

Art Hall - A1
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Look at the artist's expression
Read the artist's mind
The BIEAF is with artists.
Gallery 01
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 01 Artists and Works Slide
You can mark hearts on your favorite artists and works.
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BIEAF2026 Invited Artist
Aania S. Khan
Pakistan
I am very much interested to work with BIEAF as an artist and judge both as Iam always excited when it comes to promote art and art programmes whichare doing so well to encourage skilled people around the world and BIEAF ison this great mission. It’s a heartfelt pleasure to participate and cooperatewith you in all manners. Thank you
Aania S. Khan is an international contemporary conceptual artist working withsocial and psychological themes, an art director, and the author of fourtraditionally published children’s storybooks.She has been painting for over 25 years, creating artworks based on realstories, transformative journeys, and the challenges of life that bringawareness and healing.She holds dual Master’s degrees and has been recognised as guest artist andjudge in purpose-driven exhibitions and several art contests, including fiveconsecutive years at famous Islamabad Model College for women, Islamabad.
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The Three Keepers of Ember Vale
Oil Canvas 32 X 40” 2026
🔹In the frozen silence of Ember Vale, where winter had long overstayed itswelcome, three sisters were born with gifts that seemed too different to everbelong together. One carried fire, fierce and untamed. One held water, calmyet quietly powerful. One belonged to the wind, restless and impossible tocontain.For years, their gifts were a recipe for disaster. Fire fought wind. Watersilenced fire. Even they began to believe they were worlds apart. But when theancient hearth that kept the valley alive began to fade, the truth finally cameto light.What threatened to divide them was, in fact, what the valley needed most.Fire alone could not survive. Water alone could not restore. Wind alone couldnot carry warmth. But together, they relit the dying hearth and gave life backto a land on its last legs.Perhaps that is how life often works. What seems at odds is not always meantto clash. Sometimes, it is meant to complete.In the end, the sisters learnt what many spend a lifetime missing…strength isnot always found in sameness. Sometimes, it is found in the courage to standside by side, even when nature itself says otherwise.

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The Return
Oil Canvas 15 X 15” 2026
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Mardan
Oil Canvas 12 X 24” 2026


BIEAF2026 Invited Artist
Aase Birkhaug ICA
Norway
My philosophy and my Projects Art Nature Health
Believing that surroundings Can influence ones health and Mind ( Physical mental and esothetic ) I paint ROSES for a Soothing effect on humans . Using Nature Botanics and Botanical Gardens Rosaries have an restoring and rehabilitation effect - COLORS - sounds and smelling the surroundings of FLOWERS Roses Botanics Birds Water sounds and COLORS.
Research Scientific from instances as the WHO and High Schools Universities at Aas . I work both in the visual Field and Also in the text Field ( using COLORS in my paintings - impact ) and texts to the paintings when Speaking international as an education Chancellor for Colombia streamed to 5 continents Asia Africa America Colombia and EUROPE - talking About the IKIGAI MODEL - meaning of LIFE - purpose of LIFE - with livelisteners and viewers 2 million in 2023 - 2024. We have also exhibited world wide in Busan - Eco Change and Art for Peace. The old Future and more.
Aase Birkhaug ICA International Certified Artist Coach-Master Coach Botanical Guide UIB Color Therapist - Art Therapist Tutor painting classes Book & Article writer Education & Cultural Chancellor for Colombia From Norway-Euroupe International Speaker “The Meaning of Life – Reason For Beeing” IKIGAI Model & Concept Physical therapist specialist International prize and award winning artist Painting Class Tutor -Teacher Eligible for The International Honorable Doctor of Arts Award Books publisher - The Rose Garden available at Issue Artistic Visions of Aase Birkhaug - available at Issue

THE GARDEN OF ROSES
Acryl and Real Rose Botanic FLORAL
on fine art Paper
The Sun and the Boy
Every morning, before the town had properly opened its eyes, a boy named Elias would climb the hill behind his house. He carried no phone, no notebook, no grand plan for the day. Just a quiet curiosity and a habit of watching the sunrise as if it were a conversation meant only for him.
The people in the village thought it was strange.
“Why wake up so early just to stare at the sky?” the baker once asked him.
Elias only smiled. He did not know how to explain that the sunrise never looked the same twice. Some mornings the sky arrived softly, painted in pale gold and silver. Other days it burst open in fierce orange fire, as though the heavens themselves had something urgent to say.
But one morning was different.
The clouds were thick and dark, stretched across the horizon like heavy curtains. Elias waited anyway. Minutes passed. Nothing happened. No warm light. No glowing edge peeking through the hills.
For the first time, he felt disappointed.
“Maybe the sun has given up today,” he muttered.
And then, as if the world had heard him, a narrow beam of light pierced through the clouds. Just one. Thin, bright, and impossibly strong. It touched the grass near his feet, turning the morning dew into tiny diamonds.
Elias stared at it in silence.
The sun had not disappeared. It had simply been hidden.
That thought followed him throughout the day.
At school, he noticed the quiet girl who always sat alone drawing in the corners of her notebook. He noticed the old fisherman whose hands trembled when he carried baskets to the harbor. He noticed his own father smiling at dinner despite looking exhausted from work.
Everyone, Elias realized, carried clouds.
Some people hid sadness. Some hid fear. Some hid dreams they were too afraid to speak aloud. But behind every shadow, there was still light trying to break through.
The next morning, Elias climbed the hill again.
The sunrise returned in full brilliance, spilling gold across the earth. He smiled, but this time he understood something he had not understood before:
The sun never stops shining.
Sometimes the world simply forgets how to see it.
And maybe people are the same way.

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BIEAF2026 Invited Artist
Aashima Mehrotra
India
rom Sun to Boy is a contemplative journey that traces the evolution of humanconsciousness—from the cosmic source of creation to the awakening ofartistic expression. The series is founded on the idea that the Sun is thegenesis of the universe, the eternal origin of light, energy, time, and life itself.Every living form emerges from its radiance, yet among all beings, humanitypossesses a singular gift: the ability to transform experience into meaningthrough art. The Boy becomes a metaphor for this Artistic Human—a seekerwho observes nature, absorbs its rhythms, and gives them new life throughimagination and creativity.
Nature is not merely the setting of this journey but its silent teacher. Thecycles of sunrise and sunset, the movement of rivers, the changing seasons,the whisper of trees, and the boundless sky become expressions of the samecosmic intelligence that gave birth to life. By living in harmony with nature, theBoy learns to perceive beauty, balance, impermanence, and renewal. Everyelement of the natural world becomes a source of inspiration, remindinghumanity that creativity itself is an extension of nature's own continuous act ofcreation.
The narrative begins with Memoir, where the Sun is presented not as aphysical celestial body but as the universe's primordial memory. Encircled bylayers of luminous textures, the central form embodies the first pulse ofexistence—the source from which energy, consciousness, and imaginationradiate. The work invites viewers to contemplate creation as an eternalcontinuum, where every life and every creative act carries the imprint of thisoriginal light. The Sun becomes both memory and destiny, holding within itthe infinite possibilities of becoming.
The journey continues with Beyond, where the Boy sits in silent contemplationbefore the vast expanse of the Sun. Positioned between earth, water, and sky,he becomes the bridge between the material and the spiritual worlds. Hisquiet gaze is not directed merely toward the landscape but toward themystery of existence itself. The swirling celestial forms suggest the ceaselessmovement of the cosmos, while the stillness of the figure reflects the innerawakening from which all artistic creation begins. Here, the Boy symbolizeshumanity's enduring desire to understand nature not through possession, butthrough observation, reverence, reflection, and creative expression.
The culmination of the series is Congregation, where the solitary journeyexpands into a shared human experience. Beneath a luminous golden sky,countless figures gather in a collective celebration of existence. Eachindividual becomes a bearer of the same creative light inherited from the Sun,suggesting that art is not an isolated pursuit but a universal language thatbinds humanity across cultures, generations, and histories. The multituderepresents civilization itself—shaped by memory, sustained by community,and enriched through collective acts of creativity. Their gathering also reflectshumanity's shared responsibility to protect and nurture the natural world thatcontinues to sustain both life and imagination.
Together, these works propose that the journey from Sun to Boy is the journeyfrom creation to consciousness, from consciousness to creativity, and fromcreativity to culture. Through layered surfaces, luminous textures, andsymbolic imagery, the series reflects the inseparable relationship between thecosmos, nature, and artistic expression. It reminds us that every artist, like theBoy, is ultimately a child of the Sun—carrying within them the first light of theuniverse and the timeless responsibility to transform it into meaning, beauty,hope, and a deeper harmony with the natural world.
Aashima Mehrotra is a distinguished visual artist and civil servant based inDelhi, whose passion for art has been nurtured since childhood. Drawinginspiration from people, nature, and travel, she pursued her artistic journey bystudying the works of celebrated artists such as Nandlal Bose, Amrita Sher-Gil, Claude Monet, Picasso, and Vincent van Gogh. Primarily self-taught, herskills matured under the guidance of renowned painters like Veer Munshi andBanshidhar Pratihary from Shantiniketan. Her professional role in Railways andTourism has exposed her to the rich diversity of Indian towns and various artforms, further fuelling her creative vision. Her works are deeply personal,reflecting her life experiences and artistic philosophy. She has developed herown distinct visual language or ‘ISM’. Aashima's artistic achievements arenotable. Her debut solo exhibition was held at the prestigious Jehangir ArtGallery in Mumbai, one of the most significant galleries in South Asia. Herworks have been showcased in national exhibitions, including those organizedby AIFACS, GMR, and Lalit Kala Akademi. She has held over 13 solo exhibitionsand participated in over 72 group exhibitions. Her paintings have garneredaccolades on both national and international platforms. "Kasani" was selectedfor the 89th Annual All India Exhibition of Arts by the Indian Academy of FineArts-Amritsar, and her work "Yellow Satva" earned her a solo showsponsorship at Chitramayee State Gallery of Art in Hyderabad. She alsosecured 4th place in the "Art United – Together We Stand" competitionorganized by New York Art Competition in collaboration with Agora ArtGallery, and 6th place in the American Art Awards in the category ofImpressionism-Human. Her painting “LAAPATAA LADIES” was selected for theprestigious – “64th National Exhibition of Art, 2024-25” by Lalit Kala Academy,Government of India. Notably, her painting “MOVE ON” was awarded for BestPainting on a Social Cause at 134th All India Annual Art Exhibition 2026organised by the Bombay Art Society at Jehangir Art Gallery - Mumbai in Feb-2026.Her painting “Be the Change You Want to See – Mahatma Gandhi” wasunveiled at Hotel Taj Man Singh, New Delhi in the presence of Sh. ShripadYesso Naik, Union Minister of State in the Ministry of Power on the occasion ofthe 30th Anniversary of Freedom Day of South Africa in April 2026.Internationally, Aashima participated in the Plein Air Russian Atlantis event inSt. Petersburg, and her paintings were showcased by ICCR at Beijing as partof the “Azadi ka Amrit Mahotsav,” and “Arindam” in Bikaner house. She has alsoparticipated in exhibitions at the INKO Centre, Chennai and at the EurasiaBusan International Art Fair 2025, South Korea, further extending herinternational artistic presence. She has been awarded State award by TheState of Telangana. She is an active member of the Art Convergence group,Kalaakalpam. Aashima’s works, though influenced by impressionist and post-impressionist styles, embrace experimentation with abstract styles and mixedmedia, intertwining vivid imagination, natural elements, and treasuredmemories. Her studio at Lalit Kala, Garhi, serves as the creative hub for herdynamic explorations. Her artworks are found in the collections of prominentfigures such as Adil Hussain, Pheroza Godrej, Deepika Jindal, the US Embassyconsulate, High Commissioner of South Africa, Sr Bureaucrats HectorCapitals, Singapore, High Court Judges, Ex Minister of Tourism and DalmiaGroup amongst others.
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Congregation
Acrylic on Canvas_36x36 Inches_2025
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Beyond
Oil Color on Canvas 18x24 Inches 202
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Memoir
Encaustic on Canvas_48x72 Inches_2026

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BIEAF2026 Invited Artist
Abdolreza Rabeti
Iran
Dance on the Edge of the Storm
Short Description:This expressive composition captures a human figure emerging from awhirlwind of color, movement, and emotion. Intense reds, deep blacks, andsubtle violet tones create a powerful visual tension between chaos andtransformation. The dynamic brushstrokes evoke inner strength, passion, andresilience, suggesting a moment of rebirth as the figure rises through turmoiltoward light and freedom.
ABDOLREZA RABETI Independent Curator, Artist & Cultural Director IranAbdolreza Rabeti is an Iranian independent curator, artist, and cultural directorwith more than three decades of experience in visual arts, exhibitionmanagement, and international cultural exchange. Born in Dezful, Iran, heworks across painting, sculpture, calligraphy, and curatorial practice whileactively developing international art collaborations between artists andinstitutions from different cultural backgrounds. Rabeti is the director of theL’Art International Institute in Iran and has managed artistic and galleryactivities for over 30 years. Throughout his career, he has curated andorganized more than 100 national and international exhibitions and culturalevents in Iran and across more than 10 countries, including South Korea,Poland, Italy, Germany, Armenia, Turkey, Indonesia, Portugal, the Netherlands,North Macedonia, and the United States. As both curator and organizer, hispractice focuses on intercultural dialogue, peace through art, collaborativeexhibition-making, and supporting emerging and international artists. He hasinitiated and managed numerous international projects connecting artists,museums, galleries, universities, and cultural organizations across Europe andAsia. Rabeti has participated in more than 200 exhibitions in Iran andinternationally, including group exhibitions and international art festivals inover 20 countries. His curatorial and artistic activities have been presented inmuseums, galleries, universities, and cultural institutions worldwide. He hasalso served as a juror and advisory member for several international art eventsand biennials, including projects in South Korea, Poland, Italy, and the UnitedStates. He was a jury member for the Haegeumgang Theme Museuminternational exhibitions in South Korea and participated as a jury member forinternational peace-related art initiatives and exhibitions. In 2025, he served asCo-Chairperson of the Busan International Environmental Art Festival (BIEAF).He has also collaborated on international children’s art exhibitions and cross-cultural educational projects with artists and institutions from Germany andSouth Korea. His work and curatorial approach emphasize human connection,cultural diversity, artistic solidarity, and the role of art as a bridge betweensocieties.
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Dance on the Edge of the Storm
Acrylic on paper 50x70cm 2022

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BIEAF2026 Invited Artist
Abeer Al Edani
UAE
This modular artwork serves as a vibrant visual tapestry of cultural heritageand daily life in the Mesopotamian marshes. Arranged in a grid structureresembling film frames or a patchwork quilt, each panel captures a distinctsensory memory: from traditional fishing, weaving, and bread-making toiconic marsh architecture, water buffalo, and local portraits. Rich in symbolismand folk-inspired aesthetics, the piece beautifully preserves a sharedcollective memory.
A self – taught artist who started drawing at early age, she received a greatsupport from herfamily to strengthen her passion in Art through the yearly activities and artworkshopsNominated for the global Art Award in the category of figurative painting,winner of a prize, thepainter 2020 (she award), winner of the Noon Art Prize for the year 2020 in itsfourth additionin the category of public choice..The artist is inspired by her attraction toward the culture of home country“Iraq”, customs,beauty of women, happiness and suffer which takes her to another level ofinspirationalcreativity and that is reflecting clearly on her choice on artwork and selectionof art.projects. Her style ranges from impressionistic to abstract usually on canvasesat least onemeter square or larger, the artist is working with all kinds of materials (Oil,acrylic, coil, coloringpencils…etc.) and mixed media. Abeer has also her paintings are showing indifferent hotels inDubai like Dusitd2 Kenz and Double tree by Hilton.First participation in Art exhibition was in the kindergarten in home city inBasra, Iraq when shewas 5 years old and she had ranked in the first place for talented children.The artist continued to develop her skills in drawing besides her study alsoshe joineddifferent local exhibitions in Iraq.Participated in different exhibitions, like “Rhythm of Art”, “World Art Dubai”, inaddition, she isselected as a sole representative to present female artist on behalf of herhome country (IRAQ)in “Better for Balance Exhibition” with other 88 female artists from the globalalso I alsorepresenting my home country IRAQ in (equal for each) with other 100 femaleartists fromdifferent countries.
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Memories from mesopotamia
oil colors on canvas 240x250 2025

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BIEAF2026 Invited Artist
Adam William Copping
Australia
The term ‘beautiful’ is so broad. It can be the obvious /inner and outer beautyor it can mean achievements people have done to help others or something assimple as just being kind to others every day.
I’m a multi award winning artist, illustrator and writer and love what I do. I’vedeveloped five different styles in five different mediums as well. I’ve been anartist my whole life.
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Be beautiful like a flower
Acrylic on beechwood 30x30cm 2026

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BIEAF2026 Invited Artist
Adarsha Ajay
India
The theme "From Sun To Boy" resonates with me as a reflection on hope,renewal, and our shared responsibility towards the Earth. I see the sun as auniversal source of life that nurtures every living being, regardless of borders,culture, or identity. The phrase reminds me that the future belongs to the nextgeneration, and the choices we make today will shape the world they inherit.As an artist, I believe art has the power to foster empathy, reconnect peoplewith nature, and inspire environmental awareness. Through my work, I explorethe interconnectedness of humans and the natural world, encouragingreflection on coexistence, healing, and collective responsibility. This themealigns closely with my practice and my belief that protecting the Earth beginswith recognising that we are part of nature, not separate from it.Participating in this exhibition would be an opportunity to contribute my voiceto a global dialogue about creating a more compassionate, sustainable, andhopeful future through art.
Adarsha Ajay is a contemporary artist from Kerala, India, whose practiceexplores the relationship between humanity, nature, spirituality, and feminineidentity through painting and mixed media. She holds a Master's degree inPainting (Contemporary Art Practice) from Arts University Bournemouth,United Kingdom, where she developed a distinctive visual language thatbridges Indian artistic traditions with contemporary international practice.Rooted in lived experience, her work transforms themes of resilience, healing,and renewal into symbolic visual narratives. Drawing inspiration from Indianmural traditions, mythology, sacred geometry, and ecological symbolism, shecreates layered compositions that examine the interconnectedness of people,culture, and the natural world. Her paintings invite reflection on identity,environmental consciousness, and the cycles of transformation that shapeboth human life and nature.Adarsha has exhibited internationally across the United Kingdom, Dubai,Spain, and other global platforms. Through her practice, she buildsmeaningful cultural dialogue between East and West while advocating for artas a powerful medium for healing, ecological awareness, and humanconnection.
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My Yellow
Mixed media on canvas 50x70cm 2025
My Yellow was created during my time living in the United Kingdom, a periodwhen being away from my homeland led me to reflect deeply on myrelationship with nature and belonging. Although painted far from Kerala, thework carries memories of its landscapes, wildlife, and cultural symbolism,while embracing our shared responsibility to care for the Earth.The painting brings together humans, animals, trees, birds, and insects asequal participants in a living ecosystem. The central figure stands in quietcontemplation, surrounded by nature not as an observer, but as an integralpart of it. Faces emerging from the trees suggest that the Earth holds memoryand spirit, reminding us that all living beings are interconnected.The radiant yellow symbolizes hope, renewal, and the life-giving energy thatsustains us all. Created through the perspective of an artist living betweencultures, My Yellow reflects the belief that care for the Earth transcendsborders, inviting us to imagine a future where humanity and nature coexistwith compassion, respect, and harmony for generations to come.

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BIEAF2026 Invited Artist
Adnan Turan
Türkiye
I was born in Adiyaman in 1972. When I was 13, I attended a competitionabout the cumhuriyet bairam that 13-16 years old kids were competing and Iwonthe competition. When I won the competition I was more interested inpainting.When I was 14 my painting which was good enough to be displayed in thehouse of"Humour and Stire" also made me more interested in painting.In the age of 15, I was Interested in name plates and graphics and by this time Iwas working on views with oil colour until 1996 as an amateur. I used to drawportrait wall pictures by orders. In 1996 by taking arts drawing lessons fromOrhanCebrailoglu and Ilhan Enveroglu I managed to go to the univercity with adegreethat i always wanted to goBy the Help of the teachers that I had been impressed I opened my own artsstudio and started teaching private art lessons. In 2000 I opened my ownexhibition. In 2001 I became an art teacher. In 14 years trained a lot of artsstudents. By the time i was teaching I was also sculpturing, Reliefing, watercoulouring , Interior decorating , drawing portraits , stained glassing andgraphingdesigning. Now my only aim is to open exhibitions and help people to gaintheirperspectives. Jullianna Illes Major helped me improve my oil colouring. Nowwe areworking on an art project called "AJTO". With this project in 2.8.2010 I joined amixed exhibition in Balaton-Hungary. I am still an arts teacher in Zonguldakfine art hight school.
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Time for willage
canvas oil 80x100cm 2025

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BIEAF2026 Invited Artist
AFZAL
INDIA
This painting portrays a figure who reflects deeply on the well-being of bothhumans and animals. One hand resembles the branch of a dried tree,symbolizing environmental decline, while the other is filled with energy andholds a plant, representing hope, renewal, and life. On the forehead, where themind resides, are images of humans and other living creatures that share thisEarth. The painting reminds us that nature is essential for life, and only byprotecting and restoring it can we truly care for the future of every livingbeing.
AFZAL Contemporary self thought Artist ,My practice explores the relationshipbetween human emotions, nature, and identity. ThroughDAZLISM, I transform silence, pain, and personal experiencesinto visual narratives that reflect healing, resilience, andself-discovery. Inspired by ancient human and nature , expressionand contemporary life, my work invites viewers to reconnect withthemselves and recognize the strength that can emerge throughfragmentation and transformation.
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holding a plant symbol in hand
mix media L-95cm W-78cm 2026
I believe 'From Sun To Boy' represents the connection between nature andhuman creativity. It reminds us that art should protect the Earth, inspire hope,and strengthen our relationship with nature.

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BIEAF2026 Invited Artist
Agamemnon Porfirogennitos
Greece
A striking reinterpretation of the iconic Venus de Milo, this painting places thetimeless marble figure above a sea of clouds beneath a radiant blue sky. Abrilliant burst of sunlight behind her symbolizes hope, enlightenment, andtranscendence, while the flowing drapery adds warmth and movementagainst the cool celestial backdrop. Blending classical beauty with surrealimagery, the artwork invites reflection on resilience, eternity, and the enduringpower of human creativity.
Agamemnon is a Greek artist with over 25 years of painting experience. He hasheld solo exhibitions, participated in numerous group exhibitions, and hisartwork is featured in private collections around the world.
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Ascension Of Aphrodite
Tempera, markers, colorord pencils 40x40cm 2026

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BIEAF2026 Invited Artist
Aida Kchaou Khrouf
Tunisia
As a Tunisian visual artist, I have been exploring energy, memory, and theenvironment internationally since 1995. Winner of the Grand Prix ADAGP inParis, my interdisciplinary approach questions ecological consciousness andthe inseparable bond between humanity and nature.
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First touch
Digital art work from an personal original painting
150x100cm 2026
Born from the visceral immediacy of raw matter and the archival memory ofphysical pigments, this original work undergoes a profound metamorphosisthrough Artificial Intelligence. Out of this collision between tactile humangesture and algorithmic processing, a new vision crystallizes: a child standingbefore the Sun. Much like the digital native generation maturing under theambient glow of screens, the artist's historical pigments are seamlesslyinfused into the digital stream. This piece stands as an eco-artistic meditation—a site where textured impasto and volatile pixels converge to imagine thefuture of form.

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BIEAF2026 Invited Artist
Alberto Adelino
Mozambique
I’m a Mozambican visual artist and designer with almost 20 years experience, Ihave my own studio since 2015 where I teach art and fashion, my artwork is allabout society issues, beauty, ugly, provocative themes and activism, I haveshown my creativity across the globe in so many ways, paper, canvas, mural,clothes, shoes, body painting and more, and my biggest goal is to conquer theworld with my creativity.
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Focus
Mixed media, acrylic, oil, texture, sand,
handmade crafts 18x18cm 2026
The title is FOCUS, as an African and world artist I’m talking about my dailyroutine in the streets of Mozambique, where the children are so exposed to abig diversity of distractions that can take them away from their paths such asalcohol, drugs, early marriages, and more, I portray a kid that knows wherehe/she goes even though the turbulence is there to take away from the way,he/she remains disciplined, raising upon all the odds.

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BIEAF2026 Invited Artist
Albino Mahumana
Mozambique
Born in October 1970, in Maputo, Mozambique, he learned to paint as a child from his father, the renowned Mozambican artist Manqueu Valente
Mahumana, with whom he worked and developed his artistic skills. He began drawing with sand, then moved on to pencil and colored paper. During this time, he helped his father clean the studio, wash the brushes, and, if necessary, remove nails from the canvases.
Currently, in addition to working on canvas (starting in 2017, he dedicated
himself intensely to painting), he uses various materials as supports, such as glass bottles, metal ice buckets, gourds, and wood in various shapes. It
portrays the daily lives and experiences of Mozambicans, such as women
carrying bundles on their heads, doing business in local markets, returning from their farms, women preparing food, returning from fetching water, caring for their children, enjoying leisure time, and children playing. Albino has dedicated himself to researching various techniques and seeking new talent in the visual arts. He has led several painting workshops for students from various schools.
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Positive connections
Acrylic on canvas 60x60cm 2026
The artwork depicts two children who are connected to the sun, receivingpositive energy, making their day brighter and more promising.
AWARDS• 2025 CERTIFICATE OF APPRECIATION - “10th Geoje International ArtFestival judges andaward”; Kim Bo Seong Art Center; Seoul; South Korea.• 2024 EXCELLENCE AWARD - “Language of Co-existence, Art - 10th GeojeInternational ArtFestival,” Geoje; South Korea.• 2024 ENCOURAGEMENT AWARD - “Language of Co-existence, Art - 10thGeoje InternationalArt Festival,” Geoje; South Korea.• 2024 TRANSVERSALITIES AWARD - Photography without Borders,” PALOPcategory, Guarda,Portugal.• 2023 2nd Prize in the CDM Environment journalism competition, Maputo,Mozambique.• 2023 2nd Prize in the CDM Environment journalism competition, Maputo,Mozambique.• 2021 1st Prize in the solidarity photography competition, Seville, Spain.• 2019 2nd Prize in the "BRIDGE THAT CONNECTS LIVES" Maputo-Katembecompetition, in thepainting category, organized by the German-Mozambican Cultural Center,Maputo,Mozambique.• 2018 2nd Prize in the Katembe-Maputo painting competition, organized bythe German-Mozambican Cultural Center, Maputo, Mozambique.• 2016 Best in category and Best in competition - SOTU PhotographyCompetition 2 / 3 (international competition), Nairobi, Kenya.• 2015 1st Prize for photography on climate change in Mozambique from theEuropean Union,Maputo, Mozambique.• 2014 2nd Prize in the Wateraid Water and Sanitation photojournalismcompetition, Maputo,Mozambique.• 2008 Awarded a scholarship from the CALOUSTE GULBENKIANFOUNDATION, Program forCreativity and Artistic Creation in Photography for a period of 4 months,where hespecialized in documentary photography, Lisbon, Portugal.• 2001 2nd Prize in photography, EXPO MUZART, Maputo, Mozambique.• 2001 Honorable Mention in photography, EXPO MUZART, Maputo,Mozambique.• 2000 Awarded the honor of being the resident private photographer ofPresident Bill Clinton,patron of the Clinton Foundation, during his first visit to Mozambique.• 1997 3rd Prize in photography, ex-aequo, Camões Prize Competition,Maputo, Mozambique. • 1995 2nd International Photography Prize “Peace inMozambique”, Maputo, Mozambique.

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BIEAF2026 Invited Artist
ALEJANDRA COIRINI
ARGENTINA
My work inhabits a territory where memory transforms into a stage. Using oldfamily photographs and archives from the past, I create universes of magicalrealism in which memories breathe again in new forms.My artistic production maintains a strong connection with theatricality.
PROFESSIONAL ACTIVITIES
2nd Head of scenography workshop, Teatro Colón of the Autonomous City of Buenos Aires – Argentina (Withdrawal). Visual Teacher, Higher Institute of Art of the Teatro Colón (ISATC). Development of dual course (virtual-face-to-face), Scenographic Realization. From a very young age he participated in national and international Salons and competitions, winning multiple awards for his work. He presented individual exhibitions and his work was included in biennials and national and international art fairs.
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family of succulents under the sun
LITHOGRAPHY ON PAPER COLLAGE
64x50 2024
The maternal figure is symbolically transformed into a sun: a luminouspresence that protects, guides, and nourishes the girls' lives. Around herflourishes a family of succulents, plants that evoke strength, permanence, andthe ability to thrive even in adverse conditions. Golden light envelops thescene like a vital energy that unites the three figures, turning the memory intoa garden of affection where remembrance continues to grow and blossomwith the passage of time.

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BIEAF2026 Invited Artist
Alejandra Luna
Colombia / USA
I am honored to participate in BIEAF 2026. I appreciate the opportunity toshare my work with artists from around the world and to be part of anexhibition that celebrates artistic dialogue, cultural exchange, and creativeinnovation. I look forward to contributing my vision and connecting with thisinternational community.
Alejandra Luna is a Colombian contemporary artist whose work explores theintersection of nature, humanity, and technology. Through symbolic figurativepainting, she reflects on connection, transformation, and the evolvingrelationship between biological and digital intelligence.
WE ARE MYCELIA
Acrylic on canvas, mixed media, digital intervention, augmented reality,original music composition.
48"x36"
2026
My work explores the relationship between nature, humanity, and technologythrough contemporary figurative painting. Inspired by mycelial networks andsymbiogenesis, I create symbolic compositions where organic forms, humanidentity, and digital structures intertwine. My paintings invite reflection onconnection, transformation, memory, and the balance between biologicalintelligence and technological evolution.
SEXTO ELEMENTO” ALEJANDRA LUNA
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Cartografia del Alma
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BIEAF2026 Invited Artist
Alejandro Infante
Spain
Alejandro Infante Matamoros is a visual artist born in 1984 in Havana, Cuba,who trained and graduated with a Bachelor's Degree as an Art Instructor. Hiscareer has developed over more than a decade of active participation inevents linked to the visual arts, and he currently resides in Spain, where hecontinues to consolidate his artistic practice. His work focuses primarily onportraiture as a vehicle for emotional exploration, a journey that begantechnically with graphite drawing and later expanded toward acrylic oncanvas. Supported by a technical mastery that allows for a precise andsensitive execution, Alejandro's work establishes an intimate dialoguebetween memory, emotion, and representation.
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Selfportrait
Acrylic on canvas 80x60cm 2025
The work is a profound visual journey into the psyche, where human anatomybecomes the canvas for the inner experience. It is not just a self-portrait, but asymbolic statement about the complexity of the self and the journey of life.The central figure, painted with a modulated use of light and shadow in white,grays, and black, represents the physical self and personal strength. Themuscular and firm back suggests security and the ability to bear the weight ofexperience. It acts as the container, the body that protects and conceals themental and emotional content. The posture, with the back turned, reinforcesthe idea of introspection, inviting the viewer to look inward along with thesubject.The true focus of the work is the cavity that opens in the back, revealing adreamlike and symbolic landscape. The upper part is a dense canopy of dry,intertwined branches, creating a dark tunnel. This entanglement representsdisappointments and fears—experiences that confuse, hinder, and castshadows. It is the struggle, the complexity of thought, and the mental barriersthat must be crossed.The lower path, emerging from the base of the spine, is a staircase or awooden plank path that enters the landscape. This represents the lifetrajectory and successes: each step is a decision, a firm step forward.At the end of the tunnel, an intense white light breaks through forcefully. Thislight is the point of security, the goal, or hope. It is the clarity achieved byovercoming fears, the reward of introspection, and the objective that guidesthrough doubts.Inner life is a constant balance between opposites. I have tried to express ageneral overview of my world, showing that personal strength is not whateliminates problems, but what allows us to carry on the inner journey despitebeing surrounded by shadows and challenges. In essence, the work is areminder that the path to clarity and security inevitably passes through thedarkness of our own fears and disappointments.

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BIEAF2026 Invited Artist
Alejandro Montini
Argentina
Three digitally captured photographs, intervened with images sourced fromdigitized vintage analog photographs.The works explore childhood as a time of construction and becoming. Thefaceless children represent the universality of all children. They are supportedby small scaffolds that evoke the relationships and experiences—such asaffection and education—that shape their growth. In the background, theocean appears as an open gateway, a symbol of something just beginning.
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Argentine photographer, educator, and researcher. He has held soloexhibitions at the Palacio Dionisi Museum of Photography, the Sara FacioPhoto Gallery, and the China Academy of Art. He has also exhibited atNordArt. His work explores memory, ephemerality, and the symbolicconstruction of the image
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Inspired Soul
Mixed media 100x50cm 2024
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Tell us about BIEAF2026 'From Sun To Boy' :
Participar en el Busan International Art Festival representa una valiosaoportunidad para dialogar con artistas, curadores y públicos de distintasculturas. BIAF promueve el intercambio internacional a través del artecontemporáneo, generando un espacio de encuentro, colaboración yreflexión. Es un honor formar parte de un festival que celebra la diversidadartística y fortalece los vínculos culturales entre países.

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BIEAF2026 Invited Artist
Aleksandra Neric
Austria
Aleksandra Nerić is a Serbian contemporary artist, writer, and founder of NOXLUMINA. Working primarily with symbolism, psychology, and mythology, herwork explores identity, memory, archetypes, and the relationship betweendarkness and inner transformation.
























