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Art Hall - A1

Listen to the artist's voice
Look at the artist's expression
Read the artist's mind
The BIEAF is with artists.

Gallery 01

BIEAF2026 - From SUN To BOY

World Artist 

Invitation Exhibition

BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.

Gallery 01 Artists and Works Slide

You can mark hearts on your favorite artists and works.

Aania S. Khan(Pakistan Islamabad)01.jpeg

BIEAF2026 Invited Artist
Aania S. Khan
Pakistan

I am very much interested to work with BIEAF as an artist and judge both as Iam always excited when it comes to promote art and art programmes whichare doing so well to encourage skilled people around the world and BIEAF ison this great mission. It’s a heartfelt pleasure to participate and cooperatewith you in all manners. Thank you

Aania S. Khan is an international contemporary conceptual artist working withsocial and psychological themes, an art director, and the author of fourtraditionally published children’s storybooks.She has been painting for over 25 years, creating artworks based on realstories, transformative journeys, and the challenges of life that bringawareness and healing.She holds dual Master’s degrees and has been recognised as guest artist andjudge in purpose-driven exhibitions and several art contests, including fiveconsecutive years at famous Islamabad Model College for women, Islamabad.

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The Three Keepers of Ember Vale

Oil Canvas  32 X 40”  2026

🔹In the frozen silence of Ember Vale, where winter had long overstayed itswelcome, three sisters were born with gifts that seemed too different to everbelong together. One carried fire, fierce and untamed. One held water, calmyet quietly powerful. One belonged to the wind, restless and impossible tocontain.For years, their gifts were a recipe for disaster. Fire fought wind. Watersilenced fire. Even they began to believe they were worlds apart. But when theancient hearth that kept the valley alive began to fade, the truth finally cameto light.What threatened to divide them was, in fact, what the valley needed most.Fire alone could not survive. Water alone could not restore. Wind alone couldnot carry warmth. But together, they relit the dying hearth and gave life backto a land on its last legs.Perhaps that is how life often works. What seems at odds is not always meantto clash. Sometimes, it is meant to complete.In the end, the sisters learnt what many spend a lifetime missing…strength isnot always found in sameness. Sometimes, it is found in the courage to standside by side, even when nature itself says otherwise.

BIEAF2024 Logo
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The Return

Oil Canvas  15 X 15”  2026

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Mardan

Oil Canvas  12 X 24”   2026

BIEAF2024 Logo
Aase Birkhaug ICA  Norway.jpeg

BIEAF2026 Invited Artist
Aase Birkhaug ICA
Norway

My philosophy and my Projects Art Nature Health
Believing that surroundings Can influence ones health and Mind ( Physical mental and esothetic ) I paint ROSES for a Soothing effect on humans . Using Nature Botanics and Botanical Gardens Rosaries have an restoring and rehabilitation effect - COLORS - sounds and smelling the surroundings of FLOWERS Roses Botanics Birds Water sounds and COLORS.
Research Scientific from instances as the WHO and High Schools Universities at Aas . I work both in the visual Field and Also in the text Field ( using COLORS in my paintings - impact ) and texts to the paintings when Speaking international as an education Chancellor for Colombia streamed to 5 continents Asia Africa America Colombia and EUROPE - talking About the IKIGAI MODEL - meaning of LIFE - purpose of LIFE - with livelisteners and viewers 2 million in 2023 - 2024. We have also exhibited world wide in Busan - Eco Change and Art for Peace. The old Future and more.

Aase Birkhaug ICA International Certified Artist Coach-Master Coach Botanical Guide UIB Color Therapist - Art Therapist Tutor painting classes Book & Article writer Education & Cultural Chancellor for Colombia From Norway-Euroupe International Speaker “The Meaning of Life – Reason For Beeing” IKIGAI Model & Concept Physical therapist specialist International prize and award winning artist Painting Class Tutor -Teacher Eligible for The International Honorable Doctor of Arts Award Books publisher - The Rose Garden available at Issue Artistic Visions of Aase Birkhaug - available at Issue

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THE GARDEN OF ROSES

Acryl and Real Rose Botanic FLORAL

on fine art Paper

The Sun and the Boy

Every morning, before the town had properly opened its eyes, a boy named Elias would climb the hill behind his house. He carried no phone, no notebook, no grand plan for the day. Just a quiet curiosity and a habit of watching the sunrise as if it were a conversation meant only for him.

The people in the village thought it was strange.

“Why wake up so early just to stare at the sky?” the baker once asked him.

Elias only smiled. He did not know how to explain that the sunrise never looked the same twice. Some mornings the sky arrived softly, painted in pale gold and silver. Other days it burst open in fierce orange fire, as though the heavens themselves had something urgent to say.

But one morning was different.

The clouds were thick and dark, stretched across the horizon like heavy curtains. Elias waited anyway. Minutes passed. Nothing happened. No warm light. No glowing edge peeking through the hills.

For the first time, he felt disappointed.

“Maybe the sun has given up today,” he muttered.

And then, as if the world had heard him, a narrow beam of light pierced through the clouds. Just one. Thin, bright, and impossibly strong. It touched the grass near his feet, turning the morning dew into tiny diamonds.

Elias stared at it in silence.

The sun had not disappeared. It had simply been hidden.

That thought followed him throughout the day.

At school, he noticed the quiet girl who always sat alone drawing in the corners of her notebook. He noticed the old fisherman whose hands trembled when he carried baskets to the harbor. He noticed his own father smiling at dinner despite looking exhausted from work.

Everyone, Elias realized, carried clouds.

Some people hid sadness. Some hid fear. Some hid dreams they were too afraid to speak aloud. But behind every shadow, there was still light trying to break through.

The next morning, Elias climbed the hill again.

The sunrise returned in full brilliance, spilling gold across the earth. He smiled, but this time he understood something he had not understood before:

The sun never stops shining.

Sometimes the world simply forgets how to see it.

And maybe people are the same way.

BIEAF2024 Logo
Aashima Mehrotra(India New Delhi)01.jpeg

BIEAF2026 Invited Artist
Aashima Mehrotra
India

rom Sun to Boy is a contemplative journey that traces the evolution of humanconsciousness—from the cosmic source of creation to the awakening ofartistic expression. The series is founded on the idea that the Sun is thegenesis of the universe, the eternal origin of light, energy, time, and life itself.Every living form emerges from its radiance, yet among all beings, humanitypossesses a singular gift: the ability to transform experience into meaningthrough art. The Boy becomes a metaphor for this Artistic Human—a seekerwho observes nature, absorbs its rhythms, and gives them new life throughimagination and creativity.

 

Nature is not merely the setting of this journey but its silent teacher. Thecycles of sunrise and sunset, the movement of rivers, the changing seasons,the whisper of trees, and the boundless sky become expressions of the samecosmic intelligence that gave birth to life. By living in harmony with nature, theBoy learns to perceive beauty, balance, impermanence, and renewal. Everyelement of the natural world becomes a source of inspiration, remindinghumanity that creativity itself is an extension of nature's own continuous act ofcreation.

 

The narrative begins with Memoir, where the Sun is presented not as aphysical celestial body but as the universe's primordial memory. Encircled bylayers of luminous textures, the central form embodies the first pulse ofexistence—the source from which energy, consciousness, and imaginationradiate. The work invites viewers to contemplate creation as an eternalcontinuum, where every life and every creative act carries the imprint of thisoriginal light. The Sun becomes both memory and destiny, holding within itthe infinite possibilities of becoming.

 

The journey continues with Beyond, where the Boy sits in silent contemplationbefore the vast expanse of the Sun. Positioned between earth, water, and sky,he becomes the bridge between the material and the spiritual worlds. Hisquiet gaze is not directed merely toward the landscape but toward themystery of existence itself. The swirling celestial forms suggest the ceaselessmovement of the cosmos, while the stillness of the figure reflects the innerawakening from which all artistic creation begins. Here, the Boy symbolizeshumanity's enduring desire to understand nature not through possession, butthrough observation, reverence, reflection, and creative expression.

 

The culmination of the series is Congregation, where the solitary journeyexpands into a shared human experience. Beneath a luminous golden sky,countless figures gather in a collective celebration of existence. Eachindividual becomes a bearer of the same creative light inherited from the Sun,suggesting that art is not an isolated pursuit but a universal language thatbinds humanity across cultures, generations, and histories. The multituderepresents civilization itself—shaped by memory, sustained by community,and enriched through collective acts of creativity. Their gathering also reflectshumanity's shared responsibility to protect and nurture the natural world thatcontinues to sustain both life and imagination.

 

Together, these works propose that the journey from Sun to Boy is the journeyfrom creation to consciousness, from consciousness to creativity, and fromcreativity to culture. Through layered surfaces, luminous textures, andsymbolic imagery, the series reflects the inseparable relationship between thecosmos, nature, and artistic expression. It reminds us that every artist, like theBoy, is ultimately a child of the Sun—carrying within them the first light of theuniverse and the timeless responsibility to transform it into meaning, beauty,hope, and a deeper harmony with the natural world.

Aashima Mehrotra is a distinguished visual artist and civil servant based inDelhi, whose passion for art has been nurtured since childhood. Drawinginspiration from people, nature, and travel, she pursued her artistic journey bystudying the works of celebrated artists such as Nandlal Bose, Amrita Sher-Gil, Claude Monet, Picasso, and Vincent van Gogh. Primarily self-taught, herskills matured under the guidance of renowned painters like Veer Munshi andBanshidhar Pratihary from Shantiniketan. Her professional role in Railways andTourism has exposed her to the rich diversity of Indian towns and various artforms, further fuelling her creative vision. Her works are deeply personal,reflecting her life experiences and artistic philosophy. She has developed herown distinct visual language or ‘ISM’. Aashima's artistic achievements arenotable. Her debut solo exhibition was held at the prestigious Jehangir ArtGallery in Mumbai, one of the most significant galleries in South Asia. Herworks have been showcased in national exhibitions, including those organizedby AIFACS, GMR, and Lalit Kala Akademi. She has held over 13 solo exhibitionsand participated in over 72 group exhibitions. Her paintings have garneredaccolades on both national and international platforms. "Kasani" was selectedfor the 89th Annual All India Exhibition of Arts by the Indian Academy of FineArts-Amritsar, and her work "Yellow Satva" earned her a solo showsponsorship at Chitramayee State Gallery of Art in Hyderabad. She alsosecured 4th place in the "Art United – Together We Stand" competitionorganized by New York Art Competition in collaboration with Agora ArtGallery, and 6th place in the American Art Awards in the category ofImpressionism-Human. Her painting “LAAPATAA LADIES” was selected for theprestigious – “64th National Exhibition of Art, 2024-25” by Lalit Kala Academy,Government of India. Notably, her painting “MOVE ON” was awarded for BestPainting on a Social Cause at 134th All India Annual Art Exhibition 2026organised by the Bombay Art Society at Jehangir Art Gallery - Mumbai in Feb-2026.Her painting “Be the Change You Want to See – Mahatma Gandhi” wasunveiled at Hotel Taj Man Singh, New Delhi in the presence of Sh. ShripadYesso Naik, Union Minister of State in the Ministry of Power on the occasion ofthe 30th Anniversary of Freedom Day of South Africa in April 2026.Internationally, Aashima participated in the Plein Air Russian Atlantis event inSt. Petersburg, and her paintings were showcased by ICCR at Beijing as partof the “Azadi ka Amrit Mahotsav,” and “Arindam” in Bikaner house. She has alsoparticipated in exhibitions at the INKO Centre, Chennai and at the EurasiaBusan International Art Fair 2025, South Korea, further extending herinternational artistic presence. She has been awarded State award by TheState of Telangana. She is an active member of the Art Convergence group,Kalaakalpam. Aashima’s works, though influenced by impressionist and post-impressionist styles, embrace experimentation with abstract styles and mixedmedia, intertwining vivid imagination, natural elements, and treasuredmemories. Her studio at Lalit Kala, Garhi, serves as the creative hub for herdynamic explorations. Her artworks are found in the collections of prominentfigures such as Adil Hussain, Pheroza Godrej, Deepika Jindal, the US Embassyconsulate, High Commissioner of South Africa, Sr Bureaucrats HectorCapitals, Singapore, High Court Judges, Ex Minister of Tourism and DalmiaGroup amongst others.

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Congregation

Acrylic on Canvas_36x36 Inches_2025

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Beyond

Oil Color on Canvas 18x24 Inches   202

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Memoir

Encaustic on Canvas_48x72 Inches_2026

토고 환경예술
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BIEAF2026 Invited Artist
Abdolreza Rabeti
Iran

Dance on the Edge of the Storm

Short Description:This expressive composition captures a human figure emerging from awhirlwind of color, movement, and emotion. Intense reds, deep blacks, andsubtle violet tones create a powerful visual tension between chaos andtransformation. The dynamic brushstrokes evoke inner strength, passion, andresilience, suggesting a moment of rebirth as the figure rises through turmoiltoward light and freedom.

ABDOLREZA RABETI Independent Curator, Artist & Cultural Director IranAbdolreza Rabeti is an Iranian independent curator, artist, and cultural directorwith more than three decades of experience in visual arts, exhibitionmanagement, and international cultural exchange. Born in Dezful, Iran, heworks across painting, sculpture, calligraphy, and curatorial practice whileactively developing international art collaborations between artists andinstitutions from different cultural backgrounds. Rabeti is the director of theL’Art International Institute in Iran and has managed artistic and galleryactivities for over 30 years. Throughout his career, he has curated andorganized more than 100 national and international exhibitions and culturalevents in Iran and across more than 10 countries, including South Korea,Poland, Italy, Germany, Armenia, Turkey, Indonesia, Portugal, the Netherlands,North Macedonia, and the United States. As both curator and organizer, hispractice focuses on intercultural dialogue, peace through art, collaborativeexhibition-making, and supporting emerging and international artists. He hasinitiated and managed numerous international projects connecting artists,museums, galleries, universities, and cultural organizations across Europe andAsia. Rabeti has participated in more than 200 exhibitions in Iran andinternationally, including group exhibitions and international art festivals inover 20 countries. His curatorial and artistic activities have been presented inmuseums, galleries, universities, and cultural institutions worldwide. He hasalso served as a juror and advisory member for several international art eventsand biennials, including projects in South Korea, Poland, Italy, and the UnitedStates. He was a jury member for the Haegeumgang Theme Museuminternational exhibitions in South Korea and participated as a jury member forinternational peace-related art initiatives and exhibitions. In 2025, he served asCo-Chairperson of the Busan International Environmental Art Festival (BIEAF).He has also collaborated on international children’s art exhibitions and cross-cultural educational projects with artists and institutions from Germany andSouth Korea. His work and curatorial approach emphasize human connection,cultural diversity, artistic solidarity, and the role of art as a bridge betweensocieties.

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Dance on the Edge of the Storm

Acrylic on paper 50x70cm 2022

토고 환경예술
Abeer Al Edani(UAE Dubai)01.jpg

BIEAF2026 Invited Artist
Abeer Al Edani
UAE

This modular artwork serves as a vibrant visual tapestry of cultural heritageand daily life in the Mesopotamian marshes. Arranged in a grid structureresembling film frames or a patchwork quilt, each panel captures a distinctsensory memory: from traditional fishing, weaving, and bread-making toiconic marsh architecture, water buffalo, and local portraits. Rich in symbolismand folk-inspired aesthetics, the piece beautifully preserves a sharedcollective memory.

A self – taught artist who started drawing at early age, she received a greatsupport from herfamily to strengthen her passion in Art through the yearly activities and artworkshopsNominated for the global Art Award in the category of figurative painting,winner of a prize, thepainter 2020 (she award), winner of the Noon Art Prize for the year 2020 in itsfourth additionin the category of public choice..The artist is inspired by her attraction toward the culture of home country“Iraq”, customs,beauty of women, happiness and suffer which takes her to another level ofinspirationalcreativity and that is reflecting clearly on her choice on artwork and selectionof art.projects. Her style ranges from impressionistic to abstract usually on canvasesat least onemeter square or larger, the artist is working with all kinds of materials (Oil,acrylic, coil, coloringpencils…etc.) and mixed media. Abeer has also her paintings are showing indifferent hotels inDubai like Dusitd2 Kenz and Double tree by Hilton.First participation in Art exhibition was in the kindergarten in home city inBasra, Iraq when shewas 5 years old and she had ranked in the first place for talented children.The artist continued to develop her skills in drawing besides her study alsoshe joineddifferent local exhibitions in Iraq.Participated in different exhibitions, like “Rhythm of Art”, “World Art Dubai”, inaddition, she isselected as a sole representative to present female artist on behalf of herhome country (IRAQ)in “Better for Balance Exhibition” with other 88 female artists from the globalalso I alsorepresenting my home country IRAQ in (equal for each) with other 100 femaleartists fromdifferent countries.

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Memories from mesopotamia

oil colors on canvas 240x250 2025

토고 환경예술
Adam Copping(Adam William Copping,Australia Melbourne)01.jpeg

BIEAF2026 Invited Artist
Adam William Copping
Australia

The term ‘beautiful’ is so broad. It can be the obvious /inner and outer beautyor it can mean achievements people have done to help others or something assimple as just being kind to others every day.

I’m a multi award winning artist, illustrator and writer and love what I do. I’vedeveloped five different styles in five different mediums as well. I’ve been anartist my whole life.

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Be beautiful like a flower

Acrylic on beechwood 30x30cm 2026

토고 환경예술
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BIEAF2026 Invited Artist
Adarsha Ajay
India

The theme "From Sun To Boy" resonates with me as a reflection on hope,renewal, and our shared responsibility towards the Earth. I see the sun as auniversal source of life that nurtures every living being, regardless of borders,culture, or identity. The phrase reminds me that the future belongs to the nextgeneration, and the choices we make today will shape the world they inherit.As an artist, I believe art has the power to foster empathy, reconnect peoplewith nature, and inspire environmental awareness. Through my work, I explorethe interconnectedness of humans and the natural world, encouragingreflection on coexistence, healing, and collective responsibility. This themealigns closely with my practice and my belief that protecting the Earth beginswith recognising that we are part of nature, not separate from it.Participating in this exhibition would be an opportunity to contribute my voiceto a global dialogue about creating a more compassionate, sustainable, andhopeful future through art.

Adarsha Ajay is a contemporary artist from Kerala, India, whose practiceexplores the relationship between humanity, nature, spirituality, and feminineidentity through painting and mixed media. She holds a Master's degree inPainting (Contemporary Art Practice) from Arts University Bournemouth,United Kingdom, where she developed a distinctive visual language thatbridges Indian artistic traditions with contemporary international practice.Rooted in lived experience, her work transforms themes of resilience, healing,and renewal into symbolic visual narratives. Drawing inspiration from Indianmural traditions, mythology, sacred geometry, and ecological symbolism, shecreates layered compositions that examine the interconnectedness of people,culture, and the natural world. Her paintings invite reflection on identity,environmental consciousness, and the cycles of transformation that shapeboth human life and nature.Adarsha has exhibited internationally across the United Kingdom, Dubai,Spain, and other global platforms. Through her practice, she buildsmeaningful cultural dialogue between East and West while advocating for artas a powerful medium for healing, ecological awareness, and humanconnection.

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My Yellow

Mixed media on canvas 50x70cm 2025

My Yellow was created during my time living in the United Kingdom, a periodwhen being away from my homeland led me to reflect deeply on myrelationship with nature and belonging. Although painted far from Kerala, thework carries memories of its landscapes, wildlife, and cultural symbolism,while embracing our shared responsibility to care for the Earth.The painting brings together humans, animals, trees, birds, and insects asequal participants in a living ecosystem. The central figure stands in quietcontemplation, surrounded by nature not as an observer, but as an integralpart of it. Faces emerging from the trees suggest that the Earth holds memoryand spirit, reminding us that all living beings are interconnected.The radiant yellow symbolizes hope, renewal, and the life-giving energy thatsustains us all. Created through the perspective of an artist living betweencultures, My Yellow reflects the belief that care for the Earth transcendsborders, inviting us to imagine a future where humanity and nature coexistwith compassion, respect, and harmony for generations to come.

토고 환경예술
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BIEAF2026 Invited Artist
Adnan Turan
Türkiye

I was born in Adiyaman in 1972. When I was 13, I attended a competitionabout the cumhuriyet bairam that 13-16 years old kids were competing and Iwonthe competition. When I won the competition I was more interested inpainting.When I was 14 my painting which was good enough to be displayed in thehouse of"Humour and Stire" also made me more interested in painting.In the age of 15, I was Interested in name plates and graphics and by this time Iwas working on views with oil colour until 1996 as an amateur. I used to drawportrait wall pictures by orders. In 1996 by taking arts drawing lessons fromOrhanCebrailoglu and Ilhan Enveroglu I managed to go to the univercity with adegreethat i always wanted to goBy the Help of the teachers that I had been impressed I opened my own artsstudio and started teaching private art lessons. In 2000 I opened my ownexhibition. In 2001 I became an art teacher. In 14 years trained a lot of artsstudents. By the time i was teaching I was also sculpturing, Reliefing, watercoulouring , Interior decorating , drawing portraits , stained glassing andgraphingdesigning. Now my only aim is to open exhibitions and help people to gaintheirperspectives. Jullianna Illes Major helped me improve my oil colouring. Nowwe areworking on an art project called "AJTO". With this project in 2.8.2010 I joined amixed exhibition in Balaton-Hungary. I am still an arts teacher in Zonguldakfine art hight school.

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Time for willage

canvas oil 80x100cm  2025

인도 환경예술 아티스트
AFZAL(India)01.png

BIEAF2026 Invited Artist
AFZAL
INDIA

This painting portrays a figure who reflects deeply on the well-being of bothhumans and animals. One hand resembles the branch of a dried tree,symbolizing environmental decline, while the other is filled with energy andholds a plant, representing hope, renewal, and life. On the forehead, where themind resides, are images of humans and other living creatures that share thisEarth. The painting reminds us that nature is essential for life, and only byprotecting and restoring it can we truly care for the future of every livingbeing.

AFZAL Contemporary self thought Artist ,My practice explores the relationshipbetween human emotions, nature, and identity. ThroughDAZLISM, I transform silence, pain, and personal experiencesinto visual narratives that reflect healing, resilience, andself-discovery. Inspired by ancient human and nature , expressionand contemporary life, my work invites viewers to reconnect withthemselves and recognize the strength that can emerge throughfragmentation and transformation.

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holding a plant symbol in hand

mix media  L-95cm W-78cm  2026

I believe 'From Sun To Boy' represents the connection between nature andhuman creativity. It reminds us that art should protect the Earth, inspire hope,and strengthen our relationship with nature.

인도 환경예술 아티스트
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BIEAF2026 Invited Artist
Agamemnon Porfirogennitos
Greece

A striking reinterpretation of the iconic Venus de Milo, this painting places thetimeless marble figure above a sea of clouds beneath a radiant blue sky. Abrilliant burst of sunlight behind her symbolizes hope, enlightenment, andtranscendence, while the flowing drapery adds warmth and movementagainst the cool celestial backdrop. Blending classical beauty with surrealimagery, the artwork invites reflection on resilience, eternity, and the enduringpower of human creativity.

Agamemnon is a Greek artist with over 25 years of painting experience. He hasheld solo exhibitions, participated in numerous group exhibitions, and hisartwork is featured in private collections around the world.

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Ascension Of Aphrodite

Tempera, markers, colorord pencils 40x40cm 2026

인도 환경예술 아티스트
Aida Kchaou(Aida Kchaou Khrouf,Tunisia)01.jpg

BIEAF2026 Invited Artist
Aida Kchaou Khrouf
Tunisia

As a Tunisian visual artist, I have been exploring energy, memory, and theenvironment internationally since 1995. Winner of the Grand Prix ADAGP inParis, my interdisciplinary approach questions ecological consciousness andthe inseparable bond between humanity and nature.

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First touch

Digital art work from an personal original painting

150x100cm  2026

Born from the visceral immediacy of raw matter and the archival memory ofphysical pigments, this original work undergoes a profound metamorphosisthrough Artificial Intelligence. Out of this collision between tactile humangesture and algorithmic processing, a new vision crystallizes: a child standingbefore the Sun. Much like the digital native generation maturing under theambient glow of screens, the artist's historical pigments are seamlesslyinfused into the digital stream. This piece stands as an eco-artistic meditation—a site where textured impasto and volatile pixels converge to imagine thefuture of form.

인도 환경예술 아티스트
Alberto Adelino(Alberto Correia Brown,Mozambique Ferroviário)01.jpg

BIEAF2026 Invited Artist
Alberto Adelino
Mozambique

I’m a Mozambican visual artist and designer with almost 20 years experience, Ihave my own studio since 2015 where I teach art and fashion, my artwork is allabout society issues, beauty, ugly, provocative themes and activism, I haveshown my creativity across the globe in so many ways, paper, canvas, mural,clothes, shoes, body painting and more, and my biggest goal is to conquer theworld with my creativity.

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Focus

Mixed media, acrylic, oil, texture, sand,

handmade crafts    18x18cm  2026

The title is FOCUS, as an African and world artist I’m talking about my dailyroutine in the streets of Mozambique, where the children are so exposed to abig diversity of distractions that can take them away from their paths such asalcohol, drugs, early marriages, and more, I portray a kid that knows wherehe/she goes even though the turbulence is there to take away from the way,he/she remains disciplined, raising upon all the odds.

인도 환경예술 아티스트
Albino Mahumana(Mozambique)01.jpg

BIEAF2026 Invited Artist
Albino Mahumana
Mozambique

Born in October 1970, in Maputo, Mozambique, he learned to paint as a child from his father, the renowned Mozambican artist Manqueu Valente
Mahumana, with whom he worked and developed his artistic skills. He began drawing with sand, then moved on to pencil and colored paper. During this time, he helped his father clean the studio, wash the brushes, and, if necessary, remove nails from the canvases.
Currently, in addition to working on canvas (starting in 2017, he dedicated
himself intensely to painting), he uses various materials as supports, such as glass bottles, metal ice buckets, gourds, and wood in various shapes. It
portrays the daily lives and experiences of Mozambicans, such as women
carrying bundles on their heads, doing business in local markets, returning from their farms, women preparing food, returning from fetching water, caring for their children, enjoying leisure time, and children playing. Albino has dedicated himself to researching various techniques and seeking new talent in the visual arts. He has led several painting workshops for students from various schools.

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Positive connections

Acrylic on canvas 60x60cm 2026

The artwork depicts two children who are connected to the sun, receivingpositive energy, making their day brighter and more promising.

AWARDS• 2025 CERTIFICATE OF APPRECIATION - “10th Geoje International ArtFestival judges andaward”; Kim Bo Seong Art Center; Seoul; South Korea.• 2024 EXCELLENCE AWARD - “Language of Co-existence, Art - 10th GeojeInternational ArtFestival,” Geoje; South Korea.• 2024 ENCOURAGEMENT AWARD - “Language of Co-existence, Art - 10thGeoje InternationalArt Festival,” Geoje; South Korea.• 2024 TRANSVERSALITIES AWARD - Photography without Borders,” PALOPcategory, Guarda,Portugal.• 2023 2nd Prize in the CDM Environment journalism competition, Maputo,Mozambique.• 2023 2nd Prize in the CDM Environment journalism competition, Maputo,Mozambique.• 2021 1st Prize in the solidarity photography competition, Seville, Spain.• 2019 2nd Prize in the "BRIDGE THAT CONNECTS LIVES" Maputo-Katembecompetition, in thepainting category, organized by the German-Mozambican Cultural Center,Maputo,Mozambique.• 2018 2nd Prize in the Katembe-Maputo painting competition, organized bythe German-Mozambican Cultural Center, Maputo, Mozambique.• 2016 Best in category and Best in competition - SOTU PhotographyCompetition 2 / 3 (international competition), Nairobi, Kenya.• 2015 1st Prize for photography on climate change in Mozambique from theEuropean Union,Maputo, Mozambique.• 2014 2nd Prize in the Wateraid Water and Sanitation photojournalismcompetition, Maputo,Mozambique.• 2008 Awarded a scholarship from the CALOUSTE GULBENKIANFOUNDATION, Program forCreativity and Artistic Creation in Photography for a period of 4 months,where hespecialized in documentary photography, Lisbon, Portugal.• 2001 2nd Prize in photography, EXPO MUZART, Maputo, Mozambique.• 2001 Honorable Mention in photography, EXPO MUZART, Maputo,Mozambique.• 2000 Awarded the honor of being the resident private photographer ofPresident Bill Clinton,patron of the Clinton Foundation, during his first visit to Mozambique.• 1997 3rd Prize in photography, ex-aequo, Camões Prize Competition,Maputo, Mozambique. • 1995 2nd International Photography Prize “Peace inMozambique”, Maputo, Mozambique.

인도 환경예술 아티스트
ALEJANDRA COIRINI(alejandra coirini,ARGENTINA)01.jpg

BIEAF2026 Invited Artist
ALEJANDRA COIRINI
ARGENTINA

My work inhabits a territory where memory transforms into a stage. Using oldfamily photographs and archives from the past, I create universes of magicalrealism in which memories breathe again in new forms.My artistic production maintains a strong connection with theatricality.


PROFESSIONAL ACTIVITIES
2nd Head of scenography workshop, Teatro Colón of the Autonomous City of Buenos Aires – Argentina (Withdrawal). Visual Teacher, Higher Institute of Art of the Teatro Colón (ISATC). Development of dual course (virtual-face-to-face), Scenographic Realization. From a very young age he participated in national and international Salons and competitions, winning multiple awards for his work. He presented individual exhibitions and his work was included in biennials and national and international art fairs.

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ALEJANDRA COIRINI(alejandra coirini,ARGENTINA)1.jpg

family of succulents under the sun

LITHOGRAPHY ON PAPER COLLAGE

64x50 2024

The maternal figure is symbolically transformed into a sun: a luminouspresence that protects, guides, and nourishes the girls' lives. Around herflourishes a family of succulents, plants that evoke strength, permanence, andthe ability to thrive even in adverse conditions. Golden light envelops thescene like a vital energy that unites the three figures, turning the memory intoa garden of affection where remembrance continues to grow and blossomwith the passage of time.

인도 환경예술 아티스트
Alejandra Luna(Alejandra Lunartist,Colombia USA FL)01 (대형).jpg

BIEAF2026 Invited Artist 
Alejandra Luna
Colombia / USA

I am honored to participate in BIEAF 2026. I appreciate the opportunity toshare my work with artists from around the world and to be part of anexhibition that celebrates artistic dialogue, cultural exchange, and creativeinnovation. I look forward to contributing my vision and connecting with thisinternational community.

Alejandra Luna is a Colombian contemporary artist whose work explores theintersection of nature, humanity, and technology. Through symbolic figurativepainting, she reflects on connection, transformation, and the evolvingrelationship between biological and digital intelligence.

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Alejandra Luna(Alejandra Lunartist,Colombia USA FL)1 “MICELIOS” ALEJANDRA LUNA

WE ARE MYCELIA

Acrylic on canvas, mixed media, digital intervention, augmented reality,original music composition.

48"x36"

2026

My work explores the relationship between nature, humanity, and technologythrough contemporary figurative painting. Inspired by mycelial networks andsymbiogenesis, I create symbolic compositions where organic forms, humanidentity, and digital structures intertwine. My paintings invite reflection onconnection, transformation, memory, and the balance between biologicalintelligence and technological evolution.

안엽의 환경과 예술
Alejandra Luna(Alejandra Lunartist,Colombia USA FL)2 “SEXTO ELEMENTO” ALEJANDRA LUNA

SEXTO ELEMENTO” ALEJANDRA LUNA

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Cartografia del Alma

안엽의 환경과 예술
Alejandro Infante(Spain Cervantes)01.jpg

BIEAF2026 Invited Artist
Alejandro Infante
Spain

Alejandro Infante Matamoros is a visual artist born in 1984 in Havana, Cuba,who trained and graduated with a Bachelor's Degree as an Art Instructor. Hiscareer has developed over more than a decade of active participation inevents linked to the visual arts, and he currently resides in Spain, where hecontinues to consolidate his artistic practice. His work focuses primarily onportraiture as a vehicle for emotional exploration, a journey that begantechnically with graphite drawing and later expanded toward acrylic oncanvas. Supported by a technical mastery that allows for a precise andsensitive execution, Alejandro's work establishes an intimate dialoguebetween memory, emotion, and representation.

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Selfportrait

Acrylic on canvas 80x60cm  2025

The work is a profound visual journey into the psyche, where human anatomybecomes the canvas for the inner experience. It is not just a self-portrait, but asymbolic statement about the complexity of the self and the journey of life.The central figure, painted with a modulated use of light and shadow in white,grays, and black, represents the physical self and personal strength. Themuscular and firm back suggests security and the ability to bear the weight ofexperience. It acts as the container, the body that protects and conceals themental and emotional content. The posture, with the back turned, reinforcesthe idea of introspection, inviting the viewer to look inward along with thesubject.The true focus of the work is the cavity that opens in the back, revealing adreamlike and symbolic landscape. The upper part is a dense canopy of dry,intertwined branches, creating a dark tunnel. This entanglement representsdisappointments and fears—experiences that confuse, hinder, and castshadows. It is the struggle, the complexity of thought, and the mental barriersthat must be crossed.The lower path, emerging from the base of the spine, is a staircase or awooden plank path that enters the landscape. This represents the lifetrajectory and successes: each step is a decision, a firm step forward.At the end of the tunnel, an intense white light breaks through forcefully. Thislight is the point of security, the goal, or hope. It is the clarity achieved byovercoming fears, the reward of introspection, and the objective that guidesthrough doubts.Inner life is a constant balance between opposites. I have tried to express ageneral overview of my world, showing that personal strength is not whateliminates problems, but what allows us to carry on the inner journey despitebeing surrounded by shadows and challenges. In essence, the work is areminder that the path to clarity and security inevitably passes through thedarkness of our own fears and disappointments.

이란 아티스트
Alejandro Montini(Argentina)02.jpg

BIEAF2026 Invited Artist
Alejandro Montini
Argentina

Three digitally captured photographs, intervened with images sourced fromdigitized vintage analog photographs.The works explore childhood as a time of construction and becoming. Thefaceless children represent the universality of all children. They are supportedby small scaffolds that evoke the relationships and experiences—such asaffection and education—that shape their growth. In the background, theocean appears as an open gateway, a symbol of something just beginning.

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Argentine photographer, educator, and researcher. He has held soloexhibitions at the Palacio Dionisi Museum of Photography, the Sara FacioPhoto Gallery, and the China Academy of Art. He has also exhibited atNordArt. His work explores memory, ephemerality, and the symbolicconstruction of the image

Alejandro Montini(Argentina)01.jpg
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Inspired Soul

Mixed media  100x50cm  2024

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Tell us about BIEAF2026 'From Sun To Boy' :

Participar en el Busan International Art Festival representa una valiosaoportunidad para dialogar con artistas, curadores y públicos de distintasculturas. BIAF promueve el intercambio internacional a través del artecontemporáneo, generando un espacio de encuentro, colaboración yreflexión. Es un honor formar parte de un festival que celebra la diversidadartística y fortalece los vínculos culturales entre países.

슬로바키아 환경에술
Aleksandra Neric(Austria)01.jpeg

BIEAF2026 Invited Artist
Aleksandra Neric
Austria

Aleksandra Nerić is a Serbian contemporary artist, writer, and founder of NOXLUMINA. Working primarily with symbolism, psychology, and mythology, herwork explores identity, memory, archetypes, and the relationship betweendarkness and inner transformation.

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Ikarus Fall

Acryl With gold 60x80cm 2023

“Ikarus Fall” reinterprets the myth of Icarus not as a story of failure, but as ameditation on the price of transcendence. The work explores the fragileboundary between aspiration and destruction, suggesting that every ascentcarries within it the possibility of collapse and every fall the potential fortransformation.

슬로바키아 환경에술
Alexander Jazykov(Slovakia Presov)01.jpg

BIEAF2026 Invited Artist
Alexander Jazykov
Slovakia

ALEXANDER JAZYKOVAlexander Jazykov is a professional artist.Born in the Soviet Union, he graduated with honors from the Lviv NationalAcademy of Arts in 1988.Since 1993, he has been living and working as an artist in Slovakia.He has been a member of the Slovak Fine Arts Union since 1994. He is amember of the International Association of Professional Artists of UNESCO –IAA AIAP UNESCO.He has taken part in many solo and group exhibitions, as well as artsymposiums, in Slovakia and abroad.His work is a glimpse into the depths of the universe, into the world offeelings, dreams, experiences, and the search for inner balance. It is alwaysabout harmony.Like a tireless traveler, always seeking shelter for his soul, he continues hisjourney with faith in the best, venturing ever farther along the roads of hisimagination.

One Sun • One Earth • One Future For many years, the BIEAF International Eco-Art Festival has brought togetherartists from every continent, creating a unique space where art becomes auniversal language beyond borders, cultures, religions, and languages. Itreminds us that, despite our differences, we share one planet, one future, andone common responsibility. This year's exhibition, "From Sun to Boy," celebrates the enduring connectionbetween nature, humanity, and creativity. The Sun symbolizes the source oflife, energy, and all creation, while the child represents the creative spirit—approaching the world with curiosity, openness, and a sense of wonder. Nature is more than a source of artistic inspiration; it is the foundation of ourexistence and the home we all share. Today, more than ever, humanity is calledto rediscover its place within the living world, recognizing that every tree,every river, every creature, and every human life forms part of one delicate andinterconnected whole. To care for the Earth is to care for ourselves and forgenerations yet to come. Artists have a unique role in this dialogue. Through imagination, beauty, andsymbolism, they reveal the invisible threads that connect people with oneanother and with nature. Every work of art becomes an invitation to reflection,empathy, and mutual understanding. BIEAF is more than an exhibition—it is a meeting of creative minds fromaround the world, where diversity becomes a source of inspiration rather thandivision. Here, art reminds us that every culture enriches our shared humanstory and that creativity has the power to build bridges where wordssometimes cannot. The Earth is not merely an inheritance from the past—it is a precious giftentrusted to our care. Through art, we learn not only to admire its beauty butalso to protect it—for ourselves, for one another, and for every generation yetto come. Though we come from different countries, cultures, and traditions,we are united by one shared responsibility: to preserve the harmony of ourcommon home, so that humanity and nature may continue to flourish togetherin peace, respect, and hope. One Sun. One Earth. One Future.

Alexander Jazykov(Slovakia Presov)02.jpg
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House of Sunny Mood

Acrylic on canvas 50 x 40 2025

Nestled within the heart of an ancient tree, the house becomes a symbol ofthe enduring harmony between humanity and nature. A weathered staircase,the warm glow of a window, a child's bicycle, and the silent generosity of a ripeapple speak of wonder, belonging, and the quiet wisdom of the living world.Ancient ornamental motifs preserve echoes of time and the invisible bondbetween earth, humanity, and the Universe. Above all, this painting invites usto see the world through the eyes of a child—with wonder, gratitude, and trust—for it is from this inner light that true creativity is born, inspiring us tobecome keepers of nature, guardians of life, and creators of our shared future.

슬로바키아 환경에술
601 Alexander Shappo(александр шаппо,Belarus).jpg

BIEAF2026 Invited Artist
Alexander Shappo
Belarus

Сoloured lithography occupies a special place in Alexander’s creative work,allowing the artist to work with a line on the surface, to use subtle light andshadow and colour nuances. Alexander’s graphic works are mainlyconcentrated on the themes of love and inexhaustible love to the woman.

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601 Alexander Shappo(александр шаппо,Belarus)1.jpg

Winter rose

litograph on paper  100x70  2026

A winter rose is a symbol of womanhood frozen in the anticipation of a miracle- the beginning of a new life. The woman’s hair resembles rose petals. Shehides in it as if feeling cold. Her life is like hostile winter, her beauty is fragile,her posture says that she is desperately waiting for something. There’s asprout in her hand waiting for spring to come, her secret hidden fromeveryone, her hope warmed by her whole self.

인도 환경예술 아티스트
Ali Riadh(Iraq Diwaniyah)01.jpg

BIEAF2026 Invited Artist
Ali Riadh
Iraq

Ali Riadh is an Iraqi visual artist and designer whose work explores memory,human connection, absence, and emotional experience through conceptualdigital imagery. His practice combines visual storytelling with symbolic andpoetic compositions.

Description of the work :

“The Embrace That Remained” explores how human warmth can survivephysical absence. A solitary figure sits quietly while the enlarged presence ofanother person emerges like a memory, suggesting an embrace that is nolonger physically possible but continues to exist emotionally. The work reflectslove, remembrance, and the invisible bonds that remain within us.

BIEAF 2026, “From Sun to Boy,” is an international art exhibition that exploresthe relationship between nature, humanity, creativity, and the future throughdiverse artistic perspectives.

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Ali Riadh(Iraq Diwaniyah)1.jpg

The Embrace That Remained

Digital illustration A3  2026

이란 아티스트
Ali Taufan(taufan,Indonesia)01.jpg

BIEAF2026 Invited Artist
Ali Taufan
Indonesia

Since 1996, I have fully dedicated myself to the world of painting. This artisticjourney has been marked by active participation in various prestigiousexhibitions, including the Annual Exhibition of the Ancol Visual Arts Festival,the Yogyakarta Arts Festival (FKY), and the Arjog 2010 Exhibition inYogyakarta.Beyond exhibiting, I also collaborated on a ship mural project with PT DharmaLautan Utama, Surabaya — an experience that broadened my perspective onthe application of art across larger spaces and mediums.

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The dynamics of a busy village

Canvas 120x100 2025

A vivid tapestry of human activity unfolds across a bustling village — people,animals, and humble dwellings woven together in dynamic motion. Yet amidthe chaos, a deep sense of balance and harmony prevails, reflecting nature'squiet equilibrium. Each figure carries their own dreams, striving andstruggling to breathe life into their daily existence. Together, they paint aportrait of simple joy, resilience, and the peaceful beauty found in community.

콜롬비아 환경예술
Alia Kateb(Alia Aoun Kateb,Tunisia)01.jpg

BIEAF2026 Invited Artist
Alia Kateb
Tunisia

Alia Kateb is a contemporary Tunisian painter whose expressive works explorememory, identity, and human emotion. Through bold colors and dynamiccompositions, she creates visual narratives where abstraction and figurativeelements merge into poetic experiences

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Vibration Urbaine

technique mixte, acrylique et collage

103X103cm   2025

"Urban Vibration" captures the emotional rhythm of city life through boldcolors, layered imagery, and expressive forms. Fragments of faces andeveryday scenes intertwine, reflecting the coexistence of movement, memory,and human presence. The vibrant composition transforms the city's energyinto a poetic visual language, inviting viewers to explore the hidden storieswithin urban life

터키 환경예술
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Alia Kateb(Alia Aoun Kateb,Tunisia)3.jpg
터키 환경예술
Alicia Monica Moline(Argentina)01.jpg

BIEAF2026 Invited Artist
Alicia Monica Moline
Argentina

Participo actualmente en Muestras colectivas y Concursos desde 1984. 20092do Premio en C.Prof.Cs Económicas. 2022 1° Premio en Salón Concurso XXSalón pequeño formato -Artistas Visuales de V.Lopez. 2023Participacion enMuestra Facultad de Derecho de la U.B.A-2023 Partic. En La Noche de losMuseos en Palacio Bencih.

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Alicia Monica Moline(Argentina)1.jpg

Melodías del Arco Iris

Acrilico  1 metro x 1 Metro  2026

En la obra se proyecta el Cielo, Aire, luz arco Iris, tierra y el hombre siemprepresente, porque atraves de él hace posible un mundo mejor que reivindicanuestra esencia. SE Proyecta el arco Iris, fenomeno optico y meteriologico yde profundo valor cultural. EL ARCO IRIS simboliza la Esperanza y larenovación sirviendo como un puente metaforico entre el Cielo y la Tierra trasuna tormenta. A traves de la historia el arco Iris ha sido un emblema de buenafortuna, después de la dificultad llega la calma .El azul es el Cielo rodeado deLuz, Aire representado por blancos qué ilumina.El verde: Esperanza.Los SeresCelestiales de la Obra representan esa Esperanza para que el Mundoevolucione en un perfecto equilibrio entre el Cielo y la Tierra.

파키스탄 환경에술
Alisa Teletovic(Bosnia & Herzegovina)01.jpg

BIEAF2025 Invited Artist
Alisa Teletovic
Bosnia and Hercegovina

Alisa Teletović is a deeply introspective and expressive painter whose personal journey is inseparable from her creative output. Her works—be they sweeping emotional landscapes or intimate spiritual portraits—serve as both self-reclamation and invitations to collective healing. Her growth from warrefugee abstract painter to internationally exhibiting expressionist storyteller marks her as an artist of power and promise.

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Return to me

Mixed media 60x60cm 2024/25

"She is everywhere for everyone, yet nowhere for herself."This painting explores the emotional landscape of the modern woman, whoselife is defined by constant movement, endless responsibilities, and theinvisible weight of expectations. She is expected to succeed professionally,nurture relationships, care for others, remain resilient, and never stop.Beneath these expectations, her own identity slowly begins to disappear.The expressive layers of paint, energetic lines, and chaotic gestures reflect theoverwhelming mental noise of contemporary life. They symbolize unfinishedtasks, emotional burdens, and the relentless pressure to perform. The partiallyconcealed face represents a woman whose true self has become obscuredbeneath the roles she is expected to fulfill.Yet this work is not only about struggle. Hidden within the chaos are momentsof light, colour, and vulnerability—reminders that beneath the demands ofeveryday life remains a human being longing to reconnect with herself.This painting invites viewers to pause and ask a simple but profound question:Where am I within everything I do for others?My intention is not only to portray the complexity of contemporarywomanhood but also to create a space for reflection, healing, and self-recognition. Through expressive abstraction and the fragmented human form,I seek to reveal both the resilience and the quiet fragility that coexist within us.

Alisa Teletovic(Bosnia & Herzegovina)02.jpg
보스니아 헤르체코비나 환경에술

Gallery 02

BIEAF2026 - From SUN To BOY

World Artist 

Invitation Exhibition

BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.

Gallery 01 Artists and Works Slide

You can mark hearts on your favorite artists and works.

Alma Piert(Venezuela)01.jpg

BIEAF2026 Invited Artist
Alma Piert
Venezuela

Tell us about BIEAF2026 'From Sun To Boy' :

Es una experiencia increíble en la que diversos artistas del mundo entero sereúnen para expresar de una forma maravillosa la expresión del arte en todassu diversidad de categorías. Para mi es un honor estar presente en tanhermoso evento en el que la cultura de cada país esta presente por medio delarte. Debo dar gracias por estar año tras año en este encuentro fabuloso yque conozcan un poco más de mí.

Alma Piert (nombre artístico de Carmela Rubera) es una artista digital multidis ciplinaria cuyaobra representa el punto de encuentro entre la tecnología avanzada y lasensibilidad emocional. Su propuesta artística no se limita a una soladisciplina; es una amalgama de diseño, narrativa, música y una profundaexploración de texturas que desafían los límites del entorno digital.Filosofía y TécnicaEn su proceso creativo, Alma busca humanizar lo digital. Se especializa en eluso de herramientas de código abierto (Open Source) como GIMP, Inkscape yBlender, utilizándolos para dar vida a piezas únicas que destacan por suriqueza táctil. Sus obras a menudo incorporan la técnica de espátula ytexturas complejas, como el uso visual de clavos, logrando una estéticaorgánica, real y cargada de emoción. Para ella, el arte digital es un vehículopara transmitir paz, tranquilidad y una conexión profunda con lo celestial.Como creadora integral, su talento se expande a la composición musical, laescritura de cuentos historias, y el diseño gráfico funcional (logos y flayers),creando universos completos donde el sonido, la palabra y la imagencoexisten en armonía.Formación y TrayectoriaLa solidez técnica de su obra proviene de una robusta formación académicaen el área tecnológica. Alma es Profesora de Informática, con un Postgrado enGerencia de Telecomunicaciones y formación técnica en Programación. Estabase científica le permite dominar el software con una destreza quetransforma líneas de código en expresiones de belleza.Además de su perfil tecnológico, cuenta con una amplia trayectoria en lasindustrias creativas:Moda y Estética: Diseñadora de Modas, Modelo Profesional y Productora deEventos(desfiles de moda y concursos de belleza).Artes Expresivas: Estudios en Canto y Escritura, lo que aporta una visiónrítmica y narrativaa cada una de sus piezas visuales.Gestión: Formación técnica en Contaduría, aportando orden y visiónestratégica a su carrera independiente.El Arte como CrecimientoHoy, bajo el sello de Alma Piert, Carmela Rubera se dedica a desarrollarproyectos que fomentan el crecimiento positivo. Su arte es, en últimainstancia, una invitación a experimentar la libertad del alma y la serenidad através de la innovación digital.

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Herencia Invisible

Arte Digital  5000x5000 Pixel  2026

La obra Herencia Invisible despliega una paleta cromática rica y armónicadonde los dorados, ocres y ámbar se funden con azules profundos, violetas ymatices terrosos, evocando la sutileza de una pintura digital al óleo trabajadacon transiciones suaves y envolventes. La técnica de espátula se manifiestaen texturas densas y direccionales que modelan la superficie con dinamismo,mientras las capas superpuestas generan una sensación de materialidadpalpable. El repujado y relieve digital emergen en el loto central, las mariposasy los perfiles humanos, que parecen elevarse con carácter escultórico,otorgando profundidad táctil a la composición. Desde el corazón luminoso delloto irradia una luz cálida que se expande con delicadeza, unificando cadaelemento y guiando la mirada a través del espiral cósmico y las formasorgánicas. El juego de luces y sombras se equilibra con precisión, creandotransiciones suaves que envuelven la escena en una atmósfera homogénea,mística y contemplativa, donde color, textura y luminosidad se entrelazan enun diálogo poético de armonía visual.

 

Invisible Heritage unfolds a rich and harmonious color palette where golds,ochres, and ambers blend with deep blues, violets, and earthy nuances,evoking the subtlety of a digital oil painting crafted with soft, envelopingtransitions. The palette knife technique appears in dense, directional texturesthat shape the surface with dynamism, while layered applications create apalpable sense of materiality. Digital embossing and relief emerge in thecentral lotus, the butterflies, and the human profiles, which seem to rise with asculptural presence, granting tactile depth to the composition. From theluminous heart of the lotus radiates a warm light that expands delicately,unifying each element and guiding the gaze through the cosmic spiral andorganic forms. The interplay of light and shadow is balanced with precision,creating smooth transitions that envelop the scene in a homogeneous,mystical, and contemplative atmosphere, where color, texture, and luminosityintertwine in a poetic dialogue of visual harmony.

스웨덴 환경예술가
Amauri jose Mercado peña(Colombia)01.jpg

BIEAF2026 Invited Artist
Amauri jose Mercado peña
Colombia

Amauri Mercado es un artista plástico del color y las formas. Su planteamientonovedoso de las diversas expresiones que observa en la naturaleza y lostrazos de su dibujo, lo ubican entre loabstracto y lo figurativo. Animales, aves reptiles, flores, ríos y mares rodean suobra. En tanto que, su extensa, hermosa, alegre y viva paletacromática lo hacen más lúdico, amable y comprensible a los ojos delespectador... Felicitaciones para Amauri, artista y educador de las nuevasgeneraciones colombianas.Por: Carlos Ernesto Gonzales Riffo

Biografía Corozal (Sucre), Colombia 1984 artista visual, trabaja en Necoclí Antioquia. Eslicenciado en educación artística de cecar ,2011. Artista plástico de la escuelade bellas artes y humanidades de Sucre en el 2006. A participados enexposiciones nacionales e internacionalArtista visual. Trabaja entre Corozal (Sucre) y Necoclí (Antioquia). Se formócomo artista en la Escuela de Bellas Artes y Humanidades de Sucre (2006). Sutrabajo de pintura y dibujo alude a la relación entre el arte y la naturaleza,reflexionando sobre las formas, el color y transformaciones del paisaje. Haexhibido su trabajo a nivel nacional e internacional, dentro de susexposiciones colectivas e individuales, se destacan: jardín amargo museoMuzac Montería (2023), salón Bat 2022, Hallazgos: Arte emergente en elCaribe Colombiano, Sala de Proyectos Biblioteca Departamental RafaelCarrillo Luquez, Valledupar (2012). III Bienal Internacional de ArteContemporáneo BIARCO (2020. Exposición Arte y diseño, Galería Virtual,España. Ha obtenido diversos premios y reconocimientos como artista jovenen Sucre. STATEMENTT DECLARACION DE ARTISTAEl artista vive la experiencia de habitar un lugar propio, no solo tiene laoportunidad de relacionarse de cerca con el contexto. Si no que sedesprenden proyectos y obras que representan con una mirada estética lasparticularidades de los recuerdos de la infancia.La explosión de formas y colores que quedan plasmados en la memoria de laniñez.Inconscientemente los brochazos exploran y rescatan las ideas ligadas a laproducción de obras de artes pictóricas que reflejan su territorio.El uso de objetos y el hallazgo y la donación de objetos por personas que seinvolucran en los procesos artístico creativos viene ser parte de laconstrucción de la obra artística, que son a la vez fruto de un pensamiento delproceso de elaboraciónLas necesidades existenciales, ya sean estas de tipo materiales o espiritualesy de formas sociales y rasgos de la cultura que nos acogen para que giren entorno al cuerpo y sus vivencias.Las obras son respuestas del arte frente a un mundo en crisis. Con elpropósito de sorprenderse así mismo con la sensación de la realidad.Dependiendo del estado de ánimo, para crear auto exilio de refugio en lainterioridad personal frente a una realidad que golpea.

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Pipintura

acrilico sobre lienzo 120x90cm 2026

스웨덴 환경예술가
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BIEAF2026 Invited Artist
Amb. Dr.(HC) Sonjaye Maurya
India

Amb. Dr. (HC) Sonjaye Maurya is an eminent artist with internationalrecognition. He has many national and international awards to his credit,including many Golds, prestigious ‘Kala Ratn’, ‘Kala Shiromani’, ‘Bharat Jyoti’and ‘Swami Vivekanand Excellence Award’ by Ministry of Sports and Youthaffairs. His works have been appreciated by world renowned personalities likePadamshree, Padma Bhushan Indian Sculptor Ram V. Sutar, who alsodesigned the world’s tallest ‘Statue of Unity’, FIAS International (USA) andmany others.He has been conferred with Doctorate Degrees (Honoris Causa) by manyorganisations from all over the world.Amb. Dr.(HC) Sonjaye Maurya had been nominated for ‘Padm Shri 2024’.

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Melting Sky

Acrílico canvas 24x36 inches  2025

We are doing unmindful consumption. Paving the earth with concreteeverywhere. Which is a threat to earth's eco system. And hence it is going toerupt in form of Sunami etc.It's time we make wake up, if we have to give a beautiful world to live in, for ourgenerations to come.

스웨덴 환경예술가
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BIEAF2026 Invited Artist
Amélia Artur Azevedo Cluze
Mozambique

Amélia Artur e uma artista plastica moçambicana, residente na cidade deQuelimane, sua terra natal, nos seus trabalhos ilustra o povo moçambicanonos diferentes contextos e principalmente a sua cultura. Começou a desenhardesde pequena e a apreciar obras de arte ainda na infância. Aos 15 anosconheceu o mestre Binda um artista renomado e talentoso, onde teve aoportunidade de aprender várias técnicas artísticas de desenho e pintura.Participou em várias exposições coletivas e criou o seu próprio traço artístico.Participou e venceu o 11º festival Nacional de cultura a nível provincial. No anode 2022 fez parte de um coletivo multicultural de mulheresÁfrica/Brasil/indígenas, onde culminou com uma exposição virtual em váriasplataformas digitais e no museu Regional do Norte de Minas. Atualmente vivena sua terra natal, onde trabalha ensinado crianças as artes plásticas. Expõeas suas obras na sua residência dentro e fora da cidade.

A obra retrata a história de uma criança que nasceu em um distrito longe dacidade, onde não havia nenhuma rede telefónica e nem corrente elétrica, eramuito feliz corria a berra do rio, correndo com jantes e pneus das bicicletasvelhas que os seus pais traziam lá da cidade grande. Inhassungi,Onde a luz dosol e da lua são as únicas luzes que me trazem alegria.

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A luz da minha felicidade

Tela de madeira e tecido, tinta a oleo plastica

50x40  2026

이탈리아 환경예술가
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BIEAF2026 Invited Artist
Amelia Hinc
Poland

“Fragments of the City” is a series of painted posters created during aninternational exchange in Antwerp. Based on sketches made while observingeveryday urban life, the works collect accidental signs, shapes, and details.They capture the city's infrastructure through the perspective of a passerby,asking what truly defines a city: what we see, or what we choose to piecetogether?

Visual artist combining painting, printmaking, photography, and graphicdesign. She studies at the Academy of Fine Arts in Gdańsk and participated inexchanges in Universitat de Barcelona, and Sint Lucas Antwerpen. Herpractice explores memory, relationships, feminism, everyday life, andeducation.

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Fragments of the City

Acrylic on Cardboard  60x80 cm  2025

이탈리아 환경예술가
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BIEAF2026 Invited Artist
Amira Dhaouadi
Tunisia

Painter, Art Therapy Practitioner, and Hypnotherapist.

I have been practicingdrawing and painting from a young age

and have participated in severalexhibitions at both local and international levels.

 

​Un texte inspiré de mon tableau s’intitule Transe

Emportée par les mots,

je cède à la tentation,

Espérant qu’ils apaisent mes maux,

Submergée par mes émotions.

Dans un rêve éveillé,je redécouvre un milieu familier.

Comme une alchimiste

qui transforme le plomb en or,

je découvre que l’ombre a tort.

Le temps d’un rêve éveillé

qui m’emporte vers ma vérité,

je m’envole vers d’autres destinées.

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Transe

Acrylique et peinture a l’huile  80x80  2025

필란드 환경예술
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BIEAF2026 Invited Artist
Amita Jaiswal
India

amita Jaiswal is an Indian visual artist specializing in handmade paintingsinspired by Indian folk traditions, culture, and contemporary art. Her workshave been exhibited internationally and celebrate creativity, heritage, andcraftsmanship.

I am honored to participate in BIEAF 2026 "From Sun To Boy." Through myartwork, I want to express creativity, hope, and the connection betweenhumanity and nature. I believe art has the power to inspire people beyondlanguage and culture. Thank you for providing this wonderful internationalplatform for artists.

This handmade artwork reflects the beauty of Indian culture through vibrantcolors, detailed textures, and traditional artistic techniques. Created withacrylic and mixed media, the painting expresses emotion, heritage, and theharmony between tradition and contemporary creativity. Each piece iscarefully handcrafted to tell a unique visual story.

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uttarakhand culture

acrylics on canvas  12x12inch   2025

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BIEAF2026 Invited Artist
Amita Raj Goyal
India

Dr. Amita Raj Goyal is an eminent artist, printmaker, researcher, and AssociateProfessor at the University of Rajasthan. With national and internationalexhibitions, prestigious awards, extensive research, and academic leadership,she has made significant contributions to contemporary Indian art and arteducation.

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The theme 'From Sun To Boy' resonates as a journey from the origin ofexistence to the awakening of artistic consciousness. The Sun symbolizes theeternal source of life, wisdom, and creative energy, while the Boy representshumanity's innocent yet limitless potential to transform that light intomeaningful expression. To me, art is the bridge between these two forces—where nature, memory, and imagination unite. This theme reminds us thatevery artist carries a responsibility to nurture hope, protect our sharedenvironment, and create works that transcend cultures, inspiring futuregenerations with compassion, harmony, and truth.

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Lipi

Acrylic on Canvas  36x48 Inches   2025

Lipi explores the idea that language transcends words and becomes thearchitecture of consciousness. Fragmented scripts, geometric structures, andluminous voids evoke forgotten alphabets where memory, silence, andspirituality converge. The works suggest that every mark carries the residue ofhuman existence, transforming writing into meditation. Neither meant to beread nor decoded, these compositions invite viewers to experience the sacredrhythm of signs, where communication dissolves into pure awareness and theinvisible language of the soul.

필란드 환경예술
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BIEAF2026 Invited Artist
Amparo Martinez Alcañiz
España

Self-taught, emotionally involved in social issues and art in general.

About BIEAF 2026 – "From Sun to Boy"For me,

 

I love the motto, ¨From Earth to Child¨, it resonates with my personalperception of the Universe. I´mgrateful to be able to participate in this event. Thank you so much.

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For Palestine.....you know what unites us

Collage  55X45  2026

스웨덴 환경예술가
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BIEAF2026 Invited Artist
Ana Almonte
República Dominicana

Soy Ana Almonte. Me identifico , a nivel profesional con diversas disciplinasvinculadas al arte en todo el sentido de la palabra creación. Escritora y artistaplástica, con un concepto que desarrollo en los temas que introduzco,plasmando una narrativa en la que la forma y la textura son los protagonistasal hablar de mi pintura., basada en una realidad cotidiana en memoria ,conciencia y equilibrio.

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Un mundo de colores

Pintura en oleo y acrilico 40x30 pulgadas  2026

Un mundo de colores. Obra recreada partiendo de una realidad soñada enfunción de otra realidad atrapada en el pasado de la autora con algo queprocuró ser y que nunca tuvo es el eje principal desde donde parte la misma:una niñez y adolescencia plena o cuasi plena en ese margen de la etapa azulde todos los que existimos en ese discurrir del desear. Un mundo de coloresrecrea esa felicidad tan añorada por una adolescente.

스웨덴 환경예술 아티스트
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BIEAF2026 Invited Artist
Ana Yáñez Lepe
Chile

Chilean visual artist from Viña del Mar, specializing in contemporary art with asurrealist and abstract style. Winner of the 'History of Contemporary Art 2026'award.

CAREER AND STYLE :

Ana Yáñez Lepe, known by her artistic pseudonym Emotion Ayale, is an acclaimed Chilean visual artist specializing in contemporary art, distinguished by her surrealist and abstract style. Born in Viña del Mar, Chile, Emotion Ayale has established a solid international career, participating in multiple exhibitions and earning various distinctions across different continents.

ARTISTIC PHILOSOPHY :

From her perspective, Emotion Ayale conceives art as a profound creation of feelings and emotions, with the goal of leaving an indelible mark for future generations.

 

Tell us about BIEAF2026 'From Sun To Boy':

It is a wonderful global event to express my art from South America, Chile, andto have a masterful experience alongside my great fellow artists from aroundthe world who love creating and being from the depths of our hearts, minds,and souls.

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BLUE

Acrylic on canvas, spatula  116 x 89 cm  2025

BLUE is a surrealist acrylic painting on canvas. It represents art as a profoundexpression of feelings and emotions, conceived with the aim of leaving anindelible mark for future generations.

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BIEAF2026 Invited Artist
Anamika Shabnam
Bangladesh

Anamika Shabnam is a Bangladesh-based multidisciplinary visual artist whosepractice moves between watercolor wash, mixed media, and installation.Rooted in the Oriental wash technique, her work unfolds through fluid layers,where pigment behaves like memory—soft, transient, and quietlytransformative.Her artistic language explores the intersections of nature, identity, and innerconsciousness. Through organic forms, atmospheric color fields, and rhythmicgestures, she constructs visual spaces that invite contemplation andemotional resonance. Her works often reflect on ecological fragility and thesubtle dialogue between human presence and the natural world, suggestingboth tension and harmony.Shabnam’s practice extends beyond the surface of painting into immersiveand participatory forms, where viewers are encouraged to engage withthemes of collective memory and environmental awareness. During theCOVID-19 period, she incorporated recycled materials into her work,reinforcing her commitment to sustainability and adaptive creativity.She holds both BFA (Honors) and MFA in Oriental Art from the University ofDhaka and is currently pursuing a Professional Master’s in Education.Alongside her studio practice, she has over a decade of experience teachingart within international curricula, including IB frameworks, where she fosterscreative inquiry and global perspectives.Her work has been exhibited in various international platforms, includingexhibitions in Nepal, Malaysia, Iran, North Macedonia, and South Korea, as wellas virtual residencies and global showcases.Through her practice, Shabnam seeks to create spaces where silence speaks,nature remembers, and the unseen becomes gently visible.

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The Flow of Being

Water-colour on Canvas  30X 35 cm  2026

“The Flow of Being” is conceived as a visual reflection of the journey fromorigin to awareness, deeply resonating with the BIEAF 2026 theme “From theSun to the Boy.” In this work, the sun is not presented as a distant celestialentity but reimagined as an intimate, living force—manifesting through aradiant, blooming form that symbolizes the genesis of life. This luminouspresence acts as both source and sustainer, suggesting that all existenceemerges from a shared field of energy that continuously nourishes andtransforms the world.From this point of origin, the composition unfolds downward and outward intoorganic forms—plants, flowing water, drifting leaves, and rhythmic patterns—each element carrying the trace of transformation. These forms do not appearas separate objects but as interconnected expressions of a single, continuousprocess. The gradual transition from light into living matter reflects theevolution of existence, where energy becomes form, and form becomesexperience.Within this unfolding, the idea of “the boy” is expressed not through a literalfigure, but through the language of growth, sensitivity, and becoming. Theupward movement of plants, the fragile shift of a leaf through changing colors,and the gentle flow of water all suggest a state of awakening consciousness.This symbolic presence represents the human condition in its most essentialform—curious, evolving, and inseparably linked to the environment fromwhich it arises.The suspended leaf, transitioning through green, yellow, and red, embodiesthe passage of time and the inevitability of change. It exists within an in-between space, neither fully grounded nor entirely free, reflecting the delicatebalance that defines both nature and human life. Beneath the visible surface,darker layers and submerged forms suggest memory, depth, and the unseenstructures that sustain existence, reminding us that what is hidden is as vitalas what is seen.Watercolor serves as both medium and metaphor within this work. Its fluidnature allows pigments to merge, disperse, and re-form, echoing thedynamics of natural systems where boundaries are porous and ever-shifting.This diffusion of color reinforces the idea that separation is an illusion, andthat all elements exist through interdependence.In alignment with the overarching concept of “All Together,” the paintingemphasizes coexistence as an active, ongoing process rather than a fixedstate. The energy of the sun, the growth of plants, the movement of water, andthe suggestion of human awareness are woven into a single, interconnectedfield. No element dominates; instead, each contributes to a shared rhythm ofexistence.Ultimately, “The Flow of Being” invites viewers into a contemplative spacewhere the relationship between nature and humanity can be re-examined. Itproposes that we are not external observers of the natural world, butparticipants within its continuous unfolding. Through this lens, unity emergesnot as an ideal, but as a lived reality—one shaped by connection,transformation, and the quiet, enduring flow of life.

이탈리아 환경예술
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BIEAF2026 Invited Artist
ANAND CHANDRASHEKHAR SHENDE
India

Educational Qualification: B.F.A Applied Art, Govt., College of Art & Design, University Nagpur (MS) 1996M.F.A in Applied Art Dr. Babashaheb Ambedkar Marathwada University,Aurangabad (MS) 2011 Ph.D. in Applied Art, Rashtrasant Tukadoji Maharaj,Nagpur University, Nagpur (MS) 2017Presently Working as an Associate Professor in Applied Art DepartmentGovernment College of Art, Sector 10 C, (UT) Chandigarh Since, 2003, Ex.Coordinator Applied Art Department, and Presently Chairman AdvisoryCouncil (CAC) looks after Academic Matters.Recipient of Awards on All India and State level including 1st Prize Award atRegional Level Painting & Photography Exhibition & Contest, Saptak ArtSociety, Nagpur '94. Outstanding merit Award for Painting, Special Award108th All India Annual Fine Art Exhibition, Bombay Art Society Mumbai '00.North Zonal Art Exhibition, by Bank of Punjab Ltd., Chandigarh '04. Award forPhotography, by Chandigarh Administration Tourism Dept., '05. MeritCertificate, 19th All India Art Exhibition for Digital Print, by Tilak Samrak Trust,Pune '06. 2006 STATE AWARD BY CHANDIGARH LALIT KALA ACADEMY onPainting Annual Art Exhibition at Chandigarh, Awarded in Best Top ThreeINTERNATIOAL INNOVATIVE PHOTOGRAPHY EXHIBITION- 2017 Faculty ofVisual Arts, Banaras Hindu University and Design Innovation Centre BanarasHindu University (DIC-BHU) 2019 Photography Work Selection at National ArtExhibition for Lalit Kala Academy New Delhi 2019, Painting Artwork Selectionat National Art Exhibition for Lalit Kala Academy New Delhi 2023 & Winner of“State Award Punjab Region” for Painting PRAFULLA DAHANUKAR ARTFOUNDATION, Mumbai etc., Two Solo Shows…2019 Solo Show “FRAMES OFMEMORY” Exhibition of Paintings Jahangir Art Gallery, Gallery No. 1, M GRoad, Fort, Mumbai 400001 Artsinspire International Artist Residency Artworkshop at Republic of Mauritius July August 2024. Accompanying CityArtist Selected Chandigarh Lalit kala Akademi with Young Artist ofChandigarh to visit to Museums & Art Galleries of PARIS, ROME & VENICE(Venice Biennale 2024), Group Show of Chandigarh & Japanese Artist forKamakura Art Festival future of Indian & Japanese Contemporary ArtKamakura, Kanagawa, Japan 2024. & Many Group shows in India & abroad.State/National/Regional Art Camps & Workshops & other ExhibitionParticipation with Art Academies, Societies and Organizations held at variousplaces in India.Works in collection with various Universities, Government Organizations,Academies, & Permanent Collection Govt. Museum Chandigarh, and manyother private collections in India and Abroad…

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CHILDHOOD MEMORIES

ACRYLIC ON CANVAS  36"X48" INCHES  2025

About my Artwork : Emotion and the essence of play."In 'Childhood Memories', I explore the boundless landscape of a child'simagination. Through a kaleidoscope of geometric forms and bold, primarytones, the canvas brings to life the simple magic of paper planes and glassbottles. These objects aren't just toys; they are vessels for dreams. Against astriking crimson sky, the paper planes represent the freedom of thought, whilethe intricate, stained-glass-like patterns below ground the piece in thestructured yet chaotic beauty of memory itself."The Technical & Stylistic ApproachFocus: Composition and the "Stained Glass" aesthetic."This is acrylic on canvas, part of my 'Childhood Memories' series, utilizes afusion of cubist influence and contemporary abstraction. By fragmentingeveryday objects—bottles, fish, and paper boats—into a mosaic of color, I aimto represent how we reconstruct our past. The heavy black outlines create arhythmic structure, mimicking leaded glass, while the contrast between thestatic bottles and the soaring planes creates a dynamic sense of movementand 'escape' from the mundane."Short & Punchy Focus: Immediate impact."Childhood Memories” is a celebration of nostalgia. Using a bold palette andgeometric abstraction, Anand C. Shende captures the soaring joy of youth. Itis a visual journey back to a time when a piece of paper could fly and a bottleheld a world of wonder."Key Themes You Might Want to Mention:􀀀 The Paper Plane: A universal symbol of fleeting ideas, travel, and innocence.􀀀 Geometric Abstraction: The use of shapes to build a complex narrative fromsimple subjects.􀀀 The Color Red: It provides a high-energy backdrop that makes the coolerblues and greens of the foreground "pop," symbolizing the intensity ofchildhood emotions.Title Idea: Geometric Echoes of the Sky and Sea: In this captivating acrylic oncanvas, the artist explores the intersection of nature and geometry. Using abold, vermillion backdrop that demands attention, the composition weavestogether a rhythmic dance of avian and aquatic forms.Key Artistic Elements:Structured Fluidity: The painting utilizes a stained-glass or mosaic-liketechnique, where intricate line work breaks down subjects into multifacetedshapes. This creates a sense of "transparency," as if the viewer is lookingthrough layers of movement.Symbolic Play: The inclusion of paper planes alongside organic birds and fishsuggests a dialogue between human imagination and the natural world. Itevokes a sense of childhood wonder and the universal desire for flight andexploration.Harmonious Palette: While the background is intense, the subjects arerendered in a sophisticated palette of muted pastels teals, soft pinks, andochre are balanced by sharp grays. This contrast ensures that the complex linework remains legible and harmonious."The work serves as a visual puzzle, inviting the observer to trace theoverlapping silhouettes and find the hidden connections between thecreatures of the air and the depths below."

이탈리아 환경예술
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BIEAF2026 Invited Artist
Andre Joel Ngassi
Cameroun

Le Festival international d’art environnemental de Busan (BIEAF2026) est lefruit d'un travail collectif d'artistes dont la mission est de valoriser et decélébrer les initiatives artistiques où l'artiste demeure au coeur du processus. Ilréunit autour du thème « Du soleil à l’enfant » plusieurs artistes du mondeentier qui contribuent au rayonnement des arts visuels. Il est vu comme chef-d'oeuvre collectif, comme mouvement artistique durable et comme un appel àl'action.Le soleil représente la genèse de l’univers et l’aube de toute création. L’enfantsymbolise l’« humain artiste », un esprit en quête de l’essence même de lanature. Le Soleil est personnifié comme un archétype féminin créatif quienrichit le monde, tandis que le Garçon représente l'artiste, entrant dans unnouveau royaume de créativité en recevant la lumière de la Déesse Soleil.

NGASSI André Joël est un artiste visuel né le 27 décembre 1988 et originairede l’ouest Cameroun. Son enfance a été bercé par les formes , les volumes etles couleurs. Cette passion le conduisit à l’Institut de Formation Artistique deMbalmayo.Après son baccalauréat AF2 option : peinture, il intègre la Faculté des arts,lettres et sciences humaines de Yaoundé 1 ; pour la filière Arts Plastiques etHistoire de l’Art. Après cinq années d’étude, il interrompt ses études enmaster, pour expérimenter d’autres domaines de la créatif. Il a, à son actifquelques expositions collectives et reconnaissances en France, Suisse et auCameroun (Artiste jeune talent au grand Salon international d’art Automne,Exposition collective au Salon d’Automne à Paris, Exposition collective auNations Unies à Genève en Suisse (UNRISD) sous la catégorie: ‘’ClimateJustice and environnement’’…).Depuis, lors il se consacre à sa pratique artistique en travaillant avecl’association Exposition sous l’arbre basé au Cameroun. Avec d’autres artistes,ils investissent des lieux publics avec des expositions annuelles en plein air.Son travail explore des thèmes liés aux environnements (naturel, psychique etspirituel) dans un contexte sociologique en état d’alerte. Il questionnel’humanité face aux causes liées aux déchets, à la pollution de toutes sortes. Ilfait le parallèle entre une société-système où la Surconsommation active lesdésirs, les plaisirs humains ; et le déni soupoudré d’une reconnaissance éco-responsable des grandes firmes et entreprises du monde. Les fonds de sestoiles corroborent avec ses sujets. Il invite à un regard critique plus profond etparticipatif, qu’une approche publiciste cachant un intérêt de fortune et depouvoir. À travers différents médiums,( toile, argile et sculpture) cesreprésentations à caractères surréaliste, tissent un récit en résonance avec lacondition humaine dans sa dépendance à la consommation irresponsable.

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L’oeuvre présentée pour la BIEAF2026 intitulé ‘’Le radeau de l’espérance’’traite de l’impact de l’homme dans ses différents environnements ; et remeten cause une société devenue société de surconsommation.L’oeuvre présente un personnage féminin assis sur le côté, le visage alerté,emballé d’une matière plastique et appuyé sur un radeau. Son bras tendu versun amas de bulles dans l’espace, suggérant un appel à l’aide. Le personnageest recouvert de produits consommables et d’usages issu de sonenvironnement, qui l’envahi presque à la moitié de sa taille. Tout autour de ceradeau, une vague d’amas de plastique sombre tente de l’engloutir ; maiscontre tout attente, la verdure représentant la nature dans toute sa splendeur,se déploie afin montrer que tout espoir n’est pas perdu.Cette oeuvre évoque en partie les désastres que nous impose de façoncontrôlé nos sociétés pour la surconsommation des produits qu’elles créent ;et qui, dans la plupart du temps, ne sont pas toujours nécessaire et importantpour notre existence. Elle apporte plutôt une dépendance et crée tout autourde notre existence un besoin fugace sans intérêt, une envi de toujours vouloirce qui ne nous sert vraiment pas au final. Au fond, le système a été taillé pourfaire consommer et créer les problèmes qui seront par la suite des sujets deréflexions pour trouver des solutions. C’est un cercle vicieux, une réflexioncirculaire, une chaine sans fin si le cycle n’est pas rompu. Cette peinturerécapitule le schéma de la matrice dans laquelle nous sommes embarqué. Elleprésente les effets de la surconsommation dans l’environnement de l’hommeet sur sa santé physique, psychique et spirituelle. Elle transpose à travers uneffet miroir le fonctionnement d’une société devenue humanoïde de par seslimitations décisionnelles ; cherchant à se sauver d’une asphyxie qui s’estgreffée à son âme, son corps et son quotidien.De façon générale, le radeau représente la société dans laquelle on vit, qui setrouve en eau trouble définit par l’amas sombre de plastique autour d’elle. Lesemballage et consommable plastiques représente les produits quiemprisonne le personnage et l’empêche de se libérer ; sous un prétexte debonne action pour sa vie et son existence. Les bulles quant à elle est lesymbole de l’espoir d’avoir un second souffle d’air pour se reprendre malgréles aléas. Les insectes et les plantes subtilement mentionnés, nous présenteun fait probant ; peu importe ce que l’humain exerce sur l’environnement ellefinit tours par prendre sa place. Ce qui devrait nous faire remarquer que àchaque fois qu’elle l’a fait, il y’a toujours eu des catastrophes qui nousendommage. C’est dans l’ordre des choses et c’est la loi de cause à effet.

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le radeau de l'espérance

peinture acrylique sur toile  120X 120cm  2025

이탈리아 환경예술
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BIEAF2026 Invited Artist
Andrea de Souza Rocha
Uruguay

Andrea DeSouza Rocha is a Uruguayan visual artist and researcher. Herinterdisciplinary practice explores painting, textile installation, photography,and artist's books to address memory, gender-based violence, self-knowledge, and peace. She has exhibited internationally and has receivedseveral awards and distinctions worldwide.

Tell us about BIEAF2026 'From Sun To Boy' :

It is an honor to participate in such a prestigious festival. I firmly believe thatartistic and cultural exchange is essential for fostering empathy, tolerance,and mutual understanding among people. Art has the power to build bridgeswhere differences become opportunities for dialogue.

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BREATHE

Canvas  120X180cm  2025

Breathe belongs to the series Curve and Countercurve, where introspectionbecomes a pathway to self-knowledge. Conceived through the transformativepotential of art, this deeply autobiographical body of work uses painting as areflective space—a mirror through which personal experience becomes aprocess of inner exploration, growth, and change.

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BIEAF2026 Invited Artist
Andrea Stanic
CROATIA

Andrea Stanić is an internationally award-winning Croatian visual artist andpainter. She is a museum curator, President of the International Council of ArtsCIA Croatia (UNOTA), a three-year member of the BIEAF Committee, and amember of the Croatian Association of Visual Artists (HDLU Zagreb). She isrecognized for her distinctive artistic expression, vibrant color palette, andMediterranean-inspired motifs.

About BIEAF 2026 – "From Sun to Boy"For me,

 

"From Sun to Boy" symbolizes the journey from the source of life tothe human spirit. The sun represents light, energy, inspiration, and creation,while the boy embodies innocence, hope, curiosity, and the limitless potentialof future generations. Through art, this theme celebrates the connectionbetween nature and humanity, reminding us that creativity has the power toinspire peace, understanding, and a brighter future. It is an invitation to seethe world through the eyes of wonder and to preserve the light within usall.Andrea

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VOICE OF SILENCE

ACRYLIC ON CANVAS 100X70CM 2026

Between the sun and the boy unfolds a space of silence, hope, and innerpeace. The yellow boat, illuminated by light, symbolizes life's journey, while theboy, embraced by stillness, discovers the strength of dreams and his true self.The sea becomes a mirror of the soul, and the light gently leads toward therealization that the greatest truths are never spoken—they are felt with theheart. Sometimes, silence is the most beautiful voice guiding us toward thelight.

스웨덴 환경예술가
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BIEAF2026 Invited Artist
Andrés Ortega Cruz
España

Artist and scholar, Doctor in Art and university professor, Andrés Ortega Cruzexplores human transcendence through neuroaesthetics and symbolicgeometry, with internationally exhibited work focused on contemplative visualexperiences.

For me, “From Sun to Boy” reflects the journey of energy becomingconsciousness. It suggests a movement from origin to presence, from light toawareness. I see it as an invitation to explore how creation expands,transforms and takes form within us, connecting the cosmic with the human.

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Creation in Expansion

Permanent ink, glue, and phosphorescent paint on a mesh primed with gessoand sandpaper

13x18cm   2026

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카자흐스탄 환경예술가
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BIEAF2026 Invited Artist
Angel Gonzales
Philippines

Angel Gonzales is an internationally acclaimed contemporary painter, artdirector, and cultural advocate. Her abstract works bring light, healing, andpower, using color and emotion to inspire transformation, hope, andmeaningful human connection.

I'm honored to take part in BIEAF2026 —

the 23rd Busan InternationalEnvironmental Arts Festival — under this year's theme, "From the Sun to theBoy." This exhibition brings together artists from dozens of countries in ashared meditation on nature, humanity, and the quiet passage from origin tobecoming. My work is part of that conversation, and I invite you to experienceit alongside hundreds of voices from around the globe, both online and at thefestival's Busan galleries, from September 2026 through February 2027.

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The First Move

Acrylic on canvas  16x20in  2026

The First Move is never only about the game. Sometimes, it is the beginning ofa memory that stays with us forever. Before the world became complicated,there were games, warm afternoons, and moments that felt endless. Thispainting is our first move toward remembering

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Angelina Bong(Malaysia Sarawak)01.jpg

BIEAF2026 Invited Artist
Angelina Bong
Malaysia

In the quiet embrace of the mangrove which are often taken for granted, timeslows and the world softens. Gentle waters rest among the roots, and the aircarries a stillness that invites reflection. The mangrove is a place where naturebreathes slowly and harmony unfolds in silence.Leaf printing reveals the delicate forms and textures of leaves from oursurroundings, celebrating their simple natural beauty. Each imprint becomes aquiet whisper of the mangrove’s gentle and tranquil spirit.

Angelina Bong is a poet and visual artist who represented Malaysia at the 3rd Delphic Games (2009, Jeju, South Korea) in the Lingual Art – Poetry category. Since then, she has performed in eleven countries in person, with her poems translated into six languages. She held her first overseas solo Art & Poetry exhibition after a 7-week residency at Toji Cultural Centre, Wonju, South Korea (2018). Her poem won the Poetry (Adult) category of the George Town Literary Festival’s Wake Me Up When This Is Over contest in 2020, and Fibro Takes Flight is her debut poetry collection. Actively engaged in community arts, she has conducted poetry and art workshops, and live demonstrations in Malaysia, South Africa, Japan, Brunei, Australia, Indonesia, Nepal, Korea and UK including conservation-based programmes for rural communities. Since 2020, she started teaching online, reaching participants in the Middle East, the UK and beyond. She is a core member of Wordsmiths of Kuching and a trainer for the Malaysian National Poetry Slam 2024 and 2025. Angelina is a member of the National Art Gallery Malaysia, Malaysia Women Artist Association, Malaysian Writers Society, the World Haiku Association and Sarawak Artists Society. She is currently the Literary Art Director of the Malaysian Delphic Council. Her works have been exhibited and collected internationally, with her art now residing in 26 countries. She has also been invited to participate in international artist residencies and art camps locally and abroad. In 2025, she was the one-year artist-in-residence for Frugal Artist in Residence Project, organized by University Coventry and UNIMAS where she worked at the coastal village, Pasir Pandak, focusing on community engagement through workshops, a mural, an installation and poetry. A contemplative artist, she occasionally pairs visual art with poetry to invite deeper engagement. She works from her studio, Artavern, a creative space co-owned with two other artists.

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Whispers of the Mangrove

Acrylic and Scrap Papers on Canvas 

60x90cm  2026

이탈리아 환경예술
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BIEAF2026 Invited Artist
ANGLeS MORTES
France

ANGLESMORTS is a French multidisciplinary artist who likes to play withtextures, while using only one shade of watercolor. She's convinced thatnobody's born bad and that we could all work together for a greater world.That is translated in her work : no faces, only silhouettes in huge landscapes.

​Description of the work :

HOLDIN' explores our vulnerability in the face of something greater thanourselves: standing before these hills, playing, we are tiny, overwhelmed,overcome with vertigo. When she paints these silhouettes against the light,she sees neither gender, nor color, nor homeland. Just an unknown story in afast-moving world, where only nature is stable. She has always found thathumans feel too powerful, going faster towards nowhere. This feeling grows inthe face of AI and eyes glued to screens.

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Holdin'

watercolor   59x84   2026

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BIEAF2026 Invited Artist
Ani Martirosyan Ane
Armenia

Ane Morto is an Armenian visual artist whose practice explores memory,identity, the body, and emotional experience. Through painting, she createspoetic visual narratives that connect personal stories with universal humanemotions.

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The Bodily Memory of Time

Oil on canvas 50×70  2026

​Description of the work :

The body remembers what the mind forgets. The swans embody purity,resilience, and the flow of time, while the resting figure symbolizes surrenderto memory. Layers of blue create a dreamlike space where past and presentmerge, revealing that every lived experience leaves an invisible imprint on thebody.

인도의 그림
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BIEAF2026 Invited Artist
Anita Folaron
Poland

Anita Folaron ( AniKaLa.Art ) is a contemporary visionary artist. Her symbolicpaintings emerge through journeys across indigenous cultures, sacred places,and a profound connection with nature, revealing the essence of Existence,timeless values, and the profound unity of all life.

Tell us about BIEAF2026 'From Sun To Boy' :

I am honoreg to participate in BIEAF 2026. I belive that art has the power toconnect humanity with nature, inspire environmental awereness, and buildbridges between cultures. I look forward to sharing my artistic jurney andinviting people from around the world to discover how art can deepen ourconnection with nature, ourselves, and one another.

Anita Folaron(AniKaLa,Poland Poznan)3 AniKaLa + No2._Axis Mundi - Tree of the World_ .jpeg
Anita Folaron(AniKaLa,Poland Poznan)4 AniKaLa + No3._Divine Love_.jpeg
Anita Folaron(AniKaLa,Poland Poznan)2 AniKaLa + No2..jpeg
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The Birth of Love

Acrylic, mixed media with natural Plumeria (Frangipani flowers, artistic glass,gold leaf, and sculptural texture on canvas

100x150cm  2026

Presented together, The Birth of Love, Axis Mundi - Tree of the World, andDivine Love trace a symbolic jurney from the first breath of Love to the sacredcenter of the Tree of the World, where Earth and Sky meet in awakenedawereness, revealing the embodiment of Divine Love. Together, they invitecontemplation of the mystery of Existence, the unity of all life, and the timelessvalues that unite humanity and nature.

이란 아티스트 작품
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BIEAF2026 Invited Artist
Anita Grobelak
Poland

Anita Grobelak (Poland). She studied Polish philology, early school pedagogy,art education, painting (she graduated with honors from her artistic studies).She was the owner of the Teatru from Poland Gallery in Częstochowa and runsthe nationwide Artistic group ATINA, which she founded. He is the presidentof the board of the Regional Society "Zachęty" of Fine Arts in Częstochowa. Hedeals with painting, illustration, drawing, installation, cultural animation(festivals, concerts, exhibitions, plein air painting, artistic projects). Hecooperates with many institutions and non-governmental organizations inPoland and Europe. He has had about 250 collective, individual and plein airpainting exhibitions in the country and abroad. She received awards anddistinctions for her activities. In recent years, one of the most importantevents it organizes is the International Visual Arts Festival Bridges ofMulticulturalism.

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Go make mistakes in the sun

paper, own technique  30X40  2026

"Go and make mistakes in the sun." Life is a constant journey. Its direction isdetermined by the sun. It leads to inner light and perfection. Just rememberthat you are enough. Enough to follow your own path.

이란 아티스트 작품
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BIEAF2026 Invited Artist
Anita malik
India

I am Anita Malik, a visual artist exploring village life, LGBTQ+ communities,urban women, nature, and spirituality through my paintings. My work reflectsidentity, resilience, inclusion, and the deep connection between humanity,culture, and the natural world.

As a passionate painter and poetess, Iimmerse myself in the creative arts. My artistic expression primarily involves the use of acrylics, applied in thick layers with a spatula. My work is deeply influenced by colors and moods, reflecting my own life's experiences.
In my paintings, orange and red symbolize love, while shades of black and gray convey moments of melancholy. For celebrations, I employ a vibrant palette that represents the diverse facets of life. Green and blue signify freedom and liberation, illustrating the essence of autonomy. I strive to evoke a profound sense of life and emotion through my art, inviting viewers to explore the depth and nuance of the human experience in every piece.

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Nature

Acrylic 2x2ft 2022

These paintings are inspired by nature and the five fundamental elements—Earth, Water, Fire, Air, and Sky (Space)—that form the essence of life. Theseelements exist in perfect harmony and sustain all living beings. Through thesepaintings, I express the deep connection between humanity and nature,reminding us that we are not separate from nature but an inseparable part ofit.

이란 아티스트 작품
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BIEAF2026 Invited Artist
ANKUSH SHARMA
INDIA

BIEAF2026, the 23rd Busan International Environment Art Festival in SouthKorea, is an international art platform that brings together artists from aroundthe world to address the relationship between human beings, nature, andurgent environmental challenges. The festival’s theme, ‘From Sun to Boy’ / ‘해에게서 소년에게’, evokes a journey of light, growth, and renewal — from thesource of life to new generations. Its purpose is to use touching, thought-provoking artworks as a reminder of the environmental crises we face todayand to inspire collective action toward a sustainable future. Through painting,sculpture, media, performance, and other forms, BIEAF2026 encouragesartists to share powerful messages that connect creativity with ecologicalawareness and responsibility.

Ankush Sharma holds a certificate course in art from the Spiritual EducationCommittee of Culture of St. Petersburg, Russia; a diploma in painting fromBangiya Sangeet Parishad, West Bengal; and an MBA from Amity University,Noida, and took online lectures from IIT Kanpur. He started taking interest inart in 2009 during his visit to Santiniketan; that profound interest turned into aprofession as Co-Founder and assistant in curation with Gallery Sree Artsunder the aegis of Jitendra Jain. To name a few, he participated in the groupexhibitions at the Indo-French Culture Centre dé Delhi, the HungarianInformation & Cultural Centre, the Russian Centre of Science & Culture, theKhajuraho Film Festival, the Lalit Kala Akademi, the Indira Gandhi NationalCentre for the Arts Delhi, the India Habitat Centre Delhi, the Roerich ArtMuseum in Naggar, Bulgaria, and the Tokyo International Art Fair, to namesome. His main aim is to paint and to give a social message through his art. Hehas chosen the themes of water conservation, pollution, etc. and put aninstallation at IGNCA, which has been appreciated by many art connoisseurs.He thinks colour and canvas are the profound mediums where artists canperform by giving any social message for the upliftment of society. For that,he got awarded by the Life of Vision Foundation and the Janki Devi VocationalCentre, New Delhi.In February, Ankush participated in and assisted in an exhibition ofSantiniketan artists in Laos and has been invited as a guest lecturer at theNational Institute of Fine Arts, Vientiane. He edited a book, 'MediatingDreams', on masters and emerging artists of India in 2017 and recently'Dashavatars' in May 2025. In September, he showcased the Indian artist'spaintings in the Reno-Tahoe International Art Fair in Nevada, USA; participatedin the Qatar International Art Festival in Doha, Qatar, in December 2025;participated in an art symposium in Saint Petersburg, Russia, in 2026;showcased his artworks in association with the Embassy of Laos at the IndiaInternational Centre, New Delhi, participating in an international exhibition atVisual Arts Gallery, India Habitat Centre, New Delhi; and an art symposium inManila, Philippines.

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LANDSCAPE 2

WATERCOLOUR ON HANDMADE SHEET 56x76CM  2025

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Arturas Rimkevicius participates in exhibitions since 1983. He works in artistic glass and stained glass area, enjoys cold and hot glass processing, the plastic of glass. He spends time on combining sheet glass with other materials. He seeks for plastic solutions, based on contrast principle.

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