Gallery 25
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
![[크기변환]Soo Hee, Choi - Soo Hee Choi.jpg](https://static.wixstatic.com/media/f1f3f2_5ab7f455b257491b8d8284e981a19a18~mv2.jpg/v1/fill/w_156,h_178,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DSoo%20Hee%2C%20Choi%20-%20Soo%20Hee%20Choi.jpg)
SOO HEE CHOI
South Korea
작품안에서 색채와 구성의 변주를 통해 음악이라는 세계가 인간에게 줄 수 있는 감정의 흐름과 변화를 보여주고 있다. 음악으로 인해 우리는 내면의 조화롭고 따뜻한 감정에 접근할 수 있고 행복감을 느끼기도 한다. 또한 음악은 바쁘고 지친 일상에서 긴장감을 완화시켜 주고 에너지를 주는 긍정적인 세계를 마음속에 선사하기도 한다. 아름다운 화음의 음악속에 묻어나는 감상을 영혼의 울림과 함께 색채와 추상의 구성으로 표현한 작품이다.
1990년대부터 현대미술의 흐름과 함께 추상과 구상을 넘나들며 활발한 작업을 해온 최수희작가는 매일 반복되는 일상에 관심을 기울이고 소재를 찾는다. 그녀의 작업들은 작가 특유의 개인적 관심과 경험, 사유의 양상을 차용된 이미지를 통해 구상의 형태로 또는 추상에서 보이는 형태의 파편으로 이미지화하는 방식을 다루었음을 볼 수 있다. 현재 최수희작가는 작가활동과 함께 홍익대학교 미술대학 교수로 재직중이다.
![[크기변환]Music, Acrylic on Canvas,45.7X91cm - Soo Hee Choi.jpg](https://static.wixstatic.com/media/f1f3f2_5dca429f4f0e43dca8f6aa99e3ddb3f5~mv2.jpg/v1/fill/w_502,h_247,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DMusic%2C%20Acrylic%20on%20Canvas%2C45_7X91cm%20-%20Soo%20Hee%20Choi.jpg)
MUSIC
45.7X91cm Acrylic on Canvas 2023
![[크기변환]image1.jpeg](https://static.wixstatic.com/media/f1f3f2_b334debb878841f798d24f2bf2057b88~mv2.jpeg/v1/fill/w_85,h_171,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dimage1.jpeg)
Star Trauth
USA
When I was a child I lived in a hippie commune outdoors. This means we did not live in a house we lived at the foot of a mountain outside. The only inside was a pop-up tent that we slept in to protect us from animals. My childhood was carefree, I played in the grass, climb trees, picked fruits and vegetables, whittled, and created with anything I could find.
Recently I survived cancer. For years I was in bed in my home or at the cancer center. No outside. Now I am cancer free but I had to have radiation treatment. That means I cannot be in the sun for more than minutes before I start to burn. The grasslands are gone for me. I am glad I have them as memories.
Trauth considers art her primary career and passion and states, “The rest has branched from that tree.” Her art practice seeks to attract the audience visually with a desire for tactile engagement. She’s sought to create new art mediums with environmentalism in mind, using waste paper and plastic, and converting it to a flat pliable textile. Star hand molds and flame sculpts each piece, miniature original works in their own right, then melds them as free-standing sculpture, assemblage, or wall hanging. Though she has created her own medium Trauth will use other forms of traditional media to achieve her vision. Her work is heavily inspired by music, experiences from her adventurous life, and currently a fierce battle with cancer. This has also led her to dabble in new media while she regains her strength. Curated into over 100 exhibitions, including 22 museums in the last 10 years. Most recently she has a heartfelt and provocative written piece in Yoko Ono’s ‘Arising’ at the Nobel Peace Center in Oslo, Norway.
![[크기변환]image0.jpeg](https://static.wixstatic.com/media/f1f3f2_71af53f385274ee9afe78352e4323b50~mv2.jpeg/v1/fill/w_354,h_441,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dimage0.jpeg)
Grasslands
61x76x11 Textile 2023
Stella Mimikou
Greek
The pollution of the environment, the destruction and plundering of nature is the serious and worrying phenomenon of today. The future of the planet and of man is inextricably linked to the preservation and protection of our natural environment. Everyone of us can and ought to contribute in every way, depending on his capabilities, to the protection of the natural world he lives in. Nature is our oxygen, our umbilical cord with life. Motivated by these thoughts, I created this artwork using useless materials (rubbish), which are plentiful around us (e.g. plastic bottles, fish trunks etc.) and which reveal the full lack of sensitivity for the world around us. These useless materials turn into work of protest man’s indifference to nature and his scorn about his own life. My goal is to sensitize everyone to protect the environment.
I was Born in Nea Artaki, Evia in 1943. In 1996 I graduated from the Department of Painting with Honors and in 2000 from the Department of Sculpture with Honors. In 1999 I participated with paintings in a three-day festival on “Man-Environment-Nature” at the port of Nea Artaki. In 2002 I participated by selection in the International Art Symposium in Palanga, Lithuania. In 2002-2004 I participated in the International Miniature Exhibition on “Olympic Idents”. In 2006 I participated in Medusa Gallery “Avgou Engomion” in Athens. In 2017 I participated by selection in the 7th Beijing International Biennale of Art. In 2019 I participated by selection in the 8th Beijing International Art Biennale. From 2020 until today I participate with my works selected by a jury in various International Digital Art Exhibitions including Germany, India, Norway, Indonesia, Bangladesh, the Philippines, Nepal,Turkey,USA, Shanghai, Malaysia and other countries around the world. In 2021 I participated by selection in the 9th International Art Biennale in Beijing. From 2020 until today I have participated by selection in ten Biennales organized by IAVPOA, in Lithuania.
![[크기변환]IMG_3514 - Stella Mimikou.jpeg](https://static.wixstatic.com/media/f1f3f2_0e36a0e2fa5b42ef8ac615f28457d1ba~mv2.jpeg/v1/fill/w_387,h_354,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_3514%20-%20Stella%20Mimikou.jpeg)
HELP
140x135cm
Painting,acrylic on canvas 2004
Sunaina Devi
Nepal
This painting is all about impacts of natural Ecosystem .Day and night and the symbol of good are depicted in this Mithila painting. In this painting, the Sun is depicted on one side and the Moon on the other side. Trees in the middle and fish swimming in the water are depicted. The Sun is a symbol of daylight and the Moon is a symbol of night. Water is the basis of survival for animals and trees are the basis of human life. The structure of life is celebrated as a symbol of life and the fish is a symbol of good luck. How is the life, lifestyle and daily routine of human beings going on in the light of day? How do other creatures experience the cleanliness of the environment with Waluj, such as In daylight, humans can do their household chores in a simple manner. They can easily carry out their daily routines and travel outside the home. The physical structure of humans is designed in such a way that sunlight is important. The importance of the environment is that of all the living creatures living in the environment. It is important that is why daylight has its own importance.
Similarly, at night, along with the lifestyle of human beings, the lifestyle of many other animals also gets affected, the environment also remains clean and calm due to less activity at night. Man relaxes his body. It gives great control to the external activities of every living being. Just as many animals in the world cannot see in daylight, they can see in night light. If seen in a natural way, night has its own significance. The life of trees and plants is like the life of humans, first a tree is a small plant, then it grows and bears fruits, then grows old and at some point gets destroyed. According to mythological tradition, fish is considered a sign of auspiciousness. Seeing fish in the house or in water is a symbol of good luck."" I am Sunaina Thakur, belong from remote village of Nepal and at the age of 12, I have desire to know about Mithila art which I found on mud walls in our village. I was always taking participation in drawing competition at our school. I went so many places to learn about Mithila art and culture like India and remote places Nepal. I was completed my bachelor’s degree and now running in master degree. Now, I have started mithila arts gallery at Janakpurdham and Kathmandu.I have Received Training from Mithila Painting Training by Mithila Lok Chitrakala,Peace Building and Woman Leadership by search for Common ground, Co-operative Management and institutional Development training by search for Common ground, Ability development of local policy maker training by samagra jan-utthan Kendra Lahan, Jan Pairabi training by WORC Nepal, and Beautician training by CTEVT. I have received so many awards like N- Peace Award (2012) Organized by SFCG, Common Ground Award (2016) in USA., Safal Mahila Udhmi Abhiprerana abhiyan by CARE Nepal(2016), Lalit Kala Special Award (2017) by Nepal Academy of fine Arts, Lalit Kala National Award (2018) Nepal Academy by Nepal of fine Arts, RJF International Award (2018) by Chaudhary Art Federation Trust Karnak Best(Haryana) India, Painting Award (2018) by Shoring Art Group in India, 100 Heroes of Madhesh Award (2019), Grand Sangati Award (2019) by SANGAT Kathmandu, Women of the Year Award (2021) in India , Shorong Award international Special guest award by group Shorong art India, Best Painting award (2018) by shoring art group India Delhi and many others. I was participated in Mithila Festival USA 2021 exhibition entitled ""art for SDGs: the Mithila Heritage"" organized by Mithila Center, USA on April 14-17, 2021. I have trained more than four hundred women and College level students where 20 women has got chance for employment. I organized solo exhibition at Jaleshwar Mahottari 2069 BS, Pokhara on 2070 BS, Kathmandu Bhrikuti Mandap 2071 BS, Solo Exhibition America (USA) 2016 AD, New Delhi India On 2015 AD, Janakpur Nepal On 2070 BS, Group Exhibition of Mithila Arts 2017 by Lalit Kala Academy,Solo Exhibition Kathmandu Nepal Art Council On 2018 AD, Group Exhibition of Mithila Arts 2018 by Sorong art group in srilanka, Solo Exhibition at Hiroshima Japan 2018, Art expo 2019 New-York America (USA), Solo Exhibition at Tokyo, Japan 2019, Solo Exhibition at Shizvoka, Japan 2020, I Engaged As a Trainer in Mithila Painting in Dhanusha and Mahottari Since 2064 BS, As a Trainer for Women Leadership Since 2011 AD. in Dhanusha and Mahottari District, Mithila Painting Udyog Mahottari and Sunaina Art Gallery at Janki Mandir Janakpurdham. In Nepal my exhibition was inaugurated and observed by very notable personalities like former president Dr. Ram Baran Yadav, Chief Minister of Provenance -2, Narayan Kaj Shrestha, CEO of Nepal Tourism Board, Maha Nayak Rajesh Hamal, Manisha Koirala ect.
![[크기변환]inbound7172169257678910384 - Sunaina Thakur.jpg](https://static.wixstatic.com/media/f1f3f2_34d643b00bf441e38a8c562df0730abd~mv2.jpg/v1/fill/w_416,h_312,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dinbound7172169257678910384%20-%20Sunaina%20Thakur.jpg)
Life of tree In Day& Night with Symbol of good luck
55cm x 76cm
Acrelic color on Handmade paper 2020
Suresh Kumar
India
My work is based on interaction with outer and inner space. When I am painting, I take inspiration from surrounding and I take decision for form of my painting spontaneously. In this painting, easel interacted me as human body as architectural form. My emotional dilemma expressed emphasis with yellow and gray color through my gray matter journey. textural lines and composition created the mapping of spatial space which has developed within time and space.
I have done my Graduate Diploma in fine arts from Rajasthan School of Arts, Jaipur (India) after that I have completed my Post Diploma in creative painting from M.S. University, Vadodara (India). I won many awards in field of painting like national Scholarship, state art awards, young artist award and merit awards from my university. I have participated in many national and international exhibition and art workshop/residency. Now I am working as an artist and Art & Design educator in World University of Design, Sonipat
My rural up-bringing when integrated with the urban psyche triggers in my mind questions of a socio-political nature. Through my works I explore the conflicts between this relationship and my journey from one set of customs to another. The psyche of Indian rural life has impacted my aesthetics deeply and provided an approach more humanistic in its understanding of life and values. At once i am an insider and posed as a spectator from an urbanized contemporary platform. My work allows me to capture my emotional journey and understand my own identity. I use humor in my work to translate this interplay between nostalgia with urban life. These expressions are for me my personal protest and in making them visual they are tangible. I work spontaneously allowing my psyche to guide composition and work in the moment. Likewise, I allow myself to be open to whatever medium my idea requires. This way my concept is realized, and my works can grow simultaneously with my psyche.
![[크기변환]suresh 10mb - Suresh Parashar.jpg](https://static.wixstatic.com/media/f1f3f2_d9048e90944f4098b3487f4fedd503d3~mv2.jpg/v1/fill/w_326,h_434,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dsuresh%2010mb%20-%20Suresh%20Parashar.jpg)
Artist Within Studio Easel
60.96 cm x 45.72 cm Acrylic on Canvas
![[크기변환]inbound2355582129308454171 - Swati Ghosh.jpg](https://static.wixstatic.com/media/f1f3f2_ff388fc57ba247068dfde919800446ae~mv2.jpg/v1/fill/w_129,h_182,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dinbound2355582129308454171%20-%20Swati%20Ghosh.jpg)
SWATI GHOSH
INDIA
We all know that the main source of energy in in this world is Sun.Here the 7 colors of sun rays are shown by 7 horses.
Swati Ghosh (born on July 28, 1983) is an Indian artist. She is known for depictions of peace and freedom in her artworks. Ghosh is the first woman art judge from India by the International Council of Arts Federation, and appointed as Cultural Ambassador by International Council of Museums Asia Pacific for Geoje
![[크기변환]inbound2399765062948748707 - Swati Ghosh.jpg](https://static.wixstatic.com/media/f1f3f2_c9e74b346394449eab0207578e26cc04~mv2.jpg/v1/fill/w_453,h_338,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dinbound2399765062948748707%20-%20Swati%20Ghosh.jpg)
POWER OF ENERGY
60 × 80 Oil on Linen 2022
![[크기변환]한태리_인물사진 - 한태리.png](https://static.wixstatic.com/media/f1f3f2_90c6c075cc514937a2693b12d929b144~mv2.png/v1/fill/w_155,h_199,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%ED%95%9C%ED%83%9C%EB%A6%AC_%EC%9D%B8%EB%AC%BC%EC%82%AC%EC%A7%84%20-%20%ED%95%9C%ED%83%9C%EB%A6%AC.png)
Taeree HAN
South Korea
주름은 생동감 있게 그 주변과 즉각적으로 반응하며 마치 살아있는 듯 생물적 현상으로 다가왔다. 연약함을 지닌 순응적 대상이 주름에서 그치는 것이 아니라 꿈과 이상을 향해 나아가는 응축된 힘으로 확장된다. 꿈을 향한 모든 수고는 반복되는 마찰과 힘을 견디며 무작위적인 주름이 된다. 내 작업에서 주름은 결국 외부와 자신 사이에 일어난 충돌과 반응에 대한 증거이자 흔적이다.
작업을 통해 나는 어떤 이의 등을 토닥거리며 위로하고 싶다. 연한 안료를 종이에 겹겹이 쌓아 올리는 작업 방식은 내가 만나는 주름들을 살피고 공감하며 그 존재들을 바라보는 과정이다. 우리의 연약함과 순응에 긴 시선을 두고 이를 어루만지며 또한 그 안에 담긴 에너지와 생명력에 응원과 공감을 표현한다.
한국화를 전공하고 2018년 전남국제수묵비엔날레-깃발전(목포)을 비롯한 다수의 단체전에 참여했다. 2021년 사이아트 도큐먼트(서울)에서 첫 번째 개인전 ‘주름과 덩어리’를 선보이고 완주문화재단의 레지던시 프로그램에서 ‘게릴라 음양오행 시점’으로 활동했다. 2024년에는 퍼포먼스 아티스트 그룹 ‘행’의 일원으로 디파프(Daejeon Performance Art Festival)에 참여했다. 아티스트명 Taeree로 전자음악 프로듀서로도 활동하고 있다.
주름4_62.5×55.5cm_장지에 먹, 분채_2023 - 한태리.png](https://static.wixstatic.com/media/f1f3f2_ea20dc9a3736421c903b5779bebfcd0c~mv2.png/v1/fill/w_405,h_460,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D(%ED%95%9C%ED%83%9C%EB%A6%AC)%EC%A3%BC%EB%A6%844_62_5%C3%9755_5cm_%EC%9E%A5%EC%A7%80%EC%97%90%20%EB%A8%B9%2C%20%EB%B6%84%EC%B1%84_2023%20-%20%ED%95%9C%ED%83%9C%EB%A6%AC.png)
주름
62.5×55.5cm 장지에 먹, 분채 2023
Takao Kakuma
Japan
Time flies like an arrow. Human life is fleeting, but nature is eternal.
Artist(Painter,Writer, Animation,),Born from Takaoka, After graduating from Kyushu university, I wandered around the world as a backpacker, 2004Grand Prix at the Onojyo Printmaking Biennale,
Participated in solo exhibitions and international exchange exhibitions in Japan and various countries(Korea, China, Bulgaria, USA, Thailand, Poland, Australia)
Fukuoka city magazine cover making(98-03), Writing at Pusan University Theory.(2004)
Tura Moiranen’s ”Japanese Prints” Cover(Finland 2003) Collections of works at LA County. Museum of Art Art exhibition at Nishida Museum (2024)
![[크기변환]i0xs - Takao Kakuma.jpg](https://static.wixstatic.com/media/f1f3f2_0b4bff962adf4558abf5821e3ee8476b~mv2.jpg/v1/fill/w_326,h_461,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Di0xs%20-%20Takao%20Kakuma.jpg)
Bueried Forest
42x60 cm acrylic painting
![[크기변환]Tiarma Sirait INDONESIA - Tiarma Sirait.jpg](https://static.wixstatic.com/media/f1f3f2_f892cf123dfe4a97afc57276faff0da3~mv2.jpg/v1/fill/w_149,h_158,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DTiarma%20Sirait%20INDONESIA%20-%20Tiarma%20Sirait.jpg)
TIARMA DAME RUTH SIRAIT
Indonesia
Tiarma Sirait is a painter, fashion artist and textile designer based in Bandung. Tiarma’s painting ideas are inspired by her background in fashion and textiles, creatively exploring unused items as one of her key motifs. Learned painting from a senior Indonesian artist: Barli Sasmitawinata and graduated in 1994 from the ITB Faculty of Art & Design. 1996-1997 studied fashion design at the Royal Melbourne Institute of Technology (RMIT), Australia. In 1997, founded and became an artist at the private studio 'Poleng' in Bandung, Indonesia. 2004-2006 received a scholarship from the Swedish Foundation for International Cooperation in Research & Higher Education (STINT) to study Masters in Fashion & Textile Design at the University of Borås, Sweden. Participating in more than 400 exhibitions, his work was appreciated by many international art institutions/events and received various awards.
Tiarma Sirait is a painter, fashion artist and textile designer based in Bandung - Indonesia. Her artwork ideas were developed from her experience in fashion and textiles. She learned painting from a senior Indonesian artist, Barli Sasmitawinata. Graduated in 1994 from the Faculty of Fine Arts and Design ITB. 1997 founded her own private studio called Poleng Studio. Studied at Royal Melbourne Institute of Technology (RMIT) in Fashion Design and received a scholarship STINT (The Swedish Foundation for International Cooperation in Research & Higher Education) for Master's program in Fashion and Textile Design at Borås University, Sweden. Tiarma's artwork in the fields of painting, photography and fashion performance have been recognized by many art institutions internationally and has participated in more than 400 exhibitions and was recognized by many art institutions and international events, and received various awards, including: 2024: BIEAF 'Change To ECO' World Artist 10 in Korea 2023: Marathon Internazionale D’Arte (Terza Edizione) in Italy 2023: The World Platinum Senior Artist Award: Dream Big the Global International Awards in India 2023: 1st Winner in the Aquarel Competition at the 4th Watercolor Biennale in Lithuania 2022: 1st Winner in photography competition at the 3rd International Photography Biennale in Lithuania 2021: Raja Ravi Varma International Award 2021 in Guwahati, Assam, India 2017: Excellent Skill Award from the Mayor of the Nowon-gu at the World Youth Art Festival, Ajung Art Museum, Seoul – Korea 2015: Gudang Garam Indonesia Art Award (GGIAA) finalist at the National Gallery, Jakarta – Indonesia 2008: The work ""Won't Ever Be"" enters the permanent collection at the Olympic Fine Arts Museum, China 2002: Became Indonesia's representative at the 2002 Concours International des Jeunes Createurs de Mode in Paris, France. Tiarma Sirait continues to make significant contributions to the world of art through her works innovative and pushing boundaries to date.
These costumes are inspired by the groundbreaking 60s designer Paco Rabanne. My work evolves geometric designs into complex patterns, transitioning from order to chaos. Materials and Appearance: - Constructed from telephone cards covered with reflective or fancy paper. - Enhanced by additional metal rings. - Mimic the look of metal, projecting the illusion of manipulating paper. - Appear bizarre, illusive, and absurd, yet wearable. Design Concept: - Integrates old-fashioned styles with futuristic elements. - Creates a unique blend of eras, termed ""Old Future"" fashion. Cultural Reflection: - Represents the contemporary desire to blend tradition with progress. - Appeals to those who appreciate both the history of fashion and the transformative potential of technology.
![[크기변환]Tiarma Sirait_INDONESIA_Pink to Punk_2017_(Couple) - Tiarma Sirait.jpg](https://static.wixstatic.com/media/f1f3f2_5dbeca334cec408da6130f2dbe2045d4~mv2.jpg/v1/fill/w_343,h_515,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DTiarma%20Sirait_INDONESIA_Pink%20to%20Punk_2017_(Couple)%20-%20Tiarma%20Sirait.jpg)
PINK to PUNK
Women: L100 x W100 x H200 cm
Men: L60 x W60 x H200 cm
Costumes made from used telephone cards made from paper (recycled/reused paper) coated with reflective paper (looks like metal) & metal ring / Year: 2017
Tobi Olowoniran
Nigeria
This piece depicts how man ponders on life experiences and the situation he finds himself in.
We live in a world full of several challenges and obstacles, however, one of the best way to summon courage is by reflecting on those good memories. I created this work from an inspiration of colorful stones.
Tobi Olowoniran is a multidisciplinary visual artist with over 7 years of experience in creating paintings and drawings that depicts day-to-day human activities, commissioned works, and cultural lifestyle. I create works using pencil, acrylics, and mixed media technique on canvas and paper.
![[크기변환]TD Gallery Reflections - Tobi Olowoniran.jpg](https://static.wixstatic.com/media/f1f3f2_52f97d367ea142499b5495ed98bc5c05~mv2.jpg/v1/fill/w_432,h_389,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DTD%20Gallery%20Reflections%20-%20Tobi%20Olowoniran.jpg)
Reflections
33.02 × 30.48 Acrylics on paper 2022
Trina Batchelor
New Zealand
My painting is inspired by my favourite flower, the Peony.The colour red is representive of love, passion and luck.
I have exhibited worldwide, been a part of many art projects, and are represented in newspapers, and art magazines with group exhibitions.
Red Peony
A4 Acrylic, painting on paper 2024
Urmila Gahnolia
India
The painting portrays a vivid world where the sun’s golden embrace touches both giraffe and release positive energy. Amidst blooming flowers and fluttering leaves of the coconut tree shows the simplicity of the nature, a girl feeding a stray cat and fullfilling her responsibilities as a human, evoking a sense of peace and unity with nature.
I am creating and exploring and representing Indian Culture with positive vibes and beauty of nature. I have participated in National and International Exhibition around the world including USA, Peru, China, Thailand, Mexico, Malaysia, Turkey, Italy, Iran and South Korea. And many more Exhibitions and workshop.
Wilderness harmony
49×44 Acrylic colour on Canvas 2024
Vandana Dayal
Singapore
Ta Prohm is the ancient temple in Cambodia. It has withstood the ravages of time. I have painted a monk witnessing the ancient temple supporting an old tree with newly flowering branches, signifying coexistence of ancient and modern.
Vandana Dayal is an artist based in Singapore whose artworks have been displayed in more than 25 exhibitions across Singapore, India, and Europe. Her work focuses on hidden surprises and delights from all over the world. It spans landscapes from faraway lands, mystic snapshots of mythological figures and objects that surprise and delight her. A physics teacher for over 3 decades, art was always a hobby and a form of meditation for Vandana. After transitioning to a full time artist, Vandana has experimented with Oil, Acrylic, Watercolour and several styles of painting.
![[크기변환]2 Ta Prohm - Vandana's Art.JPG](https://static.wixstatic.com/media/f1f3f2_5f0ce457a10940d0b79da31b3e0d4d88~mv2.jpg/v1/fill/w_341,h_339,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D2%20Ta%20Prohm%20-%20Vandana's%20Art_JPG.jpg)
Ta Prohm
90x90cm Acrylic on Canvas 2019
Vicki Svedrell
Sweden
The old ferry of the past sailing into the future, through an archipelago of lost moments and treasured memories.
Painting is like going away on a journey, into the very core of the motive itself.
My art leaves the field open to free interpretations by the spectator, perhaps evoking a memory, a dream or a sentiment.
The Wood Ferry
23 cm width, 31 cm height
Watercolor 2021
Victoria Eugenia Gómez
Colombia
Añorando regresar a mi tierra después de tanto olvido
Artista plástico con 20 años de experiencia teniendo varios reconocimientos nacionales internacionales
Añoranzas
80x60 cm Mista oleo textura relieve Año 2020
![[크기변환]Victoria Valuk, Belarus - draughts d.jpg](https://static.wixstatic.com/media/f1f3f2_5230b2c019c747bdb160ae05bd8bec68~mv2.jpg/v1/fill/w_192,h_144,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DVictoria%20Valuk%2C%20Belarus%20-%20draughts%20d.jpg)
Victoria Valuk
Belarus
A wonderful evening was painted by artist Victoria Valuk. An original oil painting. The painting was previously shown at a collective exhibition in the gallery of the National Library in the capital of Belarus, as well as at the personal exhibition of Victoria Valuk.
Victoria Valuk is a contemporary Slavic artist, currently based in Belarus — Eastern Europe, with international exposure. Her career includes active participation in numerous exhibitions in various countries, where she has been awarded and praised. Since February 2021, Victoria Valuk started an impressive solo art tour show titled ""Artifact"", which has met the Caribbean Sea and the islands of Saint-Martin, Barbados, Trinidad, then Tenerife, as well as many countries around the globe. Her works have been showcased in galleries and museums.
![[크기변환]Evening blues, oil on cardboard, 30x40 cm, 2023 artist Victoria Valuk - draughts d.j](https://static.wixstatic.com/media/f1f3f2_c8bce2f7f1bc4c90a8c9891d86286556~mv2.jpg/v1/fill/w_462,h_357,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DEvening%20blues%2C%20oil%20on%20cardboard%2C%2030x40%20cm%2C%202023%20artist%20Victoria%20Valuk%20-%20draughts%20d_j.jpg)
Evening blues
30x40 cm oil on cardboard 2023
Wanda Yeng-Seng
Reunion - France
« Beyond the dance of clouds » takes us on a journey to the heart of ancestral Far Eastern culture.
From time immemorial, the mountain has been a place of travel, sanctuary and a source of inspiration. In its waltz with the rain, the cloud embodies the creative power of desire and love. It is the song of cosmic harmony. It speaks of the emperor's greatness, bears witness to the hermit's spirituality and attests to the scholar's loyalty. It unites with the mountain, in pure plenitude.
The future will be born from the gaze of the great absentee. That of the man to come. With his eyelashes that will set history ablaze. And his eyes that will look beyond the passage of time.
Wanda Yeng-Seng is Senior lecturer in public law in the University of Reunion island and expert in international public law and international relationships of the Indian ocean. Having long learned about the world through books, she realized that the quest for meaning that guided her was elsewhere. An elsewhere that goes beyond the space where she was born, Reunion Island. An elsewhere through the Other. It is in this vein that her passion for art stems. Her quest carries with it the values of her lineage. Those of her mother, from Reunion Island, whose roots stretch from France to the lands of Africa, and who taught her hope and freedom. And those of her father, of Chinese origin, who instilled in her a sense of perseverance and respect for Confucian principles. Just as her grandparents, both, artists, taught her a love of knowledge and art, the duty of transmission and sensitivity to certain causes.
Beyond the dance of clouds
22 x 33 cm Traditional Chinese brush and ink painting, on semi-translucent Chinese rice paper (Xuan paper), 2022
Gallery 26
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Wendy Wong
Singapore
Bloom again
60 x 60cm Digital artwork 2024
![[크기변환]IMG_0193 - 우성립.jpeg](https://static.wixstatic.com/media/f1f3f2_de61093614994ce0be6b1a922ea11241~mv2.jpeg/v1/fill/w_205,h_154,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_0193%20-%20%EC%9A%B0%EC%84%B1%EB%A6%BD.jpeg)
Woo sunglip
South Korea
여름날 땀에 쩔은모습을 식혀줄 한줄기 바람에 나를 맡긴다
"그냥 하는거야" 라는 생각으로 작업하는 조각가
![[크기변환]IMG_5649 - 우성립.jpeg](https://static.wixstatic.com/media/f1f3f2_285962daa40d4fbf8b6a9b086e3810f5~mv2.jpeg/v1/crop/x_0,y_217,w_1372,h_1394/fill/w_352,h_358,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_5649%20-%20%EC%9A%B0%EC%84%B1%EB%A6%BD.jpeg)
그해 여름 바람불던 날
500x250x520mm 브론즈 2024
YANG HYOUNG MEE
South Korea
Holy Spirit Garden 은 행운의 정원입니다. 이 작품을 통해 '인생(삶)' 이 희망, 소망, 풍요로움 등으로 가득하길 기원합니다.
부산대학교 사범대학 미술교육학과 졸업 개인전 16회 국내외 기혹.초대,공 모.단체전 380여회 출품 현: 한국미술협회, 부산미술협회 회원 및 협회 다수
![[크기변환]20240801_085057_remastered - yang hyoungmee.jpg](https://static.wixstatic.com/media/f1f3f2_8273b3f659244772b2801acda19ddc9e~mv2.jpg/v1/fill/w_436,h_376,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D20240801_085057_remastered%20-%20yang%20hyoungmee.jpg)
의식+무의식
Holy Spirit Garden
72.7cm × 60.6cm (20호F)
Acrylic on canvas 2024
Yenny Machado
Venezuela
"REFLECTIONS OF YESTERDAY” is an abstract work that shows a city reflected in a lake, symbolizing memories and expectations of the past. The reflections in the water represent how the promises and visions of the future are perceived today. The work highlights the complexity and beauty of these memories, using colors and abstract shapes to evoke emotions and thoughts about the past and the future, connecting us with the reflection on how our expectations have evolved.
BIEAF2024 'Old Future' : Es un honor para mí poder participar en este importante y significativo evento anual de La BIEAF, que me ha permitido no solo la oportunidad v de darme a conocer con mi trabajo en un continente lejano, y que además de ello he conocido a colegas artistas de todas partes del mundo y conocer sus culturas y estilos a través de sus trabajos artísticos.
Yenny Machado, Venezuelan Visual Artist. Her artistic career is nourished by her experiences in traditional art and her knowledge as a professional in the area of graphic design, standing out for her creativity and skill in mastering digital media, creating works with real painting effects, fusing textures, colors, shapes and volume, which gives rise to innovative visual proposals that invite you to immerse yourself in the works, investigate and discover a personal interpretation. Her artistic work has been exhibited in several virtual exhibitions nationally and internationally.
![[크기변환]inbound585319356494712887 - Artista Visual.png](https://static.wixstatic.com/media/f1f3f2_21b5c776f6e347028e52bc3f824f22de~mv2.png/v1/fill/w_441,h_525,al_c,q_85,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5Dinbound585319356494712887%20-%20Artista%20Visual.png)
REFLECTIONS OF YESTERDAY
43 cm x 56 cm Printing on canvas or any other special printing support 2024
![[크기변환]작가 사진.jpg](https://static.wixstatic.com/media/f1f3f2_cbd78d59c5f44587baa2937b5785db09~mv2.jpg/v1/fill/w_156,h_154,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EC%9E%91%EA%B0%80%20%EC%82%AC%EC%A7%84.jpg)