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Read the artist's mind
The BIEAF is with artists.
Gallery 19
BIEAF2025 - The Lost Center
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2025 participants. 641 artists were selected from 80 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 01 Artists and Works Slide * You can mark hearts on your favorite artists and works.


Stagnation
Acrylic / 40x40 / 2025
The name of my work is “Stagnation”, which signifies the essence of today’s
society which is being destroyed by Man and vice versa. Naturally, the artistic
segment is also getting affected. Hence, the theme of the exhibition “The Lost
Center - Art in Crisis” can be aligned with this work effortlessly. Art and nature
are simultaneously connected to each other which offers inspiration to artists.
Both are interrelated in a web of exchanging care for each other that has
become stagnant currently.


BIEAF2025 Invited Artist
O Yemi Tubi (MOYAT)
United Kingdom
I am a Nigerian-born, American-trained Artist residing in the United Kingdom. I am an artist with personal style. Most of my recent paintings were influenced by the political and social upheaval of our world today and the works of Renaissance artists. “A work of art which did not begin in emotion is not art”, so said Paul Cezanne; I was moved by emotion to do most of my political and socially influenced paintings “THE EAGLE HAS LANDED” was done to speak about the Americanled war on terror. The exchange of missiles of words between President Donald Trump of America and Kim Jong Hu of North Korea provoked him to do the painting “The Chickens’ Fight.” “THE BLEEDING ROSE” was done in solidarity with Christians beheaded by ISIS in Iraq and Syria. I used my paintings “AFRICAN’T”, “HUNGER IN THE LAND OF PLENTY”, and “OIL: AFRICANS’ WEALTH AND WOE” to speak about the exploitation of African nations. The Painting depicts paradoxical poverty and the riches of Africa. My works progress from political paintings to paintings of the facts of the lives of people. The theme of my works is "The Facts of Life: Roses and Thorns." Life is roses and thorns; sometimes it emanates the sweet aroma of pleasantness, and sometimes it pricks and causes pain. I first used Roses and Thorns in my political painting “THE BLEEDING ROSES.” Since then, I have adopted this floral iconography style - Roses and Thorns as my unique style in some of my paintings like “DOMESTIC ABUSE” and “MY MOTHER, Her Majesty Platinum Jubilee: Her Rosy Reign”, to name a few. Roses are for achievements and other positive parts of life, and Thorns are for painful challenges and negative parts of life.

Nurturing Our Planet
Oil on canvas / 40" X 32" / 2025
As a matter of urgency, we have to change the habit that causes climate change. The hourglass and the melting clock depict that time is slipping from our hands to save our planet for its future sustainability. This painting is done to advocate caring for the planet and the future generation. One of the causes of climate change is deforestation. This painting advocates planting new trees to replace trees lost to deforestation. The pregnant woman in the painting was done in my usual style of roses and thorns; it is painted green to call for a green planet. The breast milk spilling on the ground is to nurture the withered plants back to life. I painted a dove (the symbol of peace) on the left side of the painting. Wars are another cause of climate change. Fire and hazardous chemicals of war often destroy the ground and pollute rivers, seas and air. The negative effects of climate change are often felt in most African and Asia nations. Some of the industrial nations often ship their hazardous industrial waste to African nations. This is why I painted an African map as a crying face because climate change causes drought and famine, which consequently made many Africans die of hunger. This painting is done to advocate for caring for the planet and for the future generation. One of the causes of climate change is deforestation. This painting advocates planting new trees to replace trees lost to deforestation.


BIEAF2025 Invited Artist
OKUDA SHOGO
JAPAN
나는 시라하마의 테이블에 와인 글라스를 두었다
일면에 펼쳐지는 창해는
아득히 저 쪽의 하늘로 이어지고 있다
갯바람이 잘 통과해 유유히 흘러 가는 구름
찬란히 내리쏟아지는 태양 씨 안녕하세요
전망의 좋은 가이간도리가 있는 흰 모래사장
테트라 포드와 꽃과 상쾌한 블레이드의 풍력 발전
고래 등의 해변의 생물과 색 색인 해양의 건축과
해월과 같은 것도
나는 이 훌륭한 바다의 광경에
해안선에서 주워 모은 조개 껍데기를 뿌렸다
그러자 어디에선가 바다의 노래가 들려 온다
생생한 마음의 모듬곡이다
영원히 밀어닥쳐지는 기분 좋은 파도소리의 선율과 함께
나는 심상의 시(풍경)에 귀를 기울이고 있다

Suite of the image scenery
Shell,Sand,Marker,Wooden board/W750×H500/2021
ATELIER建築家 奥田祥吾 Shogo Okuda 環境芸術学会 正会員 建築家フォーラム 正会員 1983年 東京都 出身 2004年 日本大学理工学部海洋建築工学科 卒業 2008年 武蔵野美術大学大学院造形研究科デザイン専攻建築コース 修了 2012年 建築設計事務所 設立 2022年4月~ 青山製図専門学校 非常勤講師 2022年7月 大正大学 ゲスト講師 2025年4月~ 大正大学 非常勤講師


BIEAF2025 Invited Artist
Olga Slobodkina-Tyszkiewicz von Brömssen
Russia
Olga Slobodkina-von Brömssen is an International award-winning art photographer, poet and writer. She began photographing in the 1990s. Since then she has created thousands of images. She did many solo shows in her home city Moscow, Russia, and participated in International group exhibitions at home and abroad. Only in 2023, she took part in 42 International Festivals and exhibitions (and got many awards at Viewbug.com and from International Art Groups as well as valuable certificates from museums), including her solo shows and did two video clips for the films of Paulo Duarto Filipe as well as her own films “My creative life” at you-tube. She got pages in the Russian press, Nigde newspaper and the New York Magazine “Waves and Runways”. Her style evolved from phantasmal landscapes to abstraction – single, multi-pieces compositions and series. She also pioneered a new direction in visual arts – The Art of Random Images. The best Russian art critics Natella Voiskunskaya and William Meiland wrote articles about Olga’s photo art.
Today not only Art is in crises, but life itself. What can we do? Give way to despair or go on creating and participating in International Art Events.The fture is closed for us. It may turn for better or worse. But whatever happens I'd like to be an artist and a poet until the very end...



REFLECTED
Art photo/Any size/2024
These art photo are reflections of contemporary buildings in the wind-screen of a bus or a car.


BIEAF2025 Invited Artist
Omar Rodríguez da Silva
Spain
He devoted himself to painting, as his artistic career dedicated to painting in 2000 in the capital of Colombia, Bogota. It is through his artistic work that he becomes an eco-activist, Planting Environmental Awareness Ecological Amazon, in favor of the ecosystem, the ancient native peoples, which are in danger of extinction. Life and his works are an echo of the territory that saw him born and to which he conceives his work. Thus his works sensitize the people of the world awakening awareness, showing that we are in time to save, protect, preserve and care for the lung of the world, heritage of Humanity. Becoming the Artistic Ambassador of the Amazon. Our task is to maintain, preserve and recover this complex universe, which is the Amazon rain forest so that nature continues to provide food, oxygen, medicines and innumerable resources indispensable for humanity.
The work shows a small part of the reality in which the planet is in. Caused by the lack of consciousness of much of humanity.
With circles with a logo I call dreams, justice, education, union, recycling, wellbeing, our commitment to all. The two hands, man and woman on equal footing, with an open book are to invite you to learn from nature. But we are tiny beings almost insignificant, but with a great importance for the destructive cycle of greed, that for lack of knowledge and consciousness is ploughing for economic gain out of a World of minorities .

World reality (2030 agenda dreams)
0il on linen/200x130cm/2023


BIEAF2025 Invited Artist
ÖZNUR ÖZTEMİR
Türkiye
I am an expressionist painter living in Turkey.In my works I listen to my ınstinctive ınner calls and express my intutive feelings through an expressionist style,usually working on canvas.
We are separating ourselves from the whole...
Everything exists intertwined...
We are destroying ourselves.




Mu happy tulip
Painting 100x130 2007
My happy tulip İn a world
Where feelings no longer exist
To come alive To exist İn the color of a flower
To be the same
To meet as one


BIEAF2025 Invited Artist
Pablo Benjamin Nieto Mercado
Mexico
Pablo B. Nieto is a Mexican engineer and audiovisual producer whose work blends sound art, documentary, and experimental media. With 20 years of experience, he explores the relationship between technology, territory, and collective memory. His projects have been exhibited in over 20 countries and awarded by institutions such as FINI, Doc Society, and Bolivia Lab.



Four Shadows Over Narvarte
Experimental documentary / 2025
An experimental video capturing three years of a plot’s transformation in Narvarte, Mexico City, from the artist’s window. With fractal editing and the sound piece Bloody Piglets, created by him, it evokes gentrification burying palms and hiding southern mountains. Inspired by Kossakovsky, it reflects on exile to Tultitlán and real estate speculation.


BIEAF2025 Invited Artist
Parimah Heidari
Iran
Parimah Haidari, born in 1982 in Shiraz, Iran, with a background in Computer Software Engineering, explores a vibrant world of color and form through her art. Actively engaged in visual arts and painting, she employs a contemporary lens to capture profound human concepts and the inherent beauty of nature.Parimah Haidari masterfully uses diverse colors and techniques, creating works that are not only visually captivating but also invite viewers to delve into the hidden layers of life and emotion. Her art elegantly reflects the interplay between logic and creativity, serving as a bridge between the realms of technology and the boundless world of imagination and feeling. Her dedication to advancing art and culture shines through in every piece.

Flow of Existence
Acrolic 30x30cm 2025
This painting is a meaningful piece that portrays a young woman beside a bountiful pomegranate tree within a natural landscape. In the center of the image, a woman in traditional attire is depicted; a loose white blouse with puffed sleeves and a long skirt in a combination of dark red and dark green, adorned with colorful floral patterns. She stands with dark hair and a thoughtful, perhaps slightly concerned, expression. Beside the woman, a sturdy pomegranate tree, laden with ripe, red fruits, stands majestically, casting a calming shadow over her. The pomegranate tree in Iranian culture symbolizes fertility, blessings, love, and life. The presence of the tree next to the woman could suggest a connection to nature, roots, or even protective qualities. A fallen pomegranate at her feet is also visible, which could symbolize nature's bounty or the cycle of life. The background of the painting features a desert or mountainous landscape, where an old, weathered structure, resembling a fortress or ancient tower, can be seen. This structure adds a sense of history and antiquity to the painting, creating a contrast between the greenery and vitality of the pomegranate tree and the timelessness of the ancient building. A blue sky with scattered clouds provides an open and expansive feel to the image. The painting style is a blend of realism and symbolism, harmoniously combining warm and cool colors to create an attractive contrast. This artwork invites the viewer to reflect on the human connection to nature, cultural roots, and the passage of time.


BIEAF2025 Invited Artist
Parisa Mobki
Iran
I work in the coffee style I have participated in many exhibitions and galleries, both dometic and international and donated one of my works to a South Korean museum

Centrifugal
coffee 40x60cm 2024
Do you see inside him ? He loves you so much that he wants you to know his secrets . This work was created with coffee in 2023


BIEAF2025 Invited Artist
Parul Bhagat
India
Parul Bhagat – An Accomplished Artist and Mentor Parul Bhagat is a highly qualified professional artist with an extensive experience of over 30 years in the field of fine arts. A recipient of the prestigious Senior Fellowship Award from the Ministry of Culture, she has significantly contributed to the enrichment and promotion of Indian art and culture through her creative journey. She also serves as a visiting faculty at the Footwear Design and Development Institute (FDDI), which functions under the Ministry of Commerce and Industry, Government of India — a role that highlights her dedication to nurturing new talent and sharing her expertise with aspiring designers. Her artistic strengths lie in her mastery of watercolors, a medium she deeply cherishes for its transparency, fluidity, and ability to capture delicate nuances. Parul’s watercolor paintings often revolve around human expressions, Indian architectural elements, and street scenes rich in perspective. She has a unique eye for depicting the soul of Indian life, be it bustling markets, serene lanes, or emotionally resonant faces — all portrayed with vibrancy and sensitivity. Beyond her own practice, Parul Bhagat is passionate about community building in the art world. She regularly organizes and curates art exhibitions, offering a meaningful platform to both emerging and established artists. These exhibitions serve as opportunities to showcase talent, build networks, and promote cultural exchange, making her an important figure in India’s contemporary art landscape. Parul continues to inspire with her work, her teaching, and her efforts in uplifting the artistic community.




Mahakumbh
Watercolor/15×22inch/2025
"Sadhu at Mahakumbh – Varanasi"
Bathed in the sacred light of Varanasi — the timeless city of Lord Shiva — this painting reflects the quiet intensity of a wandering sadhu during the Mahakumbh. Rendered in transparent watercolors on 100% cotton paper, each stroke flows like the Ganga itself, capturing the raw emotion, spiritual stillness, and divine rhythm of the festival. The artwork seeks not just to depict a figure, but to evoke the essence of faith, surrender, and the sacred pulse of one of India’s most powerful pilgrimages.

BIEAF2025 Invited Artist
Paula Reschini Mengoni
Argentina
Paula Reschini Mengoni is a spiritual artist recognized on several continents. A painter and draftsman, curator, and international organizer, she trained at the National University of Rosario, Argentina. Founder and director of the Armando S. Reschini International Museum of Contemporary Art. Member of the Catholic Union of Italian Artists of Rome/Victoria. Member of the Italia in Arte Academy of Lecce, Italy. Grand Ambassador of Arts, Sciences, and Letters of Paris (George V) and Woman of Valor of Brazil (Julieta Serpa Palace, Rio de Janeiro). Her work has been presented in biennials, festivals, exhibitions, and catalogs in Italy, France, Spain, Monaco, Swiss, the United States, Russia, South Korea, Brazil, Argentina, and more.
The Lost Center, Art in Crisis.
In the heart of God, where the purest and most beautiful love resides, natural timelessness is perceived as the eternal present. And this is the beautiful reality. A little lower, where the human spirit meets the soul, still vibrating with the sensation of peace, the idea of time can be seen as an evolutionary and ascending spiral, where man, close to his center, possesses benevolence, consciousness, feelings of love, and free will.
But the crisis of evolution and art stems in part from the imposition of the idea of linear time, where man, removed from his center and disconnected from the divine rhythm, wanders in the darkness of an illusory material time, which lulls, oppresses, and imprisons him. Destroying him.
Art is a natural, timeless interdimensional key to the liberating expansion of unique gifts and talents. These have been endowed with a specific mission: to beautify and elevate humanity. Art is an instrument of reconnection that reanimates the unique vital essence, embracing humanity (a centered and healthy Divine work) on the mysterious journey toward light.

The path of purity
Acrylic and pencil/20x30/2025
The path to purity.
A small space of heaven opens deep within the spirit in the light of a visionary bird in flight. The supreme beauty of genuine art caresses, from the highest point, the boundless limits of a precious human (and heavenly) life. The spiritual work of Paula Reschini Mengoni is the expression of the profound inner dialogue of the self at its core, without any hint or intention of escape. The Divinity of the instant of the found alive is the expansion of the essence of the surpassed soul and the mission accomplished, but also the recovery of the original memory of being a work, a child, and a creation of God. Free is the will to also be His instrument. And there can be only a sigh of relief that separates the arrival at the truth, and every step along the path is valid (even the retreat). The return home becomes uncertain but certain; the artist's wisdom lies in his friendship with the truth. Let the wicked, the perverse and the false be disturbed, the light of the concentrated spirit (pure human work) is the vibratory sword that helps separate good from evil (color does it, essence does it, as The Word does it well).


BIEAF2025 Invited Artist
Paulo Duarte Filipe
United Kingdom
BIEAF2025 'The Lost Center - Art in Crisis' is an event that caught my attention, right from the title "art in Crisis". Yes, we live in times of crisis. Very difficult times and constant challenges. Our duty, as artists and citizens, is to never give up and try to reverse the path of self-destruction that the world is following. Congratulations to the organizers of this event! Excellent project!
Paulo Duarte Filipe is an award-winning multidisciplinary artist in drawing, poetry and cinema, resident in England, but who was born in Portugal and lived his childhood in Angola. Sculpture, painting, drawing, portraiture, Raku ceramic, installation, poetry and prose, cultural promoter, live performance, curatorship, acting and cinema are the creative areas in which Paulo works. He is the founder of the post contemporary art movement "Peace and Art Society-PAS". Member of the jury of film and arts festivals. Filmmaking course at the University of Algarve, Portugal and London Film Academy, England, masterclass of cinema at the Lusofona University , Lisbon. His short film "Filipe" was selected by the Festival de Cannes, 2014 in the category of Short Film Corner. In 2019, Paulo was awarded with Augustas Carrer award and his feature film “Left hand Georges” got the award for Best Actor. His work belongs to private collections, galleries and museums. Paulo has been regularly interviewed by television channels (eg. Egypt, Brazil, Turkey, Spain, Portugal) newspapers and art magazines from different countries and continents. His last exhibition was at FLUX Exhibition, Marylebone road, London, 2024

The Weight of Wisdom in Violet Silence
Digital illustration/ 16.88 cm × 20.83cm / 2025
This work is inspired by the current times in which we live, where virtual realities overlap truth and facts. We talk about peace, when what is behind this pseudo-desire is only greed and the unbridled search for more wealth and power. Everything is in crisis, from art to the most basic values of humanity, inclusiveness, equality and respect for difference.


BIEAF2025 Invited Artist
Peshala Premathilake
Sri Lanka
I am Peshala Premathilaka, an emerging artist who graduated from the University of Visual and Performing Arts Sri Lanka in 2019. I am currently pursuing my a r t m a s t e r ' s a t K e i m y u n g U n i v e r s i t y i n S o u t h K o r e a . As an abstract artist, I have developed a unique style. My work is defined by petal brushstrokes that lend a delicate, organic quality. My art is inspired by my life experiences, the natural beauty that surrounds me, and my vivid imagination. My best work comes from a place of deep personal connection. I create pieces that are both aesthetically pleasing and emotionally resonant. I have exhibited my art in some countries, including Sri Lanka, India, Nepal, Bangladesh, Japan, South Korea, Venice, and more. As a young artist, I seized every opportunity to continue my

The Bloom Keeper
Acrylic on canvas /100x130cm
In this artwork, I created a girl holding a bright-colored flower bouquet. She is captured in a joyful, uplifting moment, surrounded by a background full of blooming flowers —dancing as if they are alive. The inspiration came from a dream where I was floating in a pond of flowers. I want to express that the girl has bright eyes and a positive spirit. Through her and her bouquet of wishes, I hope to convey a message of hope, joy, and positivity.


BIEAF2025 Invited Artist
Pham Nam
Việt Nam
Political pursuits, Wars
Technological developments regardless
of consequences.
The consciousness
of each individual affects the world around us.
Instability is right around
the corner, enveloping life
We

Bất ổn
Acrylic canvas/ 78x115/ 2025


BIEAF2025 Invited Artist
PHAM NGOC MY
Vietnam
Phạm Ngọc Mỵ (born December 22, 1981, in Nam Định, Vietnam) is a prominent Vietnamese lacquer painter known for her dedication to traditional techniques and her poetic, emotional visual language. She grew up in an artistic environment—her mother was a skilled embroidery artisan—which nurtured her sensitivity to color, form, and detail from an early age. She graduated from the Nam Định College of Arts Education in 2003, earned her Bachelor's degree in Painting from the Vietnam University of Fine Arts in 2007, and completed her Master of Fine Arts in 2012. She has been a member of both the Vietnam Fine Arts Association and the Hanoi Fine Arts Association since 2012. With over two decades of experience, Phạm Ngọc Mỵ has become known for her expertise in traditional lacquer painting, especially the technique of layering gold and silver beneath layers of lacquer—often referred to as "burying gold, scattering silver"—to create depth, shimmer, and emotional nuance. Her work often focuses on subjects such as natural landscapes, women, children, and ethnic minority life. In March 2025, she held her first solo exhibition, titled “Nét son” ("Red Strokes"), at the Vietnam Fine Arts Museum in Hanoi. The exhibition featured 40 selected lacquer paintings from her personal collection of over 60 pieces, including large-scale works (up to 1.6 × 2.4 meters). Notable artworks include Biển Tĩnh Gia, Bản Mòn, Nếp nhà, Khởi sinh, Tắm, Sắc duyên, Nổi loạn, and Thanh xuân. In addition to her artistic practice, Mỵ is also an art educator. She taught at Hanoi College of Art and Hoa Binh University and has been teaching at Hanoi Open University since 2012. Her philosophy: “Traditional culture is demanding, but it endures,” reflects her commitment to preserving and renewing Vietnamese cultural heritage through lacquer art.

Dawn Dance (Vũ điệu bình minh)
Traditional Lacquer/ Diameter 70 cm/ 2024
"Dawn Dance" captures the powerful image of a rooster rising into the fiery sky—a symbol of the father figure, the pillar of every home. More than that, the rooster embodies new beginnings, hope, and a fierce vitality. The painting draws deeply from traditional Vietnamese art, utilizing a bold palette of radiant yellows and reds to create a space that is both intense and poetic. At the heart of the composition, the rooster stands out in dynamic motion, surrounded by blazing clusters of red flowers—emblems of life, strength, and awakening. The canvas glows with vibrant orange tones, evoking a natural world in crisis. Fiery red patches suggest burning forests, rising global temperatures, and ecological collapse. Within the closed circle of life, every human act leaves its trace. Here, the rooster's crow is not only the herald of dawn but also a resounding call to awareness: Awaken. Protect nature—before silence takes the place of all living sounds. The artwork resonates as both celebration and warning, inviting viewers to reflect on the fragility of our environment, the urgency of action, and the enduring power of renewal.
BIEAF 2025, officially the 22nd Busan International Environmental Art Festival, adopts “The Lost Center – Art in Crisis” as its guiding theme, exploring the rupture of core meaning in both art and the environment. This festival invites up to 700 global artists—across painting, sculpture, photography, craft, design, and AI—to engage with urgent ecological and societal issues. The
theme reflects contemporary concerns: the erosion of humanity’s central place in cultural and natural ecosystems, exacerbated by globalization, environmental degradation, and technological dislocation. Each artwork is designed to evoke reflection and emotional response, serving as a reminder of crises facing our world and calling for collective action toward sustainability. With its expanded international reach and multidisciplinary scope, BIEAF 2025
positions itself not only as an environmental arts festival but as a philosophical forum that “praises the artist’s passion to do philosophy and try to find the question of the source in his art language,” inviting audiences to confront and heal our fractured world.


BIEAF2025 Invited Artist
Pham Thanh Nga
Vietnam
Artist Pham Thanh Nga, female, was born in 1974 and currently lives and works in Hanoi, Vietnam. She graduated from the Traditional Lacquer Painting Department of the Hanoi University of Industrial Fine Arts in 1998. She is a member of the Vietnam Fine Arts Association and a member of a Hanoi Fine Arts Association. Since childhood, I have had a passion for painting. After graduating from the University of Fine Arts, I have longed to express the beauty and love of life through the language of art. With recurring themes such as mothers and children, or metaphors like bridges and rivers, my work conveys pure love and the soulful essence of the Vietnamese spirit. My main medium is lacquer on dó paper, a traditional Vietnamese material. Whatever touches my heart with purity and sincerity, I strive to express it in my own artistic style. I have received several awards and have participated in many art exhibitions both domestically and internationally. Above all, the love and appreciation from the public who cherish my paintings continue to be my greatest motivation for creating art.


The Crimson River
Lacquer/ 40x120cm/ 2024
The hustle and bustle of daily life with its worries and rapid pace is a constant current. Art, by contrast, is stillness; it is a distillation of life’s breath, imbued with reflection and nostalgia. The river is like the love of a mother and father deep, abundant, and never dry. Innocent children at play, grains of rice, sweet potatoes, each holds within it the dreams of the Mother River. I paint what surrounds me with a mother’s love, with the joy and longing of a child’s heart. Painting is my soul, and also a single drop of water within the soul of the Vietnamese people. I draw upon traditional materials such as lacquer, Do paper, and silk to express the emotional nuances of life’s continuous flow. Everything is transient, ever-changing in form from one moment to the next. Yet when seen through a lens of calmness and compassion, all things become beautiful and meaningful. Truth – Goodness – Beauty is the ultimate destination of every artwork. To paint is to be happy! It is a simple joy that arises from loving life, from cherishing each present moment. In that moment, the love of parents and the spirit of the homeland flow through the roots of tradition, breathing life into artistic creation.
Painting – A Lifelong Passion
Painting has been my passion since childhood. After graduating from the University of Fine Arts, I became deeply drawn to traditional Vietnamese materials such as dó paper and sơn ta—a type of lacquer made from the resin of the lacquer tree. The process is meticulous: paint, let it sit, wait for it to dry, polish, repaint, and repeat—layer upon layer.
I often traveled to the highlands of Northwest Vietnam to gather inspiration. The purity of the mountains and the sincerity of the ethnic people there nurtured in me a painting style that is innocent and pure.
In 2016, when my beloved mother fell ill and passed away, a profound awakening stirred within me. Love – A Mother’s Heart—from that moment on, my artworks became deeply imbued with a love for life.
It was no longer just about innocence and purity, but something deeper that moved me—an urge to love more, to live more beautifully.
Through my art, I hope to help people understand each other better and inspire change—so that this world may become a better place.


BIEAF2025 Invited Artist
Pham Thi Nghia
Vietnam
Pham Thi Nghia was born in 1949 in Hanoi, VietNam. She graduated from Hanoi college of Industrial Fine Art, major in lacquer painting. Á member of Vietnam Association of Fine Art as well as Hanoi Association of Fine Art. The main fields she works on are lacquer painting, oil painting, silk painting, Do paper painting. She has participated in many national and international exhibitions and got some awards

The Earth Goddess attends a feast in heaven
Oil on canvas / 115x115cm/ 2020

Together
Oil on canvas/ 90x120cm/ 2023
Combining two surrealist and abstract painting styles to talk about a happy life theme that always accompanies every perspective on art.
The Earth Goddess attends a feast in heaven
Oil on canvas / 115x115cm/ 2020
The Earth Goddess is a fictional character. Her participation in a banquet with peoples from around the world symbolizes peace on Earth. The banquet taking place in the clouds reflects the author's sense of freedom and imagination, as well as the ethereal image of the Earth Goddess


BIEAF2025 Invited Artist
Pierre FOLIO
Reunion
As an artist, The Lost Center – Art in Crisis resonates deeply with my work. In a fragmented world, I use my KanÖÖt figures to reflect a universal longing for unity, identity, and peace. Through playful forms and bold contrasts, I explore how art can reconnect us to what’s essential—our shared humanity.
Pierre Folio is a Réunion Island artist who creates KanÖÖt—vibrant toy art figures blending nostalgia, pop culture, and cartoon spirit. His unique style fuses recycled materials, clean design, and playful emotion.

KanÖÖt "Color the World"
ABS/ 13x13x25cm / 2025
KanÖÖt "Color the World" is a symbolic piece by Pierre Folio. Half raw, half
splashed with vibrant colors, it represents the diversity of human beings—
different on the outside, yet fundamentally the same. The word “PEACE”
across its eyes highlights that peace begins with embracing our differences.


BIEAF2025 Invited Artist
Pierrette Ambassa Atangana
Cameroun
Ambassa Atangana Pierrette née le 18 janvier 2000 à Yaoundé est une artiste plasticien. J'ai suivi mon rêve à l’institut de formation artistique de Mbalmayo (IFA), puis en poursuivant mes études à l'université de Yaoundé 1. En tant qu'artiste j'explore des thèmes profonds et variés qui émanent de mon environnement immédiat.


Liberté Intérieure
Aclylique sur toile. 100,5/78/2025
L'oeuvre représente une créature fantastique. Les couleurs vives comme le bleu et le noir créent une ambiance captivante. La créature avec son long cou et sa tête d'oiseau, symbolise la quête de la liberté. Les motifs en points et en tourbillons ajoutent de l'intérêt visuel, tandis que le fond blanc permet à la créature de se démarquer.


BIEAF2025 Invited Artist
Pilar Catalán
España
Artista multidiciplinar, su trabajo visual se ha venido desenvolviendo en el grabado, la pintura, los medios digitales, el videoarte y la poesía y sus expansiones visuales fundamentalmente, asi como en la teoría y crítica de arte, escribiendo textos y artículos para revistas y publicaciones



























