

Art Hall - B3
Listen to the artist's voice
Look at the artist's expression
Read the artist's mind
The BIEAF is with artists.
Gallery 13
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 13 Artists and Works Slide
You can mark hearts on your favorite artists and works.
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BIEAF2026Invited Artist
Ilhem Sbaii Chaabane
Tunisie
Ilhem Sbaii Chaabane, artiste plasticienne et professeure principale enéducation plastique, cumule plus de 30 ans d’expérience. Curatriced’expositions et membre active de plusieurs institutions culturelles, elle aexposé en Tunisie et à l’international et a reçu plusieurs distinctions, dont lePrix d’Excellence de la Méditerranée.
Tell us about BIEAF2026 'From Sun To Boy' :
Le développement de l’oeuvre artistique peut être comparé à celui de l’enfantau sein du système solaire. Le soleil, source de lumière et de vie, représentel’énergie créatrice qui nourrit la toile comme il nourrit la croissance de l’enfant.Progressivement, tous deux évoluent, se transforment et gagnent enmaturité. De même que l’enfant construit sa confiance en lui, l’oeuvre sestructure, se développe et s’épanouit dans un processus continu guidé par lalumière, origine de toute couleur et de toute vie.
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Lumière d'un instant
Acrylique sur toile
Diamètre 110cm 2025
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Mes oeuvres plastiques, bien que réalisées sur des supports variés, sont uniespar le dessin et la ligne. Il ne s’agit pas d’une rupture mais d’une continuité dugeste créatif, où le trait et la couleur partagent la même énergie. Seulschangent la technique et le support, tandis que le mouvement demeureconstant, en ondulations gravées, écrites ou colorées. L’espace pictural devient un univers vivant de formes flottantes, inspiré dumonde marin, où poissons, signes et calligraphies se mêlent dans un langageabstrait et poétique. Tout y est mouvement, rythme et lumière. Les couleursnaissent d’une énergie intérieure et se transforment en compositionssensibles et vibrantes. Le cercle et le poisson structurent cet univers, symbole de continuité et de vie,où la lumière, source de toute couleur, accompagne l’évolution constante del’oeuvre et de sa maturité.

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BIEAF2026 Invited Artist
Imma Mengual
Spain
Dr. Imma Mengual is an artist, designer, researcher, and educator. Her practiceis a quest for what remains: the trace, the stain, and the memory inscribedwithin materials that oscillate between the fragility of paper and the sheerforce of organic matter. She considers herself a sculptural storyteller.
Description of the work :
"Sun-child through the looking-glass" serves as a material bridge betweencosmic origin and human essence. Born from the underlying theme "From thesun to the child," the piece transforms the primordial brilliance of the sun intoa substrate of gilded paper—a textural mirror of creation itself. From thismedium, embryonic forms emerge: an "artistic-child" sculpted through denseimpastos of wax and pigment, symbolizing our most primal and ancestralinstincts. This work operates as an act of tactile memory where the sun doesnot merely illuminate, but becomes incarnate as creative spirit, invitingcontemplation on our indestructible bond with the cosmos and the restorativeprocess of art.
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Sun-child (angry) through the looking-glass
Paper and wax 50x30cm 2026

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BIEAF2026 Invited Artist
Imran Ahmed Soomro
Pakistan
Imran Soomro is a distinguished visual artist, photographer, and writer basedin Hyderabad, Sindh, Pakistan. Originally from Mehrabpur, he received hisformal training in Fine Arts from the Shaheed Allah Buksh Soomro (SABS)University of Art, Design and Heritages, Jamshoro. His expertise lies inbridging art, history, and social consciousness, making him a notable figure inPakistan's contemporary arts and cultural preservation sector. With over fifteen years of experience in art education at governmentinstitutions, Soomro currently serves as a Lecturer of Fine Arts at the GovtNormal Drawing Teachers Training Centre in Hyderabad. Beyond theclassroom, his professional portfolio extends to international advocacy andcuratorial work. He is an active member of the Climate Heritage Network andhas served for the past three years as a committee member from Pakistan forthe Busan International Environmental Art Festival in South Korea. His keyskills encompass paper and photo collage art, landscape photography, arthistory, and ecological advocacy. Soomro has built a robust portfolio by reinterpreting classical 16th-centurypaintings through a unique conceptual lens using paper and photo collages.He has proudly represented Pakistan by showcasing his work in more than 50national and international group exhibitions, spanning countries such as SouthKorea, Italy, China, and the United States. As a curator, he has successfullyorganized seven major exhibitions at the Pakistan National Council of the Arts(PNCA) in Islamabad, highlighting critical themes like climate change, culturaldiversity, and heritage. For his continuous impact, he has been recognizedwith multiple awards in fine arts, photography, and education. Through his commitment to cultural sustainability and art education, ImranSoomro continues to facilitate meaningful dialogue and inspire emergingtalent. His dedication to intertwining historical heritage with modernenvironmental awareness reflects a steadfast contribution to the evolutionand global representation of Pakistani art.
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All together
Photography 20x30 2025
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BIEAF2026 Invited Artist
Inci Baysal
Türkiye
Tell us about BIEAF2026 'From Sun To Boy' :
It is typically used as the official main theme of the 23rd Busan InternationalFestival of Environmental Art (BIEAF), held in 2026. It expresses a narrativethat aims to explore the connection between nature and humanity, and torebuild love and hope through art.
Born in Polatlı in 1961, she developed an interest in painting through herhusband's profession, which led her to visit various art galleries abroad.Following her return to Ankara, she began watercolor painting aftercompleting basic watercolor training at the Olgunlaşma Enstitüsü. For thepast five years, she has continued her studies with Orhan Gürel at Fırça Sanatand GaleriM Art Workshops. She is a member of the International Watercolor Society and occasionallyparticipates in Sait Günel's workshops. She has been an IWS member for three years and participates in variousactivities of the society, and continues to be actively involved in its work. Her paintings have been exhibited in various group exhibitions listed below: 2023 Orhan Gürel Workshop Painting Exhibition GaleriM Art Gallery2024 Orhan Gürel Workshop Painting Exhibition GaleriM Art Gallery2024 IWS 12th Anniversary Celebrations and Watercolor Exhibition2025 IWS Watercolor Day Rahmi M. Koç Museum Workshop and WatercolorExhibition2025 Orhan Gürel Workshop Painting Exhibition GaleriM Art Gallery2025 IWS Romania Watercolor Exhibition2025 International Art Exhibition Turkish-Pakistan Fusion Zubeida Agha ArtGallery2026 Ankara Wind BRHD Group Painting Exhibition2026 IWS Global Watercolor Day Rahmi Koc Museum Workshop andExhibition2026 “Behind the Glass” BRHD Group Exhibition2026 Bilkent Center Following the Master's Footsteps Painting Exhibition(Orhan Gürel)2026 BIRESKU Turkiye Exhibition2026 Safa Bute ART Nigde Art-Queke 17 “Humanity Wake UP”
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Fishing boats on the river
Watercolor 30x40 2025
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BIEAF2026 Invited Artist
Insaf Guezguez
Tunisia
The 23rd Busan International Environmental Arts Festival (BIEAF) : From sun toboy, THE GOOD LIFE WON'T WAIT …That sounds like a beautiful way to reconnect with my creative roots and sharea memorable milestone with my family now in USA! Balancing a demandingcareer at a communications agency with a collaborative artistic project withmy grandson, far from my country and agency, is a fantastic accomplishment.
Graphic designer in nature, graduated from the Technological Institute of Art,Architecture and Urbanism of Tunis - ITAAUT - June 1991.Created ECLIPSE, a graphic design-communication agency in January 1993.Many distinctions including:Personnalized artistic exhibitions of model posters and 20 postage stamps.More than twenty official stamps for the Tunisian Republic "commemorativeseries"Representing Tunisian official posters in the “5th WORLD CONFERENCE ONWOMEN BEIGING 1995” and “NEW YORK 2000’’ .Focused since 2000 in supporting Medical & Marketing Team for NATIONALand INTERNATIONAL PHARMACEUTICAL FIRMS.Different other projects in various sectors ...
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THE GOOD LIFE WON'T WAIT : The Sun's Embrace
Watercolor paper - glossy & mat magazine paper - Graphit pincer - Glue 10 in x 14 in 2026
The Sun's Embrace: A Cycle of Light and LifeConcept StatementThis artistic mixed-media piece blends drawing and collage, utilizingtraditional tracing and layering techniques learned during my time as agraphic design student.The narrative follows a child on a global journey to express gratitude to thesun, the source of vision and vitality. As the sun's prismatic rays touch the eye’smagical pupil, they are refracted and radiate onto the right hemisphere of theglobe, symbolically bringing it back to life.The child then pivots to the left, embarking on an active cycle of ecologicalrenewal: cleaning, recycling, planting, and revitalizing the left side of the Earth.The piece functions as a continuous visual loop, mirroring the child’s eternalorbit around the pupil, which pulses with the life-giving energy of the sun.Let's embrace the sun, the good life don't wait...

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BIEAF2025 Invited Artist
Ionescu Marius
România
Visual artist and Visual Arts teacher at Mario Art Studio, holding a BA inGraphic Arts and an MA in Conservation and Restoration. Exhibited in groupshows between 2023 and 2026, while leading student exhibitions andpublishing articles on art education.
Description of the work :
Uncertain Future speaks of the collapse of familiar reference points and theuncertainty of change. Circles drift apart, while lines wander in search of acenter that no longer exists, evoking the loss of balance and direction. Thegreen space is not nature but the memory of a final innocent childhood—thelast place where safety and hope can still be imagined. The work invitesreflection on the fragility of certainty and an ever-uncertain future.
For me, the theme "From Sun To Boy" symbolizes the journey of light, life, andinspiration from nature to humanity, encouraging creativity and care for theenvironment.
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Uncertain Future
Paper 50x70 2025
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BIEAF2026 Invited Artist
IRINA FRUNZĂ
ROMANIA
I am a physics and science teacher with 39 years of experience in middle andhigh school education. Born under a zodiac sign ruled by the planet Venus,with inclinations towards to beauty, refinement and harmony. Which is why Ialso graduated a Bachelor’s Degree in Visual Arts and Design in 2020,majoring in Fine Arts Pedagogy, and becoming a fine arts education in 2022. Ihave participated in both group and solo art exhibitions.
Description of the work :
The central element of the sky is a golden-yellow hot air balloon, outlined withbrown lines, featuring a small basket underneath.The landscape is populated by slender cypress trees (typical of Mediterraneanregions), rich bushes with red flowers on the right, and various small groups ofplants and flowers in the lower foreground.The artwork is created on canvas with a visible, slightly grainy texture.Color Palette: Dominated by shades of green (for the grass and trees), blue(for the sky), and warm accents of yellow and red that create visual points ofinterest.
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ECO OF A YELLOW FLIGHT
ACRYLIC ON CANVAS PANEL 30x40cm 2026

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BIEAF2026 Invited Artist
Iskandra Khan
The Netherlands
Iskandra Khan is a self-taught artist basedin the Netherlands, whose creative journeyhas been shaped by both formal learningand continuous personal exploration. Inthe early stages of her artistic path, shestudied at the Dutch Art Academy, whereshe developed a strong foundation intechniques such as form, structure, light,shadow, and still-life compositionOver the years, Iskandra has continuouslyevolved her artistic voice throughexperimentation and practice, creating adiverse body of work. She primarily workson canvas board and watercolor paper,using acrylics, oil paints, paste, beads, andmixed media elements. Drawinginspiration from reference images,shetransforms them into her own distinctivedesigns, ensuring that no two artworksfollow the same pattern or style.Her artworks have been exhibited in twoDutch art galleries, and through her owninitiative, two of her works have beenpublished in international art books withworldwide circulation. Open to growth anddiscovery, Iskandra embraces everyopportunity as a chance to learn, explorenew directions, and evolve throughinteraction with fellow artists.Honouring Excellence . Celebrating
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The boy wondering
Acrylic paint on canvasboard 30x24cm 2026
The artwork that represent an boy sitting on an hill with an latern beside himfacing the sky the flower representing the sun. The story tells hé is not aloneas the sun is with him the sunstrokes light up his latern. The sun to the boymeaning giving strenght hope an better future.

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BIEAF2026 Invited Artist
Ismini Micha
Creece
Based in Athens, she explores Art History with Renaissance and Beroquereferences, focusing on light, motion, and the human form. A muralist sincethe 1990, her recent work is anthropocentic, centered on the female figure.She has over 10 solo shows and an international presence.
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Tell us about BIEAF2026 'From Sun To Boy' :
Chasing the light: A boy’s journey to connect with the warmth and power ofthe sun, where dreams and nature become one.
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Our world one touch away
Oil on linen 0,40×0,30 2020
Two pairs of hands emerge from the darkness, their expressive movementtaking center stage against a cosmic backdrop of floating, blue planets. Thisanthropocentric composition blends the warmth of the skin tones with coolcelestial elements, balancing classical anatomical study with a surreal,atmospheric depth.
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BIEAF2026 Invited Artist
Ispahani Mukah
United Kingdom
Ispahani Mukah is a Cameroonian-born, Birmingham-based interdisciplinaryartist working primarily in drawing. His practice centres on meticulous biroworks that use layering, mark density, and contrast to create depth, light, andpsychological presence. Through portraiture and figurative studies, Mukahexplores memory and quiet human intensity. His drawings are labour-intensiveand precise, built through repetition and sustained observation. The work sitsbetween realism and emotional abstraction, inviting close viewing and slowengagement. Mukah is the winner of Birmingham Open 2025 and previouslywon the UNHCR Youth with Refugees Art Competition back in 2020. He wasfeatured on *Sky Portrait Artist of the Year* (Series 12) and has exhibited atWells Art Contemporary, among other venues in the UK. He continues todevelop a drawing-led practice rooted in discipline, clarity, and narrativedepth.
Description of the work :
The piece is a biro drawing showing a serene moment between young friendsand the warm embrace of a fire and the picturesque vegetation in a cold night.The drawing is formed through layers of intricate biro shading depicting abond that goes very deep when people and nature come together.
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Warm Embrace
Biro on paper 21x30cm 2025

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BIEAF2026 Invited Artist
Ivan Adalberto nhapango
Moçambique
Ivan Adalberto Nhapango é artista plástico e escultor moçambicano. A suaobra explora identidade, memória, emoções e transformação social. Combinacriatividade, experimentação e diferentes linguagens visuais, incluindoprocessos contemporâneos que dialogam com arte e tecnologia.
Tell us about BIEAF2026 'From Sun To Boy' :
Se o tema da BIEAF 2026 é “Do Sol ao Menino”, ele pode ser interpretadocomo uma reflexão sobre a ligação entre a natureza, a vida e odesenvolvimento humano.O sol simboliza a origem da energia, da luz, do crescimento e da esperança. Omenino representa o futuro, a inocência, a aprendizagem e o potencial criativodas novas gerações. O tema convida os artistas a explorar como ahumanidade se relaciona com o ambiente, a cultura, a educação e atransmissão de conhecimento entre gerações.Também pode ser entendido como uma jornada: da força universal quesustenta a vida até à formação da identidade humana. Nesse percurso,surgem questões sobre sustentabilidade, memória, comunidade, imaginaçãoe responsabilidade para com o futuro.Através da arte, “Do Sol ao Menino” incentiva a criação de obras que reflitamsobre crescimento, transformação, cuidado, esperança e o papel dacriatividade na construção de um mundo melhor para as próximas gerações.
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O sol que me sustenta
Gouache colour ;pepper,metal A3 2026
Descrição do Trabalho O meu trabalho artístico explora a relação entre a experiência humana, acriatividade e as transformações da sociedade contemporânea. Através dapintura, escultura, croché e outras formas de expressão visual, procuro criarobras que convidem à reflexão sobre identidade, memória, emoções,esperança e superação. A minha prática artística nasce da observação do quotidiano e dasexperiências pessoais que marcaram o meu percurso. Muitos dos temaspresentes nas minhas obras estão ligados aos desafios emocionais, à procurade sentido, ao valor da vida e à capacidade humana de resistir às dificuldades.Vejo a arte como uma ferramenta de diálogo capaz de aproximar pessoas,despertar sentimentos e incentivar novas formas de compreender o mundo. No processo criativo, utilizo diferentes materiais e técnicas de acordo com aideia que pretendo comunicar. Gosto de experimentar linguagens visuaisvariadas, combinando elementos tradicionais e contemporâneos. Quandoutilizo recursos tecnológicos ou inteligência artificial, estes funcionam comoinstrumentos de apoio ao desenvolvimento conceptual e visual da obra. Aideia, a seleção dos elementos, as decisões estéticas e a construção dosignificado permanecem sob a minha orientação criativa, fazendo datecnologia uma extensão do processo artístico humano e não um substitutoda criação. As minhas obras procuram estabelecer uma ligação entre o mundo interior e arealidade social. Interesso-me por temas como o silêncio, o diálogo, aexpressão corporal, o amor ao próximo, a resiliência e a relação entre oindivíduo e a comunidade. Cada trabalho é concebido como um espaço deencontro entre diferentes experiências e interpretações, permitindo que cadaobservador encontre os seus próprios significados. Acredito que a arte não está apenas nos objetos que produzimos, mastambém na forma como vivemos, sentimos e construímos relações. Por isso, omeu trabalho procura ultrapassar os limites da representação visual paraestimular reflexão, empatia e consciência. Mais do que apresentar respostas,as minhas obras procuram levantar questões sobre a condição humana, acriatividade e as possibilidades de transformação pessoal e coletiva. Desta forma, a minha prática artística afirma-se como um processo contínuode pesquisa, descoberta e comunicação, onde tradição, inovação eexperiência humana se encontram para criar novas formas de expressão esignificado.

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BIEAF2026 Invited Artist
Jacoba Hurtak
France
Coby Hurtak was born in the province of Friesland in the Netherlands.Shegraduated at the Academy of fine Arts, Minerva, in Groningen. In her work shedepicts the world through her vision, with colors and lights, layers and detailswhere memories and feeling mingle. Painting is an act of exploration, notrepetition.
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hope after the fire
oil and acrylique on canvas 100 x 300 cm triptique 2025
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Description of the work :
The relation with time and sun became the absolute focus of my Fire triptich. Ididn't want to just paint a ruined landscape; I wanted to observe it heal. Thefirst part captures the raw, charred immediacy just after the fire. The secondpainted six months later , reveals the subtile, quiet return of structure andcolor. The final piece, is a testament to resilience and overgrowth. Through theslow, deliberate layering of the paint, I wasn't just documenting a place. I waspainting the passage of time itself.Triptich Fire: 100 x 300 cm oil and acrylique on canvasPace : 40 x 120 cm oil and acrylique on canvas

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BIEAF2026 Invited Artist
Jagu Gibson
India
Jagu storyJagu Pathak Gibson has passed her Fine Arts bachelor degree in 1994, fromMS University, Baroda, (Gujarat, India). Her first ever exhibition was in British Council, Bombay. She has exhibited in England , Germany, Baroda and NewZealand and so forth.
She has specifically chosen “Ephemera “, to describe temporary fleetingmoment of life. In her paintings we can see all the objects, which have veryshort life like a flower, butterfly or leaves. Dry leaves decaying and new greenleaves, fresh flowers appearing. Decaying and appearing again and againshows that cycle of life. Happiest moment in the life, everything isimpermanent.
In her paintings, she puts more emphasis, how people perceive her paintings.She may have a story, however, for her colour balance is one of the mostimportant aspects.
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Purple Indus
Digital Art 24x36 inches 2026
This abstract work explores the relationship between landscape, memory, andemotion through layers of flowing colour and fractured texture. Rich hues ofcrimson, violet, amber, and gold move across the canvas like shifting terrain,while intricate cracked forms evoke aerial landscapes, weathered earth, ormicroscopic cellular structures. Delicate, translucent lines weave through thecomposition, suggesting unseen pathways, rivers, or the passage of time. The painting resists a single narrative, instead inviting viewers to slow downand discover their own meanings within its evolving forms. From a distance,the work appears as a vibrant abstract landscape; on closer inspection, subtlesuggestions of organic shapes and human presence begin to emerge, blurringthe boundary between the natural and the imagined. Balancing movement with stillness, the piece reflects the hidden connectionsbetween the external world and our internal experiences. It encouragescontemplation of transformation, impermanence, and the beauty found withincomplexity, reminding us that meaning is often revealed through observationrather than certainty.
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BIEAF2026 Invited Artist
Jangwon Han
Korea
중앙대학교 동대학원 졸업(디자인학 박사)개인전 15회대한민국 미술대전 운영위원, 심사위원, 초대작가청주국제비엔날레 운영위원, 심사위원, 초대작가대한민국전승공예대전 운영위원, 심사위원(심사위원장)부산미술대전 초대작가(초대작가상) 운영위원, 심사위원문화재청 국가무형문화재 위원부산시 문화재 위원(위원장)Bieaf 공동대표현 동아대학교 예술체육대학 명예교수



Holy Space
Wood 700×700×180 2025
1. 전통목재의 아름다움과 현대적 조형감각을 결합한 작품으로 나무의 따뜻한 물성과 여백의 미학이 조화를 이루며 단순한 형태 속에서 깊은 사유와 시간의 흔적을 느끼게 하는 작품이다. 여백과 자연의 이미지를 통해 한국적 정성와 쉼의 공간을 표현하였다.
2. 자연 그대로의 거친 목재와 정제된 목재응 대비시켜 시간의 흔적과 생명의 질서를 표현한 작품이다. 단순한 구조 속에서 재료 본연의 물성과 자연의 에너지를 드러내며 인간과 자연의 조화로운 관계를 사유하게 한다.


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BIEAF2026 Invited Artist
Jarka Fox
Slovakia
I am a Slovak visual artist whose work explores the connection betweennature, human consciousness, and creative transformation. Inspired by thebeauty and wisdom of the natural world, I create symbolic and intuitiveartworks that invite reflection, harmony, and inner awareness.
My artworks have been exhibited internationally across Europe, Asia, theMiddle East and America, including exhibitions in Italy, Spain, the UnitedKingdom, South Korea, India, the United Arab Emirates, Turkey, Luxembourg,Malaysia, the USA, among other international venues. Through my art, I seekto celebrate light, creativity, and the interconnectedness of all life.
Description of the work :
Inspired by the BIEAF theme "From Sun To Boy," this work portrays the SunGoddess as the source of life, wisdom, and creative energy. Her light nurturesthe human spirit, reminding us of our connection to nature, inner growth, andthe infinite cycle of creation.
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THE SUN GODDESS
combined acrlylic technique 80x100cm 2026

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BIEAF2026 Invited Artist
Jau Yng Liao Chen
Spain
Tell us about BIEAF2026 'From Sun To Boy' :
Everything is connected to our planet – Earth is important because it is ouronly home, sustaining all creatures on Earth, and we have an obligation to carefor it. In recent years, the Earth has faced many climate crises and a lack ofnatural resources, disrupting its health. Through art, we make this appeal torestore the Earth's well-being.
Czili (artistic name of Jau Yng Liao) is a multidisciplinary artist born in 1964 inKeelung, Taiwan. Since 1982, she has lived and worked in Madrid, Spain, whereshe studied Fine Arts at Complutense University. She further expanded herartistic training in photography at EFTI School and fashion at KroomModa. Hercareer also includes collaborations with the renowned performing artscompany Els Comediants, which sparked her deep interest in light, sound, andinstallation art. Czili’s artistic journey reflects a profound connection with nature and theexploration of consciousness and the meaning of life. Her works emphasizethe beauty of the natural world and the essential relationship betweenhumans and nature. She has dedicated herself to art professionally since 2012,though her career has flourished with remarkable international recognition. Awards and Recognitions Czili’s talent has been celebrated across multiple continents:• 2026: XII Mayte Spínola’s Gold Medal Award (Belgium).• 2023: Lorenzo il Magnifico Special Mention Medal at the XIV FlorenceBiennale (Italy) and the Silver Brush Special Award at the Master BrushExcellence International Award (Costa Rica).• 2022: First Prize in Sculpture at the IV Prisma International Visual Artists(Chile).• 2021: Silver Medal in Installation Art at the XIII Florence Biennale (Italy).• 2014: Selected for the 75th Anniversary of the International Fine ArtsCompetition of Valdepeñas (Spain).• 1990s: Multiple selections in prestigious Spanish sculpture competitions,including the Jacinto Higueras National Sculpture Prize and the PuertollanoNational Sculpture Prize.
Description of the work The tree grows silently within the slow spiral of a hyperboloid. It emerges fromthe expansion of one circle into another, as if time itself were bending into ahelix. The structure does not confine—it listens. It follows the ancient rhythmof growth, where every turn is memory and every rise, breath. The formrepeats without repeating, organic like nature’s time: to grow here is to attend,to dwell in the center, and to expand without losing root. In this greenhouse, life reflects. And in its stillness, it reveals a wisdom nottaught but learned. The hyperboloid is not a boundary but a gesture ofrestrained growth: a space where life unfolds at its own pace, until it shattersthe frame. It does not climb straight or rush; it spirals, like nature’s ownprocesses, where every return is also transformation. The helicoid offers a different time—spiraled, where past and presentconverse. The tree, in its silence, embodies a knowledge not explained butexperienced. It does not fight geometry; it inhabits it. It does not conquer; itcomprehends. This greenhouse is not just a lattice of wire smelling of damp earth—it is aspace of freedom and reflection. It invites you to pause, to witness how lifebalances order and chaos, creation and decay. Nature teaches in silence: togrow within a system is to contain, but to break or persist beyond it is toreorganize. Here, human does not dominate: it proposes. Nature does not obey: it persists
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El invernadero (The Greenhouse)
Sculpture, Iron 109 (W) x 85 (D) x 41 (H) cm 2026
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BIEAF2026 Invited Artist
Javier de Mota
Spain
Javier de Mota is a painter, sculptor, and digital artist who trained at theFaculty of Fine Arts in Granada and the La Palma School of Art in Madrid,Spain.
Many of his sculptures are made with bricks, tiles, and wood that he hascollected from garbage containers in order to give a second life to thesematerials destined to become trash, with the intention of creating poetry fromrubble.
For Javier, art is much more than a form of expression. It is also a much-needed form of therapy in these times when we spend so much time trappedby screens.
Some of his works are designed to allow for an inner journey throughmeditation. This process fosters the development of imagination andvisualization, as well as delving deeper into the inner world to find answers wethought were forgotten.
Javier de Mota has a solid career. He has received twelve awards, held morethan forty exhibitions internationally, and has work in museums in Romania,Spain and South Korea.
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Freedom under construction
Photography 70 x 50 cm 2025
Freedom Under Construction is a photographic montage of a landscapesuperimposed on a sculpture of a bird spreading its wings. This sculpture ismade from recycled bricks and tiles salvaged from a construction dumpster, away of creating poetry from rubble.
Freedom is a state of mind, and we build it day by day with our thoughts.Thoughts shape the brain, which is why it's important to nourish ourselveswith positive and pleasant information. We must practice disconnecting fromthe media that bombards us daily with terrible news. It's also important to doso without feeling guilty for not participating in the game of reality they try tosell us, a reality that isn't really real because it only focuses on tragic events.Beauty and the sublime are right beside us; we just need to change ourperspective. We all need freedom to live, freedom to think, and freedom todream of a better world.

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BIEAF2026 Invited Artist
Javier Melgares
Spain
Javier Melgares (Terrassa, Spain, 1975) is a Spanish visual artist specializing in figurative drawing and painting. He studied at Escola Massana in Barcelona (2000–2004) and has dedicated more than two decades to exploring the human figure through symbolic and contemporary visual languages. His work has been presented in solo and group exhibitions in Spain and France. In 2023, he received the First Prize – Floreal Suriguera Award in the Drawing and Painting category. Since 2024, a permanent selection of his work has been exhibited at Abacus Terrassa, located in the historic Gran Casino de Terrassa. His paintings explore the human being as a symbolic universe where memory, mythology, and collective imagination converge.
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Alicia
Oleo on canvas 108x108 2025
"Alicia" depicts a central female figure surrounded by concentric blue and goldcircles, along with symbolic and fantastical elements. The compositionsuggests themes of femininity, fertility, and a connection to the universe. Theuse of gold leaf, vibrant colors, and circular forms creates a sacred, dreamlikeatmosphere, while celebrating the beauty, strength, and diversity of thehuman body. Overall, the artwork invites reflection on identity, nature, andspirituality.

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BIEAF2026 Invited Artist
Jay Anthony Gonzales
Philippines
I am an artist and craftsperson creating handcrafted wooden bags andpaintings that unite function, craftsmanship, and artistic expression. Inspiredby natural materials, texture, and form, my work explores themes of identity,emotion, and human connection while celebrating the beauty and authenticityof handmade creation.
Description of the work :
Handcrafted with care, this unique wooden handbag blends artistry andfunctionality. Featuring a rich polished wood finish, elegant geometricsilhouette, and delicate hand-painted rose detail, it brings timeless charm toany outfit. The sturdy top handle and detachable gold-tone chain offerversatile styling as a handbag or shoulder bag. A statement piece designedfor those who appreciate craftsmanship, individuality, and sustainablehandmade fashion.
The 23rd Busan International Environment Art Festival (BIEAF 2026) carriesthe inspiring theme “From Sun To Boy.” The festival explores the relationshipbetween creation, nature, and artistic expression, using symbolic imagery totell a universal story of growth and creativity. It is scheduled to run fromSeptember 1, 2026, to February 28, 2027, through BIEAF’s online gallery andexhibition spaces in Busan, South Korea. In this theme: The Sun represents the origin of life, the birth of the universe, and the sourceof creative energy.The Boy symbolizes the “Artistic Human” — an individual who seeks tounderstand and express the essence of nature through art.The festival’s official poster portrays the Sun as a nurturing feminine creativeforce, while the Boy represents the artist receiving inspiration andenlightenment from this divine source of light. “From Sun To Boy” is ultimately a story of transformation: the journey from thecosmic source of creation to the human spirit that interprets, celebrates, andshares the beauty of the natural world through artistic vision. The themereflects BIEAF’s ongoing mission to connect humanity and nature through artand global cultural exchange.
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RED FLOWER
Handcrafted Wooden Clutch Bag 5" x 10" 2026
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BIEAF2026 Invited Artist
Jay Dee
Philippines
The theme 'From Sun To Boy' represents the beautiful, continuous cycle andconnection between the grandest elements of our universe and humanity. The'Sun' symbolizes the source of life, nature, energy, and the vast environmentaround us, while the 'Boy' represents the human spirit, innocence, futuregenerations, and our consciousness. It talks about how the energy and lifeprovided by nature flow into mankind, reminding us that we are not separatefrom the environment, but a direct reflection of it. It is a call to look at ourrelationship with the world with the curiosity, care, and wonder of a child.
Jay Dee (b. 1997), is a licensed architect from San Jose, Occidental Mindoroand currently residing in Taguig, Metro Manila. His works revolve around theinteraction of light and space, creating a sense of solitude, mystery, and quietdiscovery. He often incorporates doorways, thresholds, and transitions into hispaintings, symbolizing change, personal growth, and hope. Through his use ofdeep blues, contrasted with bright lines of illumination, he invites viewers toexplore the emotions embedded in his work. He has joined various art exhibition such as "ANI: Our Assets, Natural Heritage,and Cultural Identity" at the National Museum of Natural History; PhilippineFlora An Online Art Exhibition in partnership with Department of ForeignAffairs; First Art Show Philippines Art Without Borders in Kuala Lumpur,Malaysia; 3rd ASP Art Without Borders in Bangkok Thailand “Celebrating126th Philippine Independence Day and 75th Anniversary of Diplomatic Relations of Thailand and Philippines”; Busan International Arts Festival BIAF2023; Harmony in Humanity at Adamson University Art Gallery; Artist 360Feria de Arte Contemporaneo in Madrid Spain. His works also exhibited at BGC Art Center, 1159 Creative Space, Artienda ArtGallery, Gateway Gallery, Las Casas Filipinas de Acuzar, ARTablado RobinsonsGalleria, Estoria Manila, Shambala Silang, SM North EDSA, Ali Mall, MadisonGalleries & Lifestyle Mall, and Gateway Mall. In addition to his artistic practice, he also contributed as the designer of amonumental landmark for Occidental Mindoro State College—anarchitectural work that stands as a symbol of pride and identity for hishometown.
Description of the work : The Daydream Series: Whales There is a specific kind of quiet that only happens when your mind completelydrifts away, and that is exactly what this collection feels like. The heavy, textured clouds look like something you could actually reach outand sink your hands into, glowing with warm shades of lavender and softpeach. Towering over these dreamscapes are massive, gentle moons and vaststarlit skies that feel deeply comforting. And then, gliding effortlessly throughthe air, whimsical whales move softly through the clouds, trailing bits ofstardust behind them. This series captures that beautiful, slow-motion feeling of a daydream, wherethe rules of the real world don't apply, and everything just feels completelystill, soft, and safe.
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Day Dream Series
acrylic on canvas 10in x 8in 2026
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BIEAF2026 Invited Artist
Jayson Tribaco
Philippine
Jayson C. Tribaco is a Materials Engineer whose curiosity extends beyond the physical nature of materials into the deeper questions of existence, creation, and the connection between humanity and the universe. Alongside his scientific discipline, Jayson carries a profound love for art — a space where observation, emotion, imagination, and eflection come together. His creative journey is inspired by the beauty of both the visible and invisible aspects of creation: the structures we can touch, the forces we can measure, and the mysteries that inspire human wonder. Through his work, Jayson explores the relationship between nature, consciousness, and the origin of creativity. He views art as a bridge between science and spirituality, a language that allows people to contemplate the harmony, complexity, and meaning found within existence. As part of BIEAF2026, his perspective connects with the theme “From Sun To Boy” — a reflection of life’s energy flowing from nature oward future generations. His artistic expression seeks to honor the beauty of creation, the responsibility of humanity, and the endless curiosity that drives us to understand the world around us.
“From Sun To Boy” becomes a poetic message: the energy of nature flows intothe hearts of the next generation, inspiring them to protect, create, andcontinue the story of Earth.
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Where the Soul Meets the Sky
Acrylic 12 in X 16 in 2026
Where the Soul Meets the Sky” is a contemporary expressive work thatexplores the profound connection between human existence, nature, and theunseen emotional landscapes within the self. Through a dramaticarrangement of light, shadow, texture, and symbolic imagery, the paintingpresents a moment of quiet transformation — a place where the individualconfronts the vastness of the natural world and discovers a deeper awarenessof their own existence. The composition is constructed around a powerful contrast between darknessand illumination. The deep, almost endless darkness occupying one side ofthe canvas represents the unknown territories of the human experience:uncertainty, solitude, memory, and the hidden thoughts that exist beneath thesurface of everyday life. This darkness is not portrayed as purely negative;instead, it becomes a necessary space of reflection, a silent environmentwhere personal growth begins. A luminous golden passage divides the composition, functioning as asymbolic threshold between two states of being. It represents transition,awakening, and the fragile moment when the human spirit moves fromuncertainty toward understanding. The figure standing within thisenvironment appears as both a physical presence and a universal symbol —not a specific individual, but humanity itself. The simplified form encouragesviewers to project their own experiences, emotions, and personal journeysinto the artwork. Above the figure, the presence of birds introduces movement and freedominto the stillness of the scene. These natural elements symbolize hope,liberation, and the continuous desire to rise beyond limitations. Their flightsuggests that transformation is not only an internal process but also amovement toward connection with the greater world. The birds become abridge between earth and sky, between human consciousness and the infinitepossibilities of nature. The painting’s color language plays an essential role in creating its emotionalatmosphere. Warm golds and burnt tones generate a feeling of warmth,memory, and spiritual energy, while deep blues and dark earth colors providebalance, mystery, and emotional depth. The interaction between theseopposing color forces creates a visual tension that reflects the complexity ofhuman life — the coexistence of struggle and hope, silence and expression,isolation and belonging. The textured surface reveals the physical journey of the artwork’s creation.Layered marks, visible movements, and variations in paint density give thepiece a sense of history and emotional presence. The surface itself becomes arecord of thought and feeling, showing that the artwork is not only an imagebut also an experience built through process. “Where the Soul Meets the Sky” invites viewers to pause and consider theirown relationship with nature, identity, and change. It suggests that everyperson carries both darkness and light within them, and that moments ofuncertainty can become pathways toward growth. Ultimately, the work is ameditation on the human search for meaning — a visual reminder that even insolitude, we remain connected to the world around us.

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BIEAF2026 Invited Artist
Jean Krammer
Austria
I am Graphic Designer, so I tried to do something easy to be seen. So, do notexpect something artistic, but something graphic. I used green, because ofthe ecological subject of the exhibition. Here you can see the branch of a treeand the hand of a human being. Together they form a heart. The must be thelink with nature.
Artist's Introduction : One of the most difficult things to do is to talk about my person. I do not liketo look myself in that interior mirror where admiration and deception livetogether. Maybe I find this action —talking about myself— as a defectbecause the others are excluded. I was born the same year that Pablo Picassodied, Elvis Presley’s concert in Hawaii was the first worldwide telecast by anentertainer watched by more people than the Apollo moon landing and theWorld Trade Center officially opened in New York City. I share birthdays withMarilyn Monroe, Heidi Klum, Morgan Freeman and Alanis Morissette. I grew upin Mexico City. Ever since I was a boy, I have felt a strong attraction towardstypes (and not only as a reader). I found their forms —precise and varied—fascinating. That did not mean that I had the profile of a child artist. Mydrawings were not beautiful and my colors blends were not the best. Despitethat, I remember with nostalgia those years where stimuli were hard to findand boredom was productive. When I was 18, I decided to study GraphicDesign at the Anáhuac University. It was interesting because we worked withscissors, pencils, paper, markers, brushes (the real ones) and only in the lateyears computer became an essential tool. As a normal human being, I am notperfect. But I am not a conformist and I attended courses, workshops andtalks —all related with graphic design—where I learned that a good designermust listen the others. I am absolute passionate about what I do. I havebrought this group of posters, photos, videos, books, magazines andbrochures to show my own idea of design. It is a certain manner of seeing andunderstanding the world. Finally I would like to finish these words remembering that “the work doneyesterday does not matter anymore, it is necessary to start over again andagain and rediscover it every day”.
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All Together
Paper 100 cm X 70 cm 2026

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BIEAF2026 Invited Artist
Jean Song
Korea
Jean Song’s artistic practice stems from the observation of overlooked blindspots in everyday life. These cognitive blind spots refer to marginalizedevents,situations, specific individuals, and nonhuman beings that fall outside therealm ofsocial attention, which the artist has continuously witnessed and collected.Suchsubjects are materialized through drawing, painting, and objects, and arepresented within the visual language of critical realism.
Description of the work :
The works belong to the Gazes series and feature real insect species such asthe Mantid Fly, Orchid mantis, and Atlantis Moth. Grounded in an interest inbiological mutation, hybridity, and deformity, the project introduces theseorganisms into newly constructed habitats and visualizes their presencewithin them.In the Gazes series, the ecosystems inhabited by animals and insects arecomposed through the appropriation and transformation of elements drawnfrom traditional Korean Chochungdo paintings, including sky, clouds, water(waves and rivers), rocks (grotesque stones and rock formations), smoke, andplants (trees and grasses). Through these elements, imagined habitats foreach organism are articulated and interconnected, forming a single landscape.
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Gazes-Moth
Ink, bronze pigment, water color on paper
20.9x17.7inches 2024

Gallery 14
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 14 Artists and Works Slide
You can mark hearts on your favorite artists and works.

BIEAF2026 Invited Artist
Jebung Lee
Korea
동부산대학 생활도예과 졸업
20년 가까이 백자 찻그릇 작업을 주로 하고 있습니다

Turn the light on
white porcelain clay 20x20x20 2025

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BIEAF2026 Invited Artist
Jeong Jin Ok
Korea
I have a deep interest in Hawaiian Culture and Art. Hawaiian Culture and Artare known for their strong healing effects on both the mind and body. Peoplecan experience a sense of harmony, relaxation and connection with nature andcommunity.
Description of the work :
Iolani LuahineShe was a native Kumu hula,chanter and teacher who was considered the highpriestess of the ancient hula.
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Sacred Storyteller
Pencil on paper 29cm x 42 cm 2025


행복한 오후
Oil on canvas 53cm ×45.5cm 2026


BIEAF2026 Invited Artist
Jeong Seon Park
Korea
Artist JeongSeon Park was born in Seoul, South Korea. Solo Exhibition 7th, Participated in Multiple Domestic & International Art Fairs.(Kiaf, Art Busan, Affordable Art Fair Hong Kong, One Art Fair Tai Pei, Bank ArtFair, Uiaf, Korea Art Show, and more)Served on the organizing committee for several art fairs.Participated in over 100 Group & invited exhibitions.B.F.A. in Metal Crafts, Hongik University, College of Fine Arts.M.F.A. in Painting, Hoingik University, Graduate School of Fine Arts. Awards : Seongnam-si Artists Award, Korea Concrete Art Competition DAFArtist Award,Gyeonggi Provincial Council Award, Special Selection Award at the WorldPeace Art competitionand more. Present : Asia Artists Association, Neo Bundang Artists Association, KoreaFine Art Association,Seongnam Fine Art Association.
"From Sun to Boy" evokes a journey from the light of creation to theimagination of the artist.I hope my artwork inspires empathy, hope, and a positive outlook on life thatresonates across generations.
Description of the work :
Hero Series explores collective memory through iconic characters fromcartoons and films.
More than symbols of popular culture, these familiar figures embody theinnocence, imagination, and emotional experiences shared acrossgenerations. Kidult(Kid+adult) culture is not merely nostalgic entertainment, but a cultural archive that preserves memories of childhood, family, andfriendship.
Inspired by Jean-Michel Basquiat's visual language, the series combinesexpressive imagery and text in a contemporary homage. By reinterpretingfamiliar characters, the works transform cultural icons into reflections of ourown stories, where personal memory intersects with shared experience.Ultimately, Hero Series suggests that heroism exists not in extraordinaryfigures, but within everyday life.Through empathy, hope, and the memories we hold in common, the seriesinvites viewers to rediscover the possibility that each of us can becomesomeone else's hero.

Hero
acrylic on canvas 37.9 X 45.3 cm 2025



BIEAF2026 Invited Artist
Jeongsook Moon
Korea
이화여자대학교미술대학서양화졸업개인전8회/단체전정기전 .기획전.초대전.교류전다수참여국제아트페어10회(캐나다.중국.그리스.이태리)성산미술대전.김해미술대전심사위원 역임현/한국미술협회 .부산미술협회부산창작미협 사생회.부산진구예술인협회.군록회 부회장 문화실운영재단법인 부산광역시 테니스장학회 상임이사
Description of the work :
해가지기직전 하늘이 가장화려한색을 끌어내는 골든아워의 역동성을 표현하고싶은 작품으로 보라색과 붉은색이 뒤섥인 하늘의 단순히 아름답다는 느낌을 넘어 무언가 뜨거운 열망이나 지나온 시간에대한 회상을 불러일으키고싶었다특히어둠이 내려 앉기 직전의 가장밝은빛을 포착함으로써 절망보다는 내일에대한희망과 평온한 휴식의 정서를 전달하고 싶은 의도로 유화특유의 질감으로 구름의무게감을 더한작품이다
해의 에네지가 소년에게 전달되어서 지는 느낌을 받는 주제가 해의 에네지가 작가들께 전달되어 더욱 열정과 열망으로 이루어진 작품세계를창조하는 전시기를 기원하는 메세지인것같습니다

저녁노을
Oil on canvas 10호 2025


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BIEAF2026 Invited Artist
Jeongwoo Kim
Korea
Jeongwoo Kim approaches painting not as a medium of simplerepresentation, but as a phenomenon where material, action, and theaccumulation of time intersect. By repeatedly spreading and layering non-traditional materials such as cement and silicone onto the surface, he revealsthe moments in which images are formed and dismantled.
Through this process, he questions the contemporary potential of painting inan era saturated with digital images, while focusing on the traces and statesthat emerge through accumulation and transformation. His work ultimatelyinvites viewers to contemplate a painterly reality that continuously forms anddissolves beyond the fixed image.
Tell us about BIEAF2026 'From Sun To Boy' :
My work connects with the theme 'From Sun To Boy' by shifting the focusfrom human-centric perspectives back to the raw, fundamental reality of thematerial world. Through the accumulation of non-traditional materials, I revealthe tension between visual illusion and physical reality, inviting viewers toconfront the essential truth of painting.
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Floating State
Sealant and oil on canvas 162x130cm 2025
This work departs from the conventional authority and interpretiveframeworks surrounding painting, instead taking its cue from viewing paintingas a factual phenomenon in itself. From a distance, the deep blue tones and heterogeneous planes of the screenevoke a sense of an organic space. However, as the viewer approaches theartwork, this visual illusion shatters, bringing to the fore a physical reality—thefabricated materiality of silicone and oil paint hardened upon the canvas. Rather than visual representation, the focus lies on the very process in whichmaterials accumulate and overlap over time. Here, painting does not serve asa tool for conveying a specific meaning; rather, it exists as a vivid 'state'brought forth by the intrinsic properties of the media and the accumulation of time. Ultimately, the surface is a manifestation of action and material reaction,serving as a site of accumulation where traces intertwine, emerging andfading away. Through this material accumulation, the work invites the viewerto confront the essential reality of painting that resides far beyond the fixedvisual image.

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BIEAF2026 Invited Artist
Jerlene Mortega
Philippines
Jerlene Mortega is a traditional visual artist from Gumaca, Quezon,Philippines.
She works with acrylic, ink, oil pastel, and soft pastel, exploring emotion,identity,and unspoken thoughts through her art. Currently, she explores a geometryinspired style, using structured forms and patterns to express emotion.She developed her passion for art in elementary school and later joined the Special Program in the Arts in junior high, specializing in visual arts. She was also analumna of the Dulaang Bugtali theater organization at Gumaca National HighSchool, where she served as both an active member and an officer; thisexperience helped her explore more knowledge in different kind of arts.She competed for the first time in 2025 at the Umbrella Art Competition inLucban,Quezon.
She also participated in her first international exhibit at the BusanInternational Art Festival in South Korea. She earned her first award the sameyear, placing second in the painting category at their college department’sCABHACAF, and repeated this achievement in 2026 at Southern Luzon StateUniversity.She is currently a member of the Balintataw Arts Club at Southern LuzonStateUniversity and is also part of the Women in Art Community and the YouthArtistGuild in Quezon Province.
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Mukha ng Pagkakakilanlan (Face of Identity)
Acrylic on Canvas 20 x 30 Inch 2026
This artwork represents the identity of four towns in Quezon Province, eachsymbolizingtheir well-known tourist destinations and vibrant festivals. Created in a distinctart style, the composition highlights the “Four Pillars of May 15” in QuezonProvince unified through culture, heritage, and celebration. The upper left section represents Gumaca, featuring its iconic fish landmarklocally knownas “yaput.” The color of the fish is inspired by the costume of Gumaca’s streetdancers fromlast year’s Niyugyugan Festival, along with the historic Castillo de San Diegode Alcala andthe Arañat Baluarte Festival. The upper right section portrays Lucban, known for the colorful PahiyasFestival and thereligious landmark Kamay ni Hesus Shrine. Some of the shapes in this sectionare inspiredby their famous kiping. The lower left section represents Sariaya, highlightingthe famous delicacy Pinagong, which also influences the composition of theartwork, the lively Agawan Festival, and itswell-known ancestral houses that reflect the town’s rich history. The lower right section depicts Tayabas, showcasing the vibrant MayohanFestival, thebeloved delicacy Budin, which can be seen in the headdress that looks like aslice of budin,along with the historic Malagonlong Bridge and the Minor Basilica of St.Michael the Archangel.

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BIEAF2026 Invited Artist
JEROME CHIA-HORNG LIN
Taiwan
Jerome Chia-Horng Lin is a surrealist who uses interdisciplinary practicessuch as 3D digital tools and oil paintings to roam between the spiritualcosmos and the material world. Over time, his mind soars above the sky whilethe harsh reality grounds him in mundane life.
In daily life, he is currently an assistant professor in the Dept. of VisualCommunication Design at Chaoyang University of Technology in Taiwan.In the spiritual realm, he manages to obtain international exposure by winningnumerous awards including The Best international Exhibitor at Art Expo NewYork, the Award Winner of Video Art from It’s liquid international contest inVenice and etc. His animations and oil paintings have been selected andexhibited in film festivals and exhibitions in the Switzerland, US, UK, Germany,Italy, France, Hungry, Spain, Peru, Mexico, Korea, Japan, China, Taiwan andother places.
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1. Look @ the Egg 28:A Corner of Arsenale in Venice 120x120cm 2025
2. A Fraction of Memory 162x130cm 2026
Oil on Canvas
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BIEAF2026 Invited Artist
Jesus Victor
Perú
VÍCTOR SALVO (JESÚS VÍCTOR SALVADOR PORTUGUEZ) Nace el 17 de abril en 1955, en el anexo de Langla, distrito de Lunahuaná,Cañete, Lima - Perú. Realizó estudios secundarios en el colegio N. M. "Mariscal Oscar R. Benavides"del lugar, en 1971 ingresa a la Escuela Nacional Superior Autónoma de BellasArtes del Perú; siguiendo estudios de dibujo, Pintura y Grabado con losmaestros E. Galdos Rivas, A. Díaz Mori y Jorge Ara M. egresando en 1977integrando la promoción "Eusebio Roa". La calidad de su obra pictórica se internacionaliza por sus temas de hondocontenido estético, de reminiscencia pre-Inca en sus inicios y tratarposteriormente la figura con elementos regionales de carácter mítico, telúricoexpresionista y ecologista muy original en el arte del Perú.Realiza muestras individuales de su Arte en el Perú, así como colectivasimportantes en el extranjero: Japón, Alemania, EE. UU. México, Puerto Rico,Chile, Colombia, España, Francia, Ecuador, Canadá y República Dominicanadonde han acogido sus obras con aprecio. DISTINCIONES: Premio Estímulo y Tercer Premio del Concurso Nacional de Pintura delBanco popular del Perú en 1979-1980.Premio Nacional de Educación Horacio, Derrama Magisterial, 2001.Diploma de Honor al Mérito, Medalla de Reconocimiento, Resolución deAlcaldía 239 de la Municipalidad Provincial de Huamanga, Región Ayacucho,2005.Diploma de Honor al Mérito, Felicitación y Reconocimiento, MunicipalidadProvincial de Acobamba, Región Huancavelica, 2007.Mención Honrosa, IV Bienal Intercontinental de Arte Indígena, Ancestral yMilenario, Casa de la Cultura de Quito Ecuador, 2012.Trofeo de Reconocimiento a la trayectoria artística, Ministerio de Turismo deSanto Domingo, República Dominicana. 2014.Diploma de Honor y Reconocimiento, Escuela de Artes Plásticas “CoronelCándido Bidó Ventura”- Fuerza Aérea de República Dominicana. 2014.Jurado de la VI Bienal Intercontinental de Arte indígena Ancestral oMilenario, Piura, 2016.Presidente de la Asociación Peruana de Artistas Plásticos (ASPAP-2018-2019).Reportaje en el Programa de la televisión peruana, Canal 7 TV, “Detrás delArte” de Fernando Ríos, 28 de octubre, 2018.Diploma y Trofeo de Reconocimiento: Dirección Desconcentrada de Cultura-Ica, Ministerio de Cultura 2019.Diploma de Reconocimiento, Municipalidad Provincial de Sullana, Piura, porel 111 Aniversario de la provincia y el V Salón de Artes Visuales Sullana, 2022. Mención de Honor, Tercer Puesto. Concurso Nacional de Pintura por la Paz.USAT. Universidad Católica Santo Toribio de Mogrovejo, Chiclayo,Lambayeque. 2023Diploma de Honor. Primer Puesto: Concurso Mundial de Dibujo y Pintura. “ElArte como expresión de Libertad”. Asociación Internacional de Arte yEducación, España. 2024.
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S.O.S. Amazonía
Óleo sobre lienzo 80 x 60 cms 2024
En “S.O.S. Amazonía V” : Víctor Salvo construye una alegoría sobre la defensade la Amazonía y el equilibrio entre el ser humano, los animales y el bosque. Lafigura central del chamán de tres ojos, es el rostro principal de la obra, esceremonial y misteriosa. Es el chamán guardián de la naturaleza yrepresentante del orden natural ancestral. Alrededor del personaje central se despliega una multitud de seresantropomorfos, aves, reptiles, peces, anfibios y mamíferos. Algunospersonajes protegen o sostienen a los animales, mientras que los troncoscortados, las ramas quebradas y los instrumentos de tala introducen señalesde amenaza. La composición, densa y sin espacios vacíos, transmite lasensación de que toda la vida selvática comparece ante un juicio colectivo,reclamando protección frente a la destrucción de su hábitat.Ricardo Cuya Vera (Crítico).

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BIEAF2026 Invited Artist
Jhean Gerly Jardin
Philippines
The BIEAF2026 'From Sun To Boy' is an environment art festival which showsthe sun as the Genesis of the universe and the dawn of all creation while thethe boy symbolizes artistic human, a spirit in pursuit of expressing the veryessence of nature
Jingerly is a visual artist from Batangas City known for her vibrant,emotionally rich paintings that explore the deep spiritual connection betweenhumans and animals—especially dogs. Her signature use of rainbow-inspiredhues and expressive brushwork brings to life canine figures as celestialguardians symbolizing love, loyalty, and protection. Her artistic journey began with ANEMAGINATION (2020) at Art Asia Galleryand has since expanded to notable group exhibitions such as INTRAMUROSat Museo ni Rizal, Fort Santiago (2022), and Manila Art Satellite exhibition:New Contemporary at Aplaya Gallery (2023). She was also featured inIntramuros: Artist Perspectives in Plein Air and Bintana: Batangas Art Throughthe Eyes of 143 Artists (2024). In 2025, her works were exhibited at the House of Representatives in Beyondthe Canvas, the CCP Pasinaya Festival, and NCCA’s Playlist 4 OPM exhibit—making her one of the first Batangueña artists to reach such platforms. Shealso joined Viaje 6: Journeys of the Heart and Soul held in Vallehermoso,Negros Oriental, and recently showcased her artworks at the BusanInternational Art Festival in Busan, South Korea. Jingerly has earned multiple accolades, including 1st place in the Guhit PinasNational Poster Making Contest (2019), finalist in Vir’s Vision Painting Contest,and 1st runner-up in Pintahusay 2025. Her development as an artist has beenguided by her mentorship under Art Show Philippines and her activeinvolvement in art collectives such as Arte Likha, Kunst Filipino, and Alpas. With passion, purpose, and a unique visual voice, Jingerly continues to makeher mark in the evolving landscape of Filipino contemporary art.You can make more than you can imagine—just don’t give up!
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Malakas at Maganda
Acrylic on Canvas 24 x 18 inches 2024
"Malakas at Maganda" , a beloved Filipino creation myth, presents thelegendary first man and woman through a contemporary and whimsical lens.Emerging from the embrace of towering bamboo stalks, the figures areportrayed with expressive eyes and youthful charm, symbolizing innocence, wonder, and the beginning of humanity. Surrounded by lush tropical foliage and vibrant native flora, the composition celebrates the richness of the Philippine landscape, the sacred setting wherelife is believed to have first unfolded. The rooster, a significant element in theoriginal folk tale, is held gently between the pair, serving as a reminder of thedivine intervention that led to their birth from the split bamboo. Bathed in soft light beneath an open sky, the artwork blends folklore withimagination, transforming an ancient narrative into a dreamlike vision thatresonates with modern audiences. The oversized eyes and vivid colors evoke asense of curiosity and hope, emphasizing the enduring themes of origin, unity,and the deep connection between humanity and nature. Through this reimagining, Malakas at Maganda honors Filipino culturalheritage while inviting viewers to rediscover the timeless story of creationthrough a fresh, contemporary perspective. It is both a tribute to tradition anda celebration of the evolving ways in which folklore continues to inspire art andidentity.


BIEAF2026 Invited Artist
Ji Yong Lee
Korea
신한대학교 모델콘텐츠학과 조교수(사)한국모델문화예술협회 부회장(사)한국정핵학회 이사(사)한국모델콘텐츠학과 이사
본 작품「숨, 땅의 기억」은 자연과 도시, 생명과 오염이 공존하는 환경 주제의 디지털 수묵 콜라주 작품이다. 공중에 떠 있는 땅은 소나무와 이끼, 산수의 풍경을 품고있지만 동시에 도시, 공장, 쓰레기의 흔적을 함께 안고 있다. 흩어지고 떨어지는 한글은 인간의 언어이지만 자연 위에 남겨진 기억의 파편을 상징한다. 작품은 땅이 인간의 모든 흔적을 기억하고 있으며, 환경오염 속에서도 자연은 여전히 숨 쉬고 있음을말한다.
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숨, 땅의기억
AI, 디지털 1085x1450 2026

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BIEAF2026 Invited Artist
JIANG XINGDA
China
Jiang Xingda, male, born in 1979. Doctor of Arts, Professor. He currentlyserves as Dean of the Plastic Arts College at Hebei Academy of Fine Arts,Deputy Director of the Comprehensive Materials Art Committee of HebeiArtists Association, and Master’s Supervisor at North China University ofScience and Technology.
Description of the work :
Four Scenes of Autumn Garden (Screen 1 & Screen 2)These two scrolls depict rural scenery in autumn. Green loofahs hang downwhile golden gourds ripen. With freehand brushwork, the paintings capturethe fruitful harvest in farmlands, conveying a tranquil pastoral charm throughrural vegetables and fruits.
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Four Scenes of Autumn Garden
Ink on Paper 137 x 17 cm 2024

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BIEAF2026 Invited Artist
Jieun Lee
Korea
광주를 기반으로 활동하며 지역의 역사와 자연, 전통문화를 현대 공예와 디자인으로 재해석하는 아티스트입니다.알콜잉크아트,창작민화,전통매듭, 비녀, 섬유디자인, 하바리움, 딥아트 플라워 등 다양한 공예 기법을 활용하여 한국의 전통성과 현대적 감성을 연결하는 작품을 선보이고 있습니다. 특히 광주 5·18 민주화운동의 역사적 장소와 상징을 농수산물의 활용으로 지역의 문화자원을 작품 속에 담아 기억과 치유, 공존의 가치를 표현합니다.일상 속에서 예술이 사람과 사람, 과거와 현재, 지역과 세계를 이어주는 매개체가 될수 있다고 믿으며 한국 고유의 아름다움과 이야기를 현대적인 시각으로 재해석하여국내외 전시와 문화교류 활동을 통해 한국 문화의 가치를 알리고 있으며, 전통 공예와 현대 예술의 경계를 넘나드는 작업을 지속하고 있습니다.
Tell us about BIEAF2026 'From Sun To Boy' :
우리는 모두 각자의 삶 속에서 긴 겨울과 같은 시간을 지나갑니다.그러나 자연이 계절을 거듭하며 다시 꽃을 피우듯, 사람 또한 상처와 어려움을 견디며 성장하고 새로운 희망을 발견합니다.아직 성장중인 소년이 또 다른 다음 세대에게 전해지는 과정 따뜻한 햇살이 어린 새싹을 키우듯, 우리의 기억과 경험, 사랑과 희망 또한 또 다른 다른세대의 소년에게 이어 질 수 있었으면 좋겠습니다.
이 작품을 통해 관람객들이 자신의 삶 속 작은 빛을 발견하고, 그 빛을 누군가에게 전할 수 있는 용기와 희망을 느끼길 바랍니다.
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봄의시작
알콜,잉크 73x61 2026
이 작품은 긴 겨울을 견뎌낸 생명이 다시 깨어나는 순간을 담고 있다.잉크에 알콜을 뿌려 붓이 아닌 바람을 이용해 그림을 그려 먹빛이 번져 만들어낸 깊고 유기적인 형태는 겨울의 시간과 자연의 흐름을 상징하며, 화면 곳곳에 피어나는붉은 꽃들은 새로운 시작과 희망, 생명의 에너지를 나타냅니다..차가운 침묵 속에서도 자연은 멈추지 않고 다음 계절을 준비하며, 작은 꽃망울 하나에도 강인한 생명력이 깃들어 있음을 보여주고 있습니다.번짐과 우연이 만들어내는 자연의 흔적을 통해 인간 또한 삶의 여 러 계절을 지나며성장하고 다시 피어나는 존재임을 이야기한다. 《봄의 시작》은 자연의 순환 속에서 발견하는 회복과 희망, 그리고 새로운 출발에 대한 메시지를 담고 있습니다.

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BIEAF2026 Invited Artist
JIN HEE JEONG
Korea
Description of the work :
漁父歌(어부가)는푸른물결과 바다위의 바람과 달 그리고 어선을 쫒는다고 노래한다.사실적인 배를 통해 어부의 삶을 상징적으로 표현하였다.캔버스를 큰 바다로 생각하여 전체를 분할하였고, 달빛의 아름다움은다양한 색상을 사용하여 표현하였다.화면분할이라는 추상과 사실적인 배와 그것들을 이어주는 밧줄의 조화는어부의 삶과 꿈을 연결한다.
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漁父歌 (어부가)
Oil on canvas 138cm×100cm 2025


BIEAF2026 Invited Artist
Jinsook Lee
Korea
I am Jin Sook Lee (Blooming),a contemporary illustrator who captures warm, peacefulmoments of daily life by reinterpreting traditional storytelling motifs with a modern sensibility.
Using a delicate combination of digital drawing layers,colored pencils, and traditional Eastern paint textures,I create deep and inviting narrative spaces.
My work focuses on natural, warm color palettes andsoft, tactile textures to express the serene beauty andpreciousness of ordinary moments.
Beyond creating visually pleasing art, I aim to deliverdeep emotion, witty narratives, and a sense ofcomforting pause. I want to invite viewers to step insidemy illustrations, slow down, and find healing in thehidden stories of our lives.
Description of the work :
Traditional Korean Minhwa inherently carries prayers for life: the tiger forprotection, the deer for peace, and the tortoise for the depth of time. Thisartwork captures the moment these ancient symbols soar into the modernworld. Rising above the urban silhouette, they effortlessly traverse past andpresent, East and West, America and Korea, weaving them into a single flow.I hope the warm language of Minhwa transcends boundaries to reach a globalaudience. It is no longer confined to the past; it is alive and moving here andnow, freely flying toward the world.
민화는 늘 오래된 언어라고 생각했습니다. 호랑이와 까치, 십장생, 문자도 — 수백 년전 사람들이 남긴 상징들을 지금의 화면 위에 다시 그리는 일이니까요. 그런데 이번주제 '해에게서 소년에게'를 마주하며 생각이 조금 달라졌습니다. 해는 늘 그 자리에있었지만, 매번 다른 소년에게 말을 건넸을 뿐이라는 것.제가 하는 작업도 비슷합니다. 민화 속 오래된 상징들은 변하지 않지만, 그것을 받아그리는 저는 매번 다른 시대, 다른 언어로 그것을 옮깁니다. 전통이 다음 세대에게 말을 거는 방식은, 그 세대가 알아들을 수 있는 목소리로 다시 태어나는 것이라고 생각합니다.BIEAF가 이번에 던지는 질문도 그렇게 읽었습니다. 자연은, 전통은, 늘 그 자리에서새로운 세대를 향해 말을 건네고 있다고. 우리가 할 일은 그 목소리를 듣고, 우리의언어로 다시 옮기는 것뿐이라고요.

Minhwa, Flying Through the World
Archival print on Canvas 20x28 inches 2026


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BIEAF2026 Invited Artist
Jinat Rehena
Bangladesh
I am Jinat Rehena. I am a professional Fine Artist and Art Mentor. I studiedFine Arts from University of Dhaka. I established an Art School (German ArtSchool) where l teach children drawing and painting. I also established an ArtGallery ( German Art Gallery).
I have participated *Winner-Women ArtCompetition 2023* Solo Exhibition - Bremen, Germany 2023* Festival Exhibition 2024* World Meets Goa- India 2025* Group Exhibition - Austria 2024.
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Wings of the Soul
Acrylic on canvas 80×100 cm 2026
"Wings of the Soul" reflects the profound connection between nature and thehuman spirit. The sea symbolizes the universal soul—vast, timeless, andembracing all life—while the soaring seagulls represent the free spirit seekingharmony and higher awareness. Their flight between sky and water expressesthe eternal dialogue between the visible and the invisible, inviting us torediscover our inner freedom and our unity with the natural world.


BIEAF2026 Invited Artist
Jinhyun Jeong
Korea
[꽃의 화려함은]
한 때 꽃의 화려함은 슬픔이다
타인의 찬사가 너를 환호할 때
너는 알고 있다
또 한 번의 아픔을 견뎌야 하며
또 한 번의 이별을 맞아야 한다는 것을
그 아름다움을 위해 바친
너의 오롯한 시간들을 아쉬워말아라
너의 이름을 기억하는
모든 이의 순간이 다 너의 것이다.
수원대학교 미술대학원 조형예술학과개인전 7회, 그룹전 80여회2024 내면적 실체 Part2-갤러리 아르떼 청담2023 사이아트스페이스 선정작가전 ‘시간의두께-감정의층’2021 Art Seoul 초대작가전-한가람미술관2019 Art Seoul 초대작가전-한가람미술관예술의전당 개관30주년 작가스튜디오 역대작가전-한가람미술관 제1관제4회 예술의전당 작가스튜디오 작가선발전-한가람미술관 갤러리7

시간의 두께- 감정의 층
(Depths of Time, Layers of Emotion)
Mixed media 116.8 x 92 cm 2025
기억의 조각들은 감정의 파편들이다.
무의식 속에 또는 의식 속에 잠재하는 생각들.
그 시간의 두께 속 이야기들을 그린다.
시선이 머무는 곳에 마음이 있고
마음이 머무는 곳에 기억이 있다.
시선이 머무는 곳에는 이야기들이 있다.


BIEAF2026 Invited Artist
Jiyee Lee
Korea
홍익대학교 대학원 동양화 박사, 중국중앙미술학원(CAFA) 중국화과를 졸업했다.먹과 콜라주 기법을 통해 이방성, 기억, 시간의 흔적을 탐구하며 개인전과 한국·대만·일본 등 국내외 기획전에 꾸준히 참여하고 있다. 현재 경희대학교에서 강의하며 창작과 연구를 함께 이어가고 있다.
Description of the work :
『A Strange Fish』는 익숙한 세계를 벗어나 낯선 공간을 떠도는 존재에 대한 이야기이다. 화면 속 물고기들은 실제 생물을 재현하기보다, 끊임없이 자신의 자리를 찾아 이동하는 이방인의 모습을 은유한다. 한지를 오려 붙이는 콜라주와 먹의 번짐은경계가 흐려지고 다시 형성되는 과정을 담아내며, 하나의 고정된 정체성보다 변화하는 존재의 상태를 드러낸다. 검은 화면을 가로지르는 물고기들은 서로 가까이 있지만 끝내 같은 방향에 머물지 않는다. 이 작업은 낯선 환경 속에서 흔들리며 살아가는 우리의 모습을 비추는 동시에, 불안과 이동의 시간을 지나 자신만의 흐름을 만들어가는 존재의 이야기를 담고 있다.

Strange Fish N.1-2
광목천에 한지 수묵 콜라주 40x40cm 2025


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BIEAF2026 Invited Artist
Joey Blanco
Philippines
JOEY "Yoj" BLANCO, a Filipino visual artist and musician from CavitePhilippines who has appeared live on two television morning shows and threeradio programs, innovates the "MoSculP" art style—a 3-in-1 combination ofmosaic, sculpture, and painting. Committed to environmental impact, hetransforms scrap materials into art, advocating for sustainability andaddressing climate change through his creative expressions.
His work has been featured in local and international exhibits, newspapers,and magazines. Furthermore, he is gaining recognition by various speakingengagements and conducting art workshops from preschools to colleges.
Tell us about BIEAF2026 'From Sun To Boy' :
Well it's a good subject or topic to be considered to make into art form. Itsymbolizes the unification and representation of the said topic
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ELEGANCE
Mixed Media 12"x12"x0.5" 2025
Elegance is the quality of being graceful, stylish, and refined in appearance orbehavior. It implies beauty paired with restraint, good taste, and simplicityrather than ostentation. Beyond aesthetics, it extends to clear, ingenioussolutions in every manner.
This artwork was made in my own unique art style called MoSculP (Mosaic +Sculpture + Painting) which repurposes waste materials into art pieces.


BIEAF2026 Invited Artist
Johanna Kim
Korea
Johanna Kim is a visual designer and creative director based in Busan, Korea.She works across editorial design, branding, video, UX, and AI-assisted visualstorytelling. As the director of Paper Design and co-creator of Fiat Studio, sheexplores the meeting point of human stories, emotion, faith, and technology.
The theme “From Sun to Boy” led me to think of two meanings of “hae” inKorean: sun and sea. The sun gives the boy the light of creation, while the seaspeaks to him through waves, sound, and language. For me, this theme isabout awakening, courage, and the inheritance of creativity from nature to thenext generation.

From Sun (해) and Sea (海) to the Boy
AI-assisted digital collage, typography, and digital painting 1080 × 1920 px 2026
Description of the work :
This work reinterprets both the Korean poem “From the Sea to the Boy” andthe BIEAF2026 theme “From Sun to Boy.” Here, “hae” means both sea and sun.The sea speaks through waves and text-like traces, while the sun awakens theboy through light. The image was completed through AI-assisted generation,digital collage, typography, and human-led editing.

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BIEAF2026 Invited Artist
John Joseph
India
All together!A journey to explore Nature and Humanity!
Born in Panangad near Kochi India.My creative journey started in 1971while Iwas doing my graduation in Philosophy from Maharajas College, Ernakulam.Lack of any academic background in art has helped me to develop my ownidentical style that kept me away from conventions.Member of various organizations of visual art in India and abroad includingRepublic of South Korea.
A major achievement was the winner of Tagore International award with cashin the 5th Annual Exhibition of Painting 2023 organised by RavindranathTagore University for Art and Literature, Bhopal, India.Had my 12 day Solo exhibition in July 2025 at Durbar Hall Art Gallery Ernakulam, India.
Participating in various art exhibitions in India and abroad including SouthKorea. This year up to now have participated around 25 group shows,workshops, art camps in various places and galleries.And most importantly this year I am one among the steering committeemember of BIEAF and it's going well.
BIEAF is Of the Artist
By the Artist
For Nature and Humanity !
Nature
I an trying to link with nature and humanity and bring in boundlessopportunities that could generate and intrigue to unimaginable extends.We do live in a world that both humanity and environment are experiencingsevere attacks from various angles without any considerations to human lifeand to the nature that protect mother earth. Humanity and nature areinterlinked and they serve for the harmonious existence of both.My works are to express the agonies and fantasies experienced by humanbeings and mother nature. Trying to reach the true depth and profound abyssof the theme's essence.
Art is definitely influencing the human life by recognising the importance ofnature that supports each other.Here we try to explain all of us as sun through spiritual energies. And also toshow the sound of silence to the loud world. My confidence is that my workswill spread thoughts of essentials of being for humanity and environment." All Together " is exposing the negatives and unpleasant ingredients of theworld and finding ways to bring in the soothing breeze of harmoniousextremities!
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Nature
Mixed media on linen paper
70 cm x 100 cm 2025
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BIEAF2026 Invited Artist
JOHN OH
Malaysia
Artist John has a solid foundation, his art works are special due to the fact thathis theme, depiction of figures and color. He believed that painting related toart and life. He thinks that art originates from life, and the mission ofcontemporary art is to promote people's aesthetic.Art should be driven by ideas above all. His art works always producedsignificant works which are distinctive, more layers, cold and warm colorstaggered, focusing on emotional performance and pursuit. His works form aunique style of art and realistic lyrical.
Description of the work :
This painting is meant to satirize an extreme professor who published astatement claiming that their ancestors were advanced enough to fly freely inthe sky as easily as walking on land. I use the dialogue of birds to express mydissatisfaction. The extremnist in the country are really playing this issue thatdoes not have logic or any scientific prove at all.
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IF THEIR ANCESTORS CAN FLY, WHAT ABOUT US? ( BIRD TALK )
ACRYLIC ON PAPER 60CM X 84CM 2025

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BIEAF2026 Invited Artist
Jolana Kusmierska
Poland
Jolanta Kuśmierska – born in Będzin, holds a PhD from the Academy of FineArts in Kraków (2018). She works in painting, computer graphics, drawing, andphotography, often creating mixed-media collages. Her art explores thehuman experience and relations between nature and culture.
Description of the work :
I use the metaphor of a "war of the worlds" to describe the conflict betweennature and culture—both within ourselves and on a global scale, wherecivilization degrades the environment. My work is inspired by post-industrialruins; their cosmic scale and dramatic beauty both terrify and entice me.Crossing their boundaries, I explore the intersection of biological tissue andarchitecture. Although my work touches upon alienation and threats, itultimately brings hope. The luminosity of the forms serves to remind us thatthe coexistence of nature and culture is essential.
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0!_War of the Worlds_A New Hope
01_oil, acrylic on canvas 70x50 cm 2026

























































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