium she deeply cherishes for its transparency, fluidity, and ability to capture delicate nuances. Parul’s watercolor paintings often revolve around human expressions, Indian architectural elements, and street scenes rich in perspective. She has a unique eye for depicting the soul of Indian life, be it bustling markets, serene lanes, or emotionally resonant faces — all portrayed with vibrancy and sensitivity. Beyond her own practice, Parul Bhagat is passionate about community building in the art world. She regularly organizes and curates art exhibitions, offering a meaningful platform to both emerging and established artists. These exhibitions serve as opportunities to showcase talent, build networks, and promote cultural exchange, making her an important figure in India’s contemporary art landscape. Parul continues to inspire with her work, her teaching, and her efforts in uplifting the artistic community.

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Mahakumbh

Watercolor/15×22inch/2025

"Sadhu at Mahakumbh – Varanasi"
Bathed in the sacred light of Varanasi — the timeless city of Lord Shiva — this painting reflects the quiet intensity of a wandering sadhu during the Mahakumbh. Rendered in transparent watercolors on 100% cotton paper, each stroke flows like the Ganga itself, capturing the raw emotion, spiritual stillness, and divine rhythm of the festival. The artwork seeks not just to depict a figure, but to evoke the essence of faith, surrender, and the sacred pulse of one of India’s most powerful pilgrimages.

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 BIEAF2025 Invited Artist
Paula Reschini Mengoni
Argentina

Paula Reschini Mengoni is a spiritual artist recognized on several continents. A painter and draftsman, curator, and international organizer, she trained at the National University of Rosario, Argentina. Founder and director of the Armando S. Reschini International Museum of Contemporary Art. Member of the Catholic Union of Italian Artists of Rome/Victoria. Member of the Italia in Arte Academy of Lecce, Italy. Grand Ambassador of Arts, Sciences, and Letters of Paris (George V) and Woman of Valor of Brazil (Julieta Serpa Palace, Rio de Janeiro). Her work has been presented in biennials, festivals, exhibitions, and catalogs in Italy, France, Spain, Monaco, Swiss, the United States, Russia, South Korea, Brazil, Argentina, and more.

The Lost Center, Art in Crisis.
In the heart of God, where the purest and most beautiful love resides, natural timelessness is perceived as the eternal present. And this is the beautiful reality. A little lower, where the human spirit meets the soul, still vibrating with the sensation of peace, the idea of time can be seen as an evolutionary and ascending spiral, where man, close to his center, possesses benevolence, consciousness, feelings of love, and free will.
But the crisis of evolution and art stems in part from the imposition of the idea of linear time, where man, removed from his center and disconnected from the divine rhythm, wanders in the darkness of an illusory material time, which lulls, oppresses, and imprisons him. Destroying him. 

Art is a natural, timeless interdimensional key to the liberating expansion of unique gifts and talents. These have been endowed with a specific mission: to beautify and elevate humanity. Art is an instrument of reconnection that reanimates the unique vital essence, embracing humanity (a centered and healthy Divine work) on the mysterious journey toward light.

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The path of purity

Acrylic and pencil/20x30/2025

The path to purity.
A small space of heaven opens deep within the spirit in the light of a visionary bird in flight. The supreme beauty of genuine art caresses, from the highest point, the boundless limits of a precious human (and heavenly) life. The spiritual work of Paula Reschini Mengoni is the expression of the profound inner dialogue of the self at its core, without any hint or intention of escape. The Divinity of the instant of the found alive is the expansion of the essence of the surpassed soul and the mission accomplished, but also the recovery of the original memory of being a work, a child, and a creation of God. Free is the will to also be His instrument. And there can be only a sigh of relief that separates the arrival at the truth, and every step along the path is valid (even the retreat). The return home becomes uncertain but certain; the artist's wisdom lies in his friendship with the truth. Let the wicked, the perverse and the false be disturbed, the light of the concentrated spirit (pure human work) is the vibratory sword that helps separate good from evil (color does it, essence does it, as The Word does it well).

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 BIEAF2025 Invited Artist
Paulo Duarte Filipe
United Kingdom

BIEAF2025 'The Lost Center - Art in Crisis' is an event that caught my attention, right from the title "art in Crisis". Yes, we live in times of crisis. Very difficult times and constant challenges. Our duty, as artists and citizens, is to never give up and try to reverse the path of self-destruction that the world is following. Congratulations to the organizers of this event! Excellent project!

Paulo Duarte Filipe is an award-winning multidisciplinary artist in drawing, poetry and cinema, resident in England, but who was born in Portugal and lived his childhood in Angola. Sculpture, painting, drawing, portraiture, Raku ceramic, installation, poetry and prose, cultural promoter, live performance, curatorship, acting and cinema are the creative areas in which Paulo works. He is the founder of the post contemporary art movement "Peace and Art Society-PAS". Member of the jury of film and arts festivals. Filmmaking course at the University of Algarve, Portugal and London Film Academy, England, masterclass of cinema at the Lusofona University , Lisbon. His short film "Filipe" was selected by the Festival de Cannes, 2014 in the category of Short Film Corner. In 2019, Paulo was awarded with Augustas Carrer award and his feature film “Left hand Georges” got the award for Best Actor. His work belongs to private collections, galleries and museums. Paulo has been regularly interviewed by television channels (eg. Egypt, Brazil, Turkey, Spain, Portugal) newspapers and art magazines from different countries and continents. His last exhibition was at FLUX Exhibition, Marylebone road, London, 2024

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The Weight of Wisdom in Violet Silence

Digital illustration/ 16.88 cm × 20.83cm / 2025

This work is inspired by the current times in which we live, where virtual realities overlap truth and facts. We talk about peace, when what is behind this pseudo-desire is only greed and the unbridled search for more wealth and power. Everything is in crisis, from art to the most basic values of humanity, inclusiveness, equality and respect for difference.

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 BIEAF2025 Invited Artist
Peshala Premathilake
Sri Lanka

I am Peshala Premathilaka, an emerging artist who graduated from the University of Visual and Performing Arts Sri Lanka in 2019. I am currently pursuing my a r t m a s t e r ' s a t K e i m y u n g U n i v e r s i t y i n S o u t h K o r e a . As an abstract artist, I have developed a unique style. My work is defined by petal brushstrokes that lend a delicate, organic quality. My art is inspired by my life experiences, the natural beauty that surrounds me, and my vivid imagination. My best work comes from a place of deep personal connection. I create pieces that are both aesthetically pleasing and emotionally resonant. I have exhibited my art in some countries, including Sri Lanka, India, Nepal, Bangladesh, Japan, South Korea, Venice, and more. As a young artist, I seized every opportunity to continue my

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The Bloom Keeper

Acrylic on canvas /100x130cm

In this artwork, I created a girl holding a bright-colored flower bouquet. She is captured in a joyful, uplifting moment, surrounded by a background full of blooming flowers —dancing as if they are alive. The inspiration came from a dream where I was floating in a pond of flowers. I want to express that the girl has bright eyes and a positive spirit. Through her and her bouquet of wishes, I hope to convey a message of hope, joy, and positivity.

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 BIEAF2025 Invited Artist
Pham Nam
Việt Nam

Political pursuits, Wars
Technological developments regardless

of consequences.

The consciousness
of each individual affects the world around us.
Instability is right around

the corner, enveloping life
We

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Bất ổn

Acrylic canvas/ 78x115/ 2025

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 BIEAF2025 Invited Artist
PHAM NGOC MY
Vietnam

Phạm Ngọc Mỵ (born December 22, 1981, in Nam Định, Vietnam) is a prominent Vietnamese lacquer painter known for her dedication to traditional techniques and her poetic, emotional visual language. She grew up in an artistic environment—her mother was a skilled embroidery artisan—which nurtured her sensitivity to color, form, and detail from an early age. She graduated from the Nam Định College of Arts Education in 2003, earned her Bachelor's degree in Painting from the Vietnam University of Fine Arts in 2007, and completed her Master of Fine Arts in 2012. She has been a member of both the Vietnam Fine Arts Association and the Hanoi Fine Arts Association since 2012. With over two decades of experience, Phạm Ngọc Mỵ has become known for her expertise in traditional lacquer painting, especially the technique of layering gold and silver beneath layers of lacquer—often referred to as "burying gold, scattering silver"—to create depth, shimmer, and emotional nuance. Her work often focuses on subjects such as natural landscapes, women, children, and ethnic minority life. In March 2025, she held her first solo exhibition, titled “Nét son” ("Red Strokes"), at the Vietnam Fine Arts Museum in Hanoi. The exhibition featured 40 selected lacquer paintings from her personal collection of over 60 pieces, including large-scale works (up to 1.6 × 2.4 meters). Notable artworks include Biển Tĩnh Gia, Bản Mòn, Nếp nhà, Khởi sinh, Tắm, Sắc duyên, Nổi loạn, and Thanh xuân. In addition to her artistic practice, Mỵ is also an art educator. She taught at Hanoi College of Art and Hoa Binh University and has been teaching at Hanoi Open University since 2012. Her philosophy: “Traditional culture is demanding, but it endures,” reflects her commitment to preserving and renewing Vietnamese cultural heritage through lacquer art.

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Dawn Dance (Vũ điệu bình minh)

Traditional Lacquer/ Diameter 70 cm/ 2024

"Dawn Dance" captures the powerful image of a rooster rising into the fiery sky—a symbol of the father figure, the pillar of every home. More than that, the rooster embodies new beginnings, hope, and a fierce vitality. The painting draws deeply from traditional Vietnamese art, utilizing a bold palette of radiant yellows and reds to create a space that is both intense and poetic. At the heart of the composition, the rooster stands out in dynamic motion, surrounded by blazing clusters of red flowers—emblems of life, strength, and awakening. The canvas glows with vibrant orange tones, evoking a natural world in crisis. Fiery red patches suggest burning forests, rising global temperatures, and ecological collapse. Within the closed circle of life, every human act leaves its trace. Here, the rooster's crow is not only the herald of dawn but also a resounding call to awareness: Awaken. Protect nature—before silence takes the place of all living sounds. The artwork resonates as both celebration and warning, inviting viewers to reflect on the fragility of our environment, the urgency of action, and the enduring power of renewal.

BIEAF 2025, officially the 22nd Busan International Environmental Art Festival, adopts “The Lost Center – Art in Crisis” as its guiding theme, exploring the rupture of core meaning in both art and the environment. This festival invites up to 700 global artists—across painting, sculpture, photography, craft, design, and AI—to engage with urgent ecological and societal issues. The
theme reflects contemporary concerns: the erosion of humanity’s central place in cultural and natural ecosystems, exacerbated by globalization, environmental degradation, and technological dislocation. Each artwork is designed to evoke reflection and emotional response, serving as a reminder of crises facing our world and calling for collective action toward sustainability. With its expanded international reach and multidisciplinary scope, BIEAF 2025
positions itself not only as an environmental arts festival but as a philosophical forum that “praises the artist’s passion to do philosophy and try to find the question of the source in his art language,” inviting audiences to confront and heal our fractured world.

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 BIEAF2025 Invited Artist
Pham Thanh Nga
Vietnam

Artist Pham Thanh Nga, female, was born in 1974 and currently lives and works in Hanoi, Vietnam. She graduated from the Traditional Lacquer Painting Department of the Hanoi University of Industrial Fine Arts in 1998. She is a member of the Vietnam Fine Arts Association and a member of a Hanoi Fine Arts Association. Since childhood, I have had a passion for painting. After graduating from the University of Fine Arts, I have longed to express the beauty and love of life through the language of art. With recurring themes such as mothers and children, or metaphors like bridges and rivers, my work conveys pure love and the soulful essence of the Vietnamese spirit. My main medium is lacquer on dó paper, a traditional Vietnamese material. Whatever touches my heart with purity and sincerity, I strive to express it in my own artistic style. I have received several awards and have participated in many art exhibitions both domestically and internationally. Above all, the love and appreciation from the public who cherish my paintings continue to be my greatest motivation for creating art.

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The Crimson River

Lacquer/ 40x120cm/ 2024

The hustle and bustle of daily life with its worries and rapid pace is a constant current. Art, by contrast, is stillness; it is a distillation of life’s breath, imbued with reflection and nostalgia. The river is like the love of a mother and father deep, abundant, and never dry. Innocent children at play, grains of rice, sweet potatoes, each holds within it the dreams of the Mother River. I paint what surrounds me with a mother’s love, with the joy and longing of a child’s heart. Painting is my soul, and also a single drop of water within the soul of the Vietnamese people. I draw upon traditional materials such as lacquer, Do paper, and silk to express the emotional nuances of life’s continuous flow. Everything is transient, ever-changing in form from one moment to the next. Yet when seen through a lens of calmness and compassion, all things become beautiful and meaningful. Truth – Goodness – Beauty is the ultimate destination of every artwork. To paint is to be happy! It is a simple joy that arises from loving life, from cherishing each present moment. In that moment, the love of parents and the spirit of the homeland flow through the roots of tradition, breathing life into artistic creation.

Painting – A Lifelong Passion
Painting has been my passion since childhood. After graduating from the University of Fine Arts, I became deeply drawn to traditional Vietnamese materials such as dó paper and sơn ta—a type of lacquer made from the resin of the lacquer tree. The process is meticulous: paint, let it sit, wait for it to dry, polish, repaint, and repeat—layer upon layer.
I often traveled to the highlands of Northwest Vietnam to gather inspiration. The purity of the mountains and the sincerity of the ethnic people there nurtured in me a painting style that is innocent and pure.
In 2016, when my beloved mother fell ill and passed away, a profound awakening stirred within me. Love – A Mother’s Heart—from that moment on, my artworks became deeply imbued with a love for life. 

It was no longer just about innocence and purity, but something deeper that moved me—an urge to love more, to live more beautifully.
Through my art, I hope to help people understand each other better and inspire change—so that this world may become a better place.

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 BIEAF2025 Invited Artist
Pham Thi Nghia
Vietnam

Pham Thi Nghia was born in 1949 in Hanoi, VietNam. She graduated from Hanoi college of Industrial Fine Art, major in lacquer painting. Á member of Vietnam Association of Fine Art as well as Hanoi Association of Fine Art. The main fields she works on are lacquer painting, oil painting, silk painting, Do paper painting. She has participated in many national and international exhibitions and got some awards

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The Earth Goddess attends a feast in heaven

 Oil on canvas / 115x115cm/ 2020

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Together

Oil on canvas/ 90x120cm/ 2023

Combining two surrealist and abstract painting styles to talk about a happy life theme that always accompanies every perspective on art.

The Earth Goddess attends a feast in heaven

Oil on canvas / 115x115cm/ 2020

The Earth Goddess is a fictional character. Her participation in a banquet with peoples from around the world symbolizes peace on Earth. The banquet taking place in the clouds reflects the author's sense of freedom and imagination, as well as the ethereal image of the Earth Goddess

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 BIEAF2025 Invited Artist
Pierre FOLIO
Reunion

As an artist, The Lost Center – Art in Crisis resonates deeply with my work. In a fragmented world, I use my KanÖÖt figures to reflect a universal longing for unity, identity, and peace. Through playful forms and bold contrasts, I explore how art can reconnect us to what’s essential—our shared humanity.

Pierre Folio is a Réunion Island artist who creates KanÖÖt—vibrant toy art figures blending nostalgia, pop culture, and cartoon spirit. His unique style fuses recycled materials, clean design, and playful emotion.

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KanÖÖt "Color the World"

ABS/ 13x13x25cm / 2025

KanÖÖt "Color the World" is a symbolic piece by Pierre Folio. Half raw, half
splashed with vibrant colors, it represents the diversity of human beings—
different on the outside, yet fundamentally the same. The word “PEACE”
across its eyes highlights that peace begins with embracing our differences.

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 BIEAF2025 Invited Artist
Pierrette Ambassa Atangana
Cameroun

Ambassa Atangana Pierrette née le 18 janvier 2000 à Yaoundé est une artiste plasticien. J'ai suivi mon rêve à l’institut de formation artistique de Mbalmayo (IFA), puis en poursuivant mes études à l'université de Yaoundé 1. En tant qu'artiste j'explore des thèmes profonds et variés qui émanent de mon environnement immédiat.

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Liberté Intérieure

Aclylique sur toile. 100,5/78/2025

L'oeuvre représente une créature fantastique. Les couleurs vives comme le bleu et le noir créent une ambiance captivante. La créature avec son long cou et sa tête d'oiseau, symbolise la quête de la liberté. Les motifs en points et en tourbillons ajoutent de l'intérêt visuel, tandis que le fond blanc permet à la créature de se démarquer.

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 BIEAF2025 Invited Artist
Pilar Catalán
España

Artista multidiciplinar, su trabajo visual se ha venido desenvolviendo en el grabado, la pintura, los medios digitales, el videoarte y la poesía y sus expansiones visuales fundamentalmente, asi como en la teoría y crítica de arte, escribiendo textos y artículos para revistas y publicaciones

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Coreografía. Geometría sustentable

Papel, 50x44,99cm

Experimenta en las confluencias interseccionales en las que su trabajo se centra entre ciencia, tecnología, historia, biología, naturaleza, cultura, política y feminismo, y sus planteamientos fundamentales para nuevas corrientes feministas, como los estudios ciberculturales y lo que años más tarde se denominó posthumanismo.
Nos introduce en una particular gramática visual, gráfica y sonora en la cual las grafías, los trazos previos a ser conjugados, muestran una nueva narrativa que espera a ser compuesta.

 Las imágenes corresponden al vídeo Coreografía 555. Geometría sustentable,  seleccionado en Itsliquid International Art Fair de Londres (2024), en el cual toma al cubo como geometría central de la pieza, dotándolo de movimiento, desestimando su estabilidad, cuestionándola, como ocurre en la vida, a la vez que se refiere a la numerología y sus significados simbólicos.  

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 BIEAF2025 Invited Artist
PILAR VIVIENTE
Spain

Pilar Viviente (1958) is an internationally recognized multimedia and multidisciplinary artist from the Reflexive Generation (1990s). With over 200 exhibitions worldwide since 1985, her pieces are held in major collections, including MACBA, and featured in galleries in Spain and abroad. She is also an accomplished academic, professor at UMH since 1998.

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BIEAF Broadway Butterfly1.

BIEAF Broadway Butterfly 2.      BIEAF Broadway Butterfly 3.

Digital Art on canvas / Variable / 2025

Among the latest artistic representations of the RODETE project are the Broadway Butterflies. Here is the need to recover in our culture both the archetype of the Goddess, the divine feminine, as well as the respect and love for Mother Earth, Gaia.

This is the ultimate meaning of my ecofeminist work:
Environmental awareness and respect for Mother Earth. That means making peace with nature, but also between cultures. An inclusive world at peace with nature can ensure that people enjoy better health and the full respect of their human rights so they can live with dignity on a healthy planet.

Tell us about BIEAF2025 'The Lost Center - Art in Crisis  :

In a world shaken by climate disruption, cultural breakdown, and digital overload, the center is environmental awareness and respect for Mother Earth. That means making peace with nature, but also between cultures.

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 BIEAF2025 Invited Artist
Pluszczewicz-Fornal Agnieszka
Poland

Agnieszka Pluszczewicz-Fornal, born 1992 in Zabrze Visual artist, interior designer, designer of industrial forms, teacher. Graduate of the Comprehensive School of Fine Arts in Zabrze with a specialisation in applied techniques - interior decoration (2011). Graduate of Interior Design at the Faculty of Architecture at the Silesian University of Technology in Gliwice (Bachelor of Arts 2014, Master of Arts 2016) and graduate of Industrial Design at the Academy of Fine Arts in Katowice (Master of Arts 2018). She is currently a PhD student at the Faculty of Architecture at the Silesian University of Technology in Gliwice, an art instructor and an active artist and interior designer. Her professional experience includes working as a teacher of vocational subjects, working as a product designer, interior designer, assistant - academic teacher in a group of research workers, designer and maker of wall paintings in restaurant interiors. Member of the Association of Polish Artists in the Gliwice-Zabrze region. Participant of numerous workshops, national and international exhibitions, winner of numerous design and art awards. Creates painting and drawing sketches, oil and acrylic paintings, collages.

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Dualis

Ceramics (porcelain stoneware) / dimension: 12x5 cm (each) / 2022

Dualis is an abstract ceramic sculpture that harmoniously combines tradition with modernity. Its irregular form, obtained by casting, stands out with its pure white colour and subtle sheen given by glazing. The smooth, reflective surface contrasts with the natural linen cord that wraps around the composition, giving it an additional symbolic dimension. The sculpture consists of two separate but interrelated elements. Each represents an individual entity which, despite its differences, finds a common point of contact with the other. Subtle differences in detail emphasise the uniqueness of each form, while at the same time revealing their complementarity. The cord connecting the two elements symbolises dialogue and a thread of understanding, which can take on different meanings depending on the individual interpretation of the viewer. The process of creating the sculpture involved casting porcelite in a handmade plaster mould consisting of three elements. The first firing was at 880°C, glazing with white, shiny glaze, and re-firing at 1250°C.

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 BIEAF2025 Invited Artist
Pol Peiró Navarro
Spain

Pol Peiró Navarro (Premià de Mar, 1994) is an artist graduated in Fine Arts from the University of Barcelona and specialized in painting. His work has been exhibited in several museums and institutions in his territory, both nationally and internationally. In parallel to his pictorial activity, Pol Peiró teaches arts in Compulsory Secondary Education; he has worked as an illustrator in the publishing sector; runs his own creative workshop, l’Andana, and participates in artistic programs and activities for groups at risk of social exclusion.

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The skin surface

​Mixted media on canvas

30x65cm   2025

This piece explores the deep connection between humans and nature. It
presents a visual close-up of the skin’s surface—specifically the wrinkles on
the hands. These lines form folds that evoke tree roots, rocky surfaces, and
the textures of the Earth itself. Through this work, I aim to express the
profound interrelation between humanity and the natural world, and to
highlight the importance of living in harmony with our environment.

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 BIEAF2025 Invited Artist
Poung Young Kwak
Korea

곽풍영
TV-CF와 기업홍보 영상을 제작 프로덕션에서 영상 감독을 시작하면서 사진과 영상으로 현재까지 활동하고 있다. 1999년 소형항공기 면허를 취득하고 항공사진을 시작하였다. 한국의 산하를 누비며 촬영한 항공사진들은 하늘에서 바라본 인간과 자연의 공존의 모습을 아름다운 색상과 기하학적인 형태미로 표현하며 신비롭고 조화로운 우리 삶의 단면을 보여주고 있다. 2019년 2020년 2년 연속 한국공항공사 캘린더 사진가로 선정되기도 하였으며, 이탈리아, 스페인, 크로아티아, 우크라이나, 폴란드, 루마니아, 프랑스, 일본, 중국, 미국, 한국에서 50여회의 그룹전과 13회의 개인전을 개최하였다.

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Codes hidden in the Non

Pigment Print on the Paper / 111.76 x 111.76cm / 2021

나는 하늘 위에서 땅을 내려다보는 일이 마치 새로운 언어를 읽는 일처럼 느껴졌다. 드론을 통해 바라본 한국의 논과 밭은 단순한 농경지가 아니었다. 그것은 인간의 손길과 자연의 시간, 그리고 계절의 흐름이 짜낸 거대한 직조물이자, 무의식의 리듬이 만들어낸 시각적 코드였다. 이 프로젝트 「논의 숨은 코드」는 우리 일상 속에 너무 가까이 있어 오히려 무심히 지나쳤던 농경지의 풍경을 낯선 시선으로 바라보고자 시작되었다. 위에서 바라본 땅은 마치 수학적 패턴처럼 정교하고, 때로는 추상화처럼 감각적이다. 색의 변화, 질감의 대비, 작물의 성장과 수확에 따라 변모하는 땅의 표면은 사진이 아니라면 포착하기 어려운 일시적 조형물이다. 이 작업을 통해 ‘풍경을 찍는다’는 개념을 넘어, 땅과 시간, 노동과 자연이 만들어내는 숨은 질서를 읽어내고자 했다. 드론은 나의 눈이자 붓이 되었고, 한국의 논과 밭은 캔버스가 되었다. 우리는 이 땅을 살아가지만, 정작 이토록 아름답고 정직한 패턴들이 우리의 발 아래 있다는 사실을 잊고 산다.

「논의 숨은 코드」는 단순한 기록이 아니라, 땅이 들려주는 시각적 언어를 해독해 보는 하나의 시도이다. 그 안에 담긴 조용한 아름다움, 그리고 농업이 만들어낸 질서와 조화를 사진이라는 매체로 전달하고 싶었다.

Gallery 20

BIEAF2025 - The Lost Center 

World Artist Invitation Exhibition

BIEAF Steering Committee announces BIEAF2025 participants. 641 artists were selected from 80 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.

Gallery 01 Artists and Works Slide * You can mark hearts on your favorite artists and works.

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 BIEAF2025 Invited Artist
Prasun Roy
India

Artist Statemen: In an era marked by displacement, artificial dominance, and ecological collapse, we are witnessing a profound unraveling — not just of ecosystems and structures, but of meaning itself. The “center” — that quiet axis of memory, connection, and shared understanding — is eroding before our eyes. What disappears is not solely material; it is the slow fading of collective memory, the loss of inherited certainties, and the fraying of the fragile, essential bond between humanity and the natural world. Yet even as the ground beneath us shifts, art endures. It remains as both witness and refuge — a vessel of memory and a force of quiet resilience. Art does not merely survive in times of upheaval; it transforms. Through it, we remember, we resist, and we reimagine. My practice is rooted in this belief: that in the face of fracture, art holds the power to gather the pieces — not to restore what was, but to create space for something new. Materials such as bricks, stones, rubber, and fiber — elements central to my practice — carry a symbolic weight that transcends their physicality. Bricks and stones, in particular, are often seen as remnants of destruction or agents of construction. In my work, they embody both. They are time-worn witnesses — bearing silent testimony to what has been lost — and yet, they suggest endurance, structure, and potentiality. These humble, tactile substances become sites of meaning, mediating between decay and resilience, between history and possibility. My process is as much philosophical as it is material. Influenced by Stoic thought, Gandhian simplicity, and the poetics of urban decay, I engage with themes of existential uncertainty, transformation, and renewal. I do not see art as a medium for resolution, but as a space for encounter — where contradictions coexist and questions remain open. In that space, the viewer is invited not to consume meaning, but to participate in it. Art, in this sense, is not a conclusion but a threshold — a place where silence speaks, where absence becomes presence, and where rupture gives rise to reflection. It is a slow, contemplative architecture — one that scaffolds recovery, not through grand gestures, but through quiet persistence and imaginative empathy. Creating art is, for me, a deeply introspective journey. The act of making becomes a mirror through which I navigate my own inner terrain. Often, the process reveals aspects of myself I had yet to recognize — thoughts, emotions, or questions buried beneath the surface. In this way, art becomes not only a response to the world outside but a way of listening inwardly with patience and clarity. As artists, we are not meant to conform to dominant narratives or aesthetic trends. Our responsibility is to remain alert — to see, to feel, to question, and to give form to a vision that is uniquely our own. In doing so, we contribute to a shared language of truth and transformation — one that honors both our personal journeys and our collective future.

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ETERNAL GUARDIANS OF RENEWAL

MEDIUM:ACRYLIC,RUBBER,ACRAMINE DYE ON COTTON CANVAS
DIMENSION: 54X42 ‘’(137X107 CMS) YEAR OF EXECUTION: 2024 &25

Brief Description of the Painting: Eternal Guardians of Renewal unfolds a richly textured, time-worn terrain where towering crimson monoliths—reminiscent of weathered, ancient sentinels—rise from a field of intricate white growths. The cracked surface and earthy hues evoke a sense of erosion and abandonment, while ghostly insects drift across the canvas like fragile echoes of memory. Through the layered use of acrylic, rubber, and acramine dyes, Prasun Roy conjures a haunting dialogue between decay and resurgence—where the remnants of a forgotten past stand as silent custodians of enduring renewal. Brief Description of the Painting: The Burden of Scars evokes a haunting, visceral landscape marked by erosion, memory, and silent suffering. A weathered tree branch—pierced with red gashes—emerges like a wounded relic across a distressed surface. The textured layers of acrylic and rubber on cotton canvas create an atmosphere of turbulence and tension. K Prasun Roy’s composition speaks to the enduring imprint of trauma, where nature and history converge as carriers of pain and quiet resilience.

BIEAF2025 'The Lost Center - Art in Crisis' : In an era marked by displacement, artificial dominance, and ecological collapse, we are witnessing a profound unraveling — not just of ecosystems and structures, but of meaning itself. The “center” — that quiet axis of memory, connection, and shared understanding — is eroding before our eyes. What disappears is not solely material; it is the slow fading of collective memory, the loss of inherited certainties, and the fraying of the fragile, essential bond between humanity and the natural world. 

Yet even as the ground beneath us shifts, art endures. It remains as both witness and refuge — a vessel of memory and a force of quiet resilience. Art does not merely survive in times of upheaval; it transforms. Through it, we remember, we resist, and we reimagine. My practice is rooted in this belief: that in the face of fracture, art holds the power to gather the pieces — not to restore what was, but to create space for something new.
Materials such as bricks, stones, rubber, and fiber — elements central to my practice — carry a symbolic weight that transcends their physicality. Bricks and stones, in particular, are often seen as remnants of destruction or agents of construction. In my work, they embody both. They are time-worn witnesses — bearing silent testimony to what has been lost — and yet, they suggest endurance, structure, and potentiality. These humble, tactile substances become sites of meaning, mediating between decay and resilience, between history and possibility.

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 BIEAF2025 Invited Artist
Rabia Kadmiri
Germany

I'm Rabia Kadmiri Artist from Germany, Born in Casablanca Morocco. I have participated in several International exhibitions in Italy,where I won the Leonardo Da Vinci Award in 2020. Südkorea Ecuador, Columbia, Venezuela, Egypten and French,and participated with you in 2023 . I Work in Canvas , Papier and Wood, unsing various techniques, including water, and oil.

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The depths

Acrylic on Canvas 2021

Given the danger that oceans and seas are Exposed to due to Pollution, which leads to the death of a number and species of fish, 
I dream of a day when this danger will disappear and we will See the depths of the ocean and wonderful fish living in safety, Decorating Nature.

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 BIEAF2025 Invited Artist
Rafael Romero
Spain

RAFAEL ROMERO develops his artistic Work in the field of the painting from does more than forty years. His work has been showed until the actuality in 59 occasions individually and more than 150 collectively in public and private Institutions national and International. Rafael Romero is at present artist of the Galleries María Nieves Martín (Badajoz. Spain), Arbre Bleu d' Essaouira (Morocco), The Cerverina d'Art (Cervera. Spain), Ismes of Vilanova i the Geltrú (Barcelona. Spain) and“In der Mühle”Schornbach (Germany). His work finds in different collections and museums in Spain, Itália, Romania, Slovakia, Argentina, Morocco, Tunisia, Uruguay, France, Portugal, Ireland, Singapore, China, Mongolia and Korea. Rafael Romero is chair of Art in the University of Barcelona.

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Bird

Acrylic on paper  40x40cm  2025

In a simple bird, can see , in his plenitud vital, the health of all our planet. In the last years, have painted near 10.000 birds that have been exposed in different places of the world, also given to the citizens in return that they also draw and believe his birds. Draw birds and share them fisicamente and virtually in the social nets, is a beautiful paradigm, in a will of the responsible citizens in the ecological that work by a better planet.

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 BIEAF2025 Invited Artist
Rafaela Cespedes Balongo
SPAIN 

RAFAELA CESPEDES BALONGO, an accomplished artist, adeptly communicates deep, limitless emotions through a fusion of expressionism and symbolism. Using diverse brush strokes, she dynamically portrays emblematic images infused with imaginative subtexts about the surrounding world. Recognized by Master Michael Lam, a top international art consultant.

RaFaELA CESPEDES BALONGO STANDS AS A BEACON IN THE REALM OF ART, HER WORK TRANSCENDING TRADITIONAL BOUNDARIES TO ENCAPSULATE A SPECTRUM OF PrOFOUND EmOTiONS. WITH A MASTERFUL COMMAND OF EXPRESSIONISM AND symbOliSM, she creaTES a ViSUAL LANGUAGE ThAT SPEAKS VOLUMES ABOUT THE IntriCaCieS oF the human EXPEriEnCE aND THE WORLD AROUND US. THE CANVAS BECOMES HER PLAYGROUND, WHERE DIVERSE BRUSH STROKES CONVERGE TO GIVE LIFE TO EMBlEMATIC IMAGES. EACH STROKE TELLS A STORY, WEAVING TOGETHER A TAPESTRY OF EMOTIONS THAT RESONATE DEEPLY WITH THE VIEWER. BALONGO'S ABILITy TO MELD THE ABSTRACT WITH THE CONCRETE ALLOWS HER ART TO sERVE AS A miRrOR rEfLECTING THE COMPLEXITIES OF THE HUMAN SOUL IN hEr aRtiStiC Journey, balongo Goes beyoND MERE REPRESENTATION, DELVING intO the realmS oF imaginatiON AnD syMBOLISM. HER CREATIONS ARE NOT JUST visuAL ARTIFACTS; THEY ARE WinDOWS INTO ALTERNATE REALITIES AND CARRIERS OF SUBTLE, PROFOUND MESSAGES. THE OBSERVER IS INVITED TO DECIPHER THE HIDDEN suBTexTS, TO EXPLORE THE LAyERS OF MEANING EMBEDDED IN EVERY STROKE AND HUE. thE Fusion oF expressionism and symBOliSM iN BALONGO'S WORK IS A tEStAMENT TO hER MASTERY OVER THE MEDIUM. IT IS NOT MERELY ABOUT THE strokeS on the canvas; it is abOUt thE enERGY tHEy CONVEY, THE EMOTIONS thEy evoke. eaCh piECE iS a dialOGUE BETWEEN THE ARTiST AND THE OBSERVER, A siLENT CONVERSATION WHERE UNSPOKEN FEELINGS FIND EXPRESSION. AcKNOWLEDGING thE siGnificanCE OF baLONGO'S WORK, MASTER MICHAEL LAM, A TOP iNTERNATiONAL ART CONSULTANT, RECOGNIZES THE UNIQUE CONTRIBUTION SHE MAKES TO THE ART WORLD. HER abILiTy tO TRANSCEND CULTURAL AND LINGUISTIC barriERS rESONaTES ON A GLOBAL SCALE, MAKING HER A TRUE LUMINARY IN THE CONTEMPORARY ART SCENE. in concLuSiON, raFaELA CESPEDES BALONGO EMERGES AS AN ARTIST WHO GOES BEYOND thE surfaCE, dElVING iNTO ThE DEPtHS OF HUMAN EMOTION AND THE intricacieS of our existence. her fusion of exPreSSiOnISM AND SYMBOLISM crEATES A ViSUAL SYMPHONY THAT CAPTIVATES AND CHALLENGES THE OBSERVER, inViTiNG them to explore the BoundlesS reaLmS OF IMAGINATION AND EMOTION. balONGo's aRT iS NOT JUST A FEAST FOR THE EyES; IT IS A JOURNEY INTO thE liMiTlESS lANDSCAPES OF THE HUMAN SOUL.

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The Leader

Painting  100x100cm   2022

There's always a leader in any type of group that everyone focuses on. Most people get carried away by those types of people who sometimes believe themselves to be the center of the world, leaving no room for any opinion other than their own. But there are also other types of leaders who do good, and it's those who we should listen to: those who let people speak and be themselves, giving us that much-desired freedom.

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The Ritual

Painting  70x140cm   2025

In many places around the world, people gather to celebrate holidays, and among them, there are some who perform rituals. This is where the locals leave their wishes, some written on paper and others in dreams.

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 BIEAF2025 Invited Artist

Rakesh Chaudhary

India

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Conscious vs. Subconscious Humanimal

Digital Painting on Canvas  18x24 inches

 

Idea of the Painting:
"Conscious vs. Subconscious" portrays the fusion of the human brain and body with animalistic forms, symbolizing the tension between logic and emotion. The artwork reflects how human behavior constantly shifts between rational thought and primal instinct. Through this transformation, I explore the hidden forces of the subconscious that guide our emotions, decisions, and reactions beyond conscious control. The imagery suggests that our logical mind and instinctual self are not opposing forces, but interconnected layers of existence. This piece invites viewers to contemplate the delicate balance between reason and emotion within their own evolving inner worlds. 

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 BIEAF2025 Invited Artist
Ram Krishna Agrawal
India

Resident of India, Holder of INDIA BOOK OF RECORDS 2024 for receiving maximum certificates and awards in art activities. A science graduate by education but time has brought him in Fashion trade. By Profession, he is in Fashion Industry, started his career as a Fashion designer, and later on gradually promoted to different levels. BUT by Passion, he is an Artist, a self-taught Painter. Painting is one of his biggest hobby, which has turned up as his second profession. It is his medication to heal himself from the frustrations of world. Creativity has no limit and he wants to be limitless. He started doing abstract forms in the beginning, as he was highly impressed with the works of Picasso, did landscapes but now from last many years he is working on Indian folk and tribal arts like MADHUBANI and GOND. He is working on these arts in a modified way using watercolours/ acrylic colours and different pens, mixing new ideas and concepts with these traditional/tribal arts forming FUSION ART of his own signature style using updated tools to promote it and to glorify INDIA. He has participated in numerous online and offline art exhibitions in India and across the globe and has been honoured with many awards and accolades.

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CHEHRE (FACES)

PAPER/11X8.5 INCHES/2025

Chehre (Faces)- depicting the faces of 3 ladies in varies moods, moments and thoughts. The work is done on 300 gsm cold press paper with red and black pens. The art work of from the series of my works titled- MY RED-WHITE N BLACK

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 BIEAF2025 Invited Artist
Ranjan Kumar Mallik 
India

Prof. (Dr.) Ranjan Kumar MallikContemporary Artist, India Dean cum Professor & Ph.D. Supervisor, Dept. of Fine Arts, Chitkara Design School, Chitkara University, Punjab, India Prof. (Dr.) Ranjan Kumar Mallik is a renowned Indian artist, academician, and art historian whose multidimensional contributions have left a significant mark on the field of fine arts in India and abroad. Born in Balasore, Odisha, he holds a BFA in Painting from Utkal University, Bhubaneswar; MFA in Creative Painting and M. Phil in History of Art from Dr. B.R. Ambedkar University, Agra. He earned his Ph.D. in Jaina Art from Mahatma Gandhi Chitrakoot Gramodya Vishwavidyalaya, Madhya Pradesh, in 2014. Currently serving as the Dean cum Professor and Ph.D. Supervisor at the Department of Fine Arts, Chitkara Design School, Chitkara University, Punjab, Prof. Mallik has devoted his life to the practice, teaching, and research of visual art. He has presented over 20 research papers in reputed national and international journals and conferences. His active participation in the contemporary art scene includes 72 group exhibitions (state, national, and international), 16 solo exhibitions across India, and involvement in over 60 art workshops. A prolific writer and editor, Prof. Mallik has edited 5 books and curated numerous national and international art events. He is the recipient of 22 prestigious national and international awards and honours, reflecting his excellence in both studio practice and academic engagement. Prof. Mallik's career also includes significant academic roles at Lalitkala Sansthan, Dr. B.R. Ambedkar University, Agra; Arena Animation and Picasso Animation, New Delhi; and as Head of the School of Fine Arts at Amity University, Haryana. He is an active member of several national and international academic and industrial organizations, contributing to the development of art education and visual culture. An artist, educator, researcher, and curator, Prof. Ranjan Kumar Mallik stands as a leading figure in contemporary Indian art and pedagogy.

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Symphony-II

Acrylic on Paper  24x30Inch  2024-25

Art is not merely a visual experience—it is a philosophical conversation between the canvas and the viewer. In Symphony–II, Prof. (Dr.) Ranjan Kumar Mallik orchestrates a profound interplay of nature, humanity, architecture, and metaphysical thought into a visual poem that is as meditative as it is expressive. At first glance, the painting draws us into a dreamlike world, painted in a rich palette of ochres, deep blues, and soft whites. The central figure—a contemplative, human-like form with a bowed head—serves as both a literal and symbolic presence. The delicate facial features and closed eyes suggest inner reflection, a journey into thought, memory, or spiritual insight. The figure wears a garland or necklace that morphs subtly into natural motifs, reinforcing the unity between human consciousness and the natural world. The background is a cosmic symphony of splattered stars and floating clouds, merging earth and sky in a harmonious rhythm. These celestial elements are not random—they are echoes of the mind, shaping a surreal terrain in which inner thought becomes landscape. The use of blue and gold is especially significant; blue denotes the infinite depth of sky and soul, while gold radiates warmth, wisdom, and sacredness. Amidst this landscape, architectural outlines of domes and monuments rise subtly, almost like memories etched into the psyche of the land. These monuments, rendered with simplicity, anchor the composition in human civilization, suggesting the presence of culture, history, and identity. They become silent witnesses to the evolving relationship between man and nature—testaments to creativity, endurance, and sometimes, human fragility. What makes Symphony–II particularly evocative is its layered texture—both in technique and meaning. The artist uses acrylic on paper with great sensitivity, allowing textures to emerge through layered strokes and fluid washes. The spatters, stains, and outlines are not chaotic; they are intentional—suggestive of cloud movements, thoughts, or even shifting human emotions. Beneath the visual complexity lies a conceptual richness. This painting is not just about forms—it is about the connection between the external and internal worlds. It contemplates how landscapes shape human thought and how thoughts in turn can transform landscapes. It speaks of the environment not as a separate entity, but as something inherently tied to the soul of humanity. The relationship is not passive—it is symphonic, a two-way harmony of rhythm, silence, and reverberation. In Symphony–II, Dr. Mallik explores the poetic tension between permanence and transience, between man-made structures and nature’s fluidity, between memory and imagination. It is a visual symphony of quietude and resonance, of stillness and flow—where sky, monument, cloud, and mind become one. This painting urges the viewer not to just see, but to feel—to listen to the silent music that plays between thought and form, between what is seen and what is felt. Symphony–II is not just a painting; it is an introspective journey through the layered terrains of existence.

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 BIEAF2025 Invited Artist
Ranjeeta Kumar
India

Ranjeeta Kumar is a contemporary visual artist based in Patna, whose art bridges the inner emotional world and the outer lived experience. Deeply influenced by her academic background in psychology, Ranjeeta’s work explores the connection between mindset, emotional well-being, and the transformative power of art. She believes that the energy we emit through our thoughts and emotions shapes our lived reality — a philosophy that finds expression in her vibrant and evocative paintings. A graduate in Fine Arts from Prayag Sangeet Samiti and post-graduate in Psychology from Deen Dayal Upadhyay University, Ranjeeta brings an intuitive understanding of human emotion into her artistic language. Her paintings often depict powerful female figures — not just as symbols of feminism but as embodiments of grace, resilience, and inner divinity. Through these figures, she channels themes of empowerment, self-discovery, and spiritual strength. Ranjeeta has exhibited widely across India, including a solo show at Lalit Kala Akademi, Delhi. Her works have featured in national and international platforms such as the Bihar Museum, Visual Art Gallery (Delhi), Colaba Art Gallery (Mumbai), and IWS Bangladesh, among others. Her participation in significant art festivals, workshops, and government-organised camps reflects her active engagement with the art community. She has received multiple accolades, including the IWS Bangladesh Hope Award, the Global Association of Watercolour Artists Award (Top 50), and the ANTAS Top Ten Artist Award. Her work is part of many private collections in India and abroad. With a unique blend of symbolism, emotion, and visual storytelling, Ranjeeta Kumar continues to create art that inspires reflection, uplifts the spirit, and speaks to the deeper layers of human experience. Her work is represented by Uchaan Art Gallery, Florence Art Gallery, and several online platforms such as Exotic India and Mozarto.

BIEAF 2025: The Lost Center – Art in Crisis
This year’s BIEAF (Busan International Environmental Art Festival) is centered around the theme “The Lost Center – Art in Crisis,” which deeply resonates with today’s chaotic world, where both human identity and civilization seem to be drifting away from their core values. As an artist, I connect to this idea personally — it reflects not just a social or environmental crisis, but also a spiritual and emotional disconnection we all feel at some level.
The “Lost Center” refers to a point of balance that we seem to have lost —between nature and development, soul and body, intuition and intellect. Contemporary art, in this context, becomes a powerful medium to question, reflect, and express this sense of fragmentation. It allows us to search for meaning amidst the confusion and to reconnect with the essence of being human.
BIEAF 2025 gives voice to artists who are not just reacting to the crisis but are also trying to reimagine the center — through art that is thoughtful, honest, and rooted in philosophical inquiry. It’s a platform where the personal becomes political, and where inner searching becomes a form of social commentary.
In my own work, I see this theme reflected in the way I explore the tension between the self and the world, the visible and the invisible, the divine and the disturbed. Art, for me, becomes a way to heal, to awaken, and to bring back that “center” — not just in the outer world, but within.

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Swayam(self)

Oil on canvas/36"36"inches/2023

Swayam is a visual meditation rooted in the sacred vibrations of the Gayatri Mantra, created as a response to the contemporary theme of "The Lost Center." In a time when the modern world feels fragmented, overstimulated, and distanced from nature and inner truth, this painting attempts to return to the essential self—the Swayam—that resides in silence, wisdom, and unity with the cosmos. The female figure at the center represents not just a person, but a state of consciousness. Her closed eyes and gentle expression reflect deep inner awareness and spiritual calm. She is not looking outward, but inward—towards the inner source of wisdom. Her form is inspired by Gayatri, the feminine embodiment of Vedic knowledge and the power of enlightened speech. In Indian philosophy, Gayatri is considered the mother of all Vedas—her mantra is a hymn to the divine light of pure consciousness. Her flowing hair transforms into graceful swans (hamsas), ancient symbols of discernment, purity, and spiritual awakening. The swans emerge and swirl from her being, representing the five higher intellectual-sensory energies that the Gayatri Mantra is believed to awaken. These include refined perception, intuition, insight, clarity, and the ability to distinguish truth from illusion. Just as the swan is said to separate milk from water, the awakened mind can separate essence from noise. Surrounding her are elemental symbols—sacred flames, geometric forms, and ancient marks—whispering the memory of a time when humanity lived in alignment with natural and cosmic rhythms. These symbols are intentionally placed to feel like echoes, almost forgotten scripts from a civilization that honored both the earth and the spirit. They suggest a loss, but also a trace—a thread that still connects us to that center we have drifted from. The color palette—earthy browns, radiant yellows, and deep greens—evokes the natural world and the sacred space of the mind. The golden halo behind her is not just decorative; it symbolizes illumination and the cyclical energy of the sun, the very force that the Gayatri Mantra invokes. This celestial light also represents the eternal self that is untouched by the chaos of modern life. Through Swayam, I attempt to create not just an image, but an atmosphere—a meditative space that invites the viewer to pause, reflect, and return to their own center. It is a philosophical offering, a quiet resistance to fragmentation, and a visual prayer for collective awakening. As an artist, I believe that painting can be a spiritual act. To create is to remember. Through this work, I aim to communicate across cultures and boundaries—to offer a universal message of balance, beauty, and inner truth in a world that urgently needs to restore its lost center.

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 BIEAF2025 Invited Artist
Rasim Maslic
Deutschland

Rasim Maslic is a multidisciplinary artist, writer, and art and literature critic. His work blends symbolism, digital painting, and emotional depth. Engaging with ecological, cultural, and spiritual crises, he creates poetic spaces for reflection
and the search for balance.

BIEAF2025 resonates deeply with my artistic approach. The Lost Center speaks to the fragile state of our world, environmentally, culturally, spiritually. As an artist, I see painting as a space where tension, loss, and rebirth coexist. This biennale offers a rare platform for global artists to respond not with noise, but with presence. I believe art can hold what words can’t, it can embody crisis and still point toward healing.

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The Lost Center-Art in crisis

Digital Artwork 2025

The Lost Center is a symbolic triptych exploring the loss of direction, culture, and inner balance. A broken compass lies on scorched earth, symbolizing global disorientation. Blue hands among ruins reflect cultural and spiritual collapse. A caged dove—and another flying toward the light—represent fragile yet persistent hope.

Rasim Maslic was a great artist.
His passion, hard work, and depth of emotion towards literature and art helped and comforted everyone. His efforts at BIEAF will never be forgotten. He served as co-chairperson of BIEAF 2024 and 2025 and fulfilled his responsibilities. He translated BIEAF topics and contents into European languages, and it was a great help to make posters.
His hard work, his service, and his love of art are forever shining like his work and are in our hearts. The remaining artists and hosts now miss the late man and want to leave his will and spirit in the BIEAF. Rest in peace, my dear, and be with us.
--- All members of the BIEAF2025 Steering Committee

라심 마슬릭은 위대한 아티스트였습니다. 
문학과 예술을 향한 그의 열정과 노력 그리고 감정의 깊이가 모든 사람에게 힘이 되고 위안이 되었습니다. 그의 BIEAF에 대한 노력은 결코 잊을 수 없습니다. 그는 BIEAF2024와 2025년에 BIEAF 공동운영위원장을 맡아 책임을 다하였습니다. BIEAF 주제와 내용을 유럽 각국의 언어로 번역하였고, 포스터 제작에도 큰 힘이 되었습니다. 그의 노력과 봉사 그리고 예술에 대한 사랑은 그의 작품처럼 영원히 빛나서 우리 마음속에 자리하고 있습니다. 남은 아티스트와 진행자들은 이제 고인 된 그를 그리워하며 그의 뜻과 정신을 BIEAF에 남기고자 합니다. 그대여 고이 잠드소서, 그리고 우리와 함께 하소서.

--- BIEAF2025 운영위원회 일동

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 BIEAF2025 Invited Artist
Raul Blisniuk  Argentina

Raul Blisniuk is a pop-art artist and collector from Argentina. His work explores bold colors and contemporary icons, blending cultural critique with vibrant expression.

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Final Chirp

Acrylic on canvas/100 cm x 100cm/2025

In a vibrant pop-art style, this painting explores a symbiotic bond between technology and nature. Robotic figures coexist with birds inside and outside cages, suggesting liberation, coexistence, and interdependence. It reflects on how organic life and artificial intelligence might evolve in harmony.

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 BIEAF2025 Invited Artist
Ravi Prakash Singh
India

70 year old, selftought Artist involved in Traditional folk art work specially Madhubani, Gond Art work, within the space of time I try to paint on the canvas/paper the one we live in. My paintings are meant to be real and analysed. There is a particular feeling to all of my paintings one that touches on the fantasy and cleanness, yet reddled with the reality of life.

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Cottage near river

Acrylic colors/30×40cm/2025

Art Work in acrylic colors, define the cottage in river by the help of pallette
knife.

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Forest gathering

Acrylic colors/30×40cm/2025

My entitled "Forest gathering " painting showed the eco of the animals and birds gathered at trees and to prosperous the grenering atmosphere.

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 BIEAF2025 Invited Artist
Remi Poddar
India

Remi Poddar's artistic endeavors characterize a deep exploration of womenoriented themes. Through her paintings, she depicts the complexities, strengths, vulnerabilities, and empowerment of women. These themes are not only a reflection of her personal experiences and observations but also an exploration of societal narratives surrounding women. This Noida based artist has been creating artworks for the last 12 years. She has done Bachelor's of Computer Applications. In the year 2005, B.ed 2010 ,and Graphic design in 2014. She went to Mauritius by the Ministry of External Affairs, Government of India, where she, along with three other fellow artists, represented India and created a painting. Many art exhibitions of her paintings have been otheir coiffures and since then especially the til Print, qelectronic and social media of the country and abroad have given prominent place to their achievements.This Noida based artist has been creating artworks for the last 12 years. She has done Bachelor's of Computer Applications. In the year 2005, B.ed 2010 ,and Graphic design in 2014. She went to Mauritius by the Ministry of External Affairs, Government of India, where she, along with three other fellow artists, represented India and created a painting. Many art exhibitions of her paintings have been otheir coiffures and since then especially the til Print, qelectronic and social media of the country and abroad have given prominent place to their achievements.

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Elixir of life

30"×30"/Acrylic on canvas 2025

Remi Poddar's artistic endeavours characterize a deep exploration of womenoriented themes Through her paintings, she depicts the complexities, strengths, vulnerabilities, and empowerment of women. These themes are not only a reflection of her personal experiences and observations but also an exploration of societal narratives surrounding women. In a world filled with chaos and noise, where the demands of modern life often overwhelm, . In this collection of paintings, the artist has shown the beauty and resilience of women who have harnessed the power of meditation to find their inner strength, grace, and empowerment. Her works portray women as embodiments of wisdom carried by the winds of inspiration and insight. Remi’s artworks invite everyone to explore the profound connection between meditation and feminine empowerment. Her works explore the incandescent and empowered spirit that radiates from women who have dedicated themselves to the yogic path and meditating amidst windswept landscapes, symbolizing the free flow of ideas and knowledge. The artist has captured meditative women in the midst of powerful asanas, showcasing the grace and determination they have cultivated through their yoga journey and delving into the concept of physical and mental strength. empowered women sharing their wisdom, strength, and inner peace with the world, serving as beacons of empowerment for others to follow. Remi’s paintings depict women with an inner fire, their eyes reflecting unwavering confidence and self-assurance. Through these works of art, we witness the transformation of self-doubt into a radiant spirit that empowers not only the women themselves but those around them. transformation that arises when women embrace yoga and meditation as pathways to inner strength and empowerment. self-assuredness. This painting serves as a reminder that within every woman lies the potential for remarkable inner growth and empowerment, waiting to be awakened through yoga and meditation.

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 BIEAF2025 Invited Artist
Remy Ulloa
Dominican Republic

Remy Ulloa was born in Santo Domingo, Dominican Republic, on Thursday, February 13, 1986. The son of two Dominican artists, Alberto Ulloa and Zenobia Galar, from whom he learned the art of painting and sculpture in their studios. He studied at the National School of Fine Arts. Remy Ulloa is a multifaceted artist from the Dominican Republic, specializing in painting and sculpture. The themes of his works are informed by music and poetry, altered states of consciousness, dreams, and meditation. His work evokes a synesthetic communication, where the visual seeks to invite the viewer to reflect and perceive multisensory stimuli. Remy Ulloa's work is featured in important private collections and museums. Remy Ulloa has had six solo exhibitions, more than 50 group exhibitions, and has exhibited at international art fairs such as Art Foro at the Palacio de Bellas Artes in Santo Domingo. Remy Ulloa is a natural artist, as his father and mother, both artists, gave him an artistic education from his earliest steps.

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Luminous Flagellum

Acrylic/16"x14"/2025

Luminous Flagellum is my expression, those lashes that are caresses like flashes of light, or a lightning bolt in the night. This collection has everything from digitalized physical art to AI Art. This collection has a technical and thematic variety, emphasizing glazes, sfumato, chiaroscuro and transparencies.

Tell us about BIEAF2025 'The Lost Center - Art in Crisis' :

Humanity needs to receive and give love to all things: love for animals, love for flowers, love for children and the elderly, love for the river and the forests, to heal the sick, to do works of selfless love.

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 BIEAF2025 Invited Artist
Renata Maria Gogol
Poland

Born in 1994 in Poland. Graduated from the Faculty of Art at the Maria Curie Sklodowska University, where she continues her study at the Doctoral School of Humanities and Art. Creates mainly graphics and works on paper, usually presenting experimental approach to traditional techniques. Participant of many exhibitions in Poland and abroad.

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Different as two drops of water

Rosaspina paper and Japanese tissue paper/10cmx10cm picture size/2023

"Different as Two Drops of Water" is a series of works inspired by the poem "Nothing Twice by Polish Nobel Prize winner, Wislawa Szymborska. In her lyrical verses, everything that happens to us is unique and one of a kind, just as every drop of water, so precious for our life, seemingly one of many millions and undistinguishable, yet so unique, if we dare to look closely. Embracing this notion, a series of works using the technique of blind embossing have been created, resembling raindrops falling on a puddle. Embossing is applied to ink paintings inspired by the avant-garde method developed by the Chinese artist Liu Kuo-sung. This practice involves painting with ink on water, rendering each artwork utterly original and irreplicable. In this manner, both the concept of the creation process and its poetic visual nature capture the essence of the idea conveyed by the Polish poet.

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 BIEAF2025 Invited Artist
Roberto Paramo
United States

Born in Bogotá, Colombia in 1937, Páramo is the grandson of a renowned painter of the same name. He began studying art at 12, inspired by Leonardo’s treatises. Too young for admission to the School of Fine Arts, he was mentored by his grandfather’s pupils. His work is held in collections across the Americas and Europe.

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I see this as a profoundly valuable endeavor. I believe art, in many ways, is losing its true purpose: to evoke an inexplicable emotion, one that travels from the artist’s subconscious to the mind of the observer.
A work that needs explanation becomes mere information. It may highlight a fact or concept, but it cannot be called art. Perhaps it is ingenuity, but not expression.
Somehow, we must reclaim the idea of art as a vessel for emotion, a medium capable of conveying deep emotional upheavals.
BIEAF 2025 – The Lost Center just might succeed in doing that.

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Unemotional Beam

Mixed media: The painting features layered materials: acrylic on burlap over
paperboard./ 100cm x 70 cm / 2025

Art is the transmission of a latent emotion from the artist’s subconscious to the viewer’s mind. This piece captures the instant that emotion ignites thought. Devoid of color, it embraces humble burlap to prove that neither luxury nor cost are needed to impress a sensitive mind. —— Additional paintings: “Leda, The Conquest of Zeus” 102cm x 61cm Acrílico on Canvas “The guitar” Acrílic on canvas “Dali’s watch” Acrilic on Canvas

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 BIEAF2025 Invited Artist
Rohail Ghouri
Pakistan

Rohail Ghouri, a talented miniature artist who graduated from CEAD in 2014. Based in Tandojam, Hyderabad, Rohail brings intricate details and vibrant colors to his art, captivating audiences with his unique style. With a passion for preserving traditional art forms, Rohail's work is a testament to his skill and creativity.

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A Reflection of Our Future

Size 28cm x40cm

This artwork beautifully captures the essence of coexistence between humans and the environment. The serene landscape, adorned with lush trees, rolling hills, and tranquil water bodies, serves as a poignant reminder of the beauty we must preserve.

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 BIEAF2025 Invited Artist

Román Prada
Colombia

Colombian sculptor and painter began painting in 2003, feeling attracted to impressionism and post-impressionism, exploring the field of psychology in the subject matter and material painting as a strong point. His work evolved towards a more academic classicism after attending drawing, sculpture and painting workshops in Florence and Barcelona. His current painting is a mimesis of his beginnings and his classical exploration. Currently, his work ranges from social and psychological themes to manifestations of his great appreciation for life, nature and animals.

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Rinoceronte Amuleto

Oil on Cánovas/ 111cm x 111cm / 2025

This work "Rhinoceros amulet" "Symbol of resistance and determination: The owner of this amulet will always have the ability and determination to endure and face adversity, will carry in his nature, the hard skin of the rhinoceros" belongs to a series called "AMULETS" this series combines paintings and sculptures and tells us about the mystical connection that exists between man and the other species that surround them, and how this connection elevates us and completes us, makes us better, it also tells us about the nobility that we must have to embrace others to complement each other and strengthen our spirit

This is my first time participating in this wonderful BIEAF event, which brings together artists from different regions of the world, where different cultures, forms, and artistic expressions mingle in a minimal way. I learned about this great event through the artist, Elsa Victorious. I am very grateful for this opportunity.

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 BIEAF2025 Invited Artist
Rozália Sütő Petre
Hungary

I’m Rozália Petre Sütő, a Hungarian visual artist and art teacher from Transylvania, Romania. Since graduating in printmaking in Cluj-Napoca in 1976, I’ve had 60 solo exhibitions. I often use worn textiles, hemp canvas, and lace to create eco-conscious art that honors my heritage.

For me, art cannot be rootless, self-serving, or addressed to only a select few. I believe our world today needs contemporary works that place our shared humanity at the center, build on our traditions, and carry them forward in new ways.

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The Satchel-Wrapped childhood home

worn fabrics woven by my mother, later repurposed as canvas / 44x75 / 2023

My work ‘My Satchel-Wrapped Childhood Home’ uses worn fabrics woven by my mother, later repurposed as canvas. In our fast-moving world, many grow distant from their roots. Like in Hungarian folktales, where parents packed food and wisdom for children setting off. I painted this in a post-COVID time, when my brother told me our old childhood home would be demolished. The wrapped house became a compass of memory and values we carry and pass on.

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 BIEAF2025 Invited Artist
Ruhi Sandalli
Türkiye

I'm a retired bank manager. I've been a painter since I was young. It's still my biggest passion.

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Dance of the Colors

Painting/50×70/2025

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 BIEAF2025 Invited Artist
Rute Norte
Portugal

RUNA (aka Rute Norte) was born and lives in Lisbon, Portugal. She graduated from the University of Lisbon, and later received her Master's degree in Painting, at Fine Arts Faculty of the University of Lisbon (2022). RUNA has participated in more than thirty solo and group exhibitions across Europe, the Americas, and Asia.

BIEAF2025 'The Lost Center - Art in Crisis'  :

In a time marked by climate disruption, cultural fragmentation and digital overload, the idea of a “lost centre” reveals a profound collective unease. It seems we have drifted away from what once anchored us — in nature, in community, in meaning. This absence is felt in the silence, in the disconnection, in the rush without direction. Art, in its reflective and intuitive nature, becomes a compass — not to return us to the past, but to help us sense a new centre, however fragile or fluid it may be.

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Break

mixed media on canvas, 50×60, 2024

"Toxic" reflects the disquiet of a world out of balance – poisoned by excess, disoriented by noise. It becomes a visual echo of the lost centre, questioning what remains when humanity drifts too far from what grounds it.

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 BIEAF2025 Invited Artist
Ruthelin Pagan Vazquez
USA

Ruthelin Pagán Vázquez Independent Designer and Artist Miami FL. I am a passionate and creative artist with experience in creating and exhibiting artworks in various galleries. My style allows me to convey deep emotions through art. Create and exhibit artworks in galleries and cultural spaces in Puerto Rico, Orlando and Miami, FL. Collaborate on artistic projects with non-profit organizations using art as a tool for social change. Develop of contemporary art projects in a collaborative environment experimenting with new techniques and materials. Participate in group exhibitions and workshops, contributing to the exchange of ideas and artistic practices. Although my artistic drive is innate, my quest for knowledge never ends and so I continue creating, learning, and studying. When traveling, I visit the places where artisans live and proudly exhibit their works so I can patronize them. This makes me feel that I help to keep alive the art that runs through my veins and fills my soul.

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There is Still Time

Oil on Wood Panel/12"x12"/2025

Amid a forest ravaged by wildfire—a direct consequence of climate change—lie the charred remains of once-majestic trees and wilted wildflowers. Smoke lingers in the air, painting the sky with somber hues of orange, grey, and deep blue. In the center of this dystopian landscape stands a young girl, her gaze fixed on the glowing screen of a smartphone. The cold blue light illuminates her face, soft and still, captured in a moment of digital absorption. Yet, notably, her other hand extends outward—still open, still available—suggesting a latent readiness to reconnect with something deeper. Opposite her stands an elderly figure with serene, knowing eyes and gentle features evocative of Leonardo da Vinci. He reaches toward the girl, offering her a bundle of paintbrushes. These are not mere objects, but powerful symbols: instruments of creativity, tools of imagination, and bridges to inner expression and environmental empathy. He does not force them upon her; he simply presents them—offering a choice. On the ground surrounding her are delicate sketches, some faded and halfcovered by earth and ash. These forgotten drawings—once alive with color and curiosity—are now discarded like dry leaves, abandoned in favor of the glowing device she clutches. Around them, dying bees and drooping coneflowers add a quiet yet urgent layer to the scene, signaling ecological collapse and the fragility of life. And yet, this is not a hopeless painting. This visual allegory captures a critical moment in our shared timeline: a fragile pause between distraction and awareness, between disconnection and engagement, between loss and potential recovery. The child embodies humanity—particularly the emerging generation—poised at a crossroads. The smartphone represents the seductive pull of technology, convenience, and detachment. The paintbrushes represent legacy, creativity, and the potential for healing through reconnection—with ourselves, with nature, and with each other. The background fire is not only a symbol of destruction, but also of transformation. Fire clears, but it can also renew. The flowers, though withered, are not entirely gone. The bees, though fading, are not yet extinct. The hand, though reaching into the void, has not been withdrawn. There is still a chance. This piece invites viewers to reflect on the choices we make every day— individually and collectively—about how we spend our time, how we raise and educate our children, and what we choose to preserve or abandon. It asks: Can we reignite our innate creativity before it’s too late? Can we restore our bond with the natural world before it slips away? Can we still choose art over apathy? The answer, whispered in the stillness of the girl's posture, is yes. She can still choose. We can still choose. There is still time.

“The Lost Center – Art in Crisis” immediately evokes a sense of disconnection —from nature, from community, and from the self. In a world overwhelmed by climate breakdown, digital saturation, and social fragmentation, we risk losing our core—the creative, empathetic, and human essence that connects us to something greater than ourselves.
My submitted work responds to this theme by capturing a suspended moment of choice: a child stands in a burned forest, absorbed by the artificial glow of a smartphone, while an elderly figure offers her paintbrushes—symbols of imagination, memory, and renewal. Around them, fallen sketches, dying bees, and fading flowers reflect a world on the edge of collapse, yet not beyond redemption.
This piece is not about despair, but about urgency and possibility. The “lost center” is not permanently gone—it waits to be reclaimed through conscious action, artistic reconnection, and environmental care. My work invites the viewer to pause and ask: What are we handing down to the next generation—distraction or depth? Consumption or creation? Silence or story? There is still time to choose.”

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 BIEAF2025 Invited Artist
CHOI RYE
Korea

I am an artist based in Korea and Beijing, China, working in the medium of flat abstract painting using traditional East Asian techniques of watercolor woodblock printing

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Empty-598

woodcut-waterprint / 100x140cm / 2022

 

Empty, at the same time, is both all-encompassing and void. Empty is expressed in the work as a simple image -------a circle. A circle is a form formed by a gentle curve starting from a point and reaching the origin, without angles, a perfect one. The circle itself can be given a meaning and can be interpreted in many ways within the circle and the image, as well as within the space in which the image exists.

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 BIEAF2025 Invited Artist

Sabău-Trifu Cristina
Romania

Cristina Sabău - Trifu was born in Satu Mare (02. 14, 1961. In 1985, she graduated at the Textile Department, at the Academy of Visual Arts "ION ANDREESCU" in Cluj-Napoca, Romania. She has been making sanctuary equipment, liturgical vestments and painting altarpieces, she also deals with glass painting. Her works can be found in many Transylvanian and foreign cities.

The theme of BIEAF 2025 is one that is interesting, highly relevant to our time,
and invites deep reflection. It challenges both artists and audiences.

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Rebirth

oil on canvas, 2024

In these difficult times we are going through, I believe the only path is a return to spiritual Light, a rebirth of the soul. I conceived an allegory: a wing grows from nothingness and rises toward the light offered by the Divine Hand. In this process of becoming, one can also discern the suggestion of a forest, of vegetation through which the faces of a man and a woman emerge. The composition forms a triptych; it is an oil painting created between 2023 and 2024, measuring 70 by 120 cm.

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 BIEAF2025 Invited Artist
Sadulla
Turkmenistan

“Painting is not just a way to convey the image, it is a language in which feelings, thoughts and images that often remain outside the word are hidden. Each smear is a moment of a sincere dialogue between the artist and the world, in which color and shape become carriers of deep meanings. Failure to be ready to dive into a space where there are no boundaries between reality and imagination

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"Silk Road", "Thunder" "The melody of love"

canvas - oil: 1. 0 '80 × 0'60. 2016. 2. 0 '80 × 0'60. 2024 3. 1.00 ×. 0 '90 2016

1. My work related to the history of the development of Turkmenistan. The great silk path that went through the territory of Central Asia. Historical center culture and art is Kunya - Urgench, it was from here that Trading columns.
2. "Melody of Love" Love is one of the most powerful and multifaceted feelings that can bring both joy and testing. Who are these I feel music, someone Glory and songs expressed.
3. "Janar Dag" of a horse, this is a wonderful harmonious creature created by God! It is Turkmen national pride that is "Akhal -Teke Horse "

Tell us about BIEAF2025 'The Lost Center - Art in Crisis'  :

The problem of contemporary art is not a problem of “incomprehensibility” to the general public of its radical forms, it is a problem of crowding out art from social life and social thought with other means of reflecting and comprehending reality.


Since immortal examples of unconditional artistic perfection belong to the past, reflections on the reasons for the “dying of art” (the expression of Vladimir Weidle) logically lead to what exactly was lost in culture, worldview, social thought, which was previously a guaranteeFlowering of art?The dying of art ”and many others associated the crisis of art with the extinction of religious worldview and mythological thinking, with the triumph of the scientific picture of the world and materialism.The crisis of art seemed to him part of the general crisis of civilization, torn from the “spiritual foundation”, overturning the “hierarchy of values”, along with the estate hierarchy and other feudal remnants .That direction of modern aesthetic thought, which is not inclined to deny the very fact of the crisis of art, remained, by and large, in the same positions in the 21st century

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 BIEAF2025 Invited Artist
Safa Büte
Türkiye

Safa Büte is one of the original and remarkable names of contemporary Turkish painting. She is especially known for her figurative works produced with ink on paper and oil on canvas techniques. About Safa Büte's Art and Style: * Figurative Expression: Human figures are usually at the center of her works. These figures are sometimes depicted alone and sometimes in crowded compositions in a style close to abstraction. * Anatolia and Mythology Influence: Anatolia's rich cultural heritage, mythological stories and legends have an important place in Büte's art. Symbols, figures and atmosphere belonging to these lands are often seen in her works. * Original Technique and Use of Materials: She has developed a unique line language in her ink works. In her oil paintings, she takes care to obtain a layered and textured surface. Her color palette usually includes warm and earthy tones, but she also uses vibrant and contrasting colors from time to time. * Inner and Intellectual Depth: His works go beyond being just a visual presentation; they invite the viewer to think, question and journey into their own inner world. The expressions of the figures and the atmosphere created by the compositions can carry deep psychological and philosophical meanings. * Exhibitions and Recognition: Safa Büte's works have been exhibited in many solo and group exhibitions in various cities of Türkiye and abroad. He is an artist known in art circles for his unique style and strong expression. In short, Safa Büte: * Contemporary Turkish painter. * Known for his ink on paper and oil on canvas works. * Has a figurative expression. * Inspired by Anatolian culture and mythology. * His unique technique and use of materials are remarkable. * His works carry inner and intellectual depth. I hope this information has satisfied your curiosity about Safa Büte. If there is anything else you would like to learn, please do not hesitate! * Based on the search results, Safa Bute (often spelled Safa Büte in Turkish) is a well-recognized Turkish artist known for his unique and intricate style. Here's a summary of who he is: * Origin and Base: He was born on September 24, 1958, in Niğde, Turkey. After completing his early education in Niğde, he lived in Adana for many years before returning to Niğde, where he currently works from his studio. * Artistic Style: Safa Bute developed a distinctive technique known as the "Safa Bute Style" or "Safa Büte Art," which he started developing around 1987. This style primarily involves highly detailed drawings, often using ink on paper (sometimes pencil or ballpoint pen), composed of thousands upon thousands of fine lines and dots. His works often contain hidden figures and require close examination, revealing more details with repeated viewing. Critics note the incredible skill and control required, as mistakes cannot be easily erased. He also creates oil paintings on canvas. Art critics have compared his meticulous ink work to Leonardo Da Vinci's drawings and noted surrealist elements reminiscent of Dali in his broader work. He considers himself an "expressionist," focusing on reflecting his feelings. * Recognition and Achievements: * He gained recognition both within Turkey and internationally, with collectors in Europe and the USA following his work. * In 1998, he was selected as a USA ArtQuest special artist. * In 2001, he was ranked among the top 10 world painters by Australia's Artist Own Registry (one source mentions a first-place award). * In 2002, he was recognized among the masters of line drawing in Ukraine. * He represented Turkey at the 4th International Florence Biennale of Contemporary Art in 2003, where he won the 4th prize and received praise from art critic John T. Spike. * He served on the jury of the Arad International Contemporary Art Biennale in Romania in 2005. * He is an Honorary Member of the Terra Dell´Arte Cultural Association in Italy (2006). * He served as the Director for the 1st Adana International Contemporary Art Biennial in 2007. * His works are held in various private collections and museums internationally, including the USA, Italy, South Korea (The Haegeumgang Theme Museum), and Turkey (Eczacıbaşı Collection). * Current Activities: * He is the founder and curator/president of Art Niğde International (ANI). * He organizes the Artquake (Sanat Sarsıntısı) international group exhibition series in Niğde. These exhibitions bring together artists from numerous countries (e.g., Artquake-11 in 2023 featured 115 artists from 53 countries) and often utilize high-resolution prints to facilitate international participation. * Background: Besides his art career, he graduated from Anadolu University's Department of Business Administration (1989) and has worked as a technical translator and briefly in banking. He has also been involved in amateur theatre and music and published a humor book in 1993. In summary, Safa Bute is a prominent contemporary Turkish artist based in Niğde, celebrated for his unique and labor-intensive drawing style, international recognition, and his efforts to promote international art exchange through initiatives like Art Niğde International and the Artquake exhibition series. (Source: Intelligence Gemini).

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Hüvel Baki

İnk on paper 25x40cm 2025

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 BIEAF2025 Invited Artist
Safaa Afifi
Egypt

Description of the work :

A sad and alone person who needs to close his arms around to feel safe and feeling that he is the only support for him self

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Sad Alone

Acrylic/60x80 cm /2025

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