

Art Hall - C4
Listen to the artist's voice
Look at the artist's expression
Read the artist's mind
The BIEAF is with artists.
Gallery 23
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 23 Artists and Works Slide
You can mark hearts on your favorite artists and works.
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BIEAF2026 Invited Artist
Narda Martinez
Italia
Narda Martínez : A Multidisciplinary Artist Introduction Narda Martínez is an extraordinary Ecuadorian artist who has resided in Milan,Italy, since 2001. Her work is a magnificent example of how diverse art formscan intertwine to create unique and stimulating pieces. Her versatility isevident in her work as a painter, writer, poet, fashion designer, and culturalmanager. Artistic Career Painting : Narda Martínez is known for her vibrant and intense paintings, which oftenexplore themes related to nature, identity, and culture. Her painting is ajourney through color and emotion that invites the viewer to reflect andconnect with the world around them. Writing and Poetry : In addition to painting, Narda is a talented writer and poet. Her literary worksoften reflect her introspection and a deep understanding of human dynamics.Through words, she creates powerful imagery and evokes deep emotions,offering new perspectives and food for thought. Fashion : As a fashion designer, Narda Martínez brings the creativity and passion thatcharacterize her artistic and literary work. Her fashion collections showcasebeauty and cultural diversity, distinguished by a unique blend of traditionaland modern styles. Cultural Management : As a cultural manager, Narda plays a key role in promoting art and culture inboth Ecuador and Italy. Through events and collaborations, she workstirelessly to create spaces that celebrate creativity and innovation, fosteringintercultural dialogue and inclusion. Conclusion : Narda Martínez is a living example of how art can be a unifyingand transformative force. Her dedication and ability to excel in such diversefields make her an inspiring figure in the contemporary art scene. Herpresence in Milan not only enriches the local scene but also builds a bridgebetween Ecuadorian and Italian cultures.
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Autumn Impressions
Oil on Canvas 100x50 2026
Description of the work :
The work presented is a vibrant autumn landscape that captures the serenityand beauty of nature amidst the changing seasons. The artist employs a warmpalette dominated by reddish, brown, and golden tones, evoking thetransformation of the leaves in autumn.This work not only celebrates the aesthetics of the autumn landscape but alsoencourages a deeper connection with nature and its cycles. The viewer isinvited to pause, breathe, and appreciate the fleeting beauty that surroundsus.

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BIEAF2026 Invited Artist
Nargish Soma
Bangladesh
Mst Nargish Parvin, Known as Nargish SomaCompleted Her BFA and MFA from on Oriental Art from Fine Arts Dept.Rajshahi University. She is now working as a Lecturer of Oriental Arts atRajshahi Art College. She is the founder of Shorong Art Group, an art eventand exhibition organizing Organisation. She perticipated more then 90National and International Exhibition all over the world. She is very interestedto work with Womens life and struggle. Basically Human is her most fevoritesubject. She Recieved so many Awards for her amezing painting. Some of herpainting is still displaying in some arts museum and gallery. At this momentshe is working with a series of Painting titled Face and History.
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Face and History 12
Acrylic on Canvas 5'X6' 2026
Description of the work :
Face and History is a series of work based on expressions of different ages.Every expression have their own history. Behind every face they have somestory. This is the face and history of a little girl.

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BIEAF2026 Invited Artist
Natasha
Korea
I am currently developing Between Us, an ongoing series inspired by scenesfrom my everyday encounters with nature. Through composed fields of colorand gestural lines, I reinterpret these scenes to explore the interactionsbetween people and the more-than-human world.
Tell us about BIEAF2026 'From Sun To Boy' :
When I first encountered the theme From Sun to Boys, I thought of nature as agift to us. This led me to ask, “What about From Boys to Sun?” In that reversal,I found a connection to Between Us, the series I am currently developing.
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Face and History 12
Acrylic on Canvas 5'X6' 2026
Description of the work :
One spring day, I imagined walking barefoot through fields turning green andflowers swaying in the breeze. One winter, watching geese drifting quietlyacross a lake, I wished I could become one of them and enter that scene.Between Us, including these works, grew from the thoughts and imaginingsthat arise when encountering everyday scenes.
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BIEAF2026 Invited Artist
Natxo Zenborain
España
Natxo Zenborain is a visual artist from Pamplona whose work blendssurrealism, Psychoart, and experimental photography. Through close‑upexplorations of matter and symbolic distortion, he reveals hidden tensionsbetween the visible and the invisible.
Tell us about BIEAF2026 'From Sun To Boy' :
For me, ‘From Sun To Boy’ reflects a transition from pure energy to humansensitivity. It resonates with my interest in matter, transformation, and theinvisible tensions that shape perception.

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Exploring the physical dimension
Photography 50cm x 60cm 2026
Description of the work :
A macro‑surreal exploration of matter, where different materials unfold likeliving terrains. The piece reveals a physical dimension that feels both organicand geological, suspended between growth and erosion. Through vividcontrasts and close‑up detail, it invites the viewer into a space where realityloosens and the invisible begins to surface.
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BIEAF2026 Invited Artist
Naushad Gayoor
India
Born 20th Nov.1971at Dalgate, Srinagar, Kashmir. I’m a multidisciplinary visualartist and senior academic, presently serving as Head, Department of AppliedArt, Shri Pran Krishan Kaul Institute of Music & Fine Arts, University ofKashmir. With over three decades of sustained art practice, I have evolved adistinct visual language shaped by Kashmiri sensibilities, contemporaryaesthetics, and experimental engagements across diverse mediums.I completed my Graduation in Applied Art from IMFA, University of Kashmir,and my Post Graduation from the College of Art, Delhi. Since 1995, I haveparticipated in numerous national and international exhibitions, art camps,workshops, and seminars, and my works have been showcased widely withinand outside Kashmir, receiving recognition from several prestigious culturalinstitutions. My honours include the National Scholarship (Painting) from the National LalitKala Akademi, New Delhi (2002–2003), the Junior Fellowship (Painting) fromthe Ministry of Tourism & Culture, Govt. of India (2000–2002), the KalavartRashtriya Swasti Samman (2020), and multiple awards from government andprivate bodies, including the 2nd Prize in the J&K State PhotographyCompetition (2009). I have also been featured in major national exhibitionssuch as the 69th National All India Annual Art Exhibition, AIFACS (1998) and“50 Years of Art in Independent India” (1997). My artworks are housed in several significant collections, including those ofH.E. President of India Dr. A.P.J. Abdul Kalam, Raj Bhawan Srinagar, NationalLalit Kala Akademi, AIFACS, J&K Cultural Academy, NZCC, WZCC, Directorateof Art & Culture Goa, along with numerous government and private collectorsacross India and abroad.
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Solitude Beneath the Blue Hills
Acrylic on Canvas 152 cms x 122 cms 2026
Description of the work :
Dominated by saturated ultramarine blues, the landscape constructs adreamlike terrain where natural forms verge on abstraction. The rolling hills,covered with repeated vertical strokes, evoke textural rhythms rather thanliteral vegetation, suggesting a deliberate move toward pattern and mark-making. Their uniformity creates a hypnotic surface, yet also risks visualmonotony, making the luminous foreground all the more critical.
The river, rendered in fluid, reflective blues, acts as the painting’scompositional spine, it guides the viewer’s eye inward, offering a sense ofmovement that counters the static repetition of the hills. The artist’s handlingof water is particularly effective: the reflective quality introduces subtle tonalshifts, preventing the blue palette from becoming overly flat.
The most striking intervention is the cluster of yellow green trees on the smallisland. This chromatic rupture injects vitality and establishes a focal point withstrong emotional resonance. The contrast is almost theatrical—an intentionalspotlight within an otherwise nocturnal world. It suggests renewal, hope, orsanctuary, depending on the viewer’s interpretive lens. Yet one might arguethat the intensity of this contrast borders on abrupt, creating a visualhierarchy so dominant that it overshadows the surrounding landscape.
The painting succeeds in crafting a surreal environment where color becomesnarrative. Its strengths lie in atmosphere, contrast, and controlled abstraction,though a more varied treatment of the mid-ground forms could enhancestructural complexity.

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BIEAF2026 Invited Artist
Nazma Begum
Bangladesh
Nazma Begum is a contemporary visual artist from Bangladesh, whosepractice explores memory, emotion, and the quiet poetry of everyday life. Shecompleted her Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) fromthe Department of Craft, where she developed a strong foundation inmaterial-based practices and traditional techniques. Working across painting and mixed media, her artistic language reflects asensitive dialogue between craftsmanship and contemporary expression. Herworks often emerge from personal reflections and cultural surroundings,where texture, form, and color become vessels of storytelling. Through layered surfaces and intuitive processes, she creates compositionsthat invite contemplation and emotional resonance. Her background in craftinforms her attention to detail, tactile quality, and a deep respect for materials,which remain central to her evolving practice. Nazma Begum has participated in group exhibitions, including internationalplatforms, where her work has been appreciated for its sincerity andexpressive depth. Her practice continues to expand through experimentation,bridging traditional craft sensibilities with contemporary visual narratives.
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A Quiet Resentment
Acrylic on Canvas 60X 60 cm 2026
Description of the work : This painting emerges from my reflection on coexistence and quietconnection within nature. At the center, a flowering tree stands within anarched frame, suggesting both a window and a sacred space. It represents aplace of inner stillness where life continues to grow, gently and persistently. The birds in this work are not merely decorative forms; they are observers,companions, and silent participants in this shared environment. The smallerbirds resting within the tree embody a sense of belonging, while the twolarger birds below gaze upward, suggesting a moment of attention, longing, orquiet (dialogue) with nature. My background in craft deeply influences this composition. The intricatepatterns, repeated floral motifs, and ornamental borders draw from textiletraditions, where every detail carries rhythm and care. Through this process, Itry to create a surface that feels meditative—where repetition becomes aform of contemplation. The presence of flowers and fish extends the idea of interconnected life.Different elements—air, water, and earth—exist together within a single visualspace, without boundaries. This reflects my belief that all forms of life share asubtle, continuous connection. Color plays an emotional role here. The vibranttones are balanced by a dark background, allowing the forms to emerge likememories—quiet yet luminous. I am interested in how beauty can holdstillness, and how stillness can carry meaning. This work is not about narrative in a direct sense. It is about creating a spacewhere the viewer can pause, breathe, and feel a sense of gentle harmony—where everything exists together, in a shared rhythm of life.

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BIEAF2026 Invited Artist
Neeharika Donau-Hossain
Germany
I am a German visual artist, curator, and gallerist. She studied Painting at theUniversity of the Arts Bremen and has been active internationally since 1992.As founder of numerous intercultural art initiatives, she has connected artistsacross Europe and Asia through exhibitions and cultural exchange. Workingbetween Fantastic Realism and Neo-Realism, her paintings exploreconsciousness, spirituality, and the human condition through symbolicimagery and psychologically charged spaces.
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Siters
Acryl on canvas 100 x 110 cm 2025
Description of the work :
Sisters portrays an intimate bond where light becomes a symbol of innerwisdom and shared humanity. Like rays born from the sun, the glowing pearlsexchanged between the sisters express love, trust, and spiritual connection—the creative light that unites all life.

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BIEAF2026 Invited Artist
Neeraj bind
India
I am Neeraj Bind, a visual artist from India specializing in oil and acrylicpainting. My work blends realism with deep narrative concepts. I frequentlyexplore the profound connection between human existence and nature,portraying life, freedom, and cultural essence through my art.
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The Nest of Thoughts
Acrylic on canvas 30*40 inches 2025
The Nest of Thoughts," this artwork explores the deep connection betweenhuman consciousness and nature. The woman with a bird's nest on her head,surrounded by flying birds, symbolizes the mind as a cradle of life, creativity,and evolving ideas. The flying birds represent thoughts gaining freedom.Through realistic details and a natural palette, it highlights our minds as livingecosystems where thoughts nurture, grow, and take flight into the world.

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Watercolor Artist
Sanders watercolor paper, mijello, Van gogh watercolor paint, calligraphybrush
35X50 2025
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BIEAF2026 Invited Artist
Nga Thuy Do
Vietnam
Do Thi Thuy Nga , Year of Birth: 1961, Nationality: Vietnamese - PROFESSIONAL AFFILIATIONS Member of the Vietnam Fine Arts Association Member of the Hanoi Fine Arts Association - Vietnam - EDUCATION & PROFESSIONAL BACKGROUND Studied Painting at the Vietnam University of Fine Arts Studied at the Vietnam University of Industrial Fine Arts - TEACHING EXPERIENCE Previously worked as a Fine Arts teacher at various schools. - EXHIBITIONS Consistently participated in the annual fine arts exhibitions organized by theVietnam Fine Arts Association. Participated in group painting exhibitions at fine arts galleries in Hanoi. - COLLECTIONS Artworks are featured in several private collections.
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Artis
Lacquer on wood, Watercolor on silk
Hau dong ( Spirit Medium ship) 90 x 120, 2025
Tinh mau tu (Maternal Love) 82 x 82, 2026
Goc dinh que (Corner of the Village Communal House) 60 x 80, 2021
Description of the work :
- Hau Dong (Spỉit Mediumship): Vietnamese Social and Cultural Heritage.
- Tinh mau tu (Maternal Love): Social Realism of the Northwest Highlands,Vietnam
- Goc dinh que (Corner of the Village Communal House): Vietnamese RuralLandscape
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BIEAF2026 Invited Artist
Ngo Thanh Tram
Vietnam
Ngo Thanh Tram is a Vietnamese visual artist whose practice combinespainting and ceramics. Her works explore memory, cultural identity, family,and the relationship between tradition and contemporary society throughexpressive figurative language.
Tell us about BIEAF2026 'From Sun To Boy' :
I believe "From Sun To Boy" represents the passing of light, inspiration, andcreativity across generations. As an artist, I hope to share a personal storyrooted in Vietnamese culture while connecting with artists from around theworld through this exhibition.
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My father, The Bassoonist.
Oil on canvas 90cm x 90 cm 2026
Description of the work :
My Father, the Bassoonist is a tribute to my late father, a bassoon musicianhonored by the Vietnamese government with the title of Meritorious Artist.Rather than simply portraying his likeness, I transform sound into color,rhythm, and pictorial space. In my memory, music and painting have alwaysbeen two parallel languages. This work reflects the invisible bond between myfather's artistic legacy and my own creative journey.

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BIEAF2026 Invited Artist
Ngoc Anh Tran
Vietnam
Tran Thi Ngoc Anh (b. 1958, Hanoi) graduated in Sculpture from the HanoiUniversity of Industrial Fine Arts in 1982. A member of the Hanoi Fine ArtsAssociation and Vietnam Fine Arts Association, she expresses her reflectionson life’s beauty through painting and sculpture.
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Hoà tấu Ban mai - Morning Symphony
Traditional Lacquer 80x120 cm 2025
Morning Symphony (Hòa Tấu Ban Mai)
In Northwest Vietnam, as the old year gives way to the new, Mộc ChâuHighlands bloom with pink peach blossoms and white plum and pearblossoms. Artists travel there to immerse themselves in this beauty. At dawn,birds emerge from their nests, filling the mountains with songs that sound likea grand natural orchestra. Awakened by this harmony of color and music, Icaptured the moment in this painting, titled Morning Symphony.

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BIEAF2026 Invited Artist
Ngọc Cao
Vietnam
I am Cao Bich Ngoc, a graduate of the Vietnam University of Fine Arts, class of2009–2013. I am currently working as an Art teacher while continuing myartistic practice in oil painting and soft pastel. Teaching allows me to stayclose to the emotional world of children, and it deepens my interest in how artcan nurture memory, compassion, sensitivity, and the ability to perceive beauty. I have participated in several group exhibitions, sold artworks, and receivedinterest and commissions from a number of collectors. To me, painting is notonly a form of personal expression, but also a way to preserve and transmitenduring values: love, culture, family memory, and hope for the future. By joining this competition, I hope to bring the perspective of both an artistand an educator: gentle, feminine, emotionally layered, and directed towardchildren and the humanistic values we need to protect for future generations.
Tell us about BIEAF2026 'From Sun To Boy' :
To me, BIEAF2026 “From Sun To Boy” suggests a journey from the source oflight, life, and natural energy to the future generation of human beings. TheSun is not only a symbol of light and life, but also a source of spiritualnourishment, awakening love, compassion, and creativity. The Boy representsinnocence, hope, and the artistic human being who receives that light andcarries it forward to protect the world.
As both an artist and an Art teacher, I feel deeply connected to this theme. Ibelieve art can help children and future generations learn to perceive beauty,to love, to remember their roots, and to live in greater harmony with nature,humanity, and culture. Through my work, I hope to convey a quiet yet enduringkind of light: the light of maternal love, family memory, care, and hope for thefuture.
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In the Arms of Memory
Soft pastel 50x65 cm 2026
Description of the work : In the Arms of Memory approaches the BIEAF 2026 theme “From Sun To Boy”not through the direct image of the sun, but through a more intimate andenduring source of light: a mother’s love for her child. In the painting, a young mother is knitting beside her child’s cradle. The warm-colored threads evoke the color of sunlight, slowly woven through time,patience, and tenderness. To me, this act is not only about making a garmentto keep the child warm; it is also the weaving of an invisible shelter around thebaby — the mother’s “little sun,” and at the same time, an image of the futuregeneration. The thread suggests continuity: from the mother’s hands to the child, fromfamily memory to present life, from traditional values to hope for tomorrow. Ina rapidly changing world, I want to return to seemingly simple things: a cradle,a mother’s hands, the act of knitting, and the warmth of home. These aresymbols of care, preservation, and cultural transmission. If the sun is the source of life in nature, love is the source of life within thehuman soul. Through this work, I want to suggest that the future is protectednot only by great actions, but also by memory, culture, tenderness, and thecapacity to love — quietly nurtured from the very beginning of life.

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BIEAF2026 Invited Artist
Ngoc Nguyen
Vietnam
• Ý tưởng đươc hình thành thông qua văn hoa truyền thống của người Việt."Giao thoa giữa dân gian và công nghệ số" từ các bức tranh trước, bức này làmrất rõ thông điệp. Hình ảnh đầu Nghê/Lân bước ra từ một đám mây dữ liệu(Cloud) ảo ảnh màu hồng, xung quanh là trẻ em cầm các bảng ký hiệu côngnghệ thay cho đèn ông sao và các loại nhác khí khác, tạo ra một góc nhìnđương
Description of the work :
• Tôi Phác hình và Định vị bố cục: Tôi dùng nét (khả năng là chì hoặc màu nướcloãng) để định vị nhóm nhân vật trẻ em múa nghê/lân, chiếc chòi trung tâm, vàcác đường lượn của vầng trăng, đám mây dữ liệu số.
• Tôi nhuộm nền trời bằng sắc đỏ - cam (gợi không khí lễ hội trung thu rực rỡhoặc một không gian năng lượng bao trùm).Tôi đi mảng nền đất phía dưới bằng sắc xanh lá cây rực (lime green).Tôi bắt đầu tô màu cho trang phục các em bé (tím, vàng, nâu), vẽ chi tiết chiếcđầu Nghê/Lân ở trung tâm và các bậc thang
Cuối cùng, bạn dùng cọ nét nhỏ với màu đen/nâu đen để "khóa nét" toàn bộnhân vật, khuôn mặt, trang phục và các ký hiệu để chúng không bị nuốt vàolớp màu nền.
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TRƠI TRĂNG NGÀY NAY
Acrylic ,Cavas 60x80cm 2026
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BIEAF2026 Invited Artist
Nguyễn Minh Chính
Vietnam
I am a professional artist from Vietnam. I have been passionate about paintingsince I was a child. My hobbies include painting people and landscapes. Mypreferred mediums are oil paint, acrylic, and lacquer. My first solo exhibitionwas titled "Cloudy Harbor" in 2021. I have participated in many groupexhibitions, including the Hanoi Fine Arts Exhibition and numerous others. Forme, art is like a journey through life. Painting is a place to express my emotionsand thoughts about life, depicting the emotional states and memories of anindividual. I consider art to be my purpose in life.
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Clouds
Oil on canvas 150x100cm 2025
Description of the work :
I create many landscape paintings depicting the beautiful natural scenery inVietnam as well as in many countries around the world that I have traveled to.The medium I used in this exhibition is oil on canvas. The painting depicts amountainous landscape in northern Vietnam at dawn, with mist envelopingthe mountains. In the distance, golden rice ripens on the terraced fields, acharacteristic feature of the northwestern region of Vietnam. Naturallandscapes have always made a strong impression on me. Through this work, Iwant to share a message about the beautiful nature of Vietnam withinternational friends.
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BIEAF2026 Invited Artist
Nguyen Thi Hai Yen
Vietnam
My name is Nguyen Thi Hai Yen, born 1971 , a Vietnamese artist and agraduate of the University of Industrial Fine Arts. I am a member of both theVietnam Fine Arts Association and the Hanoi Fine Arts Association. Throughout my artistic journey, I have participated in numerous exhibitions atnational, regional, and association levels across Vietnam. Through my works, Istrive to express the beauty of life, culture, and human emotions. Some of myrepresentative artworks include Fighting Buffalo, Fragrance, Young Woman,Xuan Huong Lake, Dawn, Golden Dragon, My Sister, Flowers and Life, Waves,and Waiting. In 2024, I had the opportunity to participate in the International CreativeCamp in Bat Trang, where artists from different countries and backgroundscame together to exchange ideas and artistic experiences. My work has been recognized with several honors, including the C Prizeawarded by the National Committee of the Vietnam Union of Literature and Arts Associations and a Certificate of Merit from the Ho Chi Minh Museum. As an artist, I am passionate about exploring new creative possibilities whilepreserving the cultural values that inspire my work. I believe that art has thepower to connect people, evoke emotions, and enrich our understanding oflife. Through my creations, I hope to share meaningful stories and contributeto the growth of Vietnamese contemporary art.
Tell us about BIEAF2026 'From Sun To Boy' :
The theme symbolizes transferring the sun's bright, hopeful energy to the"child" or "boy". While the sun represents the maternal source of all creation,the boy represents the artist who uses art as a vessel to express hope, love,and freedom.
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About vilaage
Sculpture, ceramic 42cmx35cm 2026
This artwork portrays a humorous yet meaningful scene from traditional rurallife in Vietnam. The image captures a husband who has become drunk and,unable to walk steadily, clings to the tail of a horse. Meanwhile, his wife, havingreturned from the market, gently leads the horse home. Through this simpleeveryday moment, the artwork vividly reflects family life, village culture, andthe close bond between husband and wife. The contrast between the husband’s helpless condition and the wife’s calm,patient guidance creates a sense of warmth and lighthearted humor. Ratherthan criticizing the husband, the artwork emphasizes the understanding,tolerance, and care that often exist within family relationships. The wifebecomes a symbol of responsibility and devotion, while the husbandrepresents the imperfect yet familiar human side of everyday life. The horse also plays an important symbolic role. As a faithful companion inrural communities, it acts as a bridge connecting the couple and helping guidethem safely home. This element strengthens the feeling of security,belonging, and family unity. Through expressive forms and dynamic composition, the artwork not onlycaptures a memorable story but also celebrates the beauty of ordinary life. Itreminds viewers that art can be found in simple moments and that familyaffection is often revealed through small acts of care and understanding. Overall, the work combines humor, humanity, and cultural identity, offering avivid reflection of Vietnamese rural life while conveying universal values oflove, patience, and companionship.

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BIEAF2026 Invited Artist
NGUYEN THI MINH HONG
Vietnam
Minh Hong is a Vietnamese contemporary artist whose Cubist-inspiredpaintings explore humanity, memory, and resilience. Through expressive formsand vibrant colors, she transforms everyday moments into timeless storiesthat celebrate the strength and dignity of ordinary people.

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Midday Rest
Acrylic 70cmx105cm 2026
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Description of the work :
This painting portrays three women sharing a quiet moment of rest in theforest. Through fragmented forms, expressive brushstrokes, and warm colors,it celebrates friendship, resilience, and the dignity of working women. Thework invites viewers to discover peace and human connection in the midst ofnature.
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BIEAF2026 Invited Artist
Nguyen Thi Thien
Vietnam
Nguyen Thi Thien is a Vietnamese silk painter and lecturer at Ha LongUniversity. Her artistic practice focuses on preserving and promoting thecultural heritage of Vietnam through contemporary silk painting, inspired byethnic traditions, festivals, and the beauty of nature.
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Cemellia Festival
Silk 86 x 150 cm 2025
Description of the work :
“Camellia Festival” portrays Dao women in their traditional costumes duringthe blooming camellia season in Quang Ninh, Vietnam. The silk mediumenhances the gentle colors and poetic atmosphere, celebrating culturalidentity, community harmony, and the enduring relationship between peopleand nature.
Tell us about BIEAF2026 'From Sun To Boy' :
Art connects people, culture and nature. Through my silk painting “CamelliaFestival”, I would like to share the beauty of Vietnamese ethnic culture, theharmony between humans and nature, and the hope that art can inspireunderstanding, peace and respect for cultural diversity.

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BIEAF2026 Invited Artist
Nguyen Thuy Duong
Vietnam
Nguyen Thuy Duong is an artist working with traditional lacquer, approachingthe medium through a contemporary lens. Her works explore themes of originand the cosmos, expressing the relationship between human form and theuniverse.
Through lacquer, she creates visual depth and distinctive spatial effects,enhancing the sensory experience of her compositions.
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he Cloud's Prayer (Lời Nguyện Của Mây)
Lacquer on Wood 90x110cm 2026
Description of the work :
In the quiet solemnity of the night, a pregnant mother sits peacefully upon abed of flowers, embodying the enduring spirit of life. Above her, a silver cloudserves as a divine witness, offering blessings through every gentle raindrop.The artwork reflects the harmonious connection between heaven, earth, andhumanity, where each drop carries hope and unconditional love. The warmgolden glow of the figure contrasts beautifully with the deep bluebackground, creating a tender lullaby of anticipation and protection.
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BIEAF2026 Invited Artist
Nhan Ngo Thanh
Vietnam
Biography of Artist Ngô Thành NhânArtist Ngô Thành Nhân specializes in the traditional medium of lacquerpainting. He lives, studies, and creates in Hanoi, coming from a family withthree generations of architects and artists.Education and Professional Background:Education: Graduate of the Hanoi University of Industrial Fine Arts.Work Experience: He previously worked at the Central Fine Arts Company andthe Culture - Information Publishing House.Artistic Activities and Achievements:Memberships: He is a member of both the Vietnam Fine Arts Association andthe Hanoi Fine Arts Association.Exhibitions: He regularly participates in domestic and international fine artsexhibitions.Awards & Collections: He has received numerous domestic fine arts awards,and his works are currently preserved at the Vietnam Fine Arts Museum.
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Market 1 ,2 ,3
Lacquer 120x120 cm 2026
Description of the work : This evocative oil painting captures a bustling, vibrant marketplace scene,likely set in the mountainous regions of Northern Vietnam. The composition isbathed in a warm, radiant palette dominated by golden-yellow tones, whichimbue the entire canvas with a sense of sun-drenched atmosphere andtimeless energy. ### A Tapestry of Daily Life The painting is densely populated, showcasing a myriad of activities thatdefine life in a rural market. Small groups of people are scattered across theforeground and middle ground, depicted with a stylized, almost abstractapproach that emphasizes their collective movement rather than individualportraits. The figures, mostly women, are adorned in traditional ethnicclothing, accented with bright, singular touches of red headscarves andaccessories. These flashes of red act as visual anchors, guiding the viewer'seye across the busy scene. ### The Integration of Nature and Commerce Central to the composition is the presence of animals, which are seamlesslyintegrated into the human activity. Various horses, goats, and possibly cattleare interspersed among the people, reflecting the interconnectedness ofagricultural life and trade. Some animals are grazing or standing quietly, whileothers seem to be part of the commerce, waiting alongside their owners. Thepresence of these animals adds a dynamic, rustic texture to the painting,suggesting a place where the distinction between domestic life and themarketplace is fluid. ### Artistic Style and Technique The artist employs a post-impressionistic style, favoring expressive brushworkand color over hyper-realistic detail. The thick application of paint, or*impasto*, gives the surface a tactile quality. The lighting is particularlystriking; a large, glowing arc of brilliant yellow looms behind the figures,almost like a setting sun or a halo, casting a warm, enveloping light thatflattens the space and unifies the various elements. This golden light is theheartbeat of the painting, turning an ordinary scene of trade into somethingtranscendental and dreamlike. ### Atmosphere and Narrative The overall mood is one of industrious harmony. Despite the density of thefigures and animals, the scene does not feel chaotic; rather, it feels like a well-choreographed dance of everyday existence. There is a profound sense ofcommunity, tradition, and the rhythmic cycle of rural life. The painting invitesthe viewer to step into this golden, sun-baked world and witness the quietdignity of a culture deeply rooted in its landscape. It is a celebration of humanperseverance and the timeless simplicity of a market day, preserved in aneternal, glowing amber hue.
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BIEAF2026 Invited Artist
Niki Giannikou
Cyprus
Niki Giannikou was born in Cyprus. She is an accomplished iconographer andvisual artist based in Chania of Crete in Greece. After a thirty year academiccareer at the Technical university of Crete, following a computer sciencedegree from the University of Wales, she fully dedicated herself to her art in2022. Specializing in egg tempera on wood, her hagiography reflectsRenaissance influences, the Byzantine tradition and the Venetian-Cretanschool. Her oil paintings capture Cyprus, Rizokarpasson, where was born,landscape snd portraits. Awarded the excellence award at the Cyprus Trienale Agia Napa2025 , herwork spans exhibitions in Greece, Cyprus,and on line, leading to her upcoming(june2026) exhibition in Venice. She looks forward to a solo exhibition inChania and in Cyprus.
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Rizokarpasson , my village.
Oil on canvas 50x70cm 2026
Description of the work :
"Rizokarpasson, my village " is a deeply personal landscape painting thatcaptures the serene and untouched beauty of the artists occupiedhomeland.The artwork masterfully contrasts the vibrant crystal clear axure ofthe sea with the lush rolling green hills that frame the coast line. Utilizing theharmonious combination of pallet knife and brush technique. This is more thana landscape; It is a nostalgic visual homage to a deeply missed home.

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BIEAF2026 Invited Artist
NALINI MISRA TYEBJI
INDIA
**Nalini Tayabji – Artist Profile** A lifelong creator, **Nalini Tayabji's** artistic journey began in childhood with a fascination for colour, form, and storytelling. From collecting and re-stringing vibrant glass beads to crafting handmade pop-up books and miniature cinemas, creativity became an integral part of her identity from an early age. Drawing before the age of five, she explored a variety of mediums over the years—pencil, coloured pencil, oils, and eventually watercolours, which became her true passion. Deeply inspired by Kangra Miniatures, the Krishna tradition, and the mastery of Chinese watercolour artists, her work reflects a sensitive understanding of colour, space, and emotion. Nalini's first solo exhibition was held at the Shridharani Gallery, New Delhi, in 1980, followed by a diverse career in teaching, entrepreneurship, jewellery design, and textile development in the Kumaon hills. Each experience enriched her artistic vision and strengthened her connection to craft, design, and aesthetics. Subsequent exhibitions at the India International Centre and The Attic further established her distinctive artistic voice. Her work celebrates imagination, whimsy, and the beauty hidden within everyday life. Whether through colour, shape, texture, or narrative, Nalini invites viewers to look beyond the surface and discover deeper layers of meaning. For her, art is not merely a practice—it is a way of seeing, understanding, and defining oneself.
The theme **"From Sun to Boy"** beautifully symbolizes the journey of light, hope, energy, and wisdom being passed from one generation to the next. It reminds us that every child carries within them the potential to shine, grow, and illuminate the world around them. The theme inspires optimism, creativity, and a deeper connection between nature, humanity, and the future.
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Nature’s Hidden Networks
MIX MEDIA 23X16 2026
Description of the work :
This mixed-media abstract painting symbolizes the interconnectedness of nature through flowing forms, layered textures, and organic pathways. Shades of blue and green represent water, vegetation, and life, while vibrant yellow accents signify energy and renewal. The composition reflects the delicate balance of ecosystems, reminding us that all elements of the environment are linked and must be protected for a sustainable future.

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BIEAF2026 Invited Artist
Nobuo Yoshikawa
Japan
1975 Training at St. Martin’s School of Art, London, Print workshop, London.1987 Planning, production and participation of “KAMAE EXIBITION” atLondon.1993 Exhibition of “Bamboo City” at Sumida Riverside Hall (Japan)2000 Korean Paion Media Art 2000(Japan side examination committee)2001 ARTEX LONDON 2002 JAPAN 2001 PRIZE “ITUKAKU1”2002 spin art Onahama (environmental art society)2003 SJP Osaka International Exhibition 2003 “video movie”2008 international Openair Expressions HIKI 2008 “video movie”2010 CONTEMPORARY ART FROM JAPAN Konsthall,Sweden “Geometry 1”2011 THE POWER OF ART Soul Art Space2013 Japaneese Art in Kranj,july 20132016 KAN-HIKARI ART EXPO KAMAKURA Engakuji Temple Ryuinan2018 KAN-HIKARI ART EXPO KYOUTO KAMAKURA2019 ISTA biennale IRIYA gallery2019 Odawara Castle ART NOW 2019 “video movie” end2021 Odawara Castle Castle tower
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Nature’s Hidden Networks
MIX MEDIA 23X16 2026
Description of the work :
My senses-sight,hearing,smell,taste,and touch-from the top of my headto the tips of my toes,are now being tossed about in the ocean ,like a primitivelife form before birth.Faintly drifting,like a bubble that seems about todisappearbut never does,et undeniably alive.Chaos,Chaos ,Chaos.My journey is about to begin,

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BIEAF2026 Invited Artist
Nono Zilahi
Romania
Nono Zilahi - graphic artist and graphic designer graduating from theUniversity of Art and Design - Cluj-Napoca. She is a member of internationalart organizations and a Brand Ambassador for International Art Caravan,Bindaas Artist Group, Vision Art Media (USA), Sun Boats Exhibitions. She isCo-Chair of BIEAF and a committee member from 2023-2025.
Tell us about BIEAF2026 'From Sun To Boy' :
For me, "From Sun To Boy" represents the connection between creation,humanity, and nature. The theme can also be interpreted from a spiritualperspective, referring to the relationship between God, humanity, andcreation.

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The Guardian and the Garden,
The Warden of Garden
mixed media, digital collage, CGD
40x30 cm 2026
Description of the work :
The Guardian and the Garden is a metaphorical reflection on humanity's needto return to its origins and reconnect with nature. The image can also beinterpreted through a Christian perspective, where the Guardian maysymbolize the Son of God as a protector and caretaker of creation.
The Warden of the Garden - metaphorically depicts the Guardian or Wardenas the keeper and protector of the garden. The artwork can also beinterpreted from a Christian perspective by evoking the Garden of Eden, thecreation of the world, the figure of the first human, or the Son of God as theguardian of creation.
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CARIÑO DE MADRE
OLEO SOBRE LIENZO 80 x 70 CMS 2024
Description of the work :
LA PINTE DE UNA FOTO QUE TOME EN PUERTO CARREÑO . VICHADA.CARIÑO DE MADRE

Gallery 24
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 24 Artists and Works Slide
You can mark hearts on your favorite artists and works.
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BIEAF2026 Invited Artist
NORMA MARINA SOLIS ZAVALA
Perú
The painting represents the relationship between the sun and living beings.The green rays of planet Earth symbolize the life of plants and the bacteriathat produce chlorophyll and maintain climate balance. The girl who greetsthe sun welcomes it each morning and thanks the Almighty for the sun, thestars, the entire universe, and life on our planet Earth.
Tell us about BIEAF2026 'From Sun To Boy' :
The BIEAF2026, whose theme is "From Sun to Child," reflects the closerelationship between the sun and humanity. Our planet exists thanks to thecombined action of the sun's rays and water, which regulate our planet'stemperature and make life possible. The sun represents the Almighty orSupreme Creator, and the child represents humanity, which exists because ofthat Supreme Being.
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Friendship
Acryl on canvas 30 cm x 40 cm 2026
Description of the work :
I learned to draw and paint from my father. Four years ago, I took up paintingagain. I have participated in virtual and in-person exhibitions: 1) PanoramaInternational Arts Festival 2023 (photography). 2) Virtual group exhibitions:BIEAF-2023 (photography), BIEAF-2024 and BIEAF-2025 (painting). 3)Exhibition: MOTHER, SUBLIME LOVE, San Francisco Convent, Lima, Peru,2025. 4) 2nd Jauja International Book Fair, Peru, 2025 (painting exhibition). 5)3rd International Book Fair of Slogan Writers - Virtual Art Exhibition, 2025. 6)Busan Art Festival, South Korea, BIAF-2025.
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BIEAF2026 Invited Artist
Nuwan Renu
Sri Lanka
I am A.C. Nuwan. A contemporary artist with a special degree in Fine Arts,Colombo, Sri Lanka. I consider art as a universal language. I am currentlyengaged in art based on recognizing the pattern of the universe andunderstanding life according to the pattern of existence in nature. I alsocreatively present my surroundings and what I have understood to the society.I make it meaningful for others to enjoy, understand, and exchange ideas. Ihope to update myself as an extension of my life and to recognize who I am inthis universe.
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Life
Acryl on canvas H. 24 cm. × W. 40 cm. 2024
Description of the work :
The experiences I have gained so far in my studies have been compiled for thiswork. I create based on the thoughts that are formed in my imaginationthrough those studies and experiences. I have revealed a psychologicalenvironmental element that recreates this through this work. Likewise, theviewer of the work will have the opportunity to take their mind to theexperiences stored in their mind or the mental images built on the storedexperiences. Also, this work has been created to provide an opportunity toexperience joy and happiness. I believe that life can be experienced that way.

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BIEAF2026 Invited Artist
Nzemou tetam fanon
Cameroun

Renaissance
Oil paint House 2013

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BIEAF2026 Invited Artist
O Yemi Tubi (MOYAT)
United Kingdom
I am a Nigerian-born, American-trained Artist residing in the United Kingdom.I am an artist with a unique personal style. Most of my recent paintings wereinfluenced by the political and social upheaval of our world today and theworks of Renaissance artists.
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Arise and Shine JAYWICK
Oil on canvas 20" X 30" 2025
Description of the work :
This painting celebrates the often overlooked beauty and spirit of Jaywick, afriendly seaside town in the United Kingdom that has long carried the label of“the most deprived seaside town.” That label reflects the shortcomings ofgovernment investment, not the character, dignity, or warmth of the peoplewho call Jaywick home.
The sun rays rising behind the town’s landmark symbolize hope — a reminderthat Jaywick’s story is not one of decline, but of potential, pride, and a brighterfuture.

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BIEAF2026 Invited Artist
Oang Nguyễn
Việt Nam
Tell us about BIEAF2026 'From Sun To Boy' :
ối với tôi, chủ đề “From Sun To Boy” của BIEAF2026 tượng trưng cho một hànhtrình đầy chất thơ, từ nguồn cội của sự sống đến sự thức tỉnh của sức sáng tạocon người. Mặt Trời đại diện cho ánh sáng, năng lượng, thiên nhiên và khởinguyên của muôn loài; còn Cậu Bé tượng trưng cho người nghệ sĩ với tâm hồntrong trẻo, luôn tò mò, rộng mở để đón nhận ánh sáng và chuyển hóa ánh sángấy thành nghệ thuật. Chủ đề này gợi cho tôi suy ngẫm về mối liên hệ sâu sắcgiữa con người và thiên nhiên, đồng thời nhắc nhở người nghệ sĩ về tráchnhiệm gìn giữ vẻ đẹp, nuôi dưỡng hy vọng và góp phần kiến tạo một tương laihài hòa, bền vững hơn.
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Bản vùng cao
Acrylic 60x80 cm 2025
Description of the work :
Họa sĩ Nguyễn Thị Kim Oanh chuyên sáng tác trên nhiều chất liệu như acrylic,màu nước và lụa. Các tác phẩm của bà tập trung khai thác những đề tài gầngũi trong đời sống như phong cảnh, tĩnh vật và chân dung.
Với phong cách sáng tác đa dạng, giàu cảm xúc và sự quan sát tinh tế, tranhcủa họa sĩ mang vẻ đẹp nhẹ nhàng, sâu lắng, thể hiện tình yêu đối với thiênnhiên, con người và những khoảnh khắc bình dị của cuộc sống.


BIEAF2026 Invited Artist
O-Bong Hong
Korea
<Performance C.V.>
1993 Lublin performance, Poland. 1994 Trench performance, Romania. 1995Vilnius performance, Lithuania. 1995 Budapest performance, Hungary. 1997Tokyo performance, Japan. 2000 Mannheim performance, Germany. 2000Päfikkon performance, Switzerland. 2001 Dublin performance, Ireland. 2001Odense performance, Denmark. 2001 NewYork performance, USA. 2001HongKong performance. 2001 Macau performance. 2002 Manila performance,Philippines. 2002 Multimedia performance, Yugoslavia.
2003 Venezia performance, Italy. 2003 TelAviv performance, Israel. 2005Bangkok performance, Thailand. 2005 Taipei performance, Taiwan. 2006HoChiMin performance, Vietnam. 2006 Episode performance, Singapore.2006 Jakarta performance, Indonesia. 2007 Cardiff performance, UK. 2007Brisbane performance, Australia. 2008 Helsinki performance, Finland. 2008Yangon performance, Myanmar. 2008 Shanghai performance, China. 2010Valencia performance, Spain. 2010 Quebec performance, Canada. 2011Trensmuted performance, Mexico.

이별이래 It Is Goodbye
Performance 10 minutes 2026
Description of the work :
<It Is Goodbye>
Meeting and parting with countless people. That islife. Life. The vivid story ofhuman existence. Having lived tobe 70, that conceptoflifefeels tangible.That is whyI perform a drawing performancesettothe French chanson <It IsGoodbye>. For decades, I have traveled the world performing, meeting andparting with countless people. The connections formed with so manypeoplearetruly precious dwelling places in life.
I participated in the Lublin PerformanceFestival inPoland in 1993. Thefestival'stheme at the time was 'Real time-Storytelling'. Sincethen, I haveparticipated in numerous international exhibitions, meeting countless peoplewhom I would only encounter in mydreams. Indeed, the storytelling ofthesecountless intersections ofmeeting and parting was overflowing. However, somuch time has passed now that I have heardnothing from anyone. This is whyI livedeeply immersed in the chanson <It Is Goodbye>. Therefore, meetingand parting become the primary storytelling elements ofmyperformances.
나의 퍼포먼스 에 관하여 : 수많은 사람들과 만나고 헤어지는 것. 인생이다. 인생. 인간의 생생한 삶의 스토리. 70살까지 살아보니까 그 인생이라는 것이 손에 잡힌다. 그러기에 나는 라는 프랑스 샹송으로 드로잉 퍼포먼스를 한 다. 나는 수십 년 동안 퍼포먼스로 전 세계 곳곳을 누비고 다니면서 수많은 사람들과 만나고 헤어졌다. 그 많은 사람들과의 인연. 참으로 소중한 삶의 거소다. 나는 1993년 폴란드 루블린퍼포먼스페스티벌에 참가를 한 적이 있다. 당시 페스티벌 주제가 . 그 후 나는 수많은 국제전에 참가해, 꿈에서나 만날 수 있는 수많은 사람들과 만났 다. 참으로 이는 만남과 헤어짐의 무수히 많은 교차로 스토리텔링은 넘쳐났다. 그러나 지금은 세월이 많이 도 흘러서 '하늘나라로 간 사람, 투병 중인 사람, 연락이 완전 두절된 사람, SNS-메신저 속에만 있는 사 람, 꿈속에서만 존재하는 사람'이 대부분이라서 '이별이래'라는 샹송에 푹 빠져 산다. 따라서 만남과 헤어 짐은 나의 퍼포먼스에 있어서 주요 스토리텔링이 된다. 캔버스를 가슴에 품은 채로 만남을 기억하며 드로잉 하고, 헤어짐을 슬퍼하며 드로잉 하는 퍼포먼스. 수많 은 인연들이 드로잉 선에 담긴다. 그러나 무수히 가해지는 드로잉 선은 결국 뭉개지면서 색면처럼 변화는 데, 이는 만남과 헤어짐이 셀 수 있는 선에서 셀 수 없는 색면으로의 변이로, 퍼포먼스는 '이별이래'를 가슴에 품게 된다. 부산국제환경미술제. 그간 드로잉 작품을 출품했는데, 이번에는 퍼포먼스 작품을 선보인다. 물론 관객과 만나는 라이브 퍼포먼스가 아닌 아카이브 사진 작품. 그리고 비대면 온라인으로... 퍼포먼스. 드디어 전파를 탄다. 부산에서 시작되는 전파는 전 세계로 확산되고, 수많은 사람 들과 만나게 된다. 이별. 그리고 또 이별. 전파 타고 날아다니는 이별은 어떠할지... 퍼포먼스 아티스트 홍오봉

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BIEAF2026 Invited Artist
Ock Young Jung
Korea
Jung Ockyoung studied French literature and worked as an educator beforeturning to photography as a means of expressing inner emotions. Beginningwith her first solo exhibition Memory within Memory (digital, Bitdeun Space,2023), she has held solo and invited exhibitions, including When I Had SilverWings (2025). She has also participated in group shows such as theRemember Photo Jeju (2024) and PASA Festival digital exhibitions (2019,2022). A member of the Korea Women Photographers Association (KOWPA),she explores themes through reconstructed photographic images usingcollage, grounded in color and form.
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The Value That Cannot on a Be Held in the Hand
Photography, Pigment Print 100x75cm 2025
Description of the work :
The Value That Cannot Be Held in the Hand / Ockyoung JungIn contemporary society, labor is reduced to commodity and number. Wemeasure value not by time and effort, but by possession and price. As moneytranslates labor into numerical form and brands shape desire, the lived time ofwork disappears behind images and consumption.In this work, I use the stone to represent invisible labor. Since the beginning ofcivilization, stone has been a tool of human work. Here, it embodies thematerial weight and temporality of labor—solid, resistant, and unquantifiable.Unlike money, it cannot be easily consumed or branded.
By placing stones on images of currency, I interrupt the logic of exchange andquestion a system that equates value with numbers. The stone stands forwhat resists commodification.This work asks whether labor can be measured only through price, andwhether time must be consumed to have meaning.
나의 퍼포먼스 에 관하여 : 수많은 사람들과 만나고 헤어지는 것. 인생이다. 인생. 인간의 생생한 삶의 스토리. 70살까지 살아보니까 그 인생이라는 것이 손에 잡힌다. 그러기에 나는 라는 프랑스 샹송으로 드로잉 퍼포먼스를 한 다. 나는 수십 년 동안 퍼포먼스로 전 세계 곳곳을 누비고 다니면서 수많은 사람들과 만나고 헤어졌다. 그 많은 사람들과의 인연. 참으로 소중한 삶의 거소다. 나는 1993년 폴란드 루블린퍼포먼스페스티벌에 참가를 한 적이 있다. 당시 페스티벌 주제가 . 그 후 나는 수많은 국제전에 참가해, 꿈에서나 만날 수 있는 수많은 사람들과 만났 다. 참으로 이는 만남과 헤어짐의 무수히 많은 교차로 스토리텔링은 넘쳐났다. 그러나 지금은 세월이 많이 도 흘러서 '하늘나라로 간 사람, 투병 중인 사람, 연락이 완전 두절된 사람, SNS-메신저 속에만 있는 사 람, 꿈속에서만 존재하는 사람'이 대부분이라서 '이별이래'라는 샹송에 푹 빠져 산다. 따라서 만남과 헤어 짐은 나의 퍼포먼스에 있어서 주요 스토리텔링이 된다. 캔버스를 가슴에 품은 채로 만남을 기억하며 드로잉 하고, 헤어짐을 슬퍼하며 드로잉 하는 퍼포먼스. 수많 은 인연들이 드로잉 선에 담긴다. 그러나 무수히 가해지는 드로잉 선은 결국 뭉개지면서 색면처럼 변화는 데, 이는 만남과 헤어짐이 셀 수 있는 선에서 셀 수 없는 색면으로의 변이로, 퍼포먼스는 '이별이래'를 가슴에 품게 된다. 부산국제환경미술제. 그간 드로잉 작품을 출품했는데, 이번에는 퍼포먼스 작품을 선보인다. 물론 관객과 만나는 라이브 퍼포먼스가 아닌 아카이브 사진 작품. 그리고 비대면 온라인으로... 퍼포먼스. 드디어 전파를 탄다. 부산에서 시작되는 전파는 전 세계로 확산되고, 수많은 사람 들과 만나게 된다. 이별. 그리고 또 이별. 전파 타고 날아다니는 이별은 어떠할지... 퍼포먼스 아티스트 홍오봉

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BIEAF2026 Invited Artist
OH JYH NENG
Malaysia
Artist John has a solid foundation, his art works are special due to the fact thathis theme,depiction of figures and color. He believed that painting related to art and life.He thinks that artoriginates from life, and the mission of contemporary art is to promotepeople's aesthetic.Art should be driven by ideas above all. His art works always producedsignificant works whichare distinctive, more layers, cold and warm color staggered, focusing onemotional performanceand pursuit. His works form a unique style of art and realistic lyrical
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THE KEEPER
Acrylic On Paper 84cm X 60cm 2025
*1. The Figure*- *Golden/yellow skin*: In SE Asian art this tone often means life force, earth, orinner warmth. She glows against the cool background, like she’s the focal“light.”- *Closed/elongated eyes + calm face*: Not sad, not smiling. It feels likeintrospection, endurance, quiet dignity. Like someone who’s seen a lot butchooses calm.- *Red lips*: The only strong “human” accent. Speaks, asserts, or holds truth.Red also = passion, blood, voice.* 2. The Fruit & Nature*- *Green fruit in her hands*: Looks like guava or mangosteen. She’s holding itclose to her chest — protection, nourishment, heritage. It’s earthly andfeminine.- *Another fruit hanging with worms on the branch*: That’s the tension in thepiece. One fruit is cared for, the other is being eaten/rotting.This reads as duality: _what we preserve vs what decays_. Abundance vscorruption. Nature’s cycle.* 3. The Colors + Texture*- *Background: turbulent blues, turquoise, ochre*: Feels like weather, time, orsociety. Chaotic, layered, but she stays solid in the center.- *Thick, rough brushwork*: Nothing is smooth or perfect. That adds to thefeeling of resilience. Beauty that’s lived-in, not idealized.* "A woman as keeper"*She’s holding what is still good and whole, while decay happens around her.The painting seems to be about feminine resilience, about guarding culture,life, and truth in the middle of a world that’s both vibrant and rotting. The contrast between the ripe fruit in her hands and the worm-eaten one onthe branch makes it feel like a comment on: - *Preservation vs loss* - *Nurture vs neglect* - *Inner peace vs outer chaos*
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Sea of Living Stillness 2
Acrylic, oil on canvas 116.8x91.0cm 2026
이 작품은 생명과 빛이 지속되는 영적 공간을 상상하며 시작되었다. 화면 속 공간은특정 장소가 아니라 기억과 경험의 흔적이 머무는 내면의 영역이다. 유동적으로 스며들고 중첩되는 색과 형태는 사라진 듯 보이지만 여전히 남아 있는 기억의 층위를나타내며, 현재의 삶이 과거의 흔적과 보이지 않는 세계의 영향 속에서 형성되고 있음을 암시한다. 서로 연결된 공간의 구조는 현실과 영원이 맞닿아 있음을 암시하며,삶이 궁극적으로 향하는 본향에 대한 사유를 담고 있다.


























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