

Art Hall - C4
Listen to the artist's voice
Look at the artist's expression
Read the artist's mind
The BIEAF is with artists.
Gallery 23
BIEAF2026 - From SUN To BOY
World Artist
Invitation Exhibition
BIEAF Steering Committee announces BIEAF2026 participants. 848 artists were selected from 84 countries. The online exhibition will run from September 10, 2025 to February 28, 2026. During this period, offline exhibitions will be held at various galleries in Busan.
Gallery 23 Artists and Works Slide
You can mark hearts on your favorite artists and works.
01.jpeg)
BIEAF2026 Invited Artist
Narda Martinez
Italia
Narda Martínez : A Multidisciplinary Artist Introduction Narda Martínez is an extraordinary Ecuadorian artist who has resided in Milan,Italy, since 2001. Her work is a magnificent example of how diverse art formscan intertwine to create unique and stimulating pieces. Her versatility isevident in her work as a painter, writer, poet, fashion designer, and culturalmanager. Artistic Career Painting : Narda Martínez is known for her vibrant and intense paintings, which oftenexplore themes related to nature, identity, and culture. Her painting is ajourney through color and emotion that invites the viewer to reflect andconnect with the world around them. Writing and Poetry : In addition to painting, Narda is a talented writer and poet. Her literary worksoften reflect her introspection and a deep understanding of human dynamics.Through words, she creates powerful imagery and evokes deep emotions,offering new perspectives and food for thought. Fashion : As a fashion designer, Narda Martínez brings the creativity and passion thatcharacterize her artistic and literary work. Her fashion collections showcasebeauty and cultural diversity, distinguished by a unique blend of traditionaland modern styles. Cultural Management : As a cultural manager, Narda plays a key role in promoting art and culture inboth Ecuador and Italy. Through events and collaborations, she workstirelessly to create spaces that celebrate creativity and innovation, fosteringintercultural dialogue and inclusion. Conclusion : Narda Martínez is a living example of how art can be a unifyingand transformative force. Her dedication and ability to excel in such diversefields make her an inspiring figure in the contemporary art scene. Herpresence in Milan not only enriches the local scene but also builds a bridgebetween Ecuadorian and Italian cultures.
1.jpeg)
Autumn Impressions
Oil on Canvas 100x50 2026
Description of the work :
The work presented is a vibrant autumn landscape that captures the serenityand beauty of nature amidst the changing seasons. The artist employs a warmpalette dominated by reddish, brown, and golden tones, evoking thetransformation of the leaves in autumn.This work not only celebrates the aesthetics of the autumn landscape but alsoencourages a deeper connection with nature and its cycles. The viewer isinvited to pause, breathe, and appreciate the fleeting beauty that surroundsus.

01.jpg)
BIEAF2026 Invited Artist
Nargish Soma
Bangladesh
Mst Nargish Parvin, Known as Nargish SomaCompleted Her BFA and MFA from on Oriental Art from Fine Arts Dept.Rajshahi University. She is now working as a Lecturer of Oriental Arts atRajshahi Art College. She is the founder of Shorong Art Group, an art eventand exhibition organizing Organisation. She perticipated more then 90National and International Exhibition all over the world. She is very interestedto work with Womens life and struggle. Basically Human is her most fevoritesubject. She Recieved so many Awards for her amezing painting. Some of herpainting is still displaying in some arts museum and gallery. At this momentshe is working with a series of Painting titled Face and History.
1%20Face%20and%20History%2012.jpeg)
Face and History 12
Acrylic on Canvas 5'X6' 2026
Description of the work :
Face and History is a series of work based on expressions of different ages.Every expression have their own history. Behind every face they have somestory. This is the face and history of a little girl.

02%20-%20%EB%B3%B5%EC%82%AC%EB%B3%B8.png)
BIEAF2026 Invited Artist
Natasha
Korea
I am currently developing Between Us, an ongoing series inspired by scenesfrom my everyday encounters with nature. Through composed fields of colorand gestural lines, I reinterpret these scenes to explore the interactionsbetween people and the more-than-human world.
Tell us about BIEAF2026 'From Sun To Boy' :
When I first encountered the theme From Sun to Boys, I thought of nature as agift to us. This led me to ask, “What about From Boys to Sun?” In that reversal,I found a connection to Between Us, the series I am currently developing.
1.png)
Face and History 12
Acrylic on Canvas 5'X6' 2026
Description of the work :
One spring day, I imagined walking barefoot through fields turning green andflowers swaying in the breeze. One winter, watching geese drifting quietlyacross a lake, I wished I could become one of them and enter that scene.Between Us, including these works, grew from the thoughts and imaginingsthat arise when encountering everyday scenes.
2.png)

01.jpg)
BIEAF2026 Invited Artist
Natxo Zenborain
España
Natxo Zenborain is a visual artist from Pamplona whose work blendssurrealism, Psychoart, and experimental photography. Through close‑upexplorations of matter and symbolic distortion, he reveals hidden tensionsbetween the visible and the invisible.
Tell us about BIEAF2026 'From Sun To Boy' :
For me, ‘From Sun To Boy’ reflects a transition from pure energy to humansensitivity. It resonates with my interest in matter, transformation, and theinvisible tensions that shape perception.

02.jpg)
Exploring the physical dimension
Photography 50cm x 60cm 2026
Description of the work :
A macro‑surreal exploration of matter, where different materials unfold likeliving terrains. The piece reveals a physical dimension that feels both organicand geological, suspended between growth and erosion. Through vividcontrasts and close‑up detail, it invites the viewer into a space where realityloosens and the invisible begins to surface.
2.jpg)

01.jpg)
BIEAF2026 Invited Artist
Naushad Gayoor
India
Born 20th Nov.1971at Dalgate, Srinagar, Kashmir. I’m a multidisciplinary visualartist and senior academic, presently serving as Head, Department of AppliedArt, Shri Pran Krishan Kaul Institute of Music & Fine Arts, University ofKashmir. With over three decades of sustained art practice, I have evolved adistinct visual language shaped by Kashmiri sensibilities, contemporaryaesthetics, and experimental engagements across diverse mediums.I completed my Graduation in Applied Art from IMFA, University of Kashmir,and my Post Graduation from the College of Art, Delhi. Since 1995, I haveparticipated in numerous national and international exhibitions, art camps,workshops, and seminars, and my works have been showcased widely withinand outside Kashmir, receiving recognition from several prestigious culturalinstitutions. My honours include the National Scholarship (Painting) from the National LalitKala Akademi, New Delhi (2002–2003), the Junior Fellowship (Painting) fromthe Ministry of Tourism & Culture, Govt. of India (2000–2002), the KalavartRashtriya Swasti Samman (2020), and multiple awards from government andprivate bodies, including the 2nd Prize in the J&K State PhotographyCompetition (2009). I have also been featured in major national exhibitionssuch as the 69th National All India Annual Art Exhibition, AIFACS (1998) and“50 Years of Art in Independent India” (1997). My artworks are housed in several significant collections, including those ofH.E. President of India Dr. A.P.J. Abdul Kalam, Raj Bhawan Srinagar, NationalLalit Kala Akademi, AIFACS, J&K Cultural Academy, NZCC, WZCC, Directorateof Art & Culture Goa, along with numerous government and private collectorsacross India and abroad.
1%20Solitude%20Beneath%20the%20Blue%20Hills.jpg)
Solitude Beneath the Blue Hills
Acrylic on Canvas 152 cms x 122 cms 2026
Description of the work :
Dominated by saturated ultramarine blues, the landscape constructs adreamlike terrain where natural forms verge on abstraction. The rolling hills,covered with repeated vertical strokes, evoke textural rhythms rather thanliteral vegetation, suggesting a deliberate move toward pattern and mark-making. Their uniformity creates a hypnotic surface, yet also risks visualmonotony, making the luminous foreground all the more critical.
The river, rendered in fluid, reflective blues, acts as the painting’scompositional spine, it guides the viewer’s eye inward, offering a sense ofmovement that counters the static repetition of the hills. The artist’s handlingof water is particularly effective: the reflective quality introduces subtle tonalshifts, preventing the blue palette from becoming overly flat.
The most striking intervention is the cluster of yellow green trees on the smallisland. This chromatic rupture injects vitality and establishes a focal point withstrong emotional resonance. The contrast is almost theatrical—an intentionalspotlight within an otherwise nocturnal world. It suggests renewal, hope, orsanctuary, depending on the viewer’s interpretive lens. Yet one might arguethat the intensity of this contrast borders on abrupt, creating a visualhierarchy so dominant that it overshadows the surrounding landscape.
The painting succeeds in crafting a surreal environment where color becomesnarrative. Its strengths lie in atmosphere, contrast, and controlled abstraction,though a more varied treatment of the mid-ground forms could enhancestructural complexity.

02.jpg)
BIEAF2026 Invited Artist
Nazma Begum
Bangladesh
Nazma Begum is a contemporary visual artist from Bangladesh, whosepractice explores memory, emotion, and the quiet poetry of everyday life. Shecompleted her Bachelor of Fine Arts (BFA) and Master of Fine Arts (MFA) fromthe Department of Craft, where she developed a strong foundation inmaterial-based practices and traditional techniques. Working across painting and mixed media, her artistic language reflects asensitive dialogue between craftsmanship and contemporary expression. Herworks often emerge from personal reflections and cultural surroundings,where texture, form, and color become vessels of storytelling. Through layered surfaces and intuitive processes, she creates compositionsthat invite contemplation and emotional resonance. Her background in craftinforms her attention to detail, tactile quality, and a deep respect for materials,which remain central to her evolving practice. Nazma Begum has participated in group exhibitions, including internationalplatforms, where her work has been appreciated for its sincerity andexpressive depth. Her practice continues to expand through experimentation,bridging traditional craft sensibilities with contemporary visual narratives.
1.jpg)
A Quiet Resentment
Acrylic on Canvas 60X 60 cm 2026
Description of the work : This painting emerges from my reflection on coexistence and quietconnection within nature. At the center, a flowering tree stands within anarched frame, suggesting both a window and a sacred space. It represents aplace of inner stillness where life continues to grow, gently and persistently. The birds in this work are not merely decorative forms; they are observers,companions, and silent participants in this shared environment. The smallerbirds resting within the tree embody a sense of belonging, while the twolarger birds below gaze upward, suggesting a moment of attention, longing, orquiet (dialogue) with nature. My background in craft deeply influences this composition. The intricatepatterns, repeated floral motifs, and ornamental borders draw from textiletraditions, where every detail carries rhythm and care. Through this process, Itry to create a surface that feels meditative—where repetition becomes aform of contemplation. The presence of flowers and fish extends the idea of interconnected life.Different elements—air, water, and earth—exist together within a single visualspace, without boundaries. This reflects my belief that all forms of life share asubtle, continuous connection. Color plays an emotional role here. The vibranttones are balanced by a dark background, allowing the forms to emerge likememories—quiet yet luminous. I am interested in how beauty can holdstillness, and how stillness can carry meaning. This work is not about narrative in a direct sense. It is about creating a spacewhere the viewer can pause, breathe, and feel a sense of gentle harmony—where everything exists together, in a shared rhythm of life.

01.jpg)
BIEAF2026 Invited Artist
Neeharika Donau-Hossain
Germany
I am a German visual artist, curator, and gallerist. She studied Painting at theUniversity of the Arts Bremen and has been active internationally since 1992.As founder of numerous intercultural art initiatives, she has connected artistsacross Europe and Asia through exhibitions and cultural exchange. Workingbetween Fantastic Realism and Neo-Realism, her paintings exploreconsciousness, spirituality, and the human condition through symbolicimagery and psychologically charged spaces.
1.jpg)
Siters
Acryl on canvas 100 x 110 cm 2025
Description of the work :
Sisters portrays an intimate bond where light becomes a symbol of innerwisdom and shared humanity. Like rays born from the sun, the glowing pearlsexchanged between the sisters express love, trust, and spiritual connection—the creative light that unites all life.

01.jpeg)
BIEAF2026 Invited Artist
Neeraj bind
India
I am Neeraj Bind, a visual artist from India specializing in oil and acrylicpainting. My work blends realism with deep narrative concepts. I frequentlyexplore the profound connection between human existence and nature,portraying life, freedom, and cultural essence through my art.
2.jpeg)
1.jpeg)
The Nest of Thoughts
Acrylic on canvas 30*40 inches 2025
The Nest of Thoughts," this artwork explores the deep connection betweenhuman consciousness and nature. The woman with a bird's nest on her head,surrounded by flying birds, symbolizes the mind as a cradle of life, creativity,and evolving ideas. The flying birds represent thoughts gaining freedom.Through realistic details and a natural palette, it highlights our minds as livingecosystems where thoughts nurture, grow, and take flight into the world.

1.png)
Watercolor Artist
Sanders watercolor paper, mijello, Van gogh watercolor paint, calligraphybrush
35X50 2025
3.png)

01.jpg)
BIEAF2026 Invited Artist
Nga Thuy Do
Vietnam
Do Thi Thuy Nga , Year of Birth: 1961, Nationality: Vietnamese - PROFESSIONAL AFFILIATIONS Member of the Vietnam Fine Arts Association Member of the Hanoi Fine Arts Association - Vietnam - EDUCATION & PROFESSIONAL BACKGROUND Studied Painting at the Vietnam University of Fine Arts Studied at the Vietnam University of Industrial Fine Arts - TEACHING EXPERIENCE Previously worked as a Fine Arts teacher at various schools. - EXHIBITIONS Consistently participated in the annual fine arts exhibitions organized by theVietnam Fine Arts Association. Participated in group painting exhibitions at fine arts galleries in Hanoi. - COLLECTIONS Artworks are featured in several private collections.
1.jpg)
2.jpg)
Artis
Lacquer on wood, Watercolor on silk
Hau dong ( Spirit Medium ship) 90 x 120, 2025
Tinh mau tu (Maternal Love) 82 x 82, 2026
Goc dinh que (Corner of the Village Communal House) 60 x 80, 2021
Description of the work :
- Hau Dong (Spỉit Mediumship): Vietnamese Social and Cultural Heritage.
- Tinh mau tu (Maternal Love): Social Realism of the Northwest Highlands,Vietnam
- Goc dinh que (Corner of the Village Communal House): Vietnamese RuralLandscape
3.jpg)

01.jpg)
BIEAF2026 Invited Artist
Ngo Thanh Tram
Vietnam
Ngo Thanh Tram is a Vietnamese visual artist whose practice combinespainting and ceramics. Her works explore memory, cultural identity, family,and the relationship between tradition and contemporary society throughexpressive figurative language.
Tell us about BIEAF2026 'From Sun To Boy' :
I believe "From Sun To Boy" represents the passing of light, inspiration, andcreativity across generations. As an artist, I hope to share a personal storyrooted in Vietnamese culture while connecting with artists from around theworld through this exhibition.
1.jpg)
My father, The Bassoonist.
Oil on canvas 90cm x 90 cm 2026
Description of the work :
My Father, the Bassoonist is a tribute to my late father, a bassoon musicianhonored by the Vietnamese government with the title of Meritorious Artist.Rather than simply portraying his likeness, I transform sound into color,rhythm, and pictorial space. In my memory, music and painting have alwaysbeen two parallel languages. This work reflects the invisible bond between myfather's artistic legacy and my own creative journey.

01.jpg)
BIEAF2026 Invited Artist
Ngoc Anh Tran
Vietnam
Tran Thi Ngoc Anh (b. 1958, Hanoi) graduated in Sculpture from the HanoiUniversity of Industrial Fine Arts in 1982. A member of the Hanoi Fine ArtsAssociation and Vietnam Fine Arts Association, she expresses her reflectionson life’s beauty through painting and sculpture.
1.jpg)
Hoà tấu Ban mai - Morning Symphony
Traditional Lacquer 80x120 cm 2025
Morning Symphony (Hòa Tấu Ban Mai)
In Northwest Vietnam, as the old year gives way to the new, Mộc ChâuHighlands bloom with pink peach blossoms and white plum and pearblossoms. Artists travel there to immerse themselves in this beauty. At dawn,birds emerge from their nests, filling the mountains with songs that sound likea grand natural orchestra. Awakened by this harmony of color and music, Icaptured the moment in this painting, titled Morning Symphony.

01.jpg)
BIEAF2026 Invited Artist
Ngọc Cao
Vietnam
I am Cao Bich Ngoc, a graduate of the Vietnam University of Fine Arts, class of2009–2013. I am currently working as an Art teacher while continuing myartistic practice in oil painting and soft pastel. Teaching allows me to stayclose to the emotional world of children, and it deepens my interest in how artcan nurture memory, compassion, sensitivity, and the ability to perceive beauty. I have participated in several group exhibitions, sold artworks, and receivedinterest and commissions from a number of collectors. To me, painting is notonly a form of personal expression, but also a way to preserve and transmitenduring values: love, culture, family memory, and hope for the future. By joining this competition, I hope to bring the perspective of both an artistand an educator: gentle, feminine, emotionally layered, and directed towardchildren and the humanistic values we need to protect for future generations.
Tell us about BIEAF2026 'From Sun To Boy' :
To me, BIEAF2026 “From Sun To Boy” suggests a journey from the source oflight, life, and natural energy to the future generation of human beings. TheSun is not only a symbol of light and life, but also a source of spiritualnourishment, awakening love, compassion, and creativity. The Boy representsinnocence, hope, and the artistic human being who receives that light andcarries it forward to protect the world.
As both an artist and an Art teacher, I feel deeply connected to this theme. Ibelieve art can help children and future generations learn to perceive beauty,to love, to remember their roots, and to live in greater harmony with nature,humanity, and culture. Through my work, I hope to convey a quiet yet enduringkind of light: the light of maternal love, family memory, care, and hope for thefuture.
1.jpg)
In the Arms of Memory
Soft pastel 50x65 cm 2026
Description of the work : In the Arms of Memory approaches the BIEAF 2026 theme “From Sun To Boy”not through the direct image of the sun, but through a more intimate andenduring source of light: a mother’s love for her child. In the painting, a young mother is knitting beside her child’s cradle. The warm-colored threads evoke the color of sunlight, slowly woven through time,patience, and tenderness. To me, this act is not only about making a garmentto keep the child warm; it is also the weaving of an invisible shelter around thebaby — the mother’s “little sun,” and at the same time, an image of the futuregeneration. The thread suggests continuity: from the mother’s hands to the child, fromfamily memory to present life, from traditional values to hope for tomorrow. Ina rapidly changing world, I want to return to seemingly simple things: a cradle,a mother’s hands, the act of knitting, and the warmth of home. These aresymbols of care, preservation, and cultural transmission. If the sun is the source of life in nature, love is the source of life within thehuman soul. Through this work, I want to suggest that the future is protectednot only by great actions, but also by memory, culture, tenderness, and thecapacity to love — quietly nurtured from the very beginning of life.

02.jpg)
BIEAF2026 Invited Artist
Ngoc Nguyen
Vietnam
• Ý tưởng đươc hình thành thông qua văn hoa truyền thống của người Việt."Giao thoa giữa dân gian và công nghệ số" từ các bức tranh trước, bức này làmrất rõ thông điệp. Hình ảnh đầu Nghê/Lân bước ra từ một đám mây dữ liệu(Cloud) ảo ảnh màu hồng, xung quanh là trẻ em cầm các bảng ký hiệu côngnghệ thay cho đèn ông sao và các loại nhác khí khác, tạo ra một góc nhìnđương
Description of the work :
• Tôi Phác hình và Định vị bố cục: Tôi dùng nét (khả năng là chì hoặc màu nướcloãng) để định vị nhóm nhân vật trẻ em múa nghê/lân, chiếc chòi trung tâm, vàcác đường lượn của vầng trăng, đám mây dữ liệu số.
• Tôi nhuộm nền trời bằng sắc đỏ - cam (gợi không khí lễ hội trung thu rực rỡhoặc một không gian năng lượng bao trùm).Tôi đi mảng nền đất phía dưới bằng sắc xanh lá cây rực (lime green).Tôi bắt đầu tô màu cho trang phục các em bé (tím, vàng, nâu), vẽ chi tiết chiếcđầu Nghê/Lân ở trung tâm và các bậc thang
Cuối cùng, bạn dùng cọ nét nhỏ với màu đen/nâu đen để "khóa nét" toàn bộnhân vật, khuôn mặt, trang phục và các ký hiệu để chúng không bị nuốt vàolớp màu nền.
1.jpg)
TRƠI TRĂNG NGÀY NAY
Acrylic ,Cavas 60x80cm 2026
2_heic.png)
01.jpg)

01.jpg)
BIEAF2026 Invited Artist
Nguyễn Minh Chính
Vietnam
I am a professional artist from Vietnam. I have been passionate about paintingsince I was a child. My hobbies include painting people and landscapes. Mypreferred mediums are oil paint, acrylic, and lacquer. My first solo exhibitionwas titled "Cloudy Harbor" in 2021. I have participated in many groupexhibitions, including the Hanoi Fine Arts Exhibition and numerous others. Forme, art is like a journey through life. Painting is a place to express my emotionsand thoughts about life, depicting the emotional states and memories of anindividual. I consider art to be my purpose in life.
2.jpg)
1.jpg)
Clouds
Oil on canvas 150x100cm 2025
Description of the work :
I create many landscape paintings depicting the beautiful natural scenery inVietnam as well as in many countries around the world that I have traveled to.The medium I used in this exhibition is oil on canvas. The painting depicts amountainous landscape in northern Vietnam at dawn, with mist envelopingthe mountains. In the distance, golden rice ripens on the terraced fields, acharacteristic feature of the northwestern region of Vietnam. Naturallandscapes have always made a strong impression on me. Through this work, Iwant to share a message about the beautiful nature of Vietnam withinternational friends.
3.jpg)

.jpg)
BIEAF2026 Invited Artist
Nguyen Thi Hai Yen
Vietnam
My name is Nguyen Thi Hai Yen, born 1971 , a Vietnamese artist and agraduate of the University of Industrial Fine Arts. I am a member of both theVietnam Fine Arts Association and the Hanoi Fine Arts Association. Throughout my artistic journey, I have participated in numerous exhibitions atnational, regional, and association levels across Vietnam. Through my works, Istrive to express the beauty of life, culture, and human emotions. Some of myrepresentative artworks include Fighting Buffalo, Fragrance, Young Woman,Xuan Huong Lake, Dawn, Golden Dragon, My Sister, Flowers and Life, Waves,and Waiting. In 2024, I had the opportunity to participate in the International CreativeCamp in Bat Trang, where artists from different countries and backgroundscame together to exchange ideas and artistic experiences. My work has been recognized with several honors, including the C Prizeawarded by the National Committee of the Vietnam Union of Literature and Arts Associations and a Certificate of Merit from the Ho Chi Minh Museum. As an artist, I am passionate about exploring new creative possibilities whilepreserving the cultural values that inspire my work. I believe that art has thepower to connect people, evoke emotions, and enrich our understanding oflife. Through my creations, I hope to share meaningful stories and contributeto the growth of Vietnamese contemporary art.
Tell us about BIEAF2026 'From Sun To Boy' :
The theme symbolizes transferring the sun's bright, hopeful energy to the"child" or "boy". While the sun represents the maternal source of all creation,the boy represents the artist who uses art as a vessel to express hope, love,and freedom.
2.jpg)
About vilaage
Sculpture, ceramic 42cmx35cm 2026
This artwork portrays a humorous yet meaningful scene from traditional rurallife in Vietnam. The image captures a husband who has become drunk and,unable to walk steadily, clings to the tail of a horse. Meanwhile, his wife, havingreturned from the market, gently leads the horse home. Through this simpleeveryday moment, the artwork vividly reflects family life, village culture, andthe close bond between husband and wife. The contrast between the husband’s helpless condition and the wife’s calm,patient guidance creates a sense of warmth and lighthearted humor. Ratherthan criticizing the husband, the artwork emphasizes the understanding,tolerance, and care that often exist within family relationships. The wifebecomes a symbol of responsibility and devotion, while the husbandrepresents the imperfect yet familiar human side of everyday life. The horse also plays an important symbolic role. As a faithful companion inrural communities, it acts as a bridge connecting the couple and helping guidethem safely home. This element strengthens the feeling of security,belonging, and family unity. Through expressive forms and dynamic composition, the artwork not onlycaptures a memorable story but also celebrates the beauty of ordinary life. Itreminds viewers that art can be found in simple moments and that familyaffection is often revealed through small acts of care and understanding. Overall, the work combines humor, humanity, and cultural identity, offering avivid reflection of Vietnamese rural life while conveying universal values oflove, patience, and companionship.

01.jpeg)
BIEAF2026 Invited Artist
NGUYEN THI MINH HONG
Vietnam
Minh Hong is a Vietnamese contemporary artist whose Cubist-inspiredpaintings explore humanity, memory, and resilience. Through expressive formsand vibrant colors, she transforms everyday moments into timeless storiesthat celebrate the strength and dignity of ordinary people.

3.jpeg)
Midday Rest
Acrylic 70cmx105cm 2026
1.jpeg)
Description of the work :
This painting portrays three women sharing a quiet moment of rest in theforest. Through fragmented forms, expressive brushstrokes, and warm colors,it celebrates friendship, resilience, and the dignity of working women. Thework invites viewers to discover peace and human connection in the midst ofnature.
2.jpeg)

01.jpg)
BIEAF2026 Invited Artist
Nguyen Thi Thien
Vietnam
Nguyen Thi Thien is a Vietnamese silk painter and lecturer at Ha LongUniversity. Her artistic practice focuses on preserving and promoting thecultural heritage of Vietnam through contemporary silk painting, inspired byethnic traditions, festivals, and the beauty of nature.
1.jpg)
Cemellia Festival
Silk 86 x 150 cm 2025
Description of the work :
“Camellia Festival” portrays Dao women in their traditional costumes duringthe blooming camellia season in Quang Ninh, Vietnam. The silk mediumenhances the gentle colors and poetic atmosphere, celebrating culturalidentity, community harmony, and the enduring relationship between peopleand nature.
Tell us about BIEAF2026 'From Sun To Boy' :
Art connects people, culture and nature. Through my silk painting “CamelliaFestival”, I would like to share the beauty of Vietnamese ethnic culture, theharmony between humans and nature, and the hope that art can inspireunderstanding, peace and respect for cultural diversity.

02.jpg)
BIEAF2026 Invited Artist
Nguyen Thuy Duong
Vietnam
Nguyen Thuy Duong is an artist working with traditional lacquer, approachingthe medium through a contemporary lens. Her works explore themes of originand the cosmos, expressing the relationship between human form and theuniverse.
Through lacquer, she creates visual depth and distinctive spatial effects,enhancing the sensory experience of her compositions.
3.png)
1.png)
he Cloud's Prayer (Lời Nguyện Của Mây)
Lacquer on Wood 90x110cm 2026
Description of the work :
In the quiet solemnity of the night, a pregnant mother sits peacefully upon abed of flowers, embodying the enduring spirit of life. Above her, a silver cloudserves as a divine witness, offering blessings through every gentle raindrop.The artwork reflects the harmonious connection between heaven, earth, andhumanity, where each drop carries hope and unconditional love. The warmgolden glow of the figure contrasts beautifully with the deep bluebackground, creating a tender lullaby of anticipation and protection.
2.png)

01.jpg)
BIEAF2026 Invited Artist
Nhan Ngo Thanh
Vietnam
Biography of Artist Ngô Thành NhânArtist Ngô Thành Nhân specializes in the traditional medium of lacquerpainting. He lives, studies, and creates in Hanoi, coming from a family withthree generations of architects and artists.Education and Professional Background:Education: Graduate of the Hanoi University of Industrial Fine Arts.Work Experience: He previously worked at the Central Fine Arts Company andthe Culture - Information Publishing House.Artistic Activities and Achievements:Memberships: He is a member of both the Vietnam Fine Arts Association andthe Hanoi Fine Arts Association.Exhibitions: He regularly participates in domestic and international fine artsexhibitions.Awards & Collections: He has received numerous domestic fine arts awards,and his works are currently preserved at the Vietnam Fine Arts Museum.
2.jpg)
1.jpg)
Market 1 ,2 ,3
Lacquer 120x120 cm 2026
Description of the work : This evocative oil painting captures a bustling, vibrant marketplace scene,likely set in the mountainous regions of Northern Vietnam. The composition isbathed in a warm, radiant palette dominated by golden-yellow tones, whichimbue the entire canvas with a sense of sun-drenched atmosphere andtimeless energy. ### A Tapestry of Daily Life The painting is densely populated, showcasing a myriad of activities thatdefine life in a rural market. Small groups of people are scattered across theforeground and middle ground, depicted with a stylized, almost abstractapproach that emphasizes their collective movement rather than individualportraits. The figures, mostly women, are adorned in traditional ethnicclothing, accented with bright, singular touches of red headscarves andaccessories. These flashes of red act as visual anchors, guiding the viewer'seye across the busy scene. ### The Integration of Nature and Commerce Central to the composition is the presence of animals, which are seamlesslyintegrated into the human activity. Various horses, goats, and possibly cattleare interspersed among the people, reflecting the interconnectedness ofagricultural life and trade. Some animals are grazing or standing quietly, whileothers seem to be part of the commerce, waiting alongside their owners. Thepresence of these animals adds a dynamic, rustic texture to the painting,suggesting a place where the distinction between domestic life and themarketplace is fluid. ### Artistic Style and Technique The artist employs a post-impressionistic style, favoring expressive brushworkand color over hyper-realistic detail. The thick application of paint, or*impasto*, gives the surface a tactile quality. The lighting is particularlystriking; a large, glowing arc of brilliant yellow looms behind the figures,almost like a setting sun or a halo, casting a warm, enveloping light thatflattens the space and unifies the various elements. This golden light is theheartbeat of the painting, turning an ordinary scene of trade into somethingtranscendental and dreamlike. ### Atmosphere and Narrative The overall mood is one of industrious harmony. Despite the density of thefigures and animals, the scene does not feel chaotic; rather, it feels like a well-choreographed dance of everyday existence. There is a profound sense ofcommunity, tradition, and the rhythmic cycle of rural life. The painting invitesthe viewer to step into this golden, sun-baked world and witness the quietdignity of a culture deeply rooted in its landscape. It is a celebration of humanperseverance and the timeless simplicity of a market day, preserved in aneternal, glowing amber hue.
3.jpg)

01.jpg)
BIEAF2026 Invited Artist
Niki Giannikou
Cyprus
Niki Giannikou was born in Cyprus. She is an accomplished iconographer andvisual artist based in Chania of Crete in Greece. After a thirty year academiccareer at the Technical university of Crete, following a computer sciencedegree from the University of Wales, she fully dedicated herself to her art in2022. Specializing in egg tempera on wood, her hagiography reflectsRenaissance influences, the Byzantine tradition and the Venetian-Cretanschool. Her oil paintings capture Cyprus, Rizokarpasson, where was born,landscape snd portraits. Awarded the excellence award at the Cyprus Trienale Agia Napa2025 , herwork spans exhibitions in Greece, Cyprus,and on line, leading to her upcoming(june2026) exhibition in Venice. She looks forward to a solo exhibition inChania and in Cyprus.
1.jpg)
Rizokarpasson , my village.
Oil on canvas 50x70cm 2026
Description of the work :
"Rizokarpasson, my village " is a deeply personal landscape painting thatcaptures the serene and untouched beauty of the artists occupiedhomeland.The artwork masterfully contrasts the vibrant crystal clear axure ofthe sea with the lush rolling green hills that frame the coast line. Utilizing theharmonious combination of pallet knife and brush technique. This is more thana landscape; It is a nostalgic visual homage to a deeply missed home.

01.jpg)
BIEAF2026 Invited Artist
NALINI MISRA TYEBJI
INDIA
**Nalini Tayabji – Artist Profile** A lifelong creator, **Nalini Tayabji's** artistic journey began in childhood with a fascination for colour, form, and storytelling. From collecting and re-stringing vibrant glass beads to crafting handmade pop-up books and miniature cinemas, creativity became an integral part of her identity from an early age. Drawing before the age of five, she explored a variety of mediums over the years—pencil, coloured pencil, oils, and eventually watercolours, which became her true passion. Deeply inspired by Kangra Miniatures, the Krishna tradition, and the mastery of Chinese watercolour artists, her work reflects a sensitive understanding of colour, space, and emotion. Nalini's first solo exhibition was held at the Shridharani Gallery, New Delhi, in 1980, followed by a diverse career in teaching, entrepreneurship, jewellery design, and textile development in the Kumaon hills. Each experience enriched her artistic vision and strengthened her connection to craft, design, and aesthetics. Subsequent exhibitions at the India International Centre and The Attic further established her distinctive artistic voice. Her work celebrates imagination, whimsy, and the beauty hidden within everyday life. Whether through colour, shape, texture, or narrative, Nalini invites viewers to look beyond the surface and discover deeper layers of meaning. For her, art is not merely a practice—it is a way of seeing, understanding, and defining oneself.
The theme **"From Sun to Boy"** beautifully symbolizes the journey of light, hope, energy, and wisdom being passed from one generation to the next. It reminds us that every child carries within them the potential to shine, grow, and illuminate the world around them. The theme inspires optimism, creativity, and a deeper connection between nature, humanity, and the future.
1.png)
Nature’s Hidden Networks
MIX MEDIA 23X16 2026
Description of the work :
This mixed-media abstract painting symbolizes the interconnectedness of nature through flowing forms, layered textures, and organic pathways. Shades of blue and green represent water, vegetation, and life, while vibrant yellow accents signify energy and renewal. The composition reflects the delicate balance of ecosystems, reminding us that all elements of the environment are linked and must be protected for a sustainable future.

01.jpg)
BIEAF2026 Invited Artist
Nobuo Yoshikawa
Japan
1975 Training at St. Martin’s School of Art, London, Print workshop, London.1987 Planning, production and participation of “KAMAE EXIBITION” atLondon.1993 Exhibition of “Bamboo City” at Sumida Riverside Hall (Japan)2000 Korean Paion Media Art 2000(Japan side examination committee)2001 ARTEX LONDON 2002 JAPAN 2001 PRIZE “ITUKAKU1”2002 spin art Onahama (environmental art society)2003 SJP Osaka International Exhibition 2003 “video movie”2008 international Openair Expressions HIKI 2008 “video movie”2010 CONTEMPORARY ART FROM JAPAN Konsthall,Sweden “Geometry 1”2011 THE POWER OF ART Soul Art Space2013 Japaneese Art in Kranj,july 20132016 KAN-HIKARI ART EXPO KAMAKURA Engakuji Temple Ryuinan2018 KAN-HIKARI ART EXPO KYOUTO KAMAKURA2019 ISTA biennale IRIYA gallery2019 Odawara Castle ART NOW 2019 “video movie” end2021 Odawara Castle Castle tower
1.jpg)
2.jpg)
Nature’s Hidden Networks
MIX MEDIA 23X16 2026
Description of the work :
My senses-sight,hearing,smell,taste,and touch-from the top of my headto the tips of my toes,are now being tossed about in the ocean ,like a primitivelife form before birth.Faintly drifting,like a bubble that seems about todisappearbut never does,et undeniably alive.Chaos,Chaos ,Chaos.My journey is about to begin,

02.jpg)
BIEAF2026 Invited Artist
Nono Zilahi
Romania
Nono Zilahi - graphic artist and graphic designer graduating from theUniversity of Art and Design - Cluj-Napoca. She is a member of internationalart organizations and a Brand Ambassador for International Art Caravan,Bindaas Artist Group, Vision Art Media (USA), Sun Boats Exhibitions. She isCo-Chair of BIEAF and a committee member from 2023-2025.
Tell us about BIEAF2026 'From Sun To Boy' :
For me, "From Sun To Boy" represents the connection between creation,humanity, and nature. The theme can also be interpreted from a spiritualperspective, referring to the relationship between God, humanity, andcreation.

2%20Nono%20Zilahi_The%20Warden%20of%20the%20Garden_2026_digital%20co.jpg)
The Guardian and the Garden,
The Warden of Garden
mixed media, digital collage, CGD
40x30 cm 2026
Description of the work :
The Guardian and the Garden is a metaphorical reflection on humanity's needto return to its origins and reconnect with nature. The image can also beinterpreted through a Christian perspective, where the Guardian maysymbolize the Son of God as a protector and caretaker of creation.
The Warden of the Garden - metaphorically depicts the Guardian or Wardenas the keeper and protector of the garden. The artwork can also beinterpreted from a Christian perspective by evoking the Garden of Eden, thecreation of the world, the figure of the first human, or the Son of God as theguardian of creation.
1%20No.jpg)

1.jpg)
CARIÑO DE MADRE
OLEO SOBRE LIENZO 80 x 70 CMS 2024
Description of the work :
LA PINTE DE UNA FOTO QUE TOME EN PUERTO CARREÑO . VICHADA.CARIÑO DE MADRE


























01.jpeg)
2.png)
01.jpg)