Gallery 19
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
Nabiila Adhwaa
Indonesia
This work tells the story of the feeling of limbo itself, the feeling of floating, drifting as if there is no purpose. The feelings depicted by the character's gray head with an anxious, confused and crying face. This work is a work that I made not long after my father died at the beginning of the year, a figure I really loved.
This is a picture of my feelings at that time, floating and drifting, feeling like I'm not alive but not dead either. I remember very well that before my father died he only wanted his child to be happy, but how could I be happy if all my happiness was with him, at that time I was quite depressed with an irregular eating and sleeping condition. I also had time to see my therapist, but in fact I was only able to really cry when someone I loved hugged me and said it was okay not to be okay. Moreover, this was the first time I had lived and learned to interpret life, he said that every bad thing would happen there are good things that can be taken depending on how we want to see it.
The colorful absurd parts in this work are a representation of the good things in the bad things that are happening. it's like we're burning a marshmallow. From the outside the marshmallow looks ugly because it's burnt, but the inside is a soft, melty marshmallow. a representation that I want to hand over to people who see this painting, they are free to have opinions and see this painting from their own perspective. so this work became, through this work I want to hug those who are feeling ""limbo"" that it's okay and not okay and through this work I also want to say a big thank you to all the people I love who have strengthened me and helped me get through the situation- difficult situation and for my father there in heaven he must be happy and no longer feel the pain he suffered. "Hi, let me introduce myself, my name is Nabiila Adhwaa, you can be called Nana. I am a self-taught artist who likes surrealism, expressionism and abstract painting. I have participated in several inter-Kalimantan painting exhibitions, I am a member of the painting community in Kalimantan, namely IPKS. I started drawing and painting when I was little, I have participated in various kinds of competitions while I was at school until I published two comics with my friends when I was in elementary and middle school, in Indonesia the work was published by Mizan Publishing and included in the KKPK series.
Limbo
80x80 cm Mix Media/2024
Nadia Abbasi
Pakistan
In this enchanting painting, a little girl is depicted within a textured circle, her gaze fixed on three vibrant balloons floating above her. Her expression reflects innocence and wonder, capturing a timeless moment of youthful curiosity. She clutches three balloons, each gently bobbing above her head—one red, one green, and one blue. The red balloon signifies her boundless energy and passion, the green balloon symbolizes growth and harmony with nature, and the blue balloon represents her dreams and the endless sky. The delicate hues and intricate details encapsulate a fleeting moment of pure joy, inviting the viewer to reminisce about the simple pleasures of childhood.
Nadia Abbasi, currently an Assistant Professor at the Institute of Art and Design, University of Sargodha, has left an indelible mark on the art world with her exceptional talent and numerous accolades. Her illustrious career boasts participation in 16 international and 15 national exhibitions, where she has showcased her remarkable skills in both painting and photography. Notably, she secured the top prize in an international painting competition organized by the International Watercolor Society Romania, further enhancing her esteemed reputation. Additionally, Nadia's prowess has been lauded with three national awards in photography and painting. Demonstrating versatility and mastery in both mediums, she solidified her standing through a captivating solo photography exhibition in Islamabad, Pakistan. As an artist, Nadia is fascinated by the interplay of light and shadow, human behavior, and the passage of time. Through the mediums of oil paint, watercolors, and photography, she delves into life's intricacies, drawing inspiration from her childhood curiosity. Observing society closely, she explores the depths of human nature and relationships, aiming to capture moments that evoke nostalgia and reflection. Natural light serves as her muse, infusing warmth and depth into her work, inviting viewers to pause and contemplate the beauty and mystery of the world. Each brushstroke and photograph freeze a moment in time, inviting viewers to explore themes of memory and identity, making her art a visual diary of her journey through life.
RGB
1.5x3 feet
Nam Pham
Vietnam
Think back to your childhood with simple dreams "Freelance artist graduated from the University of Fine Arts"
![[ํฌ๊ธฐ๋ณํ]3Dd - nam van.jpg](https://static.wixstatic.com/media/f1f3f2_4203d6fe42a541df86e1b640ef61243c~mv2.jpg/v1/fill/w_475,h_325,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D3Dd%20-%20nam%20van.jpg)
Remember childhood dreams
80 x 110 Acrylic on Canvas 2024
Naufal Akbaraja
Indonesia
One form of Harmony in the crowded Nature. I am a young artist and designer, I have expertise and talent in the field of drawing, photography, and design. I would love to show off my work or show my work to other people out there.
![[ํฌ๊ธฐ๋ณํ]NAUFAL _ iNDONESIA - naufal akbaraja.jpg](https://static.wixstatic.com/media/f1f3f2_bf8eacb58af9474f9ef9c0d9a8e41d44~mv2.jpg/v1/fill/w_296,h_394,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNAUFAL%20_%20iNDONESIA%20-%20naufal%20akbaraja.jpg)
SNAIL LEAVES
30 x 42 cm Photography 2024
NAVEEN KUMAR DHINGRA
INDIA
'PEACE'. I use paper sheet with poster colour and marker pen, through my painting i show peace and harmony though music. I am art teacher cum artist, i am from India, i took part so many art exhibition national and international level through online and online.i got so many prizes. I mostly like mixmedia art work and acrylic colour and water colour.
![[ํฌ๊ธฐ๋ณํ]IMG_20240727_173417 - Naveen kk.jpg](https://static.wixstatic.com/media/f1f3f2_397b24b243764fe58fe974ab9e9e21b6~mv2.jpg/v1/fill/w_344,h_466,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240727_173417%20-%20Naveen%20kk.jpg)
PEACE 2
30x42 IVORY SHEET, MIXMEDIA, 2024
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Nguyen Mai Huong
Vietnam
The moon, a gentle light in the night sky, is not only a symbol of beauty but also plays an important role in maintaining the balance of the environment. Moonlight shines on the oceans, affects the flow of the tides, and affects the lives of marine creatures. It also creates enchanting natural landscapes, inspiring efforts to protect and preserve ecosystems. When people look at the moon, they not only feel the beauty of the universe but also realize their responsibility in protecting the environment, so that future generations can also enjoy that beauty.
The moon, therefore, becomes a symbol of the connection between humans and nature, reminding us that our existence is tied to the harmony of the surrounding environment
Mai Huong is a recognized Vietnamese female artist. After she graduated Bachelor Degree from Vietnam University of Fine Arts in 1991. Mai Huong worked as art editor in Youth Publishing House (Vietnam). Renowned for her abstract style, she has joined numerous exhibitions, biennales and won many prizes nationally and internationally. Her paintings have been exhibited and owned by many museums and art collectors worldwide such as in Germany, France, The Netherlands, Poland, India, Korea, China, Lebanon, Malysia, Hungary, etc . In 2012, Mai Huong is pointed as Honorary Ambassador of Vietnam of the 1st Ecorea Jeonbuk International Biennale. She achieved Excellent prize twice in the 20th and 24th โKorea Art International Open- Exhibitionโ in 2013 and 2017 . Later, she participated the 6th Beijing International Art Biennale. In 2016, Mai Huong represented Vietnam to participate Olympia Fine Arts International Exhibition and Symposium in India. She is also a member of Vietnam Fine Arts Association. Her paintings are exhibited in many MEADOWS group art exhibitions in Beirut (2014), Venice (2017) , Miami (2017), Paris (2018),etc. Celebrating the New Year and Ushering the Winter Olympics International Art Exhibition / Asia Artist Association - Malaysia,(2022).The 5th Qingdao.International Contemporary Art Exhibition (2022). (2023) Exhibition Venezuela, Argentina, Turkey, Italy, India,VietNam.
![[ํฌ๊ธฐ๋ณํ]NGUYEN MAI HUONG . Vietnam. Moonlight shines -2024 Acrylic on canvas 70x70cm - huong](https://static.wixstatic.com/media/f1f3f2_8726a5cba6e64d18a6eb896692d38b89~mv2.jpg/v1/fill/w_453,h_453,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNGUYEN%20MAI%20HUONG%20_%20Vietnam_%20Moonlight%20shines%20-2024%20Acrylic%20on%20canvas%2070x70cm%20-%20huong.jpg)
Moonlight shines
70 x 70cm Acrylic on canvas 2024
![[ํฌ๊ธฐ๋ณํ]Thuy profile - Thu Thuy.jpg](https://static.wixstatic.com/media/f1f3f2_f56ebe8df0894bc6bb13eff3d1a3d023~mv2.jpg/v1/fill/w_156,h_157,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DThuy%20profile%20-%20Thu%20Thuy.jpg)
Nguyen Thu Thuy
Vietnam
In my artwork, I explore the concept of promises and the essence of human nature through the lens of polygonal painting. Each face I depict is a mosaic of vibrant colors and geometric shapes, symbolizing the multifaceted nature of our identities and experiences.
The polygons represent the fragmented yet interconnected aspects of our lives. Just as our promises in the past shape our present, the varying shapes and colors in my paintings converge to form a coherent whole. Each angle and hue reflects a different moment, emotion, or memory, illustrating the complexity of the human experience.โ
The present, as we perceive it, is the culmination of all our past commitments and aspirations. By painting faces with a spectrum of colors, I aim to express the brilliance of our current selvesโan embodiment of all that we have pledged and pursued. These faces are not static; they invite the viewer to reflect on their own journey, their fulfilled and unfulfilled promises, and the perpetual quest for happiness. In contemplating the future, my art encourages a dialogue between our true human form and the natural world. The use of polygons, an artificial construct, juxtaposed with the organic nature of faces, underscores the need to harmonize our inherent nature with the world around us. This synthesis is crucial for understanding and communicating with nature, and ultimately, for discovering our true selves. Through my polygonal portraits, I strive to capture the essence of human natureโcomplex, colorful, and ever-evolving. These artworks are a testament to our enduring spirit and the vibrant tapestry of our lives.""Nguyen Thu Thuy (Female) 10 Dec 1977, in Hanoi, Vietnam Viber/whatsapp: +84.913563966 Email: thuykdl2004@gmail.com Bachelor and Master: Univesity of Social Sciences and Humanities. PhD: Vietnam National Institute of Culture and Arts Studies Artist: Vice Committee of Graphics Branch and The Secrectary of Vietnam Art Ceramic Club (Vietnam Fine Arts Association) Vice Dean at Faculty of Arts and Design, The school of Interdiscriplinary Studies and Arts (Vietnam National University, Hanoi) Awards: Bronze Prize of National Exhibition of Applied Fine Arts 2005-2009 Solo Exhibition - Sep 2022: โMy Prismโ Solo Exhibition, Vietnam Fine Arts Museum, Hanoi, Vietnam - Nov 2021: โFragments of memoryโ Solo Exhibition, Vietnam Fine Arts Museum, Hanoi, Vietnam Group exhibtions - Feb 19-24, 2024: Change to Eco โ a better future, BIEAF 2023 Busan International Environment Art Festival, International Art Center Gallery Laham, Busan, Korea - Nov 2022: The 5th Qingdao International Contemporary Art Exhibition, 1902 Art Museum, No.80 Textile Valley, Siliu South Road, Shibei District, Qingdao City, China (11/2022) - Aug 2022: National Exhibition of Applied Fine Arts 2022, Vietnam Museum of Ethnology Hanoi, Viet Nam (8/2022) - May 2020: The Warm of the City, 2020 International Commonwealth poster Design Invitational Exhibition of Anti New Coronavirus, China - Nov 2019: The 19th International Art Exchange Exhibition, The National Art Center, Tokyo, Japan - Oct 2019: The IX International Exhibition of Visual Arts Euro Americana 2019, Cusco, Peru - May 2019: The International Belt and Road-Beautiful in Hexian International Art Exchange Workshop, Hexian, China.
![[ํฌ๊ธฐ๋ณํ]Faces 100x100cm - Thu Thuy.jpg](https://static.wixstatic.com/media/f1f3f2_c734e47fd1544253991b231b0498b727~mv2.jpg/v1/fill/w_451,h_448,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DFaces%20100x100cm%20-%20Thu%20Thuy.jpg)
Faces
100x100cm Acrylic on canvas, 2023
Nicolas Dijoux
Reunion - France
" I wanted to commemorate this tradition on a medium made of century-old ""Tamarin des Hauts"" wooden boards, salvaged from old Creole houses. An inheritance of a troubled historical past, marked by both beauty and suffering of the former French colonies, the cockfight is a tradition that belongs to the intangible heritage of my island and still continues to pass through the ages. It is also one of my childhood memories that left a lasting impression on me and, I believe, best represents the social and cultural identity of the Creoles. Values and traditions that traverse the ages and still shape today's and tomorrow's Creole society should not be forgotten: the blend of cultures, the tropical lifestyle on a sunny Saturday shared between cockfights and the neighbor’s banana fritters for the afternoon snack, with the scent of the rum distillery in the distance, perfuming the air.
Moreover, the choice of the rare, century-old wooden medium emphasizes this sense of history and relic from the past, through the reuse of wood that has witnessed so many lives and people over a hundred years. This piece is a ""postcard"" that I hope will travel through time and share this fragment of my Creole youth memories.
"Tamarin des Hauts"" is an endemic species of Rรฉunion Island, whose exploitation is now mainly managed by a public organization of the French state."" Dark Cherry, born Nicolas Dijoux, is a 29-year-old artist from Reunion Island, renowned for his expertise in traditional Japanese art : Ukiyo-e. Raised in Arts and Culture from childhood, his passion for drawing started early on, initially expressed through realistic graphite sketches. His artistic journey progressed as he began exploring watercolor in 2015, followed by ink in 2017, the same year he started learning the techniques of Ukiyo-e. Dark Cherry graduated with a Master โs degree in Geography, Environmental protection and Territorial planning from Moufia University in Reunion Island; He then worked in scientific popularization in an environmental protection structure before fully embracing his artistic career. He officially obtained his artist status in July 2020. Passionate with the artistic movement Ukiyo-e, I try to immerse myself by a ยซย richย ยปย state of art, using traditional techniques and mediums (like inks, brushes, Whenzou paper, gold leaf); I have also extensively studied the history of Japanese art, embracing traditional methods of framing, where solid wood are meticulously reworked into frames. Central to my artistic journey is the desire to commemorate the history of my island, Reunion Island, through this art, in order to blend these two distinct cultures. I use elements emblematic of Creole heritage in my artworks, paying homage to immaterial legacies and utilising rare, ancient and endemic woods as artistics mediums or frames in order to create artworks rich in history and character. Through Ukiyo-e art, I aspire to showcase the aesthetic beauty of my artworks, but mostly to share philosophical values on the lifestyle as well as remind our society of the appreciation for beauty in all its forms and to take time for ourselves. "
Batay Coq / The arena
98x55x2 cm Acrylic painting on centennial endemic rare wood boards 2023
Niloufar Ghaffari
Iran
The eyes behind the curtain reveal the secret of dreams.
Active in the visual arts of painting, drawing, mosaic tile, papier mache and participating in international exhibitions and former teaching.
Mystery
60×80 Ink . Mixed media
![[ํฌ๊ธฐ๋ณํ]Nio_ํ๋กํ์ฌ์ง - ์ด ์คํธ.jpg](https://static.wixstatic.com/media/f1f3f2_651ff1cfd5154bb9910af25ea368437b~mv2.jpg/v1/fill/w_156,h_156,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNio_%ED%94%84%EB%A1%9C%ED%95%84%EC%82%AC%EC%A7%84%20-%20%EC%9D%B4%20%EC%A4%80%ED%98%B8.jpg)
Nio
South Korea
์ด๋ ์ง์ ์์ ๊ฑธ์์ ๋ฉ์ถ๋์ง, ํผ์ณ์ง ์์ฐ ์์์ ๋ฌด์์ ์ฃผ๋ชฉํ๋์ง ๋ด ์์
์ ๊ฒฐ๊ณผ๋ฌผ์ ํตํด ๋น๋ก์ ๋๋ ๋ด๊ฐ ๋ฌด์์ ์ข์ํ๋ ์ฌ๋์ธ์ง๋ฅผ ๋ฐ๊ฒฌํ๊ณค ํฉ๋๋ค.
๋๋ ์์ฌ์ ๋ด์ง ์๋ ์ฌ๋์ธ ์ค ์์์ต๋๋ค. ํ๋, ๋ฐ๋ปํ ๋ง์์ ์ ์งํ๋ฉฐ ์ฌ๋ํ๋ ์ผ์ ํ๋ ์ฌ๋๋ค์ ๋ณผ ๋๋ฉด ์์ฌ์ด ๋ฉ๋๋ค.
์ค๋๋ ์ฌ๋ํ๋ ๊ฒ์ ์ฌ๋ํ๋ ์ถ์ ์ด๊ธฐ๋ฅผ ์๋งํฉ๋๋ค.
ํ๊ตญ๋ฏธ์ ํํ ํ์ ์ฌ์คํ์ธ๋ฏธ์ ํํ ํ์ ์ฃผ์ํ๋ ๊ฐ์ธ์ 5ํ 2์ธ์ 3ํ ๋จ์ฒด์ 52ํ ์์ : ํฌ์ค์ฝ ์ฌ์ง๊ณต๋ชจ์ ์ต์ฐ์์ 2ํ ์ํ ์์ฅ : ์ฃผ์คํ๊ตญ๋ฌธํ์, Gallery BJK, Gallery A1, ํ๊ตญ, ์ค๊ตญ, ์ธ๋ ๊ฐ์ธ ์์ฅ
๋๋ฅผ ๋ฐ๊ณ ๊ฐ๋ ๊ฒ๋ค; ๊ฒฝํ
81x48cm Digital Print 2022
Nissaf Chkondali
Tunisie
Exploring the abyssal world in an incredibly poetic and metaphorical way, dealing with the question of the place between an imaginary world and a revealed world.
I invite you through my work entitled WHITE FOREST, to immerse yourself in a foreign universe, full of mysteries like the deep sea, which raise questions about the fragility of their ecosystems.
I try to recreate the conditions of a symbiosis between man and this aquatic universe reinvented in a pictorial space in a phantasmagorical space. This wall sculpture is like a jungle of Nori algae, made from an assembly of elements entangled with each other, which emerge from the darkness of the abyss, like a rhizome of light.
Nissaf Chkondali, professor of visual art at the Lycรฉe pilote des arts el Omrane, holds a master's degree in science and technology of the arts, specializing in product design, from the Institut Supรฉrieur des Beaux-Arts de Tunis in 1996, followed by a Master's degree in sciences and techniques of the arts in 2006. Since 2003, she has participated in group exhibitions, both in Tunisia and internationally, as well as in international symposia. Her artistic list includes 6 solo exhibitions combining painting and ceramics, ranging from "Les Mรฉandres de la Mรฉdina" at the Galerie Caliga in 2008 to "L'Envol des Anges" at the Galerie Kalystรฉ in 2019. Nissaf Chkondali discovered the world of clay at the CNCA Sidi Kacem el Jรฉlizi, which awakened in her an unconditional love for ceramics. She then specialized in contemporary ceramics within the ATAM (Tunisian Association of Arts and Mediation). At Nissaf, the emphasis is on his favorite subject: the woman in all her splendor, adorned with golden heads, as well as her winged angels who are both rebellious and fragile, As a ceramic artist,Nissaf is committed to environmental protection,with a particular focus on preserving marine ecosystems.Through her work,she strives to raise awareness about the beauty and vulnerability of our oceans From this dialectic come palimpsestic modules that remain essential and timeless for a new configuration and a new plastic reading.
Sapphires and Corails
120x60cm
Noh Changhwan
South Korea
๊ตฌ๋ฆ์์ ์ง- ๊ตฌ๋ฆ ์์์ ์์ ์ ์์ ๋ก์์ ๋ฐ๊ฒฌํ๊ณ ํ์์ผ๋ก ์ ๊ทผํ๊ณ ์ ํ๋ค. ํญ์ ํ๋์ ๋ ์๋ ๊ตฌ๋ฆ์ ์์ ๋ก์ด ๋ ๊ณ ์์ผ๋ฉฐ ๋์ ์ ์ฐ์์ ์ ๋ฉ๋ฆฌ ์ฐ ์คํฑ์ ๊ฑธ๋ ค์๋ ์ด์ ์ธ๊ณ์๋ค. ๊ตฌ๋ฆ์ ์์ ๋ก์ ํ์์ ์์ ์ ์กฐํ์ฑ์ ํํํ๋ ์ค์ํ ์๋ฏธ๋ฅผ ์ง๋๊ณ ์๋ค.
![[ํฌ๊ธฐ๋ณํ]๋
ธ์ฐฝํ1.jpg](https://static.wixstatic.com/media/f1f3f2_116282948bbe461b9b1edd7fdd9f4bad~mv2.jpg/v1/fill/w_490,h_373,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%85%B8%EC%B0%BD%ED%99%981.jpg)
๊ตฌ๋ฆ์์ ์ง
30×36×120cm ๊ฐ๋ณ์ค์น, ์ค๊ธฐ๋๋ฌด
2024
Noh Youngseol
South Korea
์ฃผ์์ ์ฌ์ ๋์ ๋์ค๋ ์์์์๋ก. ์ฐ์ฃผ์. ์ค์ฌ์๋ skytree๋ผ๋ ์ ๋น๋ก์ด ๋๋ฌด๊ฐ ์๋ค. ๋ถ์์๊ฐ ๊น๋ค๋ฉด์ ์๋ก์ด ์กฐํ๊ฐ ์์๋๋ค๋ ์๋ฏธ๋ฅผ ๋ด๊ณ ์๋ค.
๊ฐ์ธ์ 6ํ, ๋ถ์ค์ 7ํ (๋จ์ฒด์ ) 2024๋ ๋ฏธ์ ๋ก์ตํฉํ๋ค์ (์ธ์ฌ์ํธ์ผํ),์ฐ๋ฏธ์ ์ฐ๊ตฌํ์ ,์ด์ธ๋ฆผ์ ,์ฐฝ์กฐ๋ฏธ์ ์ด๋์ (ํ์ฌ๋ฏธ์ ๊ด) 2023๋ ํ์ค์ผ ๊ตญ์ ๋ฏธ์ ์ (๊ฐ์์ฌํค์ํธ๊ฐ๋ ๋ฏธ์ ๊ด),๊ฐ์์๊ณต๊ฐ์ (์จ๋๊ฐค๋ฌ๋ฆฌ),G-ART์งํ์ , ํ์ค๋ฏธ์ 20์ธ์ด๋์ (๋ฃฌ๊ฐค๋ฌ๋ฆฌ),๋๋๋ฏธ์ ์ธํํ ์ฐฝ๋ฆฝ์ (๋๋๋ฌธํํ๊ด) 2022๋ ๋ถ์ฐ์์ฑํํํ์ (์์ฒญ๊ฐค๋ฌ๋ฆฌ), ๋ถ์ฐ์์ฑํ ํน๋ณ์ (์ธ์ฌ์ํธ์ผํ) ์์์์์ฑํ์ฐ๋งน์ (์์ธ๋ง๋ฃจ์ํธ์ผํ) -๊ทธ ์ธ ๋จ์ฒด์ 330์ฌํ- ํ)๋ถ์ฐ(ํ๊ตญ)๋ฏธํ,๋ถ์ฐ๋ฏธํ์์ํ๋ถ๊ณผ์ด์ฌ, ํ ๋ฐฑํ๋ถํ์ฅ, ๋๋๋ฏธ์ ์ธํํ์ฌ๋ฌด๊ตญ์ฅ, ์ฐ๋ฏธ์ ์ฐ ๊ตฌํ ๋ถ์ฐ์์ฑํํํ, G-art ํ์ ๋ถ์ฐ๋ฏธ์ ๋์ ์์ํ์ฌ์ฌ ๋ฐ ๊ทธ ์ธ ๋ค์๊ณต๋ชจ์ ์ฌ์ฌ์ญ์
์ฃผ์(ๆฑ้) ์ฐ์ฃผ๋ชฉ(sketree)์ ๊น๋ค๋ค
โ53.0×40.9 ์ํฌ๋ฆด๋ฌผ๊ฐ. 2024
![[ํฌ๊ธฐ๋ณํ]Nono Zilahi - Nono Zilahi.jpg](https://static.wixstatic.com/media/f1f3f2_b2117d1b9b8a4445bd77bc27c426f6f7~mv2.jpg/v1/fill/w_156,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DNono%20Zilahi%20-%20Nono%20Zilahi.jpg)
Nono Zilahi
Romania
In my digital graphic collage, I strive to captivate viewers with the harmonious blend of the past and the future. By combining old elements and a vintage family space with futuristic inventions like a robot with vacuum cleaner, I create a visual feast that juxtaposes retro space aesthetics against modern daily life. This medley of nostalgia and forward-thinking concepts in my art invites viewers to ponder the convergence of history and technological advancements, fostering a deeper appreciation for the interconnectedness of bygone eras and the possibilities that lie ahead.
Nono Zilahi is a professional graphic artist from Romania, was born in 1992. Nono has graduated in 2016 at the Faculty of Fine Arts, at the Graphic Art Department of the University of Fine Arts and Design, from Cluj-Napoca and has received numerous international awards. Nonoโs artworks were exhibited or published in many countries in Europe, Asia, Africa and in the American continent. Nono Zilahi has been a member and brand ambassador of famous foreign and Hungarian fine art organizations and associations.
Reading Newspaper
80x50 cm digital collage C-print paper
2024
![[ํฌ๊ธฐ๋ณํ]IMG_20240614_113415 - NORMA MARINA SOLIS ZAVALA.jpg](https://static.wixstatic.com/media/f1f3f2_c8e29f7e112640f48a15622ccef4b3f1~mv2.jpg/v1/fill/w_149,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240614_113415%20-%20NORMA%20MARINA%20SOLIS%20ZAVALA.jpg)
Norma Marina Solis Zavala
Perú
The painting "Survivors dancing in the dark" represents a future in which planet Earth has been plunged into darkness, but the plants, animals and humans that have survived have adapted to their new environment. Plants represent the vitality and strength of a changing world that refuses to disappear. The dance of flowers, leaves and seeds manifests the flow of life, times and hope that is never lost.
Norma Marina Solรญs Zavala was born in Cochas, Tarma, Peru. Her father Gerardo taught her to draw and paint flowers, from him she learned to be creative and smiling. Justina, her mother, taught her how to embroider blankets and knit, and from her she learned to be persistent and daring. She likes to write and take photographs. She has thirteen books published on Amazon. Since she participated in BEAF 2023 her desire to paint was reborn.
![[ํฌ๊ธฐ๋ณํ]SOBREVIVIENTES 2 - NORMA MARINA SOLIS ZAVALA.jpg](https://static.wixstatic.com/media/f1f3f2_749650506bc64dd499993d10eb5ae705~mv2.jpg/v1/fill/w_528,h_364,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DSOBREVIVIENTES%202%20-%20NORMA%20MARINA%20SOLIS%20ZAVALA.jpg)
Survivors dancing in the dark
30cm x 42cm
Recycled paper, acrylic paint 2024
Gallery 20
BIEAF2024 - Old Future
World Artist Invitation Exhibition
BIEAF Steering Committee announces BIEAF2024 participants. 390 artists were selected from 65 countries. The online exhibition will run from September 10, 2024 to February 28, 2025. During this period, offline exhibitions will be held at various galleries in Busan.
OH EUI SEOK
South Korea
์ผ๊ตด์ ๋งํ๋ค. ์ธ๊ฐ์ ๋ด๋ฉด์ ์ง์ํ๊ฒ ๋๋ฌ๋ด๋ฉฐ ์ถ ์ ์ฒด๋ฅผ ์์ถํด ๋ณด์ฌ์ฃผ๊ธฐ๋ ํ๋ค. ๊ทธ๋์ ์ฌ๋๋ค์ ์ผ๊ตด์ ์ง์ฐฉํ๋ค. ํ์ฅ์ผ๋ก ๊ฐ๊พธ๊ณ ์ฑํ์ผ๋ก ๊ณ ์น๊ณ ํ์ ์ฐ๊ธฐ๋ก ์์ ์ ๊ฐ์ถ๋ คํ๋ค. ์ํ '๊ทธ ์ผ๊ตด ๋๋ก์'์ ์ด ๋ชจ๋ ๊ฐ์์ ๋ฒ์ด๋ฒ๋ฆฐ ํ ์ธ๊ฐ์ ๋ชจ์ต์ ๋ณด์ฌ์ค๋ค.
โ
ํฌ๋๋๋ฌด ํ๋ชฉ์ ์์ฐ์ ์ค๋ธ์ ๋ก ์ ํํ์ฌ ์ํฌ๋ฆด ๋ฐ์ค ์์ ํฉ์ฑํ ์ด ์ํ์ ์๊ฐ์ ํ๋ฐ๊ธฐ 2022๋ ์ ์์ ์ด๋ค. ์์ ์ ์ฌ์ฉ๋ ํฌ๋๋๋ฌด๋ ์ญ ๋ ์ด์ ์์ ํ์ฐ๊ณ ์์ ๋ด๊ณ ์ด๋งค๋ฅผ ๋งบ์ ํ์ ํ๋ชฉ์ด ๋์๊ณ ์ธ๋ชจ์๋ ์กด์ฌ๊ฐ ๋์๋ค. ๊ทธ๋ฐ ๊ฐ์ด๋ฐ์ ์ํ์ ์ฌ๋ฃ๋ก ์ ํ๋์ด ๋ค์ ํ์ด๋ฌ๊ณ ์ฐ๋ฆฌ ๊ณ์ผ๋ก ๋ค๊ฐ์๋ค. ์์ฐ์ ํ๋ชฉ ์ค๋ธ์ ๊ฐ ์ฌ์์ ์กฐํ์ํ์ด ๋ ๊ฒ์ด๋ค. ์๊ฐ๋ ์ด๋ฌํ ์ฌ์์ ์์ ์ ๋ถํ์ ์กฐํ์ด๋ผ ๋ถ๋ฅธ๋ค. ์๋ช ์ด ๋คํ ์์ฐ์ ํ๋ชฉ์ด ์ธ๊ฐ์ ํ์์ ์ ๊ณ ์ ์์ฅ์ ์ํ์ผ๋ก ๊ฑฐ๋ญ๋ฌ๊ธฐ ๋๋ฌธ์ด๋ค.
โ
ํฌ๋๋๋ฌด์ ๋ถํ๋ก ํด์๋๋ ์ด ์ํ์ ์์ ์ ํฌ๋๋๋ฌด์ ๋น์ ํ ์ข ๊ต์ ์ธ๋ฌผ์ ์ฐ์ํ๊ฒ ํ๋ฉฐ ๊ทธ์ ์๋๊ณผ ํฌ์์ ๋ ์ฌ๋ฆฌ๊ฒ ํ๋ ๋์์ ์์ฒ ๋ฐ๊ณ ๊ณ ํตํ๋ ๋ชจ๋ ์ธ๊ฐ์ ์ด๋ฏธ์ง๋ฅผ ํจ๊ป ์ค๋ฒ๋ฉ์ํจ๋ค. ํฌ๋๋๋ฌด๋ก ๊ฑฐ์น ๊ฒ ๋๋ก์ ๋ ์ธ๋ฌผ์ ์๊ฐ๊ฐ ๋ง๋ ์ข ๊ต์ ์์ด์ฝ์ด์ ๊ณง ์ด์๋ค์ ๋ชจ์ต์ด๊ธฐ๋ ํ ๊ฒ์ด๋ค. ์ด์ฒ๋ผ '๊ทธ ์ผ๊ตด ๋๋ก์'์ ์๊ฐ์ ์ธ๊ฐ ์ดํด์ ๋ฟ๋ฆฌ๋ฅผ ๋๊ณ ์์ผ๋ฉฐ ์ข ๊ต์ ๋ด๋ก ์ ํ์์ผ๋ก ์ฒดํํ ์ํ์ด๋ค.
์กฐ๊ฐ๊ฐ / ๊ตญ๋ด์ธ ๊ฐ์ธ์ 30ํ ์์ธ๋ ๋ฏธ๋ ์กฐ์๊ณผ, ๋ ๋ํ์ ์กธ์ , ๊ฒฝ๋ถ๋ํ๊ต ๋ฏธ์ ํ๋ฐ์ฌ ๋ฏธ๊ตญ Calvin College ๋ฏธ์ ํ๊ณผ, ์ค๊ตญ์ฐ๋ณ๊ณผํ๊ธฐ์ ๋ํ ๊ฑด์ถ์์ ํ๋ถ ์ฐ๊ตฌ๊ต์, ๋๊ตฌ๊ฐํจ๋ฆญ๋ํ๊ต ๋ฏธ์ ๋ํ์ฅ, ๋์์ธ๋ํ์์ฅ ์ญ์ ๋๊ตฌ๋ฏธ์ ๋์ , ์ ๋ผ๋ฏธ์ ๋์ , ์ ์๋ฏธ์ ๋์ ์ฌ์ฌ์์, ๋๊ตฌ๊ด์ญ์ ๋ฏธ์ ์ํ์ฌ์์์, 2012 ํฌํญ์คํธ์ํธํ์คํฐ๋ฒ ์ปค๋ฏธ์ ๋ ์ญ์ 2022 ์ธ์ฐ๋ฏธ์ ๋์ ์ฌ์ฌ์์์ฅ, ๋ทฐํฐํ ํ๊ฒฝ๋ฏธ์ ๋์ ์ฌ์ฌ์์ 2023 ๋ถ์ฐ๊ตญ์ ํ๊ฒฝ์์ ์ World Artisst 10 ์์ ์ํ์์ฅ/๊ณต๊ณต์กฐ๊ฐ ๋๊ตฌ๋ฏธ์ ๊ด, ํฌํญ์๋ฆฝ๋ฏธ์ ๊ด, ๊ตญ๋ฆฝํ๋๋ฏธ์ ๊ด ๋ฏธ์ ์ํ, ์์ธ์๋ฆฝ๋ฏธ์ ๊ด, ๊น์ธ์ค๋ฏธ์ ๊ด, ๊ทธ๋๋๋ํผ์ฆ ์ํธ๋ฎค์ง์, ์นผ๋น๋ํ์ํธ์ผํฐ, ๋ฉ์ฌ์ด์ด๋ํ ๋ฏธ์ ๊ด, ๊ฒฝ๋ถ๋ํ๊ต๋ฏธ์ ๊ด, ์ค๊ตญ YUST ์กฐ๊ฐ๊ณต์, ์ฐ๋ฏธ์ฐ์์ฐ๋ฏธ์ ๊ณต์(๊ณต์ฃผ), ์์์ฌ๋ฆผํฝ๊ณต์, ๋๊ตฌ์ฑ์๋ฉ๊ฐํ์ด, ํฉ๋์ ํ๋ํ์(์์), ๊ณ ์ ๋ํ๊ต(๋ถ์ฐ) ๋์ ์ ํ๋ํ, ๊ฒฝ๋ถ๊ฐ๋ฐ๊ณต์ฌ, ํ๋์ฉ์ฐํํฌํ์(์์ธ), ์์ธ๋ฐฉ๋ฐฐํ๋ํํ์ด, ํ์ดํจ๋ฐ๋ฆฌ(์ํ), ๋๊ตฌ๊ด์ญ์๊ต์ก์ฒญ ํ์ฌ: ๋๊ตฌ๊ฐํจ๋ฆญ๋ํ๊ต ๋์์ธ๋ํ ๋ช ์๊ต์, ์์ฒ์๊ณต์์ด์ฅ, ๊ฒฝ๋ถ์กฐ๊ฐํ ํ๊ตญ๋ฏธ์ ํํ ํ์
![[ํฌ๊ธฐ๋ณํ]์ค์์ ๊ทธ ์ผ๊ตด ๋๋ก์.60 X 20 X 60 cm ํฌ๋๋๋ฌด ํ๋ชฉ 2022.jpg](https://static.wixstatic.com/media/f1f3f2_46d28403735543469921e704da4f1769~mv2.jpg/v1/fill/w_429,h_472,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EC%98%A4%EC%9D%98%EC%84%9D%20%EA%B7%B8%20%EC%96%BC%EA%B5%B4%20%EB%93%9C%EB%A1%9C%EC%9E%89_60%20X%2020%20X%2060%20cm%20%ED%8F%AC%EB%8F%84%EB%82%98%EB%AC%B4%20%ED%8E%98%EB%AA%A9%202022.jpg)
๊ทธ ์ผ๊ตด ๋๋ก์
60 X 20 X 60 cm ํฌ๋๋๋ฌด ํ๋ชฉ 2022
Oksana Steffan
Germany
Holding you symbolized harmony of love and understanding of a man and a woman on different levels and multiply their connection.
"I AM A SELF-TAUGHT ARTIST. BORN IN A SMALL VILLAGE IN BELARUS. IN ADDITION TO MY MAIN JOB AS A LINGUIST AND DAF TEACHER (M.A, T ACQUIRED THE HIGHEST DEGREE AS A DRAWING TEACHER AND TAUGHT ART HISTORY AND LED MY OWN GROUP OF ""ART WORKSHOPS"" AT SCHOOL. My PAINTINGs took part at physical exhibitions in ZURICH (ART EXPO) SWITZERLAND, PARIS EXPO CENTER CONTEMPORARY ART) FRANCE AND STOCKGOLM SWEDEN (GALLERY MAKOWSKI, VENICE AND ROME (VERUM CENTRO D'ARTE), ISTANBUL, TURKEY (ARTE CULTURA) MY OWN METHOD IN ENCAUSTIC - on a hot plate "
Holding you
35x42 cm Encaustic painting 2022
Olga Slobodkina-von Brömssen
Russia
I was inspiried by the eponymous piece for solo piano by Maurice Ravel, composed in 1901. I think, my work is a good illustration to this piano piece. I'm an International award-winning art photographer, poet, writer, song composer and singer. In 2024, I got a Certificate: The Knights of Creativity (1 out of 6 in the world) given to me by the Global Center for Peace and Human Rights - this Certificate and title are granted to innovators who have provided humanity with great services in the scientific and cultural fields. I also got the Doctorate of Honor in Art and Culture from FIDEPA together with the Royal International University
BIEAF2024 : I think, the very idea is great. We always refer to the past, which is easy, for we know it. Trying to forsee the future when it becomes the past and from the point of what we're doing today with full responsibility for our actions is a bold and important evdeavor. I hope this art project will be one more brick towards the protection of the environment.
![[ํฌ๊ธฐ๋ณํ]IMG_0103 - Olga Slobodkina.JPG](https://static.wixstatic.com/media/f1f3f2_40e19d3c7fca40a0be0ace9b302ad5fe~mv2.jpg/v1/fill/w_563,h_422,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_0103%20-%20Olga%20Slobodkina_JPG.jpg)
water
40x60 art photo 2024
![[ํฌ๊ธฐ๋ณํ]20240308_203529 - รzlem Alkan Gรผngรถr.jpg](https://static.wixstatic.com/media/f1f3f2_3e16de9c6bfc42389cde6e5ce148d68e~mv2.jpg/v1/fill/w_131,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D20240308_203529%20-%20%C3%96zlem%20Alkan%20G%C3%BCng%C3%B6r.jpg)
Özlem ALKAN GÜNGÖR
Türkiye
Eser kaฤฤฑt üzerine linol baskฤฑ tekniฤi ile oluลturulmuลtur. ฤฐnsanฤฑn doฤayla buluลmasฤฑnฤฑ temsil eder. Doฤayla uyumun yansฤฑmasฤฑdฤฑr çalฤฑลma. Mersin Yeniลehir Belediyesi Bilim ve Sanat Merkezin de Teknoloji ve Tasarฤฑm öฤretmeni olarak yer alฤฑyorum. Yeni tüm bakฤฑล açฤฑsฤฑ ve uygulamalara ilgi duyuyor,bu serüvende üretme çabasฤฑ ile çalฤฑลmalarฤฑma devam ediyorum.
Doฤayla senkronize olamadฤฑฤฤฑmฤฑz sรผrece korkularฤฑmฤฑza yaklaลacaฤฤฑmฤฑz endiลesini duyuyorum. ฤฐnsanlฤฑk gelecekteki yerini belirlerken umarsฤฑz davranmamalฤฑ. Bu nedenle belirlenen tema iรงin teลekkรผr etmek istiyorum.
![[ํฌ๊ธฐ๋ณํ]20240629_183601 - รzlem Alkan Gรผngรถr_edited.jpg](https://static.wixstatic.com/media/f1f3f2_91427c9a1c534d46af51303dc43f9ce5~mv2.jpg/v1/fill/w_194,h_400,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D20240629_183601%20-%20%C3%96zlem%20Alkan%20G%C3%BCng%C3%B6r_edited.jpg)
ฤฐzdüลüm
18,5×35,5 Kaฤฤฑt üzerine linol baskฤฑ 1996
![[ํฌ๊ธฐ๋ณํ]IMG_20240227_160100 - Reena Kavediya.jpg](https://static.wixstatic.com/media/f1f3f2_ccc0686507074dbc81d4b74039e1be6a~mv2.jpg/v1/fill/w_81,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5DIMG_20240227_160100%20-%20Reena%20Kavediya.jpg)
Parab Dhoka
India
I am Parab Dhoka,won lots of national, international award . . .
Future life
40×48 Paper 2022
Parimah Heidari
Iran
The natural blending of colors is beautiful because of the love bond of humans. The blue color embraces the khaki color
As the sky and the earth.
And from this connection, trees, flowers, plants, lakes and streams emerge
The painter blows his chosen colors like the wind
And from this wind, colors, waves and lotuses, bubbles appear on the small lagoon
And plains, deserts, snow, storms and storms are depicted
As in nature
The painter expands a point of color like a wave
And an eye appears, an eye on the desert sky
An eye under the ground
An eye on the edge of the sea
Or an eye that rises from the earth like the sun
And when it shows that nature and man have been searching for the truth and reflection of life since long ago." "Parimah Heidari, an accomplished artist hailing from Iran, brings over two decades of successful experience in the realm of painting. Specializing in Abstract Art, Fluid Art, Resin Art, and Acrylic Painting, Parimah employs unorthodox methods as a creative artist.
Her inspiration stems from a profound love for the sky, galaxy, clouds, and the sea, aiming to provide viewers with a glimpse of nature through her artwork. Parimah's portfolio spans from spectacular large-scale abstract paintings and Mixed Media collages to resin art wall decor, bowls, and platters crafted from resin. Born in 1982 in Shiraz, Parimah's interest in art was nurtured during her teenage years and further flourished when she pursued a Bachelor's degree in Software Computer from Azad University in Shiraz, Iran. She has mastered the skills and chemistry of her chosen medium, continuously pushing the boundaries of the creative process. Notably, Parimah received gold and silver medals in the Isako Olympiad Arts, Crafts, and Ready-made Design Category during the 2021-2022 period, showcasing her exceptional panel compositions titled ""Beautiful Woman"" and ""Flame."" Her artistic endeavors primarily revolve around pouring techniques, where paint is applied by pouring rather than using a brush. This method, coupled with the unpredictable nature of resin, allows Parimah to explore varied textures found in nature more realistically than any other medium. For her, art serves as the primary means of expressing feelings and revealing different facets of nature and life's realities to viewers. Parimah's design perspective is evident in her approach to special subjects and objects. She has actively participated in a hundred exhibitions both inside and outside Iran, contributing to various festivals and international events. Her extensive body of work in the field of art reflects her dedication to continuous creative exploration and expression.
Lotus
45*35 Pastel chalk 2024
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Park Geum Hee
South Korea
์ฐ๋ฆฌ๋ ์์นจ์ ๋์ ๋ ์ด์ ์ ๋ค๋ฅธ ์๋ก์ด ๋ ๋ค์ ์ด์๊ฐ๊ณ ์๋ค.
ํนํ ์ถ์ ์งํฅ์ ์ ํฅํด ๊ฑฐ์นจ์์ด ๋์ ํ๋ ์ฌ๋๋ค์ ๊ธธ์ ๋ง์ ์ฉ๊ธฐ์ ์ฌ์ ๊ฐ ํ์ํ๋ค. ๊ทธ๋ฐ ์ฌ๋๋ค์ด ๊ฐ๋ ๊ธธ์ ‘๊ธธ’์ด ์๋ค. ๊ธธ์ ๋ง๋ค๋ฉด์ ๊ฐ๋ค.
์ถ์ ๋ฐฉํฅ์ด๋ ์งํฅ์ ์ ๋ค๊ฐ๊ฐ๊ธฐ ์ํด์ ์ฌ์ ํ๊ณ ํ๋ํ๋ ๊ฒ๋ค์ ์ํ ์์ ํํํ๊ณ ์ถ์๋ค. ์์ฐ๊ณผ ์ฌ๋, ์ฌ๋๊ณผ ์ฌ๋, ์์ฐ๊ณผ ์์ฐ์ด ์๋ก์๊ฒ ์ํฅ์ ์ค ์๋ฐ์ ์๋ ์๋์ง์ ํ๋์ ์ ์ผ๋ก, ์ถ์ ํฌ · ๋
ธ · ์ · ๋ฝ์ ๋๋ผ๋ ์๊ฐ์ ์์ ์กฐ๊ฐ๋ค๋ก ํํํ์ผ๋ฉฐ ‘๊ฐ๋ค’๋ผ๋ ์์์ ํํ์ผ๋ก ๋ฌผ๊ณ ๊ธฐ๋ฅผ ์์ฌ๋ก ์ ํํ๋ค.
์ ๊ณผ ๋ฉด์ ๊ตฌ์ฑํ์ฌ ์ถ์์ ํํํ๊ธฐ๋ ํ์ผ๋ฉฐ ํํ๋ฅผ ์ฌ๊ตฌ์ฑํ์ฌ ์์ฐ์ ๋ณธ์ง์ ๋ ๊ฐ๊น์ด ์กฐํ์ฑ์ ๊ตฌ์ฑํ๋ ค ํ๋ค. ์์ฐ๊ณผ ๋๋ถ์ด ์จ ์ฌ๊ณ ๊ณต์กดํ๊ณ ์๋ ์ฐ๋ฆฌ์ ์ถ์ ํฌ๋ง๊ณผ ์๋ฆ๋ค์์ผ๋ก ์ ๊ฐํ๊ณ ์ ํ ๊ฒ์ด๋ค.
ํ๊ตญ ์ ํต์ ์ธ ์์ฑ๋ฅผ ๋ชจํฐ๋ธ๋ก ํ๊ณ ์์ผ๋ฉฐ ์ถฉ์ฒฉ๋ ์ฑ์์ผ๋ก ์์ ๊ฐ๊ณผ ๊น์ด๋ฅผ ์ฃผ์ด ์ฌ์ ํ ์ ์๋ ๊ณ ์ํ ์๊ฐ๊ณผ ๊ณต๊ฐ์ ์ ๊ณตํ๊ณ ์ ํ๋ค. ์ด๋ฌํ ๋์ ์์ ์ด โ๊ธธ ์๋ ๊ธธโ์ ๊ฐ๊ณ ์๋ ์ด๋ค์๊ฒ ์์์ด ๋๊ธธ ํฌ๋งํ๋ค. ""* ๊ฐ์ธ์ - 9ํ/ ์ํธํ์ด์ - 4ํ/ ๋จ์ฒด์ ๋ค์ ์ถํ(2004๋ ๋ถํฐ~) * ์์๋ํ๊ต ๋ฏธ์ ๋ํ์ ์กฐํ์์ ํ๊ณผ ์กธ์ * ๊ฒฝ๊ธฐ๋ฏธ์ ๋์ ์ด์์์ ๋ฐ ์ฌ์ฌ ์ญ์ * ๋ํ๋ฏผ๊ตญ ์ฌ์ฑ ๋ฏธ์ ๋์ ์ฌ์ฌ ์ญ์ * ๋จ์๋ฏธ์ ๋์ ์ฌ์ฌ ์ญ์ * ํ์ฌ - ํ๊ตญ๋ฏธ์ ํํ ํ์, ์์๋ฏธ์ ํํ ํ์, ๊ฒฝ๊ธฐ ์ฌ๋ฅํ๊ฐํ ํ์
![[ํฌ๊ธฐ๋ณํ]๊ธธ ์๋ ๊ธธ 42 - ๋ฐ๊ธํฌ (ํ์ ๋ง์ธ).jpg](https://static.wixstatic.com/media/f1f3f2_cef533bb39934ef694d274d133b933fd~mv2.jpg/v1/fill/w_519,h_415,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EA%B8%B8%20%EC%97%86%EB%8A%94%20%EA%B8%B8%2042%20-%20%EB%B0%95%EA%B8%88%ED%9D%AC%20(%ED%99%94%EC%A0%95%EB%A7%8C%EC%84%B8).jpg)
๊ธธ ์๋ ๊ธธ
72.7 x90.9cm
mixed media on canvas 2024
![[ํฌ๊ธฐ๋ณํ]๋ฐ๊ฑดํด - ๋ฐ๊ฑดํด.jpg](https://static.wixstatic.com/media/f1f3f2_6f7052b37e464e9f805012639ad373fd~mv2.jpg/v1/fill/w_234,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EA%B1%B4%ED%95%B4%20-%20%EB%B0%95%EA%B1%B4%ED%95%B4.jpg)
PARK GUNHAE
South Korea
์ฌ๊ตฐ์๋ก ์ง์นญ๋๋ ๋ค๊ฐ์ง ์๋ฌผ ๋งค๋๊ตญ์ฃฝ์ ๋๋ฐฉ๋ฌธํ ์ ์๋ฅผ ์์งํ๋ ๋ถํธ์ด๋ค. ์ฌ๊ตฐ์๋ผ๋ ๋ถํธ๋ฅผ ํตํด์ ์์ฐ์ผ๋ก์ ํ๊ท, ๋ง์์ ๋ณธ๋ ์๋ฆฌ๋ฅผ ์ฐพ์๊ฐ๋ ค๋ ์์ ์ ์๋์ ํผ๋์์์ ๋์๊ฒ ์๋ช ๊ณผ ์น์ ์ ๊ณต๊ฐ์ ๋ง๋ จํด์ค๋ค. ์ฐ๋ฆฌ์๊ฒ ์ถ์ ์ ๊ณตํ๋ ํธํก์ ๋ฌดํํ ๊ฐ๋ฅ์ฑ์ ์ธ์ ๋ ๊ฒฝ์ด๋กญ๋ค. ์ฐฝ์๊ณผ ์ผ์์์์์ ๋์ ํธํก์ ์ ์๋ผ๋ ์ํต์ผ๋ก ๋ค์ ๊ธฐ์จ์ ๊ณต์ ํ๊ณ ์ถ์ ๋ฐ๋จ์ด๋ค.
1999 ๋ถ์ฐ๋ํ๊ต ๋ฏธ์ ํ๊ณผ ์กธ์ 2005 ์ค๊ตญ ์ค์๋ฏธ์ ํ์ ์ค๊ตญํ๊ณผ ๊ฐ์ฐ๋ณต ์ฐ์๊ณต์์ค ์์ฌ์กธ์ ํ) ํ๊ตญ๋ฏธ์ ํํ ,์ฌ์คํ์ธ๋ฏธ์ ํํ ํ์, ์ค๊ตญ ํ๋ถ๋ํ๊ต ๋ฐ์ฌ๊ณผ์ , ์์์๋ฌธํํ์ ์ ํ์ ์ด์ฌ ๊ฐ์ธ์ 11ํ(ํ๊ตญ,์ค๊ตญ,์ผ๋ณธ) ๋ฐ ๊ตญ๋ด์ธ ๋ค์์ ๊ทธ๋ฃน์ ์ฐธ์ฌ. ์์๊ฒฝ๋ ฅ 2023 ์ 9ํ ์ ๊ตญ ์ฌํ๊ฐ ์ํ์ (์ ์ ), ๋ถ๊ฒฝ ์์ง๊ตญ์ ์์ ์, ๋ถ๊ฒฝ 2019 ์ 5ํ ์ ๊ตญ์ฌํ๊ฐ ์ฐ์์ํ์ (์ฐ์์), ์์ ์์ฅ๋ฏธ์ ๊ด, ๋ถ๊ฒฝ 2016 ้ๆฅๅฟ-๋ถ๊ฒฝ์ฒญ๋ ๋ฏธ์ ๋น์๋ ๋ (3๋ฑ์), ๊ธ์ผ๋ฏธ์ ๊ด, ๋ถ๊ฒฝ ๋ ผ๋ฌธ ๋ฐํ 2023 19์ธ๊ธฐ ๊น์ ํฌ, ์ด์์ ๋ถ๊ฒฝ๊ต๋ฅ ์ฐ๊ตฌ, ์ธ๋ฌธ์ฌํ 21 ์ 14๊ถ3ํธ 2023 19์ธ๊ธฐ ์กฐ์ ๋ฌธ์ธ ์กฐํฌ๋ฃก์ ์ค๊ตญ๋ฌธํ ์ํฅ๊ณผ ์ฐฝ์์ ์ฌ์ โ ใ์์ฐ๋ง๋ ๋กใ๊ณผ ใํ๊ตฌ์๋๋ฌตใ์ ์ค์ฌ์ผ๋ก, ์์์์ธ๋ฌธํ Vol.4
![[ํฌ๊ธฐ๋ณํ]็ซนํธํก #14-12, ์ง๋ณธ์๋ฌต,70 x 44, 2014๋
- ๋ฐ๊ฑดํด.jpg](https://static.wixstatic.com/media/f1f3f2_05fd6e11644f468daadbae12c5add396~mv2.jpg/v1/fill/w_287,h_450,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%E7%AB%B9%ED%98%B8%ED%9D%A1%20%2314-12%2C%20%20%EC%A7%80%EB%B3%B8%EC%88%98%EB%AC%B5%2C70%20x%2044%2C%202014%EB%85%84%20-%20%EB%B0%95%EA%B1%B4%ED%95%B4.jpg)
็ซนํธํก #14-12
70 x 44 cm 2014
Park jin woo
South Korea
๊ฑฐ์น ํ๋๊ฐ ๋ฐ๋ท๊ฐ ํด์์์ฅ ๋ง๋ ์ฌ์ด๋ฅผ ์ค๊ฐ๋ฉฐ ์๊ฒจ๋๋ ํฌ๋ง์ ๊ธด ๋ ธ์ถ์ ํตํด ์์ํ๊ฒ ํํํ์ต๋๋ค. ์ ๋ ํ๋ฐฑ ์ฅ๋ ธ์ถ์ ์ฃผ์ ๋กํ ๋ค์ด๋๋ฏน ํ๋ฉด์๋ ๋ฏธ๋๋ฉ๋ฆฌ์ฆํ ์ฌ์ง์ ๋ด๊ณ ์๋ ์๋ง์ถ์ด ์๊ฐ์ ๋๋ค. ์ผ์์์ ๋ง๋๊ธฐํ๋ ์ฅ๋ฉด๋ค์ ๊ธด ๋ ธ์ถ์ ํตํด์ ๋์ค๋ค์๊ฒ ๋๋ผ๋งํฑ ํ๊ฒ ์ ๊ทผํ๊ธฐ์ํด ์ง๊ธ๋ ๋ ธ๋ ฅํ๊ณ ์์ผ๋ฉฐ ์์ผ๋ก๋ ํ๋ฐฑ์ฅ๋ ธ์ถ์ ๊ธฐ์ธํ ๋ฏธ๋๋ฉํ ์ฌ์ง์์ ์ ํ๊ธฐ์ํด ์ง์์ ์ธ ํ๋์ ํ๊ณ ์์ต๋๋ค.
ํ๋์ ์ฐ์ฃผ
76x50
Digital pigment print on art paper 2024
![[ํฌ๊ธฐ๋ณํ]๋ฐ์ข
๊ฐ ์ธ๋ฌผ - Dera Yoon.jpg](https://static.wixstatic.com/media/f1f3f2_38a34eb25a324965a363fb26fe958d01~mv2.jpg/v1/fill/w_68,h_199,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EC%A2%85%EA%B0%91%20%EC%9D%B8%EB%AC%BC%20-%20Dera%20Yoon.jpg)
PARK JONG-GAB
South Korea
ํ๋์ ์ธ๊ฐ๋ค์ ๊ณผํ์ด ์ด๋ฃจ์ด๋ด๋ ์๋์ ๋ณํ์ ์จ ๊ฐ์๊ฒ ์ ์ํ๋ฉฐ ์ด์๊ฐ๊ณ ์๋ค. ๋ฌผ์ง๋ฌธ๋ช
์ ์ํ์ ํธ๋ฆฌ๋ฅผ ์ฃผ๊ณ ์์ผ๋ ์ธ๊ฐ์ ์ถ์ ๋ถ์๊ณผ ๋ฒ๋ฏผ์ผ๋ก ๊ฐ๋ ์ฐฌ ํ๊ตญ์ด๋ค. ๊ณผ์ฐ ์ฐ๋ฆฌ๋ ์ถ์ ์ด๋ป๊ฒ ์ด๋์ด์ผ ํ ๊น?
์ค๋๋ ์ ์ ๋ณด๋ค๋ ๋ฌผ์ง์ ์ค์ํ๋ ๊ณผ์์ ์๋น๋ฌธํ๊ฐ ํ์ฑํ ๋์ด๊ฐ๋ ํ์ค ์์์ ๋ฒ๋ฏผ์ ์ฐฌ ์ฐ๋ฆฌ์ ์ถ์ ์๋ก์ด ํ๋ ฅ์ ๋ถ์ด ๋ฃ์ด์ค ์ฒ์ธํฉ์ผ(ๅคฉไบบๅไธ)๊ณผ ๋ฌด์์์ฐ(็ก็ฒ่ช็ถ)์ ์ ์ ์ ๊ทผ์์ ์๋ฏธ๋ค์ ๋์๊ฒจ ๋ณธ๋ค.
ํ์ต๋ํ๊ต ๋ฏธ์ ๋ํ ๋ฐ ๋ํ์ ๋์ํ๊ณผ ์กธ์ ๊ตญ๋ด, ์ธ ๊ฐ์ธ์ 24ํ ๋ฐ ๊ธฐํ, ์ด๋์ 300์ฌํ ์ฐธ์ฌ 2023 ์ ๋จ๊ตญ์ ์๋ฌต๋น์๋ ๋ / 2022 ์ ์ฃผ๋น์๋ ๋ (์ ์ฃผ๋๋ฆฝ๋ฏธ์ ๊ด) 2021 ๊ฐ์๊ตญ์ ํธ๋ฆฌ์๋ ๋ / 2020 ํ๋ฌต์ง๊ฐ็ญๅขจไน้(้ง)ํ์ฝฉํ๊ตญ๋ฌธํ์) 2019 ์ํ์ด๊ตญ์ ์ข ์ด๋น์๋ ๋ / 2018 ํ๊ตญ์๋ฌต ํด์ธ์ํๅฑ(้ง)์ํดํ๊ตญ๋ฌธํ์) 2017 ๋๋ง๊ตญ์ ์๋ฌตํ๋์ (๋๋ง๊ตญ๋ถ๊ธฐ๋ ๊ด) ์ ์ : ์ก์๋ฏธ์ ์, ์ด๋น๋ฏธ์ ๋์ ์ํ์์ฅ : ๊ตญ๋ฆฝํ๋๋ฏธ์ ๊ด/์ ๋ถ๋๋ฆฝ๋ฏธ์ ๊ด/์ ๋จ๋๋ฆฝ๋ฏธ์ ๊ด/MBC๋ฌธํ๋ฐฉ์ก/ ๋ฌธํ์ผ๋ณด ์ด๋ณด๋ฌธํ์ฌ๋จ/์ก์๋ฌธํ์ฌ๋จ/ํ์ด๋ฌธํ์ฌ๋จ/ ํ์ต๋ํ๊ต/๊ฒฝํฌ๋ํ๊ต ๋ฑ ็พ : ๊ฒฝํฌ๋ํ๊ต ๋ฏธ์ ๋ํ ํ์ฅ / ๊ฒฝํฌ๋ํ๊ต ํ๋๋ฏธ์ ์ฐ๊ตฌ์ ์์ฅ
![[ํฌ๊ธฐ๋ณํ]๋ฐ์ข
๊ฐ์ํ - Dera Yoon.jpg](https://static.wixstatic.com/media/f1f3f2_f7e252ac42e84850bc009b859723bac3~mv2.jpg/v1/fill/w_489,h_412,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EB%B0%95%EC%A2%85%EA%B0%91%EC%9E%91%ED%92%88%20-%20Dera%20Yoon.jpg)
๊ธฐ๊ณต๏ผๆฐฃๅญ๏ผ
43x50cm ํ์ง์ ์ ์ฐ๋ฌต 2021
![[ํฌ๊ธฐ๋ณํ]ํ๋ฉด ๋ฐ์์ง ์ธ๋ฌผ - SUJIN PARK.jpg](https://static.wixstatic.com/media/f1f3f2_2f92015f999d40e7ba3182cce8cd4cbd~mv2.jpg/v1/fill/w_117,h_175,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%ED%8F%89%EB%A9%B4%20%EB%B0%95%EC%88%98%EC%A7%84%20%EC%9D%B8%EB%AC%BC%20-%20SUJIN%20PARK.jpg)
PARK SUJIN
South Korea
๋์ ๊ฐ์กฑ์ ๋ํ ์ด์ผ๊ธฐ๋ค. ๊ฐ์กฑ๊ณผ์ ๊ด๊ณ๋ ํ ๊ฐ์ง๋ก๋ง ์ค๋ช ํ ์ ์๋ค. ํ๋ฉด๋ง ๊ฐ์ง ๊ฒ ์๋, ๋ค์์ฒด๋ก์์ ๋ชจ์์๋ฅผ ๊ฐ์ถ๊ณ ์ฌ๋ถ ๊น์ ๊ณณ๊น์ง ๋ฐ๊ณ ๋ค์ด์ ์ธ์ ์ ์ฒด๋ฅผ ํค์ง์ด ๋๊ธฐ ๋๋ฌธ์ด๋ค. ๋์๊ฒ ๊ฐ์กฑ์ ์ฌ๋์ด๋ฉฐ ์ ์ฆ์ด๊ณ ์ฒ๊ตญ์ด๋ฉฐ ์ง์ฅ์ด๋ค. ์ง๋ ํ ๋๋ฆฝ๊ฐ๊ณผ ์๋ฉด์ฑ์ ๊ฐ์ง ๊ทธ ์ด์ค์ฑ๋๋ฌธ์ ๋ง์์ ๋ฐฉํฅ์ ๋๋ฌด์ง ์ก์ง ๋ชปํ๊ณ ๋ ํ๋ค๋ ธ๋ค. ๊ทธ๋ผ์๋ ๋ถ๊ตฌํ๊ณ ๊ฐ์กฑ์ ๋์ ๋ฟ๋ฆฌ์ด์ ์ํ์ด๋ค. ๋์ ์ ์ ์๋ฅผ ๋ง๋ค์ด๋ธ ๋จ์ด์ด๊ธฐ ๋๋ฌธ์, ์๋ฆฌํ ์นผ๋ ๊ฐ์ ํน๋ ํ ๊ณ ํต ์์์๋ ๋๋ ๊ฐ์กฑ์ ํ๋๋ค.
์ธ์ข ๋ ์ผ๋ฐ๋ํ์ ํํ๊ณผ ์์ํ ์ ๊ณต ์์ฌ ์กฐ๊ธฐ์กธ์ -์์๊ณผ ์กธ์ , ํํ๊ณผ ํ์ฌ, ์ฌ๋ฆฌํ ํ์ฌ, ํ์ฌ ์๋ด์ฌ๋ฆฌํ๋ถ ์์ ์น๋ฃํ๊ณผ ์ฌํ /๊ฐ์ธ์ / 2021 ๊ฐค๋ฌ๋ฆฌ๋ํธ ์ ์ ์๊ฐ์ 2022 H๊ฐค๋ฌ๋ฆฌ์ 2023 ์์ฌ์ฒญ๊ตฌ์ ์ธ์ข ์ํธ๊ฐค๋ฌ๋ฆฌ์ 2024 ์ํธ๋ก์ง์คํ์ด์ค ์ ์ ์๊ฐ์ 2024 ๊ฐค๋ฌ๋ฆฌํ์ฅ ์ฒญ๋ ์๊ฐ๋น์ ์ 2024 ๋ฆฌ์๊ฐค๋ฌ๋ฆฌ ์ฐ์์๊ฐ์ง์์ 2025 ์ธํ ๊ทธ๋๊ฐค๋ฌ๋ฆฌ ์ 2025 ๊ฐค๋ฌ๋ฆฌ๋น์น ์ ์ง์๊ฐ ์ ์ ์ 2025 ์ธํ ๊ทธ๋๊ฐค๋ฌ๋ฆฌ ์
![[ํฌ๊ธฐ๋ณํ]์ด์ง์ ์ธ๊ธฐ์ต 72.5x90.5 ์บ๋ฒ์ค์ ์ ์ฑ 2020 - SUJIN PARK.jpg](https://static.wixstatic.com/media/f1f3f2_5554ebdaca27465fb63b634e495e5a46~mv2.jpg/v1/fill/w_344,h_434,al_c,q_80,usm_0.66_1.00_0.01,enc_avif,quality_auto/%5B%ED%81%AC%EA%B8%B0%EB%B3%80%ED%99%98%5D%EC%9D%B4%EC%A7%88%EC%A0%81%EC%9D%B8%EA%B8%B0%EC%96%B5%2072_5x90_5%20%EC%BA%94%EB%B2%84%EC%8A%A4%EC%97%90%20%EC%9C%A0%EC%B1%84%202020%20-%20SUJIN%20PARK.jpg)