Gallery 19
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Nabiila Adhwaa
Indonesia
This work tells the story of the feeling of limbo itself, the feeling of floating, drifting as if there is no purpose. The feelings depicted by the character's gray head with an anxious, confused and crying face. This work is a work that I made not long after my father died at the beginning of the year, a figure I really loved.
This is a picture of my feelings at that time, floating and drifting, feeling like I'm not alive but not dead either. I remember very well that before my father died he only wanted his child to be happy, but how could I be happy if all my happiness was with him, at that time I was quite depressed with an irregular eating and sleeping condition. I also had time to see my therapist, but in fact I was only able to really cry when someone I loved hugged me and said it was okay not to be okay. Moreover, this was the first time I had lived and learned to interpret life, he said that every bad thing would happen there are good things that can be taken depending on how we want to see it.
The colorful absurd parts in this work are a representation of the good things in the bad things that are happening. it's like we're burning a marshmallow. From the outside the marshmallow looks ugly because it's burnt, but the inside is a soft, melty marshmallow. a representation that I want to hand over to people who see this painting, they are free to have opinions and see this painting from their own perspective. so this work became, through this work I want to hug those who are feeling ""limbo"" that it's okay and not okay and through this work I also want to say a big thank you to all the people I love who have strengthened me and helped me get through the situation- difficult situation and for my father there in heaven he must be happy and no longer feel the pain he suffered. "Hi, let me introduce myself, my name is Nabiila Adhwaa, you can be called Nana. I am a self-taught artist who likes surrealism, expressionism and abstract painting. I have participated in several inter-Kalimantan painting exhibitions, I am a member of the painting community in Kalimantan, namely IPKS. I started drawing and painting when I was little, I have participated in various kinds of competitions while I was at school until I published two comics with my friends when I was in elementary and middle school, in Indonesia the work was published by Mizan Publishing and included in the KKPK series.
Limbo
80x80 cm Mix Media/2024
Nadia Abbasi
Pakistan
In this enchanting painting, a little girl is depicted within a textured circle, her gaze fixed on three vibrant balloons floating above her. Her expression reflects innocence and wonder, capturing a timeless moment of youthful curiosity. She clutches three balloons, each gently bobbing above her head—one red, one green, and one blue. The red balloon signifies her boundless energy and passion, the green balloon symbolizes growth and harmony with nature, and the blue balloon represents her dreams and the endless sky. The delicate hues and intricate details encapsulate a fleeting moment of pure joy, inviting the viewer to reminisce about the simple pleasures of childhood.
Nadia Abbasi, currently an Assistant Professor at the Institute of Art and Design, University of Sargodha, has left an indelible mark on the art world with her exceptional talent and numerous accolades. Her illustrious career boasts participation in 16 international and 15 national exhibitions, where she has showcased her remarkable skills in both painting and photography. Notably, she secured the top prize in an international painting competition organized by the International Watercolor Society Romania, further enhancing her esteemed reputation. Additionally, Nadia's prowess has been lauded with three national awards in photography and painting. Demonstrating versatility and mastery in both mediums, she solidified her standing through a captivating solo photography exhibition in Islamabad, Pakistan. As an artist, Nadia is fascinated by the interplay of light and shadow, human behavior, and the passage of time. Through the mediums of oil paint, watercolors, and photography, she delves into life's intricacies, drawing inspiration from her childhood curiosity. Observing society closely, she explores the depths of human nature and relationships, aiming to capture moments that evoke nostalgia and reflection. Natural light serves as her muse, infusing warmth and depth into her work, inviting viewers to pause and contemplate the beauty and mystery of the world. Each brushstroke and photograph freeze a moment in time, inviting viewers to explore themes of memory and identity, making her art a visual diary of her journey through life.
RGB
1.5x3 feet
Nam Pham
Vietnam
Think back to your childhood with simple dreams "Freelance artist graduated from the University of Fine Arts"
![[크기변환]3Dd - nam van.jpg](https://static.wixstatic.com/media/f1f3f2_4203d6fe42a541df86e1b640ef61243c~mv2.jpg/v1/fill/w_600,h_325,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D3Dd%20-%20nam%20van.jpg)
Remember childhood dreams
80 x 110 Acrylic on Canvas 2024
Naufal Akbaraja
Indonesia
One form of Harmony in the crowded Nature. I am a young artist and designer, I have expertise and talent in the field of drawing, photography, and design. I would love to show off my work or show my work to other people out there.
![[크기변환]NAUFAL _ iNDONESIA - naufal akbaraja.jpg](https://static.wixstatic.com/media/f1f3f2_bf8eacb58af9474f9ef9c0d9a8e41d44~mv2.jpg/v1/fill/w_296,h_420,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNAUFAL%20_%20iNDONESIA%20-%20naufal%20akbaraja.jpg)
SNAIL LEAVES
30 x 42 cm Photography 2024
NAVEEN KUMAR DHINGRA
INDIA
'PEACE'. I use paper sheet with poster colour and marker pen, through my painting i show peace and harmony though music. I am art teacher cum artist, i am from India, i took part so many art exhibition national and international level through online and online.i got so many prizes. I mostly like mixmedia art work and acrylic colour and water colour.
![[크기변환]IMG_20240727_173417 - Naveen kk.jpg](https://static.wixstatic.com/media/f1f3f2_397b24b243764fe58fe974ab9e9e21b6~mv2.jpg/v1/fill/w_344,h_488,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240727_173417%20-%20Naveen%20kk.jpg)
PEACE 2
30x42 IVORY SHEET, MIXMEDIA, 2024
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Nguyen Mai Huong
Vietnam
The moon, a gentle light in the night sky, is not only a symbol of beauty but also plays an important role in maintaining the balance of the environment. Moonlight shines on the oceans, affects the flow of the tides, and affects the lives of marine creatures. It also creates enchanting natural landscapes, inspiring efforts to protect and preserve ecosystems. When people look at the moon, they not only feel the beauty of the universe but also realize their responsibility in protecting the environment, so that future generations can also enjoy that beauty.
The moon, therefore, becomes a symbol of the connection between humans and nature, reminding us that our existence is tied to the harmony of the surrounding environment
Mai Huong is a recognized Vietnamese female artist. After she graduated Bachelor Degree from Vietnam University of Fine Arts in 1991. Mai Huong worked as art editor in Youth Publishing House (Vietnam). Renowned for her abstract style, she has joined numerous exhibitions, biennales and won many prizes nationally and internationally. Her paintings have been exhibited and owned by many museums and art collectors worldwide such as in Germany, France, The Netherlands, Poland, India, Korea, China, Lebanon, Malysia, Hungary, etc . In 2012, Mai Huong is pointed as Honorary Ambassador of Vietnam of the 1st Ecorea Jeonbuk International Biennale. She achieved Excellent prize twice in the 20th and 24th “Korea Art International Open- Exhibition” in 2013 and 2017 . Later, she participated the 6th Beijing International Art Biennale. In 2016, Mai Huong represented Vietnam to participate Olympia Fine Arts International Exhibition and Symposium in India. She is also a member of Vietnam Fine Arts Association. Her paintings are exhibited in many MEADOWS group art exhibitions in Beirut (2014), Venice (2017) , Miami (2017), Paris (2018),etc. Celebrating the New Year and Ushering the Winter Olympics International Art Exhibition / Asia Artist Association - Malaysia,(2022).The 5th Qingdao.International Contemporary Art Exhibition (2022). (2023) Exhibition Venezuela, Argentina, Turkey, Italy, India,VietNam.
![[크기변환]NGUYEN MAI HUONG . Vietnam. Moonlight shines -2024 Acrylic on canvas 70x70cm - huong](https://static.wixstatic.com/media/f1f3f2_8726a5cba6e64d18a6eb896692d38b89~mv2.jpg/v1/fill/w_460,h_453,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNGUYEN%20MAI%20HUONG%20_%20Vietnam_%20Moonlight%20shines%20-2024%20Acrylic%20on%20canvas%2070x70cm%20-%20huong.jpg)
Moonlight shines
70 x 70cm Acrylic on canvas 2024
![[크기변환]Thuy profile - Thu Thuy.jpg](https://static.wixstatic.com/media/f1f3f2_f56ebe8df0894bc6bb13eff3d1a3d023~mv2.jpg/v1/fill/w_156,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DThuy%20profile%20-%20Thu%20Thuy.jpg)
Nguyen Thu Thuy
Vietnam
In my artwork, I explore the concept of promises and the essence of human nature through the lens of polygonal painting. Each face I depict is a mosaic of vibrant colors and geometric shapes, symbolizing the multifaceted nature of our identities and experiences.
The polygons represent the fragmented yet interconnected aspects of our lives. Just as our promises in the past shape our present, the varying shapes and colors in my paintings converge to form a coherent whole. Each angle and hue reflects a different moment, emotion, or memory, illustrating the complexity of the human experience.
The present, as we perceive it, is the culmination of all our past commitments and aspirations. By painting faces with a spectrum of colors, I aim to express the brilliance of our current selves—an embodiment of all that we have pledged and pursued. These faces are not static; they invite the viewer to reflect on their own journey, their fulfilled and unfulfilled promises, and the perpetual quest for happiness. In contemplating the future, my art encourages a dialogue between our true human form and the natural world. The use of polygons, an artificial construct, juxtaposed with the organic nature of faces, underscores the need to harmonize our inherent nature with the world around us. This synthesis is crucial for understanding and communicating with nature, and ultimately, for discovering our true selves. Through my polygonal portraits, I strive to capture the essence of human nature—complex, colorful, and ever-evolving. These artworks are a testament to our enduring spirit and the vibrant tapestry of our lives.""Nguyen Thu Thuy (Female) 10 Dec 1977, in Hanoi, Vietnam Viber/whatsapp: +84.913563966 Email: thuykdl2004@gmail.com Bachelor and Master: Univesity of Social Sciences and Humanities. PhD: Vietnam National Institute of Culture and Arts Studies Artist: Vice Committee of Graphics Branch and The Secrectary of Vietnam Art Ceramic Club (Vietnam Fine Arts Association) Vice Dean at Faculty of Arts and Design, The school of Interdiscriplinary Studies and Arts (Vietnam National University, Hanoi) Awards: Bronze Prize of National Exhibition of Applied Fine Arts 2005-2009 Solo Exhibition - Sep 2022: “My Prism” Solo Exhibition, Vietnam Fine Arts Museum, Hanoi, Vietnam - Nov 2021: “Fragments of memory” Solo Exhibition, Vietnam Fine Arts Museum, Hanoi, Vietnam Group exhibtions - Feb 19-24, 2024: Change to Eco – a better future, BIEAF 2023 Busan International Environment Art Festival, International Art Center Gallery Laham, Busan, Korea - Nov 2022: The 5th Qingdao International Contemporary Art Exhibition, 1902 Art Museum, No.80 Textile Valley, Siliu South Road, Shibei District, Qingdao City, China (11/2022) - Aug 2022: National Exhibition of Applied Fine Arts 2022, Vietnam Museum of Ethnology Hanoi, Viet Nam (8/2022) - May 2020: The Warm of the City, 2020 International Commonwealth poster Design Invitational Exhibition of Anti New Coronavirus, China - Nov 2019: The 19th International Art Exchange Exhibition, The National Art Center, Tokyo, Japan - Oct 2019: The IX International Exhibition of Visual Arts Euro Americana 2019, Cusco, Peru - May 2019: The International Belt and Road-Beautiful in Hexian International Art Exchange Workshop, Hexian, China.
![[크기변환]Faces 100x100cm - Thu Thuy.jpg](https://static.wixstatic.com/media/f1f3f2_c734e47fd1544253991b231b0498b727~mv2.jpg/v1/fill/w_460,h_448,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DFaces%20100x100cm%20-%20Thu%20Thuy.jpg)
Faces
100x100cm Acrylic on canvas, 2023
Nicolas Dijoux
Reunion - France
" I wanted to commemorate this tradition on a medium made of century-old ""Tamarin des Hauts"" wooden boards, salvaged from old Creole houses. An inheritance of a troubled historical past, marked by both beauty and suffering of the former French colonies, the cockfight is a tradition that belongs to the intangible heritage of my island and still continues to pass through the ages. It is also one of my childhood memories that left a lasting impression on me and, I believe, best represents the social and cultural identity of the Creoles. Values and traditions that traverse the ages and still shape today's and tomorrow's Creole society should not be forgotten: the blend of cultures, the tropical lifestyle on a sunny Saturday shared between cockfights and the neighbor’s banana fritters for the afternoon snack, with the scent of the rum distillery in the distance, perfuming the air.
Moreover, the choice of the rare, century-old wooden medium emphasizes this sense of history and relic from the past, through the reuse of wood that has witnessed so many lives and people over a hundred years. This piece is a ""postcard"" that I hope will travel through time and share this fragment of my Creole youth memories.
"Tamarin des Hauts"" is an endemic species of Réunion Island, whose exploitation is now mainly managed by a public organization of the French state."" Dark Cherry, born Nicolas Dijoux, is a 29-year-old artist from Reunion Island, renowned for his expertise in traditional Japanese art : Ukiyo-e. Raised in Arts and Culture from childhood, his passion for drawing started early on, initially expressed through realistic graphite sketches. His artistic journey progressed as he began exploring watercolor in 2015, followed by ink in 2017, the same year he started learning the techniques of Ukiyo-e. Dark Cherry graduated with a Master ’s degree in Geography, Environmental protection and Territorial planning from Moufia University in Reunion Island; He then worked in scientific popularization in an environmental protection structure before fully embracing his artistic career. He officially obtained his artist status in July 2020. Passionate with the artistic movement Ukiyo-e, I try to immerse myself by a « rich » state of art, using traditional techniques and mediums (like inks, brushes, Whenzou paper, gold leaf); I have also extensively studied the history of Japanese art, embracing traditional methods of framing, where solid wood are meticulously reworked into frames. Central to my artistic journey is the desire to commemorate the history of my island, Reunion Island, through this art, in order to blend these two distinct cultures. I use elements emblematic of Creole heritage in my artworks, paying homage to immaterial legacies and utilising rare, ancient and endemic woods as artistics mediums or frames in order to create artworks rich in history and character. Through Ukiyo-e art, I aspire to showcase the aesthetic beauty of my artworks, but mostly to share philosophical values on the lifestyle as well as remind our society of the appreciation for beauty in all its forms and to take time for ourselves. "
Batay Coq / The arena
98x55x2 cm Acrylic painting on centennial endemic rare wood boards 2023
Niloufar Ghaffari
Iran
The eyes behind the curtain reveal the secret of dreams.
Active in the visual arts of painting, drawing, mosaic tile, papier mache and participating in international exhibitions and former teaching.
Mystery
60×80 Ink . Mixed media
![[크 기변환]Nio_프로필사진 - 이 준호.jpg](https://static.wixstatic.com/media/f1f3f2_651ff1cfd5154bb9910af25ea368437b~mv2.jpg/v1/fill/w_156,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNio_%ED%94%84%EB%A1%9C%ED%95%84%EC%82%AC%EC%A7%84%20-%20%EC%9D%B4%20%EC%A4%80%ED%98%B8.jpg)
Nio
South Korea
어느 지점에서 걸음을 멈추는지, 펼쳐진 자연 속에서 무엇을 주목했는지 내 작업의 결과물을 통해 비로소 나는 내가 무엇을 좋아하는 사람인지를 발견하곤 합니다.
나는 욕심을 내지 않는 사람인 줄 알았습니다. 허나, 따뜻한 마음을 유지하며 사랑하는 일을 하는 사람들을 볼 때면 욕심이 납니다.
오늘도 사랑하는 것을 사랑하는 삶을 살기를 소망합니다.
한국미술협회 회원 재중한인미술협회 회원 주요활동 개인전 5회 2인전 3회 단체전 52회 수상 : 포스코 사진공모전 최우수상 2회 작품 소장 : 주중한국문화원, Gallery BJK, Gallery A1, 한국, 중국, 인도 개인 소장
나를 밀고가는 것들; 경탄
81x48cm Digital Print 2022
Nissaf Chkondali
Tunisie
Exploring the abyssal world in an incredibly poetic and metaphorical way, dealing with the question of the place between an imaginary world and a revealed world.
I invite you through my work entitled WHITE FOREST, to immerse yourself in a foreign universe, full of mysteries like the deep sea, which raise questions about the fragility of their ecosystems.
I try to recreate the conditions of a symbiosis between man and this aquatic universe reinvented in a pictorial space in a phantasmagorical space. This wall sculpture is like a jungle of Nori algae, made from an assembly of elements entangled with each other, which emerge from the darkness of the abyss, like a rhizome of light.
Nissaf Chkondali, professor of visual art at the Lycée pilote des arts el Omrane, holds a master's degree in science and technology of the arts, specializing in product design, from the Institut Supérieur des Beaux-Arts de Tunis in 1996, followed by a Master's degree in sciences and techniques of the arts in 2006. Since 2003, she has participated in group exhibitions, both in Tunisia and internationally, as well as in international symposia. Her artistic list includes 6 solo exhibitions combining painting and ceramics, ranging from "Les Méandres de la Médina" at the Galerie Caliga in 2008 to "L'Envol des Anges" at the Galerie Kalysté in 2019. Nissaf Chkondali discovered the world of clay at the CNCA Sidi Kacem el Jélizi, which awakened in her an unconditional love for ceramics. She then specialized in contemporary ceramics within the ATAM (Tunisian Association of Arts and Mediation). At Nissaf, the emphasis is on his favorite subject: the woman in all her splendor, adorned with golden heads, as well as her winged angels who are both rebellious and fragile, As a ceramic artist,Nissaf is committed to environmental protection,with a particular focus on preserving marine ecosystems.Through her work,she strives to raise awareness about the beauty and vulnerability of our oceans From this dialectic come palimpsestic modules that remain essential and timeless for a new configuration and a new plastic reading.
Sapphires and Corails
120x60cm
Noh Changhwan
South Korea
구름속의 집- 구름 속에서 자신의 자유로움을 발견하고 형상으 로 접근하고자 한다. 항상 하늘에 떠있는 구름은 자유로이 날고 있으며 나의 유연시절 저 멀리 산 중턱에 걸려있는 이상 세계였다. 구름의 자유로움 형상은 자신의 조형성을 표현하는 중요한 의미를 지니고 있다.
![[크기변환]노창환1.jpg](https://static.wixstatic.com/media/f1f3f2_116282948bbe461b9b1edd7fdd9f4bad~mv2.jpg/v1/fill/w_490,h_382,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%85%B8%EC%B0%BD%ED%99%981.jpg)
구름속의 집
30×36×120cm 가변설치, 스기나무
2024
Noh Youngseol
South Korea
주작은 사신도에 나오는 상상의새로. 우주의. 중심에는 skytree라는 신비로운 나무가 있다. 붉은새가 깃들면서 새로운 조화가 시작된다는 의미를 담고있다.
개인전6회, 부스전7회 (단체전) 2024년 미술로융합하다전(인사아트센타),산미술연구회전,어울림전,창조미술초대전(한슬미술관) 2023년 한중일 국제미술제(가와사키아트가든미술관),가을의공감전(써니갤러리),G-ART지회전, 한중미술20인초대전(룬갤러리),동래미술인협회 창립전(동래문화회관) 2022년 부산수채화협회전(시청갤러리), 부산수채화 특별전(인사아트센타) 아시아수채화연맹전(서울마루아트센타) -그 외 단체전 330여회- 현)부산(한국)미협,부산미협서양화분과이사, 토백회부회장, 동래미술인협회사무국장, 산미술연 구회 부산수채화협회, G-art 회원 부산미술대전서양화심사 및 그 외 다수공모전 심사역임
주작(朱雀) 우주목(sketree)에 깃들다
53.0×40.9 아크릴물감. 2024
![[크기변환]Nono Zilahi - Nono Zilahi.jpg](https://static.wixstatic.com/media/f1f3f2_b2117d1b9b8a4445bd77bc27c426f6f7~mv2.jpg/v1/fill/w_156,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNono%20Zilahi%20-%20Nono%20Zilahi.jpg)
Nono Zilahi
Romania
In my digital graphic collage, I strive to captivate viewers with the harmonious blend of the past and the future. By combining old elements and a vintage family space with futuristic inventions like a robot with vacuum cleaner, I create a visual feast that juxtaposes retro space aesthetics against modern daily life. This medley of nostalgia and forward-thinking concepts in my art invites viewers to ponder the convergence of history and technological advancements, fostering a deeper appreciation for the interconnectedness of bygone eras and the possibilities that lie ahead.
Nono Zilahi is a professional graphic artist from Romania, was born in 1992. Nono has graduated in 2016 at the Faculty of Fine Arts, at the Graphic Art Department of the University of Fine Arts and Design, from Cluj-Napoca and has received numerous international awards. Nono’s artworks were exhibited or published in many countries in Europe, Asia, Africa and in the American continent. Nono Zilahi has been a member and brand ambassador of famous foreign and Hungarian fine art organizations and associations.
Reading Newspaper
80x50 cm digital collage C-print paper
2024
![[크기변환]IMG_20240614_113415 - NORMA MARINA SOLIS ZAVALA.jpg](https://static.wixstatic.com/media/f1f3f2_c8e29f7e112640f48a15622ccef4b3f1~mv2.jpg/v1/fill/w_156,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240614_113415%20-%20NORMA%20MARINA%20SOLIS%20ZAVALA.jpg)
Norma Marina Solis Zavala
Perú
The painting "Survivors dancing in the dark" represents a future in which planet Earth has been plunged into darkness, but the plants, animals and humans that have survived have adapted to their new environment. Plants represent the vitality and strength of a changing world that refuses to disappear. The dance of flowers, leaves and seeds manifests the flow of life, times and hope that is never lost.
Norma Marina Solís Zavala was born in Cochas, Tarma, Peru. Her father Gerardo taught her to draw and paint flowers, from him she learned to be creative and smiling. Justina, her mother, taught her how to embroider blankets and knit, and from her she learned to be persistent and daring. She likes to write and take photographs. She has thirteen books published on Amazon. Since she participated in BEAF 2023 her desire to paint was reborn.
![[크기변환]SOBREVIVIENTES 2 - NORMA MARINA SOLIS ZAVALA.jpg](https://static.wixstatic.com/media/f1f3f2_749650506bc64dd499993d10eb5ae705~mv2.jpg/v1/fill/w_528,h_382,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DSOBREVIVIENTES%202%20-%20NORMA%20MARINA%20SOLIS%20ZAVALA.jpg)
Survivors dancing in the dark
30cm x 42cm
Recycled paper, acrylic paint 2024
Gallery 20
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
OH EUI SEOK
South Korea
얼굴은 말한다. 인간의 내면을 진솔하게 드러내며 삶 전체를 압축해 보여주기도 한다. 그래서 사람들은 얼굴에 집착한다. 화장으로 가꾸고 성형으로 고치고 표정 연기로 자신을 감추려한다. 작품 '그 얼굴 드로잉'은 이 모든 가식을 벗어버린 한 인간의 모습을 보여준다.
포도나무 폐목을 자연의 오브제로 선택하여 아크릴 박스 안에 합성할 이 작품은 작가의 후반기 2022년의 작업이다. 작업에 사용된 포도나무는 십 년 이상 순을 틔우고 잎을 내고 열매를 맺은 후에 폐목이 되었고 쓸모없는 존재가 되었다. 그런 가운데서 작품의 재료로 선택되어 다시 태어났고 우리 곁으로 다가왔다. 자연의 폐목 오브제가 재생의 조형작품이 된 것이다. 작가는 이러한 재생의 작업을 부활의 조형이라 부른다. 수명이 다한 자연의 폐목이 인간의 형상을 입고 전시장의 작품으로 거듭났기 때문이다.
포도나무의 부활로 해석되는 이 작품은 자신을 포도나무에 비유한 종교적 인물을 연상하게 하며 그의 수난과 희생을 떠올리게 하는 동시에 상처 받고 고통하는 모든 인간의 이미지를 함께 오버랩시킨다. 포도나무로 거칠게 드로잉 된 인물은 작가가 만난 종교적 아이콘이자 곧 이웃들의 모습이기도 한 것이다. 이처럼 '그 얼굴 드로잉'은 작가의 인간 이해에 뿌리를 두고 있으며 종교적 담론을 형상으로 체현한 작품이다.
조각가 / 국내외 개인전 30회 서울대 미대 조소과, 동 대학원 졸업, 경북대학교 미술학박사 미국 Calvin College 미술학과, 중국연변과학기술대학 건축예술학부 연구교수, 대구가톨릭대학교 미술대학장, 디자인대학원장 역임 대구미술대전, 신라미술대전, 정수미술대전 심사위원, 대구광역시 미술작품심의위원, 2012 포항스틸아트페스티벌 커미셔너 역임 2022 울산미술대전 심사위원장, 뷰티풀 환경미술대전 심사위원 2023 부산국제환경예술제 World Artisst 10 수상 작품소장/공공조각 대구미술관, 포항시립미술관, 국립현대미술관 미술은행, 서울시립미술관, 김세중미술관, 그랜드래피즈 아트뮤지엄, 칼빈대학아트센터, 메사이어대학 미술관, 경북대학교미술관, 중국 YUST 조각공원, 연미산자연미술공원(공주), 수원올림픽공원, 대구성서메가타운, 합동신학대학원(수원), 고신대학교(부산) 대전신학대학, 경북개발공사, 현대용산파크타워(서울), 서울방배현대홈타운, 하이패밀리(양평), 대구광역시교육청 현재: 대구가톨릭대학교 디자인대학 명예교수, 영천시공예촌장, 경북조각회 한국미술협회 회원
![[크기변환]오의석 그 얼굴 드로잉.60 X 20 X 60 cm 포도나무 페목 2022.jpg](https://static.wixstatic.com/media/f1f3f2_46d28403735543469921e704da4f1769~mv2.jpg/v1/fill/w_429,h_494,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EC%98%A4%EC%9D%98%EC%84%9D%20%EA%B7%B8%20%EC%96%BC%EA%B5%B4%20%EB%93%9C%EB%A1%9C%EC%9E%89_60%20X%2020%20X%2060%20cm%20%ED%8F%AC%EB%8F%84%EB%82%98%EB%AC%B4%20%ED%8E%98%EB%AA%A9%202022.jpg)
그 얼굴 드로잉
60 X 20 X 60 cm 포도나무 페목 2022
Oksana Steffan
Germany
Holding you symbolized harmony of love and understanding of a man and a woman on different levels and multiply their connection.
"I AM A SELF-TAUGHT ARTIST. BORN IN A SMALL VILLAGE IN BELARUS. IN ADDITION TO MY MAIN JOB AS A LINGUIST AND DAF TEACHER (M.A, T ACQUIRED THE HIGHEST DEGREE AS A DRAWING TEACHER AND TAUGHT ART HISTORY AND LED MY OWN GROUP OF ""ART WORKSHOPS"" AT SCHOOL. My PAINTINGs took part at physical exhibitions in ZURICH (ART EXPO) SWITZERLAND, PARIS EXPO CENTER CONTEMPORARY ART) FRANCE AND STOCKGOLM SWEDEN (GALLERY MAKOWSKI, VENICE AND ROME (VERUM CENTRO D'ARTE), ISTANBUL, TURKEY (ARTE CULTURA) MY OWN METHOD IN ENCAUSTIC - on a hot plate "
Holding you
35x42 cm Encaustic painting 2022
Olga Slobodkina-von Brömssen
Russia
I was inspiried by the eponymous piece for solo piano by Maurice Ravel, composed in 1901. I think, my work is a good illustration to this piano piece. I'm an International award-winning art photographer, poet, writer, song composer and singer. In 2024, I got a Certificate: The Knights of Creativity (1 out of 6 in the world) given to me by the Global Center for Peace and Human Rights - this Certificate and title are granted to innovators who have provided humanity with great services in the scientific and cultural fields. I also got the Doctorate of Honor in Art and Culture from FIDEPA together with the Royal International University
BIEAF2024 : I think, the very idea is great. We always refer to the past, which is easy, for we know it. Trying to forsee the future when it becomes the past and from the point of what we're doing today with full responsibility for our actions is a bold and important evdeavor. I hope this art project will be one more brick towards the protection of the environment.
![[크기변환]IMG_0103 - Olga Slobodkina.JPG](https://static.wixstatic.com/media/f1f3f2_40e19d3c7fca40a0be0ace9b302ad5fe~mv2.jpg/v1/fill/w_585,h_422,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_0103%20-%20Olga%20Slobodkina_JPG.jpg)
water
40x60 art photo 2024
![[크기변환]20240308_203529 - Özlem Alkan Güngör.jpg](https://static.wixstatic.com/media/f1f3f2_3e16de9c6bfc42389cde6e5ce148d68e~mv2.jpg/v1/fill/w_149,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D20240308_203529%20-%20%C3%96zlem%20Alkan%20G%C3%BCng%C3%B6r.jpg)
Özlem ALKAN GÜNGÖR
Türkiye
Eser kağıt üzerine linol baskı tekniği ile oluşturulmuştur. İnsanın doğayla buluşmasını temsil eder. Doğayla uyumun yansımasıdır çalışma. Mersin Yenişehir Belediyesi Bilim ve Sanat Merkezin de Teknoloji ve Tasarım öğretmeni olarak yer alıyorum. Yeni tüm bakış açısı ve uygulamalara ilgi duyuyor,bu serüvende üretme çabası ile çalışmalarıma devam ediyorum.
Doğayla senkronize olamadığımız sürece korkularımıza yaklaşacağımız endişesini duyuyorum. İnsanlık gelecekteki yerini belirlerken umarsız davranmamalı. Bu nedenle belirlenen tema için teşekkür etmek istiyorum.
![[크기변환]20240629_183601 - Özlem Alkan Güngör_edited.jpg](https://static.wixstatic.com/media/f1f3f2_91427c9a1c534d46af51303dc43f9ce5~mv2.jpg/v1/fill/w_228,h_400,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D20240629_183601%20-%20%C3%96zlem%20Alkan%20G%C3%BCng%C3%B6r_edited.jpg)
İzdüşüm
18,5×35,5 Kağıt üzerine linol baskı 1996
![[크기변환]IMG_20240227_160100 - Reena Kavediya.jpg](https://static.wixstatic.com/media/f1f3f2_ccc0686507074dbc81d4b74039e1be6a~mv2.jpg/v1/fill/w_149,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240227_160100%20-%20Reena%20Kavediya.jpg)
Parab Dhoka
India
I am Parab Dhoka,won lots of national, international award . . .
Future life
40×48 Paper 2022
Parimah Heidari
Iran
The natural blending of colors is beautiful because of the love bond of humans. The blue color embraces the khaki color
As the sky and the earth.
And from this connection, trees, flowers, plants, lakes and streams emerge
The painter blows his chosen colors like the wind
And from this wind, colors, waves and lotuses, bubbles appear on the small lagoon
And plains, deserts, snow, storms and storms are depicted
As in nature
The painter expands a point of color like a wave
And an eye appears, an eye on the desert sky
An eye under the ground
An eye on the edge of the sea
Or an eye that rises from the earth like the sun
And when it shows that nature and man have been searching for the truth and reflection of life since long ago." "Parimah Heidari, an accomplished artist hailing from Iran, brings over two decades of successful experience in the realm of painting. Specializing in Abstract Art, Fluid Art, Resin Art, and Acrylic Painting, Parimah employs unorthodox methods as a creative artist.
Her inspiration stems from a profound love for the sky, galaxy, clouds, and the sea, aiming to provide viewers with a glimpse of nature through her artwork. Parimah's portfolio spans from spectacular large-scale abstract paintings and Mixed Media collages to resin art wall decor, bowls, and platters crafted from resin. Born in 1982 in Shiraz, Parimah's interest in art was nurtured during her teenage years and further flourished when she pursued a Bachelor's degree in Software Computer from Azad University in Shiraz, Iran. She has mastered the skills and chemistry of her chosen medium, continuously pushing the boundaries of the creative process. Notably, Parimah received gold and silver medals in the Isako Olympiad Arts, Crafts, and Ready-made Design Category during the 2021-2022 period, showcasing her exceptional panel compositions titled ""Beautiful Woman"" and ""Flame."" Her artistic endeavors primarily revolve around pouring techniques, where paint is applied by pouring rather than using a brush. This method, coupled with the unpredictable nature of resin, allows Parimah to explore varied textures found in nature more realistically than any other medium. For her, art serves as the primary means of expressing feelings and revealing different facets of nature and life's realities to viewers. Parimah's design perspective is evident in her approach to special subjects and objects. She has actively participated in a hundred exhibitions both inside and outside Iran, contributing to various festivals and international events. Her extensive body of work in the field of art reflects her dedication to continuous creative exploration and expression.
Lotus
45*35 Pastel chalk 2024
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Park Geum Hee
South Korea
우리는 아침에 눈을 떠 어제와 다른 새로운 날들을 살아가고 있다.
특히 삶의 지향점을 향해 거침없이 도전하는 사람들의 길은 많은 용기와 사유가 필요하다. 그런 사람들이 가는 길은 ‘길’이 없다. 길을 만들면서 간다.
삶의 방향이나 지향점에 다가가기 위해서 사유하고 행동하는 것들을 작품 속에 표현하고 싶었다. 자연과 사람, 사람과 사람, 자연과 자연이 서로에게 영향을 줄 수밖에 없는 에너지의 파동을 점으로, 삶의 희 · 노 · 애 · 락을 느끼는 순간을 색의 조각들로 표현했으며 ‘간다’라는 의식의 표현으로 물고기를 소재로 선택했다.
선과 면을 구성하여 추상을 표현하기도 했으며 형태를 재구성하여 자연의 본질에 더 가까운 조형성을 구성하려 했다. 자연과 더불어 숨 쉬고 공존하고 있는 우리의 삶을 희망과 아름다움으로 전개하고자 한 것이다.
한국 전통적인 색채를 모티브로 하고 있으며 충첩된 채색으로 안정감과 깊이를 주어 사유 할 수 있는 고요한 시간과 공간을 제공하고자 한다. 이러한 나의 작업이 ‘길 없는 길’을 가고 있는 이들에게 위안이 되길 희망한다. ""* 개인전 - 9회/ 아트페어전 - 4회/ 단체전 다수 출품(2004년 부터~) * 수원대학교 미술대학원 조형예술학과 졸업 * 경기미술대전 운영위원 및 심사 역임 * 대한민국 여성 미술대전 심사 역임 * 단원미술대전 심사 역임 * 현재 - 한국미술협회 회원, 의왕미술협회 회원, 경기 여류화가회 회원
![[크기변환]길 없는 길 42 - 박금희 (화정만세).jpg](https://static.wixstatic.com/media/f1f3f2_cef533bb39934ef694d274d133b933fd~mv2.jpg/v1/fill/w_600,h_415,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EA%B8%B8%20%EC%97%86%EB%8A%94%20%EA%B8%B8%2042%20-%20%EB%B0%95%EA%B8%88%ED%9D%AC%20(%ED%99%94%EC%A0%95%EB%A7%8C%EC%84%B8).jpg)
길 없는 길
72.7 x90.9cm
mixed media on canvas 2024
![[크기변환]박건해 - 박건해.jpg](https://static.wixstatic.com/media/f1f3f2_6f7052b37e464e9f805012639ad373fd~mv2.jpg/v1/fill/w_257,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EA%B1%B4%ED%95%B4%20-%20%EB%B0%95%EA%B1%B4%ED%95%B4.jpg)
PARK GUNHAE
South Korea
사군자로 지칭되는 네가지 식물 매난국죽은 동방문화 정수를 상징하는 부호이다. 사군자라는 부호를 통해서 자연으로의 회귀, 마음의 본래 자리를 찾아가려는 작업은 시대의 혼돈속에서 나에게 생명과 치유의 공간을 마련해준다. 우리에게 삶을 제공하는 호흡의 무한한 가능성은 언제나 경이롭다. 창작과 일상속에서의 나의 호흡을 전시라는 소통으로 다시 기쁨을 공유하고 싶은 바램이다.
1999 부산대학교 미술학과 졸업 2005 중국 중앙미술학원 중국화과 가우복 산수공작실 석사졸업 현) 한국미술협회 ,재중한인미술협회 회원, 중국 하북대학교 박사과정, 아시아문화학술원 학술이사 개인전 11회(한국,중국,일본) 및 국내외 다수의 그룹전 참여. 수상경력 2023 제9회 전국 여화가 작품전(입선), 북경 서집국제예술원, 북경 2019 제5회 전국여화가 우수작품전(우수상), 예술시장미술관, 북경 2016 青春志-북경청년미술비엔날레(3등상), 금일미술관, 북경 논문 발표 2023 19세기 김정희, 이상적 북경교류 연구, 인문사회 21 제 14권3호 2023 19세기 조선문인 조희룡의 중국문화 영향과 창의적 사유 —『석우망년록』과 『화구암난묵』을 중심으로, 아시아인문학 Vol.4
![[크기변환]竹호흡 #14-12, 지본수묵,70 x 44, 2014년 - 박건해.jpg](https://static.wixstatic.com/media/f1f3f2_05fd6e11644f468daadbae12c5add396~mv2.jpg/v1/fill/w_310,h_450,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%E7%AB%B9%ED%98%B8%ED%9D%A1%20%2314-12%2C%20%20%EC%A7%80%EB%B3%B8%EC%88%98%EB%AC%B5%2C70%20x%2044%2C%202014%EB%85%84%20-%20%EB%B0%95%EA%B1%B4%ED%95%B4.jpg)
竹호흡 #14-12
70 x 44 cm 2014
Park jin woo
South Korea
거친 파도가 바닷가 해수욕장 말뚝 사이를 오가며 생겨나는 포말을 긴 노출을 통해 잔잔하게 표현했습니다. 저는 흑백 장노출을 주제로한 다이나믹 하면서도 미니멀리즘한 사진을 담고있는 아마추어 작가입니다. 일상에서 만나기힘든 장면들을 긴 노출을 통해서 대중들에게 드라마틱 하게 접근하기위해 지금도 노력하고있으며 앞으로도 흑백장노출에 기인한 미니멀한 사진작업을 하기위해 지속적인 활동을 하고있습니다.
파도의 연주
76x50
Digital pigment print on art paper 2024
![[크기변환]박종갑 인물 - Dera Yoon.jpg](https://static.wixstatic.com/media/f1f3f2_38a34eb25a324965a363fb26fe958d01~mv2.jpg/v1/fill/w_89,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EC%A2%85%EA%B0%91%20%EC%9D%B8%EB%AC%BC%20-%20Dera%20Yoon.jpg)
PARK JONG-GAB
South Korea
현대의 인간들은 과학이 이루어내는 속도와 변화에 숨 가쁘게 적응하며 살아가고 있다. 물질문명은 생활의 편리를 주고 있으나 인간적 삶은 불안과 번민으로 가득 찬 형국이다. 과연 우리는 삶을 어떻게 이끌어야 할까?
오늘날 정신보다는 물질을 중시하는 과시적 소비문화가 타성화 되어가는 현실 속에서 번민에 찬 우리의 삶에 새로운 활력을 불어 넣어줄 천인합일(天人合一)과 무위자연(無爲自然)의 정신적 근원의 의미들을 되새겨 본다.
홍익대학교 미술대학 및 대학원 동양화과 졸업 국내, 외 개인전 24회 및 기획, 초대전 300여회 참여 2023 전남국제수묵비엔날레 / 2022 제주비엔날레(제주도립미술관) 2021 강원국제트리엔날레 / 2020 필묵지간筆墨之間(駐)홍콩한국문화원) 2019 상하이국제종이비엔날레 / 2018 한국수묵 해외순회展(駐)상해한국문화원) 2017 대만국제수묵화대전(대만국부기념관) 수 상 : 송은미술상, 이당미술대상 작품소장 : 국립현대미술관/전북도립미술관/전남도립미술관/MBC문화방송/문화일보 운보문화재단/송은문화재단/행촌문화재단/ 홍익대학교/경희대학교 등 現 : 경희대학교 미술대학 학장 / 경희대학교 현대미술연구소 소장
![[크기변환]박종갑작품 - Dera Yoon.jpg](https://static.wixstatic.com/media/f1f3f2_f7e252ac42e84850bc009b859723bac3~mv2.jpg/v1/fill/w_489,h_441,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EC%A2%85%EA%B0%91%EC%9E%91%ED%92%88%20-%20Dera%20Yoon.jpg)
기공（氣孔）
43x50cm 한지에 유연묵 2021
![[크기변환]평면 박수진 인물 - SUJIN PARK.jpg](https://static.wixstatic.com/media/f1f3f2_2f92015f999d40e7ba3182cce8cd4cbd~mv2.jpg/v1/fill/w_149,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%ED%8F%89%EB%A9%B4%20%EB%B0%95%EC%88%98%EC%A7%84%20%EC%9D%B8%EB%AC%BC%20-%20SUJIN%20PARK.jpg)
PARK SUJIN
South Korea
나와 가족에 대한 이야기다. 가족과의 관계는 한 가지로만 설명할 수 없다. 한면만 가진 게 아닌, 다양체로서의 모양새를 갖추고 심부 깊은 곳까지 밀고 들어와 인생 전체를 헤집어 놓기 때문이다. 나에게 가족은 사랑이며 애증이고 천국이며 지옥이다. 지독한 대립각과 양면성을 가진 그 이중성때문에 마음의 방향을 도무지 잡지 못하고 늘 흔들렸다. 그럼에도 불구하고 가족은 나의 뿌리이자 원형이다. 나의 유전자를 만들어낸 단초이기 때문에, 예리한 칼날 같은 혹독한 고통 속에서도 나는 가족을 품는다.
세종대 일반대학원 회화과 서양화 전공 석사 조기졸업 -의상과 졸업, 회화과 학사, 심리학 학사, 현재 상담심리학부 예술치료학과 재학 /개인전/ 2021 갤러리너트 선정작가전 2022 H갤러리전 2023 석사청구전 세종아트갤러리전 2024 아트로직스페이스 선정작가전 2024 갤러리한옥 청년작가당선전 2024 리수갤러리 우수작가지원전 2025 인테그랄갤러리 전 2025 갤러리빈치 신진작가 선정전 2025 인테그랄갤러리 전
![[크기변환]이질적인기억 72.5x90.5 캔버스에 유채 2020 - SUJIN PARK.jpg](https://static.wixstatic.com/media/f1f3f2_5554ebdaca27465fb63b634e495e5a46~mv2.jpg/v1/fill/w_344,h_451,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EC%9D%B4%EC%A7%88%EC%A0%81%EC%9D%B8%EA%B8%B0%EC%96%B5%2072_5x90_5%20%EC%BA%94%EB%B2%84%EC%8A%A4%EC%97%90%20%EC%9C%A0%EC%B1%84%202020%20-%20SUJIN%20PARK.jpg)
이질적인 기억
72.5x90.5 oil on canvas 2020
Park Sun Hee
South Korea
I mainly use woodcut, linocut, silk screen, and Chine-collé techniques in my printmaking works. I would like to introduce a piece that I happened to create with the same title as this exhibition. As a printmaker, I have developed an interest in and conducted research on old book covers from Korea, and I am showcasing a series of woodcuts titled 'The Old Future,' utilizing the beautiful patterns of the traditional Neunghwapan blocks. The subjects of these works include flowers, butterflies, and animals, representing Korea's symbols of good fortune. The works express the hopeful future ahead, as we overcome the ongoing global challenge of COVID-19. Moving forward, the story I seek to find within the form of art will be one about my own essence. I will continue to capture the endless stories of life, past and present, in my art.
1991 The State University of New York The college at New Paltz : basic stone lithography. 993 BFA Hong Ik University, majored in printing making. 1996 M.Ed Ewha Women’s University Graduate School of Education 2024 Busan Women Artists 50th Commemorate exhibition. 24-23 Solo exhibition print. 2022 Korea Contemoprary Fine Art Exhibition/ A Promised land. 2022 4th Ulsan Asian Prints Exhibition. 2021 BAMA(Busan Annual Market of Art) Gallery UD
![[크기변환]old future-국제환경 - 박선희.png](https://static.wixstatic.com/media/f1f3f2_d268befe013144e69f23cab3ec1f78c7~mv2.png/v1/fill/w_639,h_340,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dold%20future-%EA%B5%AD%EC%A0%9C%ED%99%98%EA%B2%BD%20-%20%EB%B0%95%EC%84%A0%ED%9D%AC.png)
Old Future
70 x 132
한지(옻염색), 수성물감, 전통안료, 밀납, Woodcut, Linocut, Silk screen, Chine-collé
2021
Peng yuchong
China
옻칠은 수천 년의 역사와 함께 동양 예술 문화의 고유한 특성과 가치를 형성한 표현 매체이다. 오늘날 동, 서양의 예술적 심미 의식이 폭넓게 교차하고 새로운 표현 기법과 관점의 해석들이 출현하는 과정에서 옻칠이 지닌 고유한 성질과 다변성의 무한 표현 잠재력은 여러 분야의 현대미술에서 추구하는 작업 성향에 호응하고 있다.
옻칠이 지닌 표현 매체로서의 가치와 그 사용의 의미는 오행의 사상, 자연을 존중하고 자연에 순응하는 사상과 깊이 연관되어 있다.
이 작품에서 작가는 옻칠의 회화적 기법을 시도하여 유화 표현과 같은 붓 터치와 마티에르를 구현하였으며, 이러한 기법을 통하여 식물 이미지의 표현에 있어 전통적인 도상화된 옻칠화의 장식적 특성을 탈피하고 있다. 옻칠이 주는 깊이 있는 색감과 중첩된 층위는 화면에 따스한 생명력을 부여하고 감상자에게 힐링의 메시지를 전해준다.
2015년 중국 북경인쇄대학교(北京印刷学院) 디자인학과 학사 2020년 중국 미술대학교(中国美术学院) 미술학과 석사 2023년 한국 전북대학교 미술학과 박사 주요 개인전 2022년 한국 전주 2023년 한국 전주 2015년, 작품 '얼터너티브', 제3회 전국 대학 삽화 예술 작품전, 중국 베이징.2017년, 작품 '집', 전국 대학생 미술 작품전, 중국 베이징.2018년, 작품 '워커'와 '매력적인 홍곡'의 옻칠 전시회, 중국 난창.작품 '중국 풍경', 중국 목활자 인쇄 및 현대 수묵 예술 작품, 호주 및 아시아.2019년 작품 '서행기', 제1회 중국 일러스트레이션 아트 전시회, 국가민족문화궁전, 중국미술가협회.2019년, 작품 '노동가·꿈의 춤', 제2회 중국 닝보 베이창. 청년 옻칠 그림 전시회, 중국 닝보.2019년 작품 '남하유기'와 '대미 한천'이 신중국 건국 70주년 후베이미술전, 우수작품(최고상), 중국 한천미술관.2020년 작품 '서행기', 제2회 난링 일러스트레이션 비엔날레, 중국 우한.2021년 작품 '성대한 경관의 춤', 전국 제2회 옻칠 그림 전시회, 중국 난창.2023년 작품 '산취미', '옻칠·경' 후베이성 옻칠 그림 초대전, 중국 우한.
![[크기변환]펑유청 - Dera Yoon.jpg](https://static.wixstatic.com/media/f1f3f2_a557ed490a4e4d04b3a3ce8054ef3bd9~mv2.jpg/v1/fill/w_368,h_483,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%ED%8E%91%EC%9C%A0%EC%B2%AD%20-%20Dera%20Yoon.jpg)
자연스러운 모습
30cmX40cm 옻칠 2023
Peshala Premathilake
Srilankan
The concept behind my art collection, revolves around the habits of my new life on South Korea.paintings are mainly inspired by my experiences and inner feelings struggling with new environments . Through continuous experimentation with various art materials, I aim to capture the essence of my life experiences in Korea.
Living in Jinllye Ceramic Village has significantly influenced my artistic journey. The background of the village, where I am surrounded by rich cultural heritage, serves as a constant source of inspiration. In my works, I strive to blend my personal experiences, memories, cultural nuances, and human relationships. This amalgamation of past and present lends a unique perspective to my art.
I express my innermost thoughts, emotions, and life encounters through dreamlike imagery and expressive brush strokes reminiscent of spreading petals. For me, art serves as a powerful language that allows me to articulate my soul, connect with my inner self, and establish meaningful connections with others. Through my paintings, I aspire to convey my perspectives and engage in a dialogue with art enthusiasts and fellow artists worldwide. My ultimate goal is to continue exploring new artistic horizons, conducting innovative experiments, and fostering collaborations with international artists and art aficionados. In this journey, I envision using the universal language of "Painting" to bridge cultural divides and foster cross-cultural understanding and appreciation.
![[크기변환]IMG_9260 - Peshala premathilaka.jpeg](https://static.wixstatic.com/media/f1f3f2_fac299ab40f14203ad2f5b8c299fb23a~mv2.jpeg/v1/fill/w_457,h_414,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_9260%20-%20Peshala%20premathilaka.jpeg)
The wish for
45x45cm
Acrylic mix media on canvas 2024
Petra Jovanovska
North Macedonia
Circle, square and triangle are the main shapes and elements, which the artist guards, creating new works of art made in classic art techniques, which are then digitally processed and manipulated in order to create a new work in digital form. Using these symbols, Petra Jovanovska deepens her artistic works, expands the artistic motif by placing the triangle as a geometric shape and symbol in close proximity to the circle and square, as another geometric shape and another strong symbol. She tries to create a new emotional art story.
A triangle in a circle for her symbolizes a world of form closed but the circle of eternity. On the other hand, there is the circle and the square, a well-known symbol for Petra Jovanovska. She has been exploring the circle as a motif in her art for some time. Now she tries to put the circle next to the triangle and the square and thus transform and expand the meaning. It builds a visual and aesthetic tradition, deals with themes such as decision, fusion, new discovery. Through visual research, the author attempts to capture the ambivalence of the presence and non-presence of a physical being. Every exhibition space is for her a new challenge for a new art game, a new art story, where the very selection and method of installation of the art works is a very important moment. For Petra Jovanovska, the artistic exploration of geometric shapes becomes an endless artistic game.
Petra Jovanovska was born in 1972. in the Czech Republic, has completed F.L.U. in Skopje. Until now, she has realized 60 independent exhibitions (France, Slovenia, Germany, Croatia, Poland, the Czech Republic, etc.). She has taken part in over 300 group exhibitions, is a participant in a large number of art colonies, symposiums, and the winner of several awards.
Game 2
30x30cm Mixed media 2024